Bøger af Wayne Miller

Negotiated Peace is a behavior modification system designed to help people who are struggling with issues around body weight establish permanent, healthy weight management behaviors. Whether you are currently overweight or not, doesn't matter. If you are caught up in a seemingly eternal war over weight, this book is for you. After reading this book and performing the assignments and exercises outlined, you will become victorious in the war over weight and be able to settle the war permanently with a negotiated peace. In contrast to any other weight-loss book or health promotional, Negotiated Peace teaches you how to change your behaviors permanently. In other words, other programs may teach you how to behave differently, but they do not teach you how to change your behavior. Everyone can be victorious in the war over weight, but it won't happen unless you go beyond the realm of learning how to behave and into the realm of learning how to change behavior. Negotiated Peace will bring you there.

Camp Clean Water is a fun adventure story about six grade school students who have entered their school's science fair with exhibits on keeping our water environment clean. These students are from communities near beaches, swamps, rivers, and the Gulf of Mexico. Helping these communities respect these bodies of water and keep them free of pollution and litter are the major goals the students are showing in their science projects. Winning their school science fair earns them a week at the Camp Clean Water where biologists and water experts will enrich their knowledge of the affects of pollution on water.

Copper Nickel is the national literary journal housed at the University of Colorado Denver. It is edited by poet, editor, and translator Wayne Miller (author of five collections, including We the Jury and Post-, coeditor of Literary Publishing in the Twenty-First Century, and co-translator of Moikom Zeqo’s Zodiac) and co-editor Joanna Luloff (author of Remind Me Again What Happened and The Beach at Galle Road)—along with poetry editors Brian Barker (author of Vanishing Acts, The Black Ocean, and The Animal Gospels) and Nicky Beer (author of Real Phonies and Genuine Fakes, The Octopus Game and The Diminishing House), and fiction editors Teague Bohlen (author of The Pull of the Earth), Christopher Merkner (author of The Rise & Fall of the Scandamerican Domestic), and Emily Wortman-Wunder (author of Not a Thing to Comfort You).Since the journal’s relaunch in 2015, work published in Copper Nickel has been regularly selected for inclusion in Best American Poetry, Best American Short Stories, Best Small Fictions, Best Literary Translations, and the Pushcart Prize Anthology, and has often been listed as “notable” in the Best American Essays. According to Clifford Garstang’s 2023 literary journal rankings, Copper Nickel is ranked number 10 for poetry and number 34 for fiction, out of more than 700 regularly publishing literary journals.Contributors to Copper Nickel have received numerous honors for their work, including the Nobel Prize; the National Book Critics Circle Award; the Pulitzer Prize; the Kingsley Tufts Poetry Award; the Kate Tufts Discovery Award; the Laughlin Award; the American, California, Colorado, Minnesota, and Washington State Book Awards; the Georg Büchner Prize; the Prix Max Jacob; the Griffin Poetry Prize; the Lenore Marshall Prize; the T. S. Eliot and Forward Prizes; the Anisfield-Wolf Book Award; the Alice Fay Di Castagnola Award; the Lambda Literary Award; as well as fellowships from the NEA and the MacArthur, Guggenheim, Ingram Merrill, Witter Bynner, Soros, Rona Jaffee, Bush, and Jerome Foundations.Copper Nickel is published twice a year, on March 15 and October 15, and is distributed nationally to bookstores and other outlets by Publishers Group West (PGW) and Accelerate 360.Issue 38 Includes:• A Symposium on the work of poet Reginald Shepherd, featuring seven poems by Shepherd and critical appraisals by National Book Award–winner Robin Coste Lewis, National Book Award–finalist Tommye Blount, Rilke Prize–winner Rick Barot, PEN Open Book Margins Award–winner Timothy Liu, Guggenheim Fellow Paisley Rekdal, Lama Rod Owens, Camille Rankine, and Charles Stephens.• Translation Folios with work by South Korean poet Kim Hyesoon, translated by Cindy Juyong Ok; Italian poet Vivian Lamarque, translated by Geoffrey Brock; German poet Jan Wagner, translated by David Keplinger; Iraqi poet Saadi Youssef, translated by Khaled Mattawa.• New Poetry by Hurston/Wright Legacy Award–winner Myronn Hardy, Whiting Award–winner Diannely Antigua, Guggenheim Fellow Geoffrey Brock, Amy Lowell Fellow Rebecca Lindenberg, Rome Fellow Mark Halliday, Eric Gregory Award–winner James Conor Patterson, Alice Fay di Castagnola Award–winner Melissa Kwasny, Ruth Lilly Fellow Matthew Nienow, NEA Fellows Traci Brimhall and Chris Forhan, Iowa Poetry Prize–winner Stephanie Choi, and relative newcomers Mya Mateo Alexice, Katie Condon, Saúl Hernández, Dana Isokawa, James Jabar, Tyler Raso, and Cintia Santana.• New Fiction by Betty Gabehart Prize–winner Jennifer Militello, Fulbright Scholar Matthew Lawrence Garcia, Anthony M. Abboreno, Rebecca Entel, Xavier Balckwell-Lipkind, Randy F. Nelson, and Allyson Stack.• A New Essay by Rona Jaffe Writers’ Award–winner Hasanthika Sirisena.• Cover Art by Oakland-based artist Stephanie Syjuco.Contributor LocationsContributors to issue 38 come from all over the country and the world.U.S. cities/regions where contributors are concentrated include:Denver, CO (home of Copper Nickel and the Copper Nickel staff; contributor Cindy Juyong Ok)Los Angeles, CA (contributing editors Victoria Chang, Piotr Florczyk, Amaud Jamaul Johnson,and Chris Santiago)San Francisco Bay Area, CA (cover artist Stephanie Syjuco; contributing editor Randall Mann)Atlanta, GA (contributors Lama Rod Owens and Charles Stephens)Boston/Cambridge, MA (contributor Allison Adair; contributing editors Martha Collins andFrederick Reiken)Baltimore, MD (contributors Joseph J. Capista and Carol Quinn)Detroit, MI (contributors Tommye Blount and Isaac Pickell)Minneapolis/St. Paul, MN (home of Milkweed Editions; contributing editor V. V.Ganeshananthan)Missoula, MT (contributor Melissa Kwasny; contributing editor Sean Hill)Greensboro, NC (contributors James Jabar and Rhett Iseman Trull; contributing editor EmiliaPhillips)New York, NY (contributors Dana Isokawa and Maja Lukic)Pittsburgh, PA (contributors Jan Beatty and Camille Rankine; contributing editors Joy Katz andKevin Haworth)Dallas, TX (contributor Katie Condon; contributing editor Tarfia Faizullah)Seattle, WA (contributors Rick Barot and Matthew Nienow)US Cities/Regions with single contributors:West Hartford, CT (contributor Xavier Blackwell-Lipkind)Washington, DC (contributor David Keplinger)Boca Raton, FL (contributing editor A. Papatya Bucak)Davenport, IA (contributor Anthony M. Abboreno)Iowa City, IA (contributor Rebecca Entel)Boise, ID (contributing editor Emily Ruskovich)Chicago, IL (contributing editor Robert Archambeau)Indianapolis, IN (contributor Chris Forhan)Richmond, IN (contributor Christen Noel Kauffman)Bloomington, IN (contributor Tyler Raso)Manhattan, KS (contributor Traci Brimhall)Lexington, KY (contributing editor Ada Limón)Haverhill, MA (contributor Diannely Antigua)Lewiston, ME (contributor Myronn Hardy)Ann Arbor, MI (contributor Khaled Matttawa)Grand Rapids, MI (contributor Andrew Collard)Kansas City, MO (contributing editor Robert Long Foreman)Saint Louis, MO (contributing editor Niki Herd)Davidson, NC (contributor Randy F. Nelson)Lincoln, NE (contributor James Brunton)Manchester, NH (contributor Jennifer Millitello)Jersey City, NJ (contributor Mya Matteo Alexice)Princeton, NJ (contributing editor James Richardson)Canton, NY (contributing editor Pedro Ponce)Woodstock, NY (contributor Timothy Liu)Athens, OH (contributor Mark Halliday)Cincinnati, OH (contributor Rebecca Lindenberg)Tulsa, OK (contributing editor Kaveh Bassiri)Ashland, OR (contributor Cynthia Boersma)Selinsgrove, PA (contributor Hasanthika Sirisena)Philadelphia, PA (contributing editor Adrienne Perry)Greenville, SC (contributor Emily Cinquemani)Sewanee, TN (contributor Stephanie Choi)San Antonio, TX (contributor Saúl Hernández)St. George, UT (contributor Cindy King)Salt Lake City, UT (contributor Paisley Rekdal)Middlebury, VT (contributor Carolyn Orosz)Houston, TX (contributing editor Kevin Prufer)Blacksburg, VA (contributing editor Janine Joseph)International contributors live in:Düsseldorf, GERMANY (Matthew Lawrence Garcia)Milan, ITALY (Vivian Lamarque)Seoul, SOUTH KOREA (Kim Hyesoon)Edinburgh, UNITED KINGDOM (Allyson Stack)London, UNITED KINGDOM (James Conor Patterson)

Copper Nickel is the national literary journal housed at the University of Colorado Denver. It isedited by poet, editor, and translator Wayne Miller (author of five collections, including We the Juryand Post-, coeditor of Literary Publishing in the Twenty-First Century, and co-translator of MoikomZeqo’s Zodiac) and co-editor Joanna Luloff (author of the novel Remind Me Again What Happenedand the story collection The Beach at Galle Road)—along with poetry editors Brian Barker (author ofVanishing Acts, The Black Ocean, and The Animal Gospels) and Nicky Beer (author of Real Phonies andGenuine Fakes, The Octopus Game and The Diminishing House), and fiction editors Teague Bohlen(author of The Pull of the Earth), Alexander Lumans (whose work has appeared in American ShortFiction, Gulf Coast, The Paris Review, Story Quarterly, and elsewhere), and Christopher Merkner(author of The Rise & Fall of the Scandamerican Domestic). Since the journal’s relaunch in 2015, work published in Copper Nickel has been regularly selected forinclusion in Best American Poetry, Best American Short Stories, Best Small Fictions, and the PushcartPrize Anthology, and has often been listed as “notable” in the Best American Essays. Contributors to Copper Nickel have received numerous honors for their work, including the NobelPrize; the National Book Critics Circle Award; the Pulitzer Prize; the Kingsley Tufts PoetryAward; the Kate Tufts Discovery Award; the Laughlin Award; the American, California,Colorado, Minnesota, and Washington State Book Awards; the Georg Büchner Prize; the PrixMax Jacob; the Lenore Marshall Prize; the T. S. Eliot and Forward Prizes; the Anisfield-WolfBook Award; the Alice Fay Di Castagnola Award; the Lambda Literary Award; as well asfellowships from the NEA and the MacArthur, Guggenheim, Ingram Merrill, Witter Bynner,Soros, Rona Jaffee, Bush, and Jerome Foundations. Copper Nickel is published twice a year, on March 15 and October 15, and is distributed nationallyto bookstores and other outlets by Publishers Group West (PGW) and Media Solutions, LLC. Issue 35 Includes: • Poetry Translation Folios with work by four 21st century female poets: emerging Korean poetKim Yurim, translated by Megan Sungyoon; emerging Spanish poet Beatriz Miralles de Imperial,translated by Layla Benitez-James; Khazakhstani Russian-Language poet Aigerim Tazhi, translatedby J. Kates; and emerging Italian poet Giovanna Cristina Vivinetto, translated by Gabriella Fee andDora Malech. • New Poetry by National Book Award finalist Leslie Harrison; Kingsley Tufts Award-winnerAngie Estes; Guggenheim Fellow Eric Pankey; Whiting Award-winner Joel Brouwer; Felix PollackPrize-winner Emily Bludworth de Barrios; as well as emerging poets Ariana Benson, Chee Brossy,Dorsey Craft, Asa Drake, Anthony Immergluck, Luisa Maraadyan, Stephanie Niu, Ben Swimm,and many others. • New Fiction by recent NEA Fellow Sean Bernard and emerging writers Molly Beckwith Gutman,Chemutai Kiplagat, and Sean Madden. • New Essays by James Laughlin Prize-winner Kathryn Nuernberger and emerging essayist DespyBoutris.

Issue 30 includes:Fiction by Best American Science Fiction & Fantasy contributor Helena Bell, Vincent Czyz, Maureen Langloss, and Lucas Southworth.Nonfiction by NEA and Camargo Foundation Fellow Don Bogen, death row inmate and essayist Lyle May, Bill Marsh, and Lesley Wheeler.Poetry by NEA Fellows Hadara Bar-Nadav, Bruce Bond, and Jenny Browne; PEN Discovery Award winner Andrea Cohen; Gregory O¿Donogue International Prize winner Shangyang Fang; MacArthur ¿Genius¿ Edward Hirsch; National Book Critics Circle Award winner Troy Jollimore; Donald Hall Prize winner Kirsten Kaschock; Rilke Prize winner David Keplinger; National Book Critics Circle Award finalist Erika Meitner; Iowa Prize winner Alicia Mountain; Best New Poets contributor Shakthi Shrima, and many others.Translation Folios featuring short fiction by Bangladeshi writer Ruma Modak (trans. Shabnam Nadiya), and poetry by Dutch poet Lucas Hirsch (trans. Donnna Spruijt-Metz), Polish poet Tomasz Ró¿ycki (trans. Mira Rosenthal), and Israeli poet Maya Tevet Dayan (trans. Jane Medved).The cover features work by Denver-based artist Kate Petley, who has been featured in twenty-seven solo exhibitions and has received an NEA Rockefeller Foundation Grant (among other honors).

"Gutenberg's invention of movable type in the fifteenth century introduced an era of mass communication that permanently altered the structure of society. While publishing has been buffeted by persistent upheaval and transformation ever since, the current combination of technological developments, market pressures, and changing reading habits has led to an unprecedented paradigm shift in the world of books. Bringing together a wide range of perspectives - industry veterans and provocateurs, writers, editors, and digital mavericks - this invaluable collection reflects on the current situation of literary publishing, and provides a road map for the shifting geography of its future: How do editors and publishers adapt to this rapidly changing world? How are vibrant public communities in the Digital Age created and engaged? How can an industry traditionally dominated by white men become more diverse and inclusive? Mindful of the stakes of the ongoing transformation, Literary Publishing in the 21st Century goes beyond the usual discussion of 'print vs. digital' to uncover the complex, contradictory, and increasingly vibrant personalities that will define the future of the book"--

Issue 34 Includes • Poetry Translation Folios with work by Guatemalan K’iche Maya poet Humberto Ak’ab’al, translated by Michael Bazzett; Lithuania superstar poet Tomaž Šalamun, translated by Brian Henry; Spanish poet Sandra Santana, translated by Geoffrey Brock; and Venezuelan poet-in-exile Jesüs Amalio, translated by David Brunson, Jr. Plus a Fiction Translation Folio with two stories by nternationally renowned Portuguese writer Sophia de Mello Breyner Andresen, translated by Alexis Levitin. • Poetry by National Book Critics Circle Award winner Ada Limón; Guggenheim Fellows Paul Guest and Mark Halliday; Ruth Lilly Fellow Marcus Wicker; William Carlos Williams Awardwinner Martha Collins; Rilke Prize winner David Keplinger; NEA Fellows Michael Bazzett, Brian Henry, Lance Larsen, Alex Lemon, Jenny Molberg, and Corey Van Landingham; as well as Kelli Russell Agodon, Abdul Ali, Sean Cho A., Michael Dumanis, Chanda Feldman, Melissa Ginsburg, Matty Layne Glasgow, Niki Herd, Alicia Mountain, Lis Sanchez, Indriani Sengupta, and many others. • Fiction by Madeline Haze Curtis, Maria Poulatha, Alyssa Quinn, Kate Weinberg, and Tara Isabel Zambrano. • Nonfiction by Brooke Barry and Robert Long Foreman. • The cover features a recent piece by Minneapolis-based artist Dyani White Hawk, whose work is in the collections of the Museum of Modern Art (MoMA), the Walker Art Center, the Crystal Bridges Museum of American Art, the Denver Art Museum, the Minneapolis Institute of Art, theSmithsonian National Museum of the American Indian, and elsewhere.

"A book of dark and sometimes surreal love poems from the heart of a man to his wife, his children, his nation, and his past." -JERICHO BROWN

The narrators in this mesmerizing collection often desire to hold time still in moments of love, yes, but also when feeling fully located in a particular place or experience. Yet they also acknowledge that to hold time still would mean the death of love, the death of experience. Thus, the grounding and locating sensory images that surround us and the eye that apprehends them become greatly important. At the heart of the book is What Night Says to the Empty Boat, a sequence of lyric poems in which the three main characters Justine, Clarence, and Andy drift to and from, together and apart, viewed through the dispassionate lens of the unspoken fourth main character. An artistic and philosophical endeavor to place oneself in the world, this stunning collection is a wholehearted embrace of being, where technique and subject come together in a remarkable combination of personal lyric and formal innovation.

A William Carlos William Award Finalist for 2012A Kansas City Star Top Book of 2012A Library Journal Top Winter Poetry PickA series of semi-mythologized, symbolic narratives interspersed with dramatic monologues, the poems collected in The City, Our City showcase the voice of a young poet striking out, dramatically, emphatically, to stake his claim on the City. It is an unnamed, crowded place where the human questions and observations found in almost any citypast, present, and futurering out with urgency. These poemsin turn elegiac, celebratory, haunting, grave, and joyfulgive hum to our modern experience, to those caught up in the Citys immensity, and announce the arrival of a major new contemporary poet.