Bøger af W. E. B. Du Bois

One of the preeminent Black scholars of his era traces the life and bold aspirations of a man who devoted his life to opposing slavery at any cost.W.E.B. Du Bois examines John Brown as a man as well as a motive force behind the abolitionist sympathies that helped lead to the Civil War. He traces Brown's sympathy for slaves to an incident in his youth when he was warmly received by a family that treated their slave with casual brutality. At the time it was written, John Brown was widely considered a fanatic at best, a lunatic at worst, but here he is seen clearly as a man driven by his Christianity and his personal morals to oppose what he clearly perceived as a tremendous wrong in society, and to do so regardless of whatever toll it might take upon him. The author examines Brown's impact on the minds of those who understood that the abolitionist cause was supported primarily by Blacks, on the lives of Blacks who discovered a white man willing to fight and die for their freedom, and by the masses who found that slavery was not only an actionable moral issue, but one of deadly urgency. Originally published in 1909, on the 50th anniversary of Brown's execution, this is W.E.B. Du Bois's only work of biography. Although less known than the author's The Souls of Black Folk or Black Reconstruction in America, John Brown remains a classic distinguished by its author's deep understanding and eloquence.With an eye-catching new cover, and professionally typeset manuscript, this edition of John Brown is both modern and readable.

The Souls of Black Folk is a 1903 work of American literature by W. E. B. Du Bois. It is a seminal work in the history of sociology and a cornerstone of African-American literature. The book contains several essays on race. To develop this work, Du Bois drew from his own experiences as an African American in American society. Outside of its notable relevance in African-American history, The Souls of Black Folk also holds an important place in social science as one of the early works in the field of sociology.In The Souls of Black Folk, Du Bois used the term "double consciousness," perhaps taken from Ralph Waldo Emerson ("The Transcendentalist" and "Fate"), applying it to the idea that black people must have two fields of vision at all times. They must be conscious of how they view themselves, as well as being conscious of how the world views them. Du Bois had transdisciplinary training and he provided a historical context for black religion and culture. His concept of "double-consciousness" and other concepts from Souls have been highly influential on other scholars in their interpretations of black culture and religion.

The Souls of Black Folk is a classic work of American literature by W. E. B. Du Bois, a seminal work in the history of sociology.

This vintage book contains W. E. B. Du Bois' 1903 work, "The Souls of Black Folk". A classic work of American history and sociology, it constitutes a seminal piece of African-American literary history. It contains essays chiefly on the subject of race and is based on the author's own experiences as an African-American in the late nineteenth century. "The Souls of Black Folk" is a seminal early work in the field of sociology and is highly recommended for those with an interest in American history. Contents include: "The Forethought", "Of Our Spiritual Strivings", "Of the Dawn of Freedom", "Of Mr. Booker T. Washington and Others", "Of the Meaning of Progress", "Of the Wings of Atalanta", "Of the Training of Black Men", "Of the Black Belt", "Of the Quest of the Golden Fleece", "Of the Sons of Master and Man", "Of the Faith of the Fathers", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new biography of the author.

The Comet (1920) is a science fiction story by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging black artists of the Harlem Renaissance, The Comet is a pioneering work of speculative fiction which imagines a catastrophic event not only decimating New York City, but bringing an abrupt end to white supremacy. "How silent the street was! Not a soul was stirring, and yet it was high-noon--Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs." Sent to the vault to retrieve some old records, bank messenger Jim Davis emerges to find a city descended into chaos. A comet has passed overhead, spewing toxic fumes into the atmosphere. All of lower Manhattan seems frozen in time. It takes him a few moments to see the bodies, piled into doorways and strewn about the eerily quiet streets. When he comes to his senses, he finds a wealthy woman asking for help. Soon, it becomes clear that they could very well be the last living people in the planet, that the fate of civilization depends on their ability to come together, not as black and white, but as two human beings. But how far will this acknowledgment take them? With a beautifully designed cover and professionally typeset manuscript, this edition of W. E. B. Du Bois' The Comet is a classic work of African American literature reimagined for modern readers.

In Darkwater: Voices from Within the Veil, early twentieth-century statesman of Black-American discourse W.E.B. Du Bois weaves autofiction with poetry, social essay, science fiction, and Afrofuturist storytelling that presages Butler, Due, Adjei-Brenyah, Shawl, and Jemisin. Three wise men gather as a Christ child of color is born in a Georgia shanty; a reflection on World War I reframes its bloody legacy against the wages of Western imperialism; a deadly race riot in the streets of East St. Louis on the eve of the Fourth of July is revisited as part of a long continuum of exploited inequities, workers' rights violations, and race hatred; and a post-apocalyptic New York finds a Black man and white woman, possibly the last two people on Earth, on the verge of a new reckoning. Du Bois plunges twenty-first century readers into his protean and mysterious text, one that begs us to examine how the Black American experience has changed these last hundred years--and how it remains the same. Originally published in 1920, Darkwater is reprinted here in a luxurious new hardcover edition, with full-page illustrations by Jamiel Law.

Initially published in 1920, Darkwater: Voices from Within the Veil is a combination of essays that tackle the power dynamics of gender, race and religion. It¿s a searing portrait of America influenced by Du Bois¿ own personal experiences. Du Bois delivers a contemporary examination of African American life during the first half of the twentieth century. He addresses issues of segregation, employment disparity and misogyny, specifically toward Black women. Darkwater: Voices from within the Veil is one of his prominent autobiographies, detailing internal and external conflicts and their effect on the whole. He presents an overall indictment of systemic racism, oppression and exploitation of any kind. W.E.B. Du Bois was a celebrated figure who dedicated his life to uplifting and educating the African American community. Darkwater: Voices from within the Veil is a critical part of his enduring legacy. It broaches tough topics and presents a valid critique of American culture. With an eye-catching new cover, and professionally typeset manuscript, this edition of Darkwater: Voices from within the Veil is both modern and readable.

Sweeping across African American history and culture in the shadow of slavery and ongoing racism, The Souls of Black Folk laid bare challenging issues sadly still relevant more than 100 years after its first publication.This collection of 14 essays is a cornerstone work of African-American literature. The author examines history and the social conditions of his era, balancing his observations with philosophical asides and autobiographical insights. He describes the central issue of the 20th century as "the problem of the color line"" --a divide both visible and invisible, a veil between blacks and the white world that needs to be broken through before those on either side of it can truly know one another. He describes the tension arising from being both black and American as a dual consciousness, a unique identity which had long been a disadvantage but could conceivably become a source of strength. First published in 1903, this profoundly influential text is an acclamation of human rights, a condemnation of the systems that infringe upon them, and one of the most significant books to contribute to the cause of racial equality in US history.Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Historian, sociologist, novelist, editor, and political activist, William Edward Burghardt Du Bois was the most gifted and influential black intellectual of his time. This Library of America volume presents his essential writings, covering the full span of a restless life dedicated to the struggle for racial justice.The Suppression of the African Slave-Trade to the United States 1638-1870 (1896), his first book, renders a dispassionate account of how, despite ethical and political opposition, Americans tolerated the traffic in human beings until a bloody civil war taught them the disastrous consequences of moral cowardice.The Souls of Black Folk (1903), a collection of beautifully written essays, narrates the cruelties of racism and celebrates the strength and pride of black America. By turns lyrical, historical, and autobiographical, Du Bois pays tribute to black music and religion, explores the remarkable history of the Reconstruction Freedman's Bureau, assesses the career of Booker T. Washington, and remembers the death of his infant son.Dusk of Dawn (1940) was described by Du Bois as an attempt to elucidate the "race problem" in terms of his own experience. It describes his boyhood in western Massachusetts, his years at Fisk and Harvard universities, his study and travel abroad, his role in founding the NAACP and his long association with it, and his emerging Pan-African consciousness. He called this autobiography his response to an "environing world" that "guided, embittered, illuminated and enshrouded my life."Du Bois's influential essays and speeches span the period from 1890 to 1958. They record his evolving positions on the issues that dominated his long, active life: education in a segregated society; black history, art, literature, and culture; the controversial career of Marcus Garvey; the fate of black soldiers in the First World War; the appeal of communism to frustrated black Americans; his trial and acquittal during the McCarthy era; and the elusive promise of an African homeland.The editorials and articles from The Crisis (1910-1934) belong to the period of Du Bois's greatest influence. During his editorship of the NAACP magazine that he founded, Du Bois wrote pieces on virtually every aspect of American political, cultural, and economic life. Witty and sardonic, angry and satiric, proud and mournful, these writings show Du Bois at his freshest and most trenchant.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

A thorough account of Africäs history and its lasting influence on Western culture told from the perspective of the disparate descendants who inherited its legacy. W.E.B. Du Bois highlights the hidden stories that connect these varied communities.Originally published in 1915, The Negro presents an expansive analysis of the African diaspora over the course of history. W.E.B. Du Bois uses a critical eye to survey the early depictions of the continent, debunking stereotypical myths about its social structure. He addresses the generational impact of slavery as well as the capitalistic system that made it possible. It¿s an honest look at the effects of white supremacy, classism and its place in modern society. From Ethiopia and Egypt to the West Indies and Latin America, Africäs influence is undeniable. The Negro sheds light on the ignored history of the continent and its many descendants. It¿s a vital piece of literature that acknowledges and celebrates its cultural power. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Negro is both modern and readable.

Sweeping across African American history and culture in the shadow of slavery and ongoing racism, The Souls of Black Folk laid bare challenging issues sadly still relevant more than 100 years after its first publication. This collection of 14 essays is a cornerstone work of African-American literature. The author examines history and the social conditions of his era, balancing his observations with philosophical asides and autobiographical insights. He describes the central issue of the 20th century as "e;the problem of the color line"e; --a divide both visible and invisible, a veil between blacks and the white world that needs to be broken through before those on either side of it can truly know one another. He describes the tension arising from being both black and American as a dual consciousness, a unique identity which had long been a disadvantage but could conceivably become a source of strength. First published in 1903, this profoundly influential text is an acclamation of human rights, a condemnation of the systems that infringe upon them, and one of the most significant books to contribute to the cause of racial equality in US history. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Souls of Black Folk is both modern and readable.

One of the preeminent Black scholars of his era traces the life and bold aspirations of a man who devoted his life to opposing slavery at any cost. W.E.B. Du Bois examines John Brown as a man as well as a motive force behind the abolitionist sympathies that helped lead to the Civil War. He traces Brown's sympathy for slaves to an incident in his youth when he was warmly received by a family that treated their slave with casual brutality. At the time it was written, John Brown was widely considered a fanatic at best, a lunatic at worst, but here he is seen clearly as a man driven by his Christianity and his personal morals to oppose what he clearly perceived as a tremendous wrong in society, and to do so regardless of whatever toll it might take upon him. The author examines Brown's impact on the minds of those who understood that the abolitionist cause was supported primarily by Blacks, on the lives of Blacks who discovered a white man willing to fight and die for their freedom, and by the masses who found that slavery was not only an actionable moral issue, but one of deadly urgency. Originally published in 1909, on the 50th anniversary of Brown's execution, this is W.E.B. Du Bois's only work of biography. Although less known than the author's The Souls of Black Folk or Black Reconstruction in America, John Brown remains a classic distinguished by its author's deep understanding and eloquence. With an eye-catching new cover, and professionally typeset manuscript, this edition of John Brown is both modern and readable.

Essential reading for students of African-American history

This historical account of the transatlantic slave trade between Africa and the United States is filled with a wealth of records, details and analyses of its attempted suppression.The various moral, economic and religious arguments against slavery were clear from the outset of the practice in the early 16th century. The ownership of a human life as an economic commodity was decried from religious circles from the earliest days as an immoral affront to basic human dignity. However the practice of gaining lifelong labor in exchange only for a basic degree of care meant slavery persisted for centuries across the New World as a lucrative endeavor. The colonial United States would, from the early 17th century, receive many thousands of slaves from Africa. Many of the slaves transported were sent to work on plantations and farms which steadily spread across the warmer southern states of the nation. Others would do manual work on the docks, for instance moving goods in the fledgling trading colonies.