Bøger af Victoria Stewart

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This book examines how ideas about crime and judicial procedure that had developed in a domestic context influenced the representation and understanding of war crimes trials, victims of war crimes, and war criminals in post-WW II Britain. The depiction of Belsen concentration camp and the subsequent British-run trial are a focal point.

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When Claudine meets Henry, a starving artist, she falls head over heels. Her mother, a financial guru, has her doubts. Is Henry everything her daughter has been looking for? Or is he after only one thing? A modern-day adaptation of Henry James's Washington Square, RICH GIRL is about women and their relationship to men, mothers, and money, in that order.

What happens when news becomes entertainment and politics become a performance? Virginia Eames, an aspiring political pundit, attempts to negotiate her way through the constantly shifting landscape of cutthroat commentary and learns what it takes to be a star.

Focusing on the upsurge of interest in the Second World War in recent British novels, this monograph explores the ways in which secrecy and secret work - including code-breaking, espionage and special operations - have been approached in representations of the war. It considers established writers, including Muriel Spark, Sarah Waters and Kazuo Ishiguro, as well as newer voices, such as Liz Jensen and Peter Ho Davies. The examination of the after-effects of involvement in secret work, inter-generational secrets in a domestic context, political allegiance and sexuality shows how issues of loyalty, deception and betrayal are brought into focus in these novels. Key Features* Breaks new ground in considering the Second World War in contemporary culture* Contributes to debate on established novelists such as Muriel Spark* Intervenes in ongoing debates about historical fiction