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William Harrison Ainsworth (4 February 1805 - 3 January 1882) was an English historical novelist born at King Street in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife. Ainsworth briefly tried the publishing business, but soon gave it up and devoted himself to journalism and literature. His first success as a writer came with Rookwood in 1834, which features Dick Turpin as its leading character. A stream of 39 novels followed, the last of which appeared in 1881. Ainsworth died in Reigate on 3 January 1882. EARLY LIFE: Ainsworth was born on 4 February 1805 in the family house at 21 King Street, Manchester, to Thomas Ainsworth, a prominent Manchester lawyer, and Ann (Harrison) Ainsworth, the daughter of the Rev. Ralph Harrison, the Unitarian minister at Manchester Cross Street Chapel. On 4 October 1806, Ainsworth's brother, Thomas Gilbert Ainsworth, was born. Although the family home was eventually destroyed, it was a three-storey Georgian home in a well-to-do community. The area influenced Ainsworth with its historical and romantic atmosphere, which existed until the community was later replaced by commercial buildings. Besides the community, Ainsworth read romantic works as a child and enjoyed stories dealing with either adventure or supernatural themes. Of these, Dick Turpin was a favourite of Ainsworth. During his childhood, he adopted Jacobean ideas and held Tory ideas in addition to his Jacobite sympathies, even though his community was strict Whig and Nonconformist. During this time, Ainsworth began to write prolifically. The Ainsworth family moved to Smedly Lane, north of Manchester in Cheetham Hill, during 1811. They kept the old residence in addition to the new, but resided in the new home most of the time. The surrounding hilly country was covered in woods, which allowed Ainsworth and his brother to act out various stories. When not playing, Ainsworth was tutored by his uncle, William Harrison. In March 1817, he was enrolled at Manchester Grammar School, which was described in his novel Mervyn Clitheroe. The work emphasised that his classical education was of good quality but was reinforced with strict discipline and corporal punishment. Ainsworth was a strong student and was popular among his fellow students. His school days were mixed; his time within the school and with his family was calm even though there were struggles within the Manchester community, the Peterloo Massacre taking place in 1819. Ainsworth was connected to the event because his uncles joined in protest at the incident, but Ainsworth was able to avoid most of the political after-effects. During the time, he was able to pursue his own literary interests and even created his own little theatre within the family home at King Street. Along with his friends and brother, he created and acted in many plays throughout 1820. During 1820, Ainsworth began to publish many of his works under the name "Thomas Hall". ...
This Is A New Release Of The Original 1870 Edition.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Windsor Castle: An Historical Romance, Volume 1; Volumes 1-2 Of Novels; William Harrison Ainsworth; Windsor Castle: An Historical Romance; George Cruikshank; Windsor Castle; William Harrison Ainsworth William Harrison Ainsworth George Cruikshank Henry Colburn, 1843 Fiction; Historical; Fiction / Biographical; Fiction / Historical; Great Britain; Queens
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Complete Works, Volume 4; Complete Works; William Harrison Ainsworth William Harrison Ainsworth Hablot Knight Browne, George Cruikshank, John Franklin, Sir John Gilbert, Tony Johannot, William Alfred Delamotte G. Routledge and Sons, 1900 Literary Criticism; European; English, Irish, Scottish, Welsh; English literature; Literary Criticism / European / English, Irish, Scottish, Welsh
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Corte De La Reina Ana: Novela Histórica William Harrison Ainsworth Establ. Tip. de Ramon Rodriguez de Rivera, 1847 Fiction; Classics; Fiction / Classics; Fiction / Literary; Gran Bretanya
William Harrison Ainsworth (4 February 1805 - 3 January 1882) was an English historical novelist born at King Street in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife. Ainsworth briefly tried the publishing business, but soon gave it up and devoted himself to journalism and literature. His first success as a writer came with Rookwood in 1834, which features Dick Turpin as its leading character. A stream of 39 novels followed, the last of which appeared in 1881. Ainsworth died in Reigate on 3 January 1882. EARLY LIFE: Ainsworth was born on 4 February 1805 in the family house at 21 King Street, Manchester, to Thomas Ainsworth, a prominent Manchester lawyer, and Ann (Harrison) Ainsworth, the daughter of the Rev. Ralph Harrison, the Unitarian minister at Manchester Cross Street Chapel. On 4 October 1806, Ainsworth's brother, Thomas Gilbert Ainsworth, was born. Although the family home was eventually destroyed, it was a three-storey Georgian home in a well-to-do community. The area influenced Ainsworth with its historical and romantic atmosphere, which existed until the community was later replaced by commercial buildings. Besides the community, Ainsworth read romantic works as a child and enjoyed stories dealing with either adventure or supernatural themes. Of these, Dick Turpin was a favourite of Ainsworth. During his childhood, he adopted Jacobean ideas and held Tory ideas in addition to his Jacobite sympathies, even though his community was strict Whig and Nonconformist. During this time, Ainsworth began to write prolifically. The Ainsworth family moved to Smedly Lane, north of Manchester in Cheetham Hill, during 1811. They kept the old residence in addition to the new, but resided in the new home most of the time. The surrounding hilly country was covered in woods, which allowed Ainsworth and his brother to act out various stories. When not playing, Ainsworth was tutored by his uncle, William Harrison. In March 1817, he was enrolled at Manchester Grammar School, which was described in his novel Mervyn Clitheroe. The work emphasised that his classical education was of good quality but was reinforced with strict discipline and corporal punishment. Ainsworth was a strong student and was popular among his fellow students. His school days were mixed; his time within the school and with his family was calm even though there were struggles within the Manchester community, the Peterloo Massacre taking place in 1819. Ainsworth was connected to the event because his uncles joined in protest at the incident, but Ainsworth was able to avoid most of the political after-effects. During the time, he was able to pursue his own literary interests and even created his own little theatre within the family home at King Street. Along with his friends and brother, he created and acted in many plays throughout 1820. During 1820, Ainsworth began to publish many of his works under the name "Thomas Hall"............
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Stanley Brereton is a novel written by William Harrison Ainsworth and published in 1881. The story follows the life of the titular character, Stanley Brereton, who is a young man living in Victorian England. Brereton is a member of the upper class and has all the advantages that come with it, but he is also plagued by a sense of restlessness and a desire for adventure.As the story unfolds, Brereton becomes involved in a number of dramatic and dangerous situations, including a duel, a shipwreck, and a battle with pirates. Along the way, he falls in love with a beautiful young woman named Blanche, but their relationship is complicated by the fact that she is already engaged to another man.Despite the obstacles that he faces, Brereton remains determined to live life on his own terms and to pursue his dreams. Along the way, he learns important lessons about loyalty, courage, and the true meaning of love.Overall, Stanley Brereton is a thrilling and engaging story that offers a fascinating glimpse into the world of Victorian England. Ainsworth's vivid descriptions and colorful characters make this book a must-read for anyone interested in historical fiction or adventure stories.Two Volumes In One.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Old Court: A Novel, Volume 1; Old Court: A Novel; William Harrison Ainsworth; Volume 899 Of Collection Of British Authors William Harrison Ainsworth Tauchnitz, 1867 Fiction; Classics; Fiction / Classics; History / General
The Star Chamber: Complete An Historical Romance ILLUSTRATED BY HABLOT KNIGHT BROWNE (PHIZ)
Cardinal Pole V1: Or The Days Of Philip And Mary, A Historical Romance (1863) is a novel written by William Harrison Ainsworth. The book is set in the 16th century during the reign of Queen Mary I of England and her husband, King Philip II of Spain. The main character is Reginald Pole, a Catholic cardinal who returns to England after spending many years in exile. The novel explores the religious and political conflicts of the time, including the persecution of Protestants and the struggle for power between England and Spain. The story also includes a love triangle between Pole, a noblewoman named Margaret Clifford, and a young Protestant named Arthur Brandon. The novel is a blend of historical fact and fiction, and Ainsworth's vivid descriptions of the period's customs, clothing, and architecture add to the novel's authenticity. Overall, Cardinal Pole V1: Or The Days Of Philip And Mary, A Historical Romance is a compelling tale of love, power, and religious conflict set against the backdrop of one of England's most tumultuous periods.In Three Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Star Chamber V2: A Historical Romance (1854) is a novel written by William Harrison Ainsworth. It is a historical romance set in England during the reign of King James I. The story revolves around the infamous Star Chamber, a court of law that was notorious for its harsh punishments and secret proceedings. The protagonist, Sir Francis Mitchell, is a lawyer who becomes embroiled in a conspiracy to overthrow the Star Chamber. Along the way, he falls in love with a beautiful young woman named Constance Tyrrell, who is also caught up in the plot. As they navigate the dangerous political landscape of early 17th century England, they must also confront their own feelings for each other. The novel is filled with intrigue, betrayal, and romance, and offers a vivid portrayal of a fascinating period in English history.In Two Volumes.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Having passed so much of his time of late in the cathedral, Leonard began to regard it as a sort of home, and it now appeared like a place of refuge to him. Proceeding to the great western entrance, he seated himself on one of the large blocks of stone left there by the masons occupied in repairing the exterior of the fane. His eye rested upon the mighty edifice before him, and the clear sparkling light revealed numberless points of architectural grandeur and beauty which he had never before noticed. The enormous buttresses and lofty pinnacles of the central tower were tinged with the beams of the rising sun, and glowed as if built of porphyry.
Boscobel Or The Royal Oak is a historical novel written by William Harrison Ainsworth. The book is set in the 17th century during the English Civil War and follows the story of Charles II, who is on the run from Oliver Cromwell's forces. The novel is named after the famous oak tree where Charles II hid from his pursuers after the Battle of Worcester in 1651.The story begins with Charles II's defeat at the Battle of Worcester and his subsequent flight from the battlefield. He is aided by a group of loyalists who help him evade capture and find refuge in various hiding places, including Boscobel House and the Royal Oak tree. The novel follows Charles II's adventures as he tries to escape from Cromwell's forces and make his way to safety.Throughout the book, Ainsworth provides a vivid portrayal of life during the English Civil War, including the political and social turmoil of the time. He also explores the themes of loyalty, courage, and sacrifice, as the characters risk their lives to protect their king.Boscobel Or The Royal Oak is a gripping historical novel that captures the drama and intrigue of one of the most turbulent periods in English history. It is a must-read for anyone interested in the history of the English Civil War and the reign of Charles II.The occupants of the oak breathed again after the departure of Colonel James and his troopers, and though they had been greatly alarmed at the time, they soon recovered their spirits, and laughed at the incident. ""Perhaps the excitement was a little too great;"" observed Charles; ""but it has served to break the monotony of our somewhat dull existence. Time, it must be owned, passes very slowly when one is compelled, like the fowls of the air, to roost in a tree. I hope we shall soon have another visit from our faithful William Penderel.""This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
ON the 10th of July, 1553, about two hours after noon, a loud discharge of ordnance burst from the turrets of Durham House, then the residence of the Duke of Northumberland, grand-master of the realm, and occupying the site of the modern range of buildings, known as the Adelphi; and, at the signal, which was immediately answered from every point along the river where a bombard or culverin could be planted, -from the adjoining hospital of the Savoy, -the old palace of Bridewell, recently converted by Edward VI., at the instance of Ridley, bishop of London, into a house of correction, -Baynard's Castle, the habitation of the Earl of Pembroke, -the gates of London-bridge, -and, lastly, from the batteries of the Tower, -a gallant train issued from the southern gateway of the stately mansion abovenamed, and descended the stairs leading to the water's edge, where, appointed for their reception, was drawn up a squadron of fifty superbly-gilt barges, -some decorated with banners and streamers, -some with cloth-of-gold and arras, embroidered with the devices of the civic companies, -others with innumerable silken pennons to which were attached small silver bells, "making a goodly noise and a goodly sight as they waved in the wind,"-while others, reserved for the more important personages of the ceremony, were covered at the sides with shields gorgeously emblazoned with the armorial bearings of the different noblemen and honourable persons composing the privy council, amid which the cognizance of the Duke of Northumberland, -a lion rampant, or, double quevee, vert, -appeared proudly conspicuous."
The Tower of London is a novel by William Harrison Ainsworth serially published in 1840. It is a historical romance that describes the history of Lady Jane Grey from her short-lived time as Queen of England to her execution. Story: The plot begins with Lady Jane Grey, wife of Guilford Dudley and daughter-in-law to the Duke of Northumberland, as she enters the Tower of London on 10 July 1553. Prior to her entrance into the Tower, she ruled as Queen of England for nine days after she and her husband were put on the throne by the Duke of Northumberland. Soon after, Mary I was able to take control of England and sent the Duke to be executed. Dudley, to gain back the kingdom, formed a rebellion, which results in failure and the imprisonment of both himself and his wife. After the imprisonment, Simon Renard, the Spanish Ambassador to England, arranges a marriage between Mary and Philip of Spain to bring a Catholic take over of England.[2] The events of the book alternate between historical background and the plot of Lady Jane. In Book II, incidents throughout the history of England from William the Conqueror to the 1820 Cato Street conspiracy are mentioned. The novel returns to Lady Jane busying herself with prayer as she awaits her execution with her only hope for freedom is to become a Catholic.[3] There are conspiracies over Mary's rule of England, which come from those who supported the imprisoned Lady Jane and also those who wish to put Elizabeth, the Protestant daughter of Henry VIII, on the throne. However, neither of these two sides succeed before the novel ends, and Lady Jane is executed.......... William Harrison Ainsworth (4 February 1805 - 3 January 1882) was an English historical novelist born at King Street in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife. Ainsworth briefly tried the publishing business, but soon gave it up and devoted himself to journalism and literature. His first success as a writer came with Rookwood in 1834, which features Dick Turpin as its leading character. A stream of 39 novels followed, the last of which appeared in 1881. Ainsworth died in Reigate on 3 January 1882....
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ La Torre De Londres William Harrison Ainsworth Impr. de Juan Oliveres, 1844 Fiction; Classics; Fiction / Classics; Fiction / Literary
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
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