Bøger af William Dean Howells

The following story was the first fruit of my New York life when I began to live it after my quarter of a century in Cambridge and Boston, ending in 1889; and I used my own transition to the commercial metropolis in framing the experience which was wholly that of my supposititious literary adventurer. He was a character whom, with his wife, I have employed in some six or eight other stories, and whom I made as much the hero and heroine of 'Their Wedding Journey' as the slight fable would bear. In venturing out of my adoptive New England, where I had found myself at home with many imaginary friends, I found it natural to ask the company of these familiar acquaintances, but their company was not to be had at once for the asking.

The Sleeping-Car: A Farce by William Dean Howells

A Lady, entering the florist's with her muff to her face, and fluttering gayly up to the counter, where the florist stands folding a mass of loose flowers in a roll of cotton batting: "Good-morning, Mr. Eichenlaub! Ah, put plenty of cotton round the poor things, if you don't want them frozen stiff! You have no idea what a day it is, here in your little tropic." She takes away her muff as she speaks, but gives each of her cheeks a final pressure with it, and holds it up with one hand inside as she sinks upon the stool before the counter.

It was their first summer at Middlemount and the Landers did not know the roads. When they came to a place where they had a choice of two, she said that now he must get out of the carry-all and ask at the house standing a little back in the edge of the pine woods, which road they ought to take for South Middlemount. She alleged many cases in which they had met trouble through his perverse reluctance to find out where they were before he pushed rashly forward in their drives.

The Kentons were not rich, but they were certainly richer than the average in the pleasant county town of the Middle West, where they had spent nearly their whole married life. As their circumstances had grown easier, they had mellowed more and more in the keeping of their comfortable home, until they hated to leave it even for the short outings, which their children made them take, to Niagara or the Upper Lakes in the hot weather. They believed that they could not be so well anywhere as in the great square brick house which still kept its four acres about it, in the heart of the growing town, where the trees they had planted with their own hands topped it on three aides, and a spacious garden opened southward behind it to the summer wind. Kenton had his library, where he transacted by day such law business as he had retained in his own hands; but at night he liked to go to his wife's room and sit with her there. They left the parlors and piazzas to their girls, where they could hear them laughing with the young fellows who came to make the morning calls, long since disused in the centres of fashion, or the evening calls, scarcely more authorized by the great world. She sewed, and he read his paper in her satisfactory silence, or they played checkers together. She did not like him to win, and when she found herself unable to bear the prospect of defeat, she refused to let him make the move that threatened the safety of her men. Sometimes he laughed at her, and sometimes he scolded, but they were very good comrades, as elderly married people are apt to be. They had long ago quarrelled out their serious differences, which mostly arose from such differences of temperament as had first drawn them together; they criticised each other to their children from time to time, but they atoned for this defection by complaining of the children to each other, and they united in giving way to them on all points concerning their happiness, not to say their pleasure.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

William Dean Howells ( March 1, 1837 - May 11, 1920) was an American realist novelist, literary critic, and playwright. Nicknamed "The Dean of American Letters", he was particularly known for his tenure as editor of the Atlantic Monthly as well as his own prolific writings, including the Christmas story "Christmas Every Day", and the novels The Rise of Silas Lapham and A Traveler from Altruria.

It is consoling as often as dismaying to find in what seems a cataclysmal tide of a certain direction a strong drift to the opposite quarter. It is so divinable, if not so perceptible, that its presence may usually be recognized as a beginning of the turn in every tide which is sure, sooner or later, to come. In reform, it is the menace of reaction; in reaction, it is the promise of reform; we may take heart as we must lose heart from it.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Rise of Silas Lapham is a realist novel by William Dean Howells published in 1885. The story follows the materialistic rise of Silas Lapham from rags to riches, and his ensuing moral susceptibility. Silas earns a fortune in the paint business, but he lacks social standards, which he tries to attain through his daughter's marriage into the aristocratic Corey family. Silas' morality does not fail him. He loses his money but makes the right moral decision when his partner proposes the unethical selling of the mills to English settlers. Howells is known to be the father of American realism, and a denouncer of the sentimental novel. The resolution of the love triangle of Irene Lapham, Tom Corey, and Penelope Lapham highlights Howells' rejection of the conventions of sentimental romantic novels as unrealistic and deceitful.

Midway of the Ponte Vecchio at Florence, where three arches break the lines of the little jewellers' booths glittering on either hand, and open an approach to the parapet, Colville lounged against the corner of a shop and stared out upon the river. It was the late afternoon of a day in January, which had begun bright and warm, but had suffered a change of mood as its hours passed, and now, from a sky dimmed with flying grey clouds, was threatening rain. There must already have been rain in the mountains, for the yellow torrent that seethed and swirled around the piers of the bridge was swelling momently on the wall of the Lung' Arno, and rolling a threatening flood toward the Cascine, where it lost itself under the ranks of the poplars that seemed to file across its course, and let their delicate tops melt into the pallor of the low horizon. The city, with the sweep of the Lung' Arno on either hand, and its domes and towers hung in the dull air, and the country with its white villas and black cypresses breaking the grey stretches of the olive orchards on its hill-sides, had alike been growing more and more insufferable; and Colville was finding a sort of vindictive satisfaction in the power to ignore the surrounding frippery of landscape and architecture. He isolated himself so perfectly from it, as he brooded upon the river, that, for any sensible difference, he might have been standing on the Main Street Bridge at Des Vaches, Indiana, looking down at the tawny sweep of the Wabash. He had no love for that stream, nor for the ambitious town on its banks, but ever since he woke that morning he had felt a growing conviction that he had been a great ass to leave them. He had, in fact, taken the prodigious risk of breaking his life sharp off from the course in which it had been set for many years, and of attempting to renew it in a direction from which it had long been diverted. Such an act could be precipitated only by a strong impulse of conscience or a profound disgust, and with Colville it sprang from disgust. He had experienced a bitter disappointment in the city to whose prosperity he had given the energies of his best years, and in whose favour he imagined that he had triumphantly established himself.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

In those dim recesses of the consciousness where things have their beginning, if ever things have a beginning, I suppose the origin of this novel may be traced to a fact of a fortnight's sojourn on the western shore of lake Champlain in the summer of 1891. Across the water in the State of Vermont I had constantly before my eyes a majestic mountain form which the earlier French pioneers had named "Le Lion Couchant," but which their plainer-minded Yankee successors preferred to call "The Camel's Hump." It really looked like a sleeping lion; the head was especially definite; and when, in the course of some ten years, I found the scheme for a story about a summer hotel which I had long meant to write, this image suggested the name of 'The Landlord at Lion's Head.' I gave the title to my unwritten novel at once and never wished to change it, but rejoiced in the certainty that, whatever the novel turned out to be, the title could not be better. I began to write the story four years later, when we were settled for the winter in our flat on Central Park, and as I was a year in doing it, with other things, I must have taken the unfinished manuscript to and from Magnolia, Massachusetts, and Long Beach, Long Island, where I spent the following summer. It was first serialized in Harper's Weekly and in the London Illustrated News, as well as in an Australian newspaper-I forget which one; and it was published as a completed book in 1896.

The scene into which I had invited them to figure filled the largest canvas I had yet allowed myself; and, though 'A Hazard of New Fortunes was not the first story I had written with the printer at my heels, it was the first which took its own time to prescribe its own dimensions. I had the general design well in mind when I began to write it, but as it advanced it compelled into its course incidents, interests, individualities, which I had not known lay near, and it specialized and amplified at points which I had not always meant to touch, though I should not like to intimate anything mystical in the fact. It became, to my thinking, the most vital of my fictions, through my quickened interest in the life about me, at a moment of great psychological import. We had passed through a period of strong emotioning in the direction of the humaner economics, if I may phrase it so; the rich seemed not so much to despise the poor, the poor did not so hopelessly repine. The solution of the riddle of the painful earth through the dreams of Henry George, through the dreams of Edward Bellamy, through the dreams of all the generous visionaries of the past, seemed not impossibly far off. That shedding of blood which is for the remission of sins had been symbolized by the bombs and scaffolds of Chicago, and the hearts of those who felt the wrongs bound up with our rights, the slavery implicated in our liberty, were thrilling with griefs and hopes hitherto strange to the average American breast.

At the window of her apartment in Hotel Bellingham, Mrs. Roberts stands looking out into the early nightfall. A heavy snow is driving without, and from time to time the rush of the wind and the sweep of the flakes against the panes are heard. At the sound of hurried steps in the anteroom, Mrs. Roberts turns from the window, and runs to the portiere, through which she puts her head. MRS. ROBERTS: 'Is that you, Edward? So dark here We ought really to keep the gas turned up all the time.' MR. ROBERTS, in a muffled voice, from without: 'Yes, it's I.'

Seven English Cities is a travelogue written by William Dean Howells, an American author and literary critic, in which he describes his experiences and observations during his travels to seven different cities in England. The book is divided into seven chapters, each dedicated to a different city: Canterbury, Rochester, Winchester, Salisbury, Bristol, Chester, and Manchester.In each chapter, Howells provides detailed descriptions of the city's architecture, history, and culture, as well as his own impressions and opinions. He also includes anecdotes and historical facts about each city, making the book both informative and entertaining.Throughout the book, Howells demonstrates his love for England and its people, as well as his admiration for the country's rich history and cultural heritage. He also reflects on the differences between American and English culture, and offers insights into the unique character of each city he visits.Overall, Seven English Cities is a fascinating and insightful travelogue that offers a glimpse into the beauty and diversity of England's cities, as seen through the eyes of a talented and observant writer.There were small shops in the Bootham, thread-and-needle stores, newspaper stores, and provision stores mainly, which I affected, and there was one united florist's and fruiterer's which I particularly liked because of the conversability of the proprietor. He was a stout man, of a vinous complexion, with what I should call here, where our speech is mostly uncouth, an educated accent, though with few and wandering aspirates in it. Him I visited every morning to buy for my breakfast one of those Spanish melons which they have everywhere in England, and which put our native cantaloupes to shame; and we always fell into a little talk over our transaction of fourpence or sixpence, as the case might be. After I had confided that I was an American, he said one day, ""Ah, the Americans are clever people."" Then he added, ""I hope you won't mind my saying it, sir, but I think their ladies are rather harder than our English ladies, sir.""This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

""Bride Roses: A Scene"" is a short story written by William Dean Howells. The story revolves around a young bride named Annie Kilburn who is about to get married to a wealthy man named Richard. As she prepares for her wedding day, she reflects on her life and the choices she has made. She begins to question whether or not she truly loves Richard and if she is making the right decision by marrying him. Throughout the story, Howells explores themes of love, marriage, and societal expectations. The story is a poignant and thought-provoking examination of the complexities of human relationships and the pressures we face in making important life decisions.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

The forty-sixth annual fair of the Pymantoning County Agricultural Society was in its second day. The trotting-matches had begun, and the vast majority of the visitors had abandoned the other features of the exhibition for this supreme attraction. They clustered four or five deep along the half-mile of railing that enclosed the track, and sat sweltering in the hot September sun, on the benching of the grandstand that flanked a stretch of the course. Boys selling lemonade and peanuts, and other boys with the score of the races, made their way up and down the seats with shrill cries; now and then there was a shriek of girls' laughter from a group of young people calling to some other group, or struggling for a programme caught back and forth; the young fellows shouted to each other jokes that were lost in mid-air; but, for the most part, the crowd was a very silent one, grimly intent upon the rival sulkies as they flashed by and lost themselves in the clouds that thickened over the distances of the long, dusty loop. Here and there some one gave a shout as a horse broke, or settled down to his work under the guttural snarl of his driver; at times the whole throng burst into impartial applause as a horse gained or lost a length; but the quick throb of the hoofs on the velvety earth and the whir of the flying wheels were the sounds that chiefly made themselves heard.

The lady of the Aroostook (1879). This book, "The lady of the Aroostook," by William Dean Howells, is a replication of a book originally published before 1879. It has been restored by human beings, page by page, so that you may enjoy it in a form as close to the original as possible.

After the death of Judge Kilburn his daughter came back to America. They had been eleven winters in Rome, always meaning to return, but staying on from year to year, as people do who have nothing definite to call them home. Toward the last Miss Kilburn tacitly gave up the expectation of getting her father away, though they both continued to say that they were going to take passage as soon as the weather was settled in the spring. At the date they had talked of for sailing he was lying in the Protestant cemetery, and she was trying to gather herself together, and adjust her life to his loss.

The Parlor Car Farce is a humorous novel written by William Dean Howells. The story revolves around a group of travelers who are stuck together in a parlor car on a train journey from Chicago to New York. The passengers include a wealthy businessman, a young couple, a middle-aged couple, a talkative widow, a flirtatious young woman, and a pompous railroad official. As the journey progresses, the passengers find themselves in a series of comical situations, including mistaken identities, misunderstandings, and romantic entanglements. The flirtatious young woman tries to catch the attention of the wealthy businessman, while the middle-aged couple struggles with their own marital issues. The talkative widow, meanwhile, regales everyone with her stories and opinions.The parlor car becomes a microcosm of society, with each passenger representing a different class and personality. Howells uses the characters to satirize the social norms and conventions of the time, and to comment on the changing landscape of America in the late 19th century.The Parlor Car Farce is a witty and entertaining novel that offers a glimpse into the world of American society during a time of great change and upheaval. Howells' sharp observations and humor make this a classic work of American literature.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

They were getting some of their things out to send into the country, and Forsyth had left his work to help his wife look them over and decide which to take and which to leave. The things were mostly trunks that they had stored the fall before; there were some tables and Colonial bureaus inherited from his mother, and some mirrors and decorative odds and ends, which they would not want in the furnished house they had taken for the summer. There were some canvases which Forsyth said he would paint out and use for other subjects, but which, when he came to look at again, he found really not so bad. The rest, literally, was nothing but trunks; there were, of course, two or three boxes of books. When they had been packed closely into the five-dollar room, with the tables and bureaus and mirrors and canvases and decorative odds and ends put carefully on top, the Forsyths thought the effect very neat, and laughed at themselves for being proud of it.

A Traveler from Altruria By William Dean Howells

"You need the rest," said the Business End; "and your wife wants you to go, as well as your doctor. Besides, it's your Sabbatical year, and you, could send back a lot of stuff for the magazine." "Is that your notion of a Sabbatical year?" asked the editor. "No; I throw that out as a bait to your conscience. You needn't write a line while you're gone. I wish you wouldn't for your own sake; although every number that hasn't got you in it is a back number for me."

As the train took its time and ours in mounting the uplands toward Granada on the soft, but not too soft, evening of November 6, 1911, the air that came to me through the open window breathed as if from an autumnal night of the middle eighteen-fifties in a little village of northeastern Ohio. I was now going to see, for the first time, the city where so great a part of my life was then passed, and in this magical air the two epochs were blent in reciprocal association.

This book has grown out of studies begun twenty years ago in Italy, and continued fitfully, as I found the mood and time for them, long after their original circumstance had become a pleasant memory. If any one were to say that it did not fully represent the Italian poetry of the period which it covers chronologically, I should applaud his discernment; and perhaps I should not contend that it did much more than indicate the general character of that poetry. At the same time, I think that it does not ignore any principal name among the Italian poets of the great movement which resulted in the national freedom and unity, and it does form a sketch, however slight and desultory, of the history of Italian poetry during the hundred years ending in 1870. Since that time, literature has found in Italy the scientific and realistic development which has marked it in all other countries. The romantic school came distinctly to a close there with the close of the long period of patriotic aspiration and endeavor; but I do not know the more recent work, except in some of the novels, and I have not attempted to speak of the newer poetry represented by Carducci. The translations here are my own; I have tried to make them faithful; I am sure they are careful. Possibly I should not offer my book to the public at all if I knew of another work in English studying even with my incoherence the Italian poetry of the time mentioned, or giving a due impression of its extraordinary solidarity. It forms part of the great intellectual movement of which the most unmistakable signs were the French revolution, and its numerous brood of revolutions, of the first, second, and third generations, throughout Europe; but this poetry is unique in the history of literature for the unswerving singleness of its tendency.

William Dean Howells (March 1, 1837 - May 11, 1920) was an American realist novelist, literary critic, and playwright. Nicknamed "The Dean of American Letters", he was particularly known for his tenure as editor of The Atlantic Monthly as well as his own prolific writings, including the Christmas story "Christmas Every Day", and the novels The Rise of Silas Lapham and A Traveler from Altruria.William Dean Howells was born on March 1, 1837, in Martinsville, Ohio (now known as Martins Ferry, Ohio), to William Cooper, and Mary Dean, Howells. He was the second of eight children. His father was a newspaper editor and printer, who moved frequently around Ohio.