Bøger af William Harrison Ainsworth

The Sixteenth Century drew to a close. It was the last day of the last year, and two hours only were wanting to the birth of another year and of another century.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

The Lancashire Witches is the only one of William Harrison Ainsworth's forty novels that has remained continuously in print since its first publication. It was serialised in the Sunday Times newspaper in 1848; a book edition appeared the following year, published by Henry Colburn. The novel is based on the true story of the Pendle witches, who were executed in 1612 for causing harm by witchcraft. Modern critics such as David Punter consider the book to be Ainsworth's best work. E. F. Bleiler rated the novel "one of the major English novels about witchcraft

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Novels Of William Harrison Ainsworth, Volume 20; The Novels Of William Harrison Ainsworth; William Harrison Ainsworth William Harrison Ainsworth, William Edward Armytage Axon Gibbings & Company, Limited, 1902 History; General; History / General

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Guy Fawkes first appeared as a serial in Bentley's Miscellany, between January and November 1840. It was subsequently published as a three-volume set in July 1841, with illustrations by George Cruikshank. The first of William Harrison Ainsworth's seven "Lancashire novels", the story is based on the Gunpowder Plot of 1605, an unsuccessful attempt to blow up the Houses of Parliament. Ainsworth relied heavily on historical documents describing the trial and execution of the conspirators, of whom Fawkes was one, but he also embellished the known facts. He invented the character of Viviana Radcliffe, daughter of the prominent Radcliffe family of Ordsall Hall - who becomes Fawkes's wife - and introduced supernatural elements into the story, such as the ability of the alchemist, John Dee, to raise the spirits of the dead.

The Miser's Daughter: A Tale is a novel written by William Harrison Ainsworth and published in 1848. The story revolves around the life of a young girl named Maud, who is the daughter of a wealthy miser named Matthew Malden. Maud has been brought up in a strict and lonely environment, isolated from the outside world by her father's obsession with money. As she grows older, Maud becomes increasingly curious about the world beyond her father's estate and yearns for adventure and love. Her desires are fueled by the arrival of a young artist named Francis Hartland, who captures her heart with his charm and wit. However, her father disapproves of their relationship and forbids them from seeing each other. Determined to be with Francis, Maud runs away from home and embarks on a perilous journey through the English countryside. Along the way, she encounters a cast of colorful characters, including a group of gypsies, a band of robbers, and a wealthy lord who becomes enamored with her beauty. As Maud's journey unfolds, she must confront her own fears and insecurities, as well as the harsh realities of life outside her sheltered existence. The Miser's Daughter: A Tale is a gripping and romantic novel that explores themes of love, adventure, and the human spirit's resilience in the face of adversity.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

William Harrison Ainsworth (4 February 1805 - 3 January 1882) was an English historical novelist born at King Street in Manchester. He trained as a lawyer, but the legal profession held no attraction for him. While completing his legal studies in London he met the publisher John Ebers, at that time manager of the King's Theatre, Haymarket. Ebers introduced Ainsworth to literary and dramatic circles, and to his daughter, who became Ainsworth's wife. Ainsworth briefly tried the publishing business, but soon gave it up and devoted himself to journalism and literature. His first success as a writer came with Rookwood in 1834, which features Dick Turpin as its leading character. A stream of 39 novels followed, the last of which appeared in 1881. Ainsworth died in Reigate on 3 January 1882. EARLY LIFE: Ainsworth was born on 4 February 1805 in the family house at 21 King Street, Manchester, to Thomas Ainsworth, a prominent Manchester lawyer, and Ann (Harrison) Ainsworth, the daughter of the Rev. Ralph Harrison, the Unitarian minister at Manchester Cross Street Chapel. On 4 October 1806, Ainsworth's brother, Thomas Gilbert Ainsworth, was born. Although the family home was eventually destroyed, it was a three-storey Georgian home in a well-to-do community. The area influenced Ainsworth with its historical and romantic atmosphere, which existed until the community was later replaced by commercial buildings. Besides the community, Ainsworth read romantic works as a child and enjoyed stories dealing with either adventure or supernatural themes. Of these, Dick Turpin was a favourite of Ainsworth. During his childhood, he adopted Jacobean ideas and held Tory ideas in addition to his Jacobite sympathies, even though his community was strict Whig and Nonconformist. During this time, Ainsworth began to write prolifically. The Ainsworth family moved to Smedly Lane, north of Manchester in Cheetham Hill, during 1811. They kept the old residence in addition to the new, but resided in the new home most of the time. The surrounding hilly country was covered in woods, which allowed Ainsworth and his brother to act out various stories. When not playing, Ainsworth was tutored by his uncle, William Harrison. In March 1817, he was enrolled at Manchester Grammar School, which was described in his novel Mervyn Clitheroe. The work emphasised that his classical education was of good quality but was reinforced with strict discipline and corporal punishment. Ainsworth was a strong student and was popular among his fellow students. His school days were mixed; his time within the school and with his family was calm even though there were struggles within the Manchester community, the Peterloo Massacre taking place in 1819. Ainsworth was connected to the event because his uncles joined in protest at the incident, but Ainsworth was able to avoid most of the political after-effects. During the time, he was able to pursue his own literary interests and even created his own little theatre within the family home at King Street. Along with his friends and brother, he created and acted in many plays throughout 1820. During 1820, Ainsworth began to publish many of his works under the name "Thomas Hall".

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This Is A New Release Of The Original 1905 Edition.

Guy Fawkes By William Harrison Ainsworth William Harrison Ainsworth

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Combat Of The Thirty is a historical novel written by William Harrison Ainsworth in 1859. The story is based on a true event that took place in the fourteenth century, known as the Combat of the Thirty. The novel is set in Brittany, France, and follows the story of a group of knights who engage in a combat to settle a dispute between two rival factions.The novel is written in the form of a Breton lay, which is a type of narrative poem that was popular in medieval France. The story is told in a lyrical and romantic style, with vivid descriptions of the landscape, the characters, and the combat itself.The main character of the novel is Bertrand du Guesclin, a renowned knight who is called upon to lead the group of thirty knights in the combat. The combat takes place in a field outside the city of Plo�����rmel, and is fought with swords and axes.The combat is a brutal and bloody affair, with both sides suffering heavy losses. However, in the end, Bertrand and his knights emerge victorious, and the dispute is settled.The novel is a vivid portrayal of medieval life in Brittany, with detailed descriptions of the customs, traditions, and beliefs of the people. It is also a tribute to the chivalric code of honor, as embodied by the knights who fought in the combat.Overall, The Combat Of The Thirty is a fascinating and engaging historical novel that offers a glimpse into a bygone era. It is a must-read for anyone interested in medieval history, chivalry, and the art of storytelling.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This Is A New Release Of The Original 1900 Edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Novels Of William Harrison Ainsworth, Volume 9; The Novels Of William Harrison Ainsworth; William Harrison Ainsworth William Harrison Ainsworth, William Edward Armytage Axon Gibbings & Company, Limited, 1902

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The Sixteenth Century drew to a close. It was the last day of the last year, and two hours only were wanting to the birth of another year and of another century. The night was solemn and beautiful. Myriads of stars paved the deep vault of heaven; the crescent moon hung like a silver lamp in the midst of them; a stream of rosy and quivering light, issuing from the north, traversed the sky, like the tail of some stupendous comet; while from its point of effluence broke forth, ever and anon, coruscations rivalling in splendour and variety of hue the most brilliant discharge of fireworks.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.