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This great anthology of music literature makes available to all music lovers a wonderful storehouse of hitherto inaccessible treasure. The volume includes the development of Oriental, Medieval, and Renaissance music from the beginning to 1600. Its more than 200 representative examples are individually complete compositions, each of sufficient length to illustrate clearly a form or style. The authors provide an explanatory commentary with bibliography, English translations of foreign texts, and an index. The "Library Journal" says of it, "in short, Volume 1 of the music historian's classic dreams No competitors on the market. Highly recommended."
Describes the evolutionary processes of Gregorian chant's history as well as its definition and terminology, the structure of the liturgy, the texts, the notation, the rhythm, the tonality, and the methods and forms of psalmody.
A classic and invaluable reference work for over 30 years. Soon after its initial publication, the Harvard Dictionary of Music was firmly established as a standard and essential resource for everyone concerned with music. The product of exceptional scholarship, it was praised as being comprehensive, concise, authoritative, scholarly, and enjoyable.
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