Bøger af Virginia Winters

A Christmas holiday in Vermont turns deadly for Dr Anne McPhail whose hopes for a quiet family celebration with Thomas Beauchamp derail when his children reject her, and his mother falls ill. Anne flees to her friend Catherine's B&B for comfort and a place to stay, but when she goes for a walk in the snow to the town square, she stumbles across a body in her friend Erin's antique store. A few hours later, Erin disappears. Is Erin a suspect or a victim? While Anne joins the search, an old adversary, plotting revenge, arrives from Europe. Anne stumbles over another body, and then the killer closes in on her.

Anne McPhail is back in Culver's Mills, Vermont for a quiet holiday. But Culver's Mills is an unlucky spot for her vacation. She finds the dead body of a naked man, and is soon helping her friend Adam Davidson to in-vestigate the murder. Who is the dead man and what was his involvement with the theft of a painting and a sampler from the art gallery? Who owns the art, James Trevelyan, an elderly man whose genealogy may hold the key, or the owners of Evan's, the restaurant where they were found? More bodies turn up as the murderer kills the others in his criminal gang. Then he turns his attention to Anne.

Anne McPhail is on holiday in Bermuda, visiting her sister. She stumbles upon a murder in progress and this time, she is more than just a witness, she is a suspect, dealing with a police officer who decides Anne is guilty, and sticks to it in face of the evidence or lack of it. But more is going on than a random murder. Anne is caught in the middle a dangerous assassination plot. When she inadvertently upsets the killer 's plan, he turns his attention to her. The risk spreads to her family and friends and then Thomas Beauchamp arrives on Bermuda. When his role is revealed, Anne's life takes a dangerous turn.

Anne McPhail, retired pediatrician, shattered by her experience in Bermuda, rents a tiny house in Setenil, Spain, hoping to reconcile what she learned about herself and Thomas after the gunfire in that dark room on the island. But she sees a child on the terrace of the local cafe who doesn't seem to belong to her minders and then Ari, the Mossad agent who saved Anne's life, seeks her out with a plan to rescue the child from kidnappers. Should she trust him? Three days later, she is on the run with Ari and the little girl, with killers Esti and Sergio on their trail. She glimpses a man she thinks is Thomas. Is he, too in Spain?And why? How far will Anne go to save Naomi? From Spain to France to Italy, this is Anne's most dangerous journey.

Pediatrician and amateur genealogist Anne McPhail arrives in the Vermont town of Culver's Mills on a journey into her own past. But she when she finds the dead body of the woman she was coming to meet, reference librarian Jennifer Smith, her journey takes a dangerous turn, into a history that includes hidden scandal and blackmail among the town elites. Local police enlist Anne's help but she comes close to losing her own life before exposing the killer in their midst.

Sarah Downing, a newly-minted Ph.D. in art history, in Kingston, Ontario, receives an assignment to conserve a copy of a Caravaggio. While writing the description, her thoughts turn to the imminent release from prison of her brutal ex-husband Jimmy. She had testified against Jimmy and disappeared into the American Witness Protection Program(WitSec).Sarah is convinced the Caravaggio is original. When an accident in the studio reveals a second copy, Sarah suspects the Director of the museum, Gregory Lang and her boss, Veronica Houstead, of planning to sell the original. She is determined to save it from the black market in stolen art.When Jimmy shows up on her street, Sarah is forced to call the Witness Protection Service and run once again but she can't leave the painting to be sold. She hides it and flies to Italy to find the owner, Simon Wolfe. During the time in Italy they fall in love, but Sarah doesn't reveal all her secrets to him. Back in Kingston, the painting has disappeared. Simon is furious, and Sarah runs away from him, north to hide until she can reach WitSec. When she does, they have lost her file. Meanwhile, Jimmy is hunting for her. What will happen to Sarah when Jimmy and Gregory partner to find the painting? What role will Veronica play? What about Simon and their fragile love? And will the Caravaggio survive?