Bøger udgivet af 3TimesRebel Press

The arrival of the very young Dorothy - fourteen years old, redheaded, freckled - is a breath of fresh air in the life of Joaquim Simon - in his sixties, rich and divorced. Wanting to turn this 'wild one' into a perfect model of which he can be proud, Joaquim takes her in and begins to shape her into his perfect masterpiece, as in the myth of Pygmalion. Dependence and survival, destruction and growth, are the opposites that define the crossroads of experiences and events that shape The Wild One. The novel tells the story of Dorothy, a girl who, living with Joaquim Simon and in the midst of a desire that is never fulfilled, loses her individual freedom and, at the same time, imperceptibly changes her identity. Joaquim controls everything: her name, her behaviour, her education, even her memories. These feelings of possession towards her make him aware not only of his loneliness and cruelty, but also of his old age. The Wild One is structured in such a way that, from our position as readers, we are forced to participate in the thoughts of these two characters through the use of parentheses that complete what is not said. This strategy not only heightens the tension, but also makes us complicit in their transformations and secrets, anticipating their dramatic end.

Remei, the main character of Beloved, is a prestigious illustrator in her fifties who considers herself an attractive, happily married mother. Yet one evening, sitting in the back seat of the family car, she clearly predicts that her younger husband, a principal violinist in an orchestra, will fall in love with the second violinist, the woman sitting beside him, as they head to their home to rehearse. Neither Remei's husband nor the young woman have realised this yet. But Remei has. This devastating certainty leads Remei, a determined woman who since childhood has had to fight to survive, to a harsh realization of what it is to grow old inside. She must suddenly accept the vulnerability of marital love, the addictive dependence of motherhood, and the expiration date on her artistic career. We experience the progressive emotional and physiological transformation of a mature woman who fights against age, a woman that when she goes jogging, has a constant inner monologue in which she wel

This is a story that will touch the world and help people cope with grief and loss. A reminder of the power of love in the face of sickness and hatred.Belgian artist Fleur Pierets wanted to marry her partner Julian in all countries where two women are allowed to marry. The aim was to raise awareness of equal marriage rights in a positive way. But the 'world tour of love' was interrupted: after her fourth marriage, in Paris, Julian was diagnosed with an aggressive brain tumour. She died two months later. Pierets had only one thing left to do: write.Fleur Pierets and Julian P. Boom worked as an artist duo under the name JF. Pierets and created, among other things, the magazine Et Alors? On 20 September 2017, they launched their performance Project 22 in New York. Julian died on 22 January 2018.We could think of this book as the three strands of hair that form a braid that intertwine throughout the book: Love, LGBTQ+ activism and grief. First, Pierets tells the story of how they met, delves into their careers before they fell in love, and gives context to their intense relationship and collaboration. Then, we are at the centre of the memoir: a celebration of love, freedom, progress and, above all, the power of their commitment. It is about their magazine Et Alors? and their famous Project 22: to get married in every country where same-sex marriage was legal. They got married in New York, Paris, Amsterdam and Antwerp, while raising awareness of same-sex relationships. The last part is about Julian's illness and eventual death.Fleur writes about her grief and how she coped with the loss of her soulmate, describing her life with Julian with clarity and insight, making it easy for the reader to empathise with her feelings. Although this is not a sad book, tears are guaranteed. But there's also lightness, hope and, above all, the realisation that true love does exist. Her love for Julian is so palpable in every sentence that it's like a force of nature.JULIAN explores themes of love, commitment, activism, loss and grief. It is so tactile, you can feel its energy. It's a testament to the power of love in the face of illness and hatred. Pieret's writing is deceptively simple, very essay-like, yet full of heart. It is a lesbian version of Joan Didion's Year of Magical Thinking (Alfred A. Knopf, Inc., 2005).

Anna has lived alone for decades. She is cocooned by, and marooned in, an isolated cottage called Nant yr Aur in the Welsh mountains. The arrival of Sion, a young man who seems strangely at home in the house, leads to an unpicking of Anna's past. As Anna's relationship with Sion develops - to the point where he feels comfortable showering at Nant yr Aur - her perspective on the solidity of her past shifts. Uncertainty, distortion, illusion and subtle betrayal are gradually exposed. Ultimately, a quietly devastating revelation changes the lives of both Sion and Anna. Sian Northey writes with economy and precision, setting out what the life of a middle-aged woman with an emotionally complicated past feels like from the inside.

With the help of poetry, Hanna Komar has been healing her personal wounds. This is where her art has been life-saving for her. RIBWORT is a space to sit down with your pain and listen. You may think it's not helpful, like a leaf of ribwort on a bleeding wound. The pain will probably be growing more and more acute, but if you face it, if you hold space for it. Eventually it will shrink to the size of a scratch which a leaf of ribwort can help to heal. When we have healed, we become leaves of ribwort for others, so we can sit down with their pain and listen. Listen with compassion and without fear, without getting defensive or running away. This is what keeps us going.In the summer of 2021, Hanna Komar brought the script for this book to a publisher in Belarus. He told her his business was going to be shut down for her protest poems. He couldn't publish them. Since then, almost all independent publishers of Belarusian books in the Belarusian language have had their business suspended or liquidated. Books have been labelled "extremist" and people have been imprisoned for selling or owning them, while writers have been persecuted for writing them.This is just a tiny tip of the iceberg of the repressions which unfolded in Belarus when the people stood up against the falsified election results on 9 August 2020 and the violence which followed afterwards. Every day, still, dozens of people are arrested in Belarus on political grounds. Some call that summer the awakening of Belarusians; others call it the birth of a new, free Belarus. No matter what it's called, these years have felt for the nation, and for the author of this poems, like unlearning what was already learnt helplessness. Yet these have also been maturing years through courage, solidarity, hope, pain, suffering, and disillusionment. A lot of wounds have opened. This book doesn't start with the protest poems of 2020. It consists of sections which tell about the poet's relationship with her parents and with herself, about her romantic relationships, about her relationship with her homeland, and the poetry of civil resistance. Each of them is administering a leaf of ribwort to help the wounds heal."Hanna Komar's poems display a refined ear for sound and sense both in Belarusian and translated by her into English. Her poems move seamlessly from the personal to the political, speaking with the urgency of a life experienced with compassion, dignity and resolve."--Mary Kollar, poet and educator, USA"Komar's poetry quenches our thirst for truth. These are poems that brim with urgency: clear, bracing, live-giving."--Clare Pollard"Hanna Komar's poems are a rumbling ache in the heart, a low cry in the darkness against oppression - of the people of her native Belarus, crushed by Lukashenko's brutal regime, and of so many women through the centuries everywhere. Searingly honest, yet brimful of human sympathy, this collection seeps into your mind with its powerful conviction and determination to alert the world to what truly matters."--John Farndon"Komar never turns away, always towards: gifted equally in the expression of grief and love, in anger and tenderness, in after and before. A life torn down the centre finds something beautiful in RIBWORT--and, we sense as its reader, something almost inadmissible, something of hope. Anyone unsure of the power of poetry in translation should take RIBWORT as their remedy."--James ApplebyTranslated from Belarusian by the author, with the English version edited by the American poet Mary Kollar.Poetry.

A NEW MOTHER IS A WOMAN GRIEVING FOR THE WOMAN SHE HAS LEFT BEHIND. A GRIEF THAT RECEIVES NO CONSOLATION. A PLACE WITHOUT ROOM FOR CONTROVERSY OR REGRET. Would you ever want to go back to that place?THE DEAR ONES is a book about a woman who, five years after giving birth, decides to have an abortion. A mother full of guilt, who does not fit into the imposed canon. It is a book in which the protagonist defends the freedom of choice: to continue to be herself and to be a mother at the same time. The idea of guilt in motherhood, the obligation to feel a certain way, the loneliness implicit in all processes that involve taking in emotions that are considered wrong or atavistic, and an enormous isolation that is invisible to others, hover over the pages of the book.Berta D¿vila's prose is transparent, simple and precise. But its skeleton is made up of a temporal braid in which a writer recalls the birth and the first months of her son's life, just when, five years later, she has decided to have an abortion and not to have her second. She does this with a slimmed-down style and a direct structure, without any rhetorical flourishes. Everything is bones.

'Society judges the person who falls into the trap, and not the other person, who is the abuser.' What makes a carnivorous plant trap you? How can we avoid it? How can we escape from it devouring us? For the protagonist it is already too late when she realises that she is completely trapped in a toxic relationship with Ibana (her partner).

After 25 years of marriage, an accidental love affair will push Nora into a universe of abuse and luxury prostitution. From there, she will face her deepest fears in a journey that will put her world upside down. Sex without constraints will be the trigger to get back in the driver's seat of her own life. A journey from submission to freedom.

Jon was shot in the back, in an isolated house where the only other occupants were his family. Who pulled the trigger? 13 characters. 13 different points of view. Dead Lands is the story of a cursed lineage, a kaleidoscopic narrative that unfurls an atavistic universe where characters are burdened by savage origins, two deaths, and a dark secret.