Bøger af Vilém Flusser

First English translation of 20th century German philosopher Vilm Flusser's 1994 book, Von der Freiheit des Migranten

Den tjekkisk-brasilianske filosof Vilém Flusser (1920-1991) begiver sig i Vampyroteuthis infernalis ud på en ekspedition, ned i det – for osmennesker absolut ukendte – dybeste hav, for at forståkæmpeblækspruttens væsen. I dybet finder han nøglen til at forstå osselv, både som æstetiske, filosofiske, politiske og biologiskeskabninger.Vampyroteuthis infernalis overskrider på alle måder vores forestillinger og traditionelle begreber til at forstå verden.Derfor er det også nødvendigt for Flusser at forkaste den traditionellevidenskab og dens rigide begreber. Vampyroteuthis infernalis er enskrift, en traktat, en fabel, en fabulering der forsøger at forståverden i en krydsbestøvning mellem kunst og videnskab.

"Science is interesting precisely because it relates to me. It is a human function just as much as breathing is: it is an existential interest. And an entirely objective science would be uninteresting, inhuman. The search for scientific objectivity is revealing itself in its continual advancement not as a search for "purity", but as pernicious madness. The present essay demands that we give up the ideal of objectivity in favour of other intersubjective scientific methods." ---- "De te fabula narratur". Thus starts this paranaturalist treatise by Vilém Flusser. Author of the seminal Towards a Philosophy of Photography (1984) and "Ins Universum der Technischen Bilder" (1985), Flusser introduces us here to an infernal creature from the oceanic abysses, our long lost relative, who slowly emerges, not from the oceans, but from our own depths to gaze spitefully into our eyes and reflect back at us our own existence. ---- Originally published only in German in 1987, this version has been edited and translated by Rodrigo Maltez Novaes, Ph.D. candidate at the European Graduate School, Saas-Fee, under the supervision of Prof. Dr. Siegfried Zielinski, from the original, unpublished and extended Brazilian-Portuguese version of the manuscript recently found at the Vilém Flusser Archive at the Universität der Kunst, Berlin. This edition is also accompanied by a selection of previously unpublished excerpts from Flusser's correspondence with Milton Vargas and Dora Ferreira da Silva, with whom he discussed the development of the present text.

In Language and Reality, originally published in S\u00e3o Paulo, Brazil, in 1964, Vil\u00e9m Flusser continues his philosophical and theoretical exploration into language. He begins to postulate that language is not simply a map of the world but also the driving force for projecting worlds and enters then into a feedback with what is projected.Flusser\u2019s thesis leads him to claim, in a seemingly missed encounter of a dialogue with Wittgenstein, that language is not limited to its ontological and epistemological aspects but rather is at the service of its aesthetic. Traversing a diverse area of research and ruminations on cybernetics to poetry, music, the visual arts, religion, and mysticism, Language and Reality can be viewed as a vital transitional work in Flusser\u2019s emerging thought that will eventually lead to his works in the 1970s and 1980s concerning what we would later consider media theory, design, and digital culture.

A prescient exploration of the fate of the book in the digital age.

An examination of the promise and peril of digital communication technologies.

Is there any room left for freedom in a programmed world? This is theessential question Vilem Flusser asks in Post-History. This first Englishtranslation of Post-History brings to an Anglophone readership Flusser'sfirst critique of apparatus as the aesthetic, ethical, and epistemological model of present times.

The first English-language anthology of Vilem Flusser's work, this volume displays the extraordinary range and subtlety of his intellect. A number of the essays gathered here introduce and elaborate his theory of communication. While taking dystopian, posthuman visions of communication technologies into account, Flusser celebrates their liberatory and humanizing aspects. Other essays present Flusser's thoughts on the future of writing, the revolutionary nature of photography, and his unconventional concept of posthistory. Taken together, these essays confirm Flusser's importance and pre-science within contemporary philosophy.