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Winner of the Pulitzer Price and William Hill Sports Book of the Year: Barbarian Days is a deeply rendered self-portrait of a lifelong surfer looking for transcendence 'that recalls early James Salter' (Geoff Dyer, Observer)Surfing only looks like a sport. To devotees, it is something else entirely: a beautiful addiction, a mental and physical study, a passionate way of life.New Yorker writer William Finnegan first started surfing as a young boy in California and Hawaii. Barbarian Days is his immersive memoir of a life spent travelling the world chasing waves through the South Pacific, Australia, Asia, Africa and beyond. Finnegan describes the edgy yet enduring brotherhood forged among the swell of the surf; and recalling his own apprenticeship to the world's most famous and challenging waves, he considers the intense relationship formed between man, board and water.Barbarian Days is an old-school adventure story, a social history, an extraordinary exploration of one man's gradual mastering of an exacting and little-understood art. It is a memoir of dangerous obsession and enchantment. 'Reading this guy on the subject of waves and water is like reading Hemingway on bullfighting; William Burroughs on controlled substances; Updike on adultery. . . . a coming-of-age story, seen through the gloss resin coat of a surfboard' Sports Illustrated
**Winner of the2016 Pulitzer Prize for Autobiography**';Reading this guy on the subject of waves and water is like reading Hemingway on bullfighting; William Burroughs on controlled substances; Updike on adultery. . . . a coming-of-age story, seen through the gloss resin coat of a surfboard.'Sports IllustratedIncluded in President Obama's 2016 Summer Reading ListBarbarian Daysis William Finnegan's memoir of an obsession, a complex enchantment. Surfing only looks like a sport. To initiates, it is something else: a beautiful addiction, a demanding course of study, a morally dangerous pastime, a way of life.Raised in California and Hawaii, Finnegan started surfing as a child. He has chased waves all over the world, wandering for years through the South Pacific, Australia, Asia, Africa. A bookish boy, and then an excessively adventurous young man, he went on to become a distinguished writer and war reporter.Barbarian Daystakes us deep into unfamiliar worlds, some of them right under our nosesoff the coasts of New York and San Francisco. It immerses the reader in the edgy camaraderie of close male friendships forged in challenging waves.Finnegan shares stories of life in a whites-only gang in a tough school in Honolulu. He shows us a world turned upside down for kids and adults alike by the social upheavals of the 1960s. He details the intricacies of famous waves and his own apprenticeships to them. Youthful follyhe drops LSD while riding huge Honolua Bay, on Mauiis served up with rueful humor. As Finnegan's travels take him ever farther afield, he discovers the picturesque simplicity of a Samoan fishing village, dissects the sexual politics of Tongan interactions with Americans and Japanese, and navigates the Indonesian black market while nearly succumbing to malaria. Throughout, he surfs, carrying readers with him on rides of harrowing, unprecedented lucidity.Barbarian Daysis an old-school adventure story, an intellectual autobiography, a social history, a literary road movie, and an extraordinary exploration of the gradual mastering of an exacting, little-understood art.Praise forBarbarian Days:';Without a doubt, the finest surf book I've ever read . . . But on a more fundamental level,Barbarian Daysoffers a clear-eyed vision of American boyhood. Like Jon Krakauer'sInto the Wild, it is a sympathetic examination of what happens when literary ideas of freedom and purity take hold of a young mind and fling his body out into the far reaches of the world.'The New York Times Magazine';Incandescent . . . I'd sooner press this book upon on a nonsurfer, in part because nothing I've read so accurately describes the feeling of being stoked or the despair of being held under. . . . [But] it's also about a writer's life and, even more generally, a quester's life, more carefully observed and precisely rendered than any I've read in a long time.'Los Angeles Times
From the Pulitzer Prize-winning author of Barbarian Days, this narrative nonfiction classic documents the rising inequality and cultural alienation that presaged the crises of today. "A status report on the American Dream [that] gets its power [from] the unpredictable, rich specifics of people's lives."-Time "[William] Finnegan's real achievement is to attach identities to the steady stream of faceless statistics that tell us America's social problems are more serious than we want to believe."-The Washington Post A fifteen-year-old drug dealer in blighted New Haven, Connecticut; a sleepy Texas town transformed by crack; Mexican American teenagers in Washington State, unable to relate to their immigrant parents and trying to find an identity in gangs; jobless young white supremacists in a downwardly mobile L.A. suburb. William Finnegan spent years embedded with families in four communities across the country to become an intimate observer of the lives he reveals in Cold New World. What emerges from these beautifully rendered portraits is a prescient and compassionate book that never loses sight of its subjects' humanity. A NEW YORK TIMES NOTABLE BOOK • A LOS ANGELES TIMES BEST NONFICTION SELECTION Praise for Cold New World "Unlike most journalists who drop in for a quick interview and fly back out again, Finnegan spent many weeks with families in each community over a period of several years, enough time to distinguish between the kind of short-term problems that can beset anyone and the longer-term systemic poverty and social disintegration that can pound an entire generation into a groove of despair."-Los Angeles Times Book Review "The most remarkable of William Finnegan's many literary gifts is his compassion. Not the fact of it, which we have a right to expect from any personal reporting about the oppressed, but its coolness, its clarity, its ductile strength. . . . Finnegan writes like a dream. His prose is unfailingly lucid, graceful, and specific, his characterization effortless, and the pull of his narrative pure seduction."-The Village Voice "Four astonishingly intimate and evocative portraits. . . . All of these stories are vividly, honestly and compassionately told. . . . While Cold New World may make us look in new ways at our young people, perhaps its real goal is to make us look at ourselves."-The Philadelphia Inquirer
Documents the working lives of black South African reporters, caught between the mistrust of militant blacks, police harassment, and white editors who - fearing government disapproval - may not print the stories these reporters risk their lives to get.
Challenges the understanding of the war that has turned Mozambique - a naturally rich country - into one of the world's poorest nations. This book combines frontline reporting, personal narrative, political analysis, and scholarship to present a picture of a Mozambique harrowed by local conflicts - ethnic, religious, political and personal.
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