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In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists-Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin-Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists.

In this incisive analysis of one of the most spectacular economic breakthroughs in the Deng era, Jean C. Oi shows how and why Chinese rural-based industry has become the fastest growing economic sector not just in China but in the world. Oi argues that decollectivization and fiscal decentralization provided party officials of the localities-counties, townships, and villages-with the incentives to act as entrepreneurs and to promote rural industrialization in many areas of the Chinese countryside. As a result, the corporatism practiced by local officials has become effective enough to challenge the centrality of the national state.

Taking aim at the conventional narrative that standard, national languages transform 'peasants' into citizens, Gina Anne Tam centers the history of the Chinese nation and national identity on fangyan - languages like Shanghainese, Cantonese, and dozens of others that are categorically different from the Chinese national language, Mandarin. She traces how, on the one hand, linguists, policy-makers, bureaucrats and workaday educators framed fangyan as non-standard 'variants' of the Chinese language, subsidiary in symbolic importance to standard Mandarin. She simultaneously highlights, on the other hand, the folksong collectors, playwrights, hip-hop artists and popular protestors who argued that fangyan were more authentic and representative of China's national culture and its history. From the late Qing through the height of the Maoist period, these intertwined visions of the Chinese nation - one spoken in one voice, one spoken in many - interacted and shaped one another, and in the process, shaped the basis for national identity itself.

Russia's emergence as a Great Power in the eighteenth century is usually attributed to Peter Is radical programme of Westernising reforms. But the Russian military did not simply copy European armies. Adapting the tactics of its neighbours on both sides, Russia created a powerful strategy of its own, integrating steppe defence with European concerns. In Russia's Wars of Emergence, Carol Stevens examines the social and political factors underpinning Muscovite military history, the eventual success of the Russian Empire in the 18th century, and the sacrifices made for power.

The Russian Empire 1450-1801 surveys early modern Russia as an "empire of difference," that is, the government ruled the empire primarily by tolerating the great cultural, linguistic and religious diversity of its subject peoples. Over its many lands the Moscow center used a combination of coercion, cooptation and supranational ideology to maintain power, and the book explores each of those themes. The Moscow government did not hesitate to use violence and oppression to conquer and subdue territories; it coopted elites into the imperial nobility and local administrations; it projected an image of a benevolent tsar who protected his people and used architecture and ceremony to project that unifying ideology.

In Erik Mueggler's powerful and imaginative ethnography, an Indigenous community in the mountains of Southwest China struggles to find its place at the margins of a nation-state. Here, people describe the period that began with the Great Leap Famine of 1958-1960 and continued through the 1990s as the "age of wild ghosts." Their stories of this age converged on a dream of community-a bad dream, embodied in the life, death, and spectral reawakening of a local political and ritual system that expired violently under the Maoist regime. Displaying a sensitive understanding of both Chinese and the Tibeto-Burman language of this community, Mueggler explores memories of this institution, including of the rituals and poetics that once surrounded it and the bitter conflicts that came to haunt it. To exorcise "wild ghosts," he shows, is nothing less than to re-imagine the state and its power, to trace the responsibility for violence to its morally ambiguous origins, and to articulate demands for justice and longings for reconciliation.

The Tiananmen protests and Beijing massacre of 1989 were a major turning point in recent Chinese history. In this new analysis of 1989, Jeremy Brown tells the vivid stories of participants and victims, exploring the nationwide scope of the democracy movement and the brutal crackdown that crushed it. At each critical juncture in the spring of 1989, demonstrators and decision makers agonized over difficult choices and saw how events could have unfolded differently. The alternative paths that participants imagined confirm that bloodshed was neither inevitable nor necessary. Using a wide range of previously untapped sources and examining how ordinary citizens throughout China experienced the crackdown after the massacre, this ambitious social history sheds fresh light on events that continue to reverberate in China to this day.

The Blue Lagoon, Anthology of Modern Russian Poetry, was published in nine volumes in the United States from 1980 till 1986. For many years it remained one of the most important sources on Russian unofficial poetry of the Soviet period. It is also the biggest anthology of Russian poetry ever. Today, mostly in online version, it is a living mirror of the Soviet era and its chronicler - poet and publisher Konstantin Kuzminsky (1940-2015).

Anticipating some Soviet Union developments, Evgenii Zamyatsin's We (1920) is a futuristic dystopic novel in which D-503, builder of the first rocket ship, extols the glories of the Single State and discovers another way of life beyond his highly controlled society. From the newer field of biopoetics, which applies evolutionary psychology to art instead of emphasizing the social construction of human behavior and consciousness, Cooke (Texas A&M U.) explores themes in the novel including workforce mechanization, the symbolic roles of food-sharing, eugenics, and writing as subversion. Comparisons are made with other dystopian literature (e.g. Brave New World ), and novels by Russian authors including Solzhenitsyn and Tolstoy.

Geographical Imagination is an intellectual biography of Ishikawa Sanshirō (1876-1956), a Japanese anarchist active during the first half of the 20th century and a staunch opponent of any form of authoritarianism throughout his life. The book traces his travels, encounters, and ideological engagements, as he opposed war with Russia in the early 1900s, spent several years of self-imposed exile in France and Belgium in the 1910s, and explored European ideas - from anarchism and geographical thought to anti-Darwinism and ecological living. Ishikawa's life and writings bear testimony to Japan's undercurrent of political dissent and transnational revolutionary connections during the modern period.

In the United States, antisemitism has once again risen, and is spread in all our major institutions and political and cultural venues. In a series of essays by leading scholars, this work provides a detailed analysis of contemporary antisemitism and examines its origins, development, and alarming implications for the future.

Long before Vasco da Gama rounded the Cape of Good Hope en route to India, the peoples of Africa, the Middle East, and Asia engaged in vigorous cross-cultural exchanges across the Indian Ocean. This book focuses on the years 700 to 1500, a period when powerful dynasties governed both regions, to document the relationship between the Islamic and Chinese worlds before the arrival of the Europeans. Through a close analysis of the maps, geographic accounts, and travelogues compiled by both Chinese and Islamic writers, the book traces the development of major contacts between people in China and the Islamic world and explores their interactions on matters as varied as diplomacy, commerce, mutual understanding, world geography, navigation, shipbuilding, and scientific exploration. When the Mongols ruled both China and Iran in the thirteenth and fourteenth centuries, their geographic understanding of each other's society increased markedly. This rich, engaging, and pioneering study offers glimpses into the worlds of Asian geographers and mapmakers, whose accumulated wisdom underpinned the celebrated voyages of European explorers like Vasco da Gama.

This book illuminates important issues faced by Orthodox Judaism in the modern era by relating the life and times of Rabbi Yudel Rosenberg (1859-1935). In presenting Yudel Rosenberg's rabbinic activities, this book aims to show that Jewish Orthodoxy could serve as an agent of modernity no less than its opponents. Yudel Rosenberg's considerable literary output will demonstrate that the line between "e;secular"e; and "e;traditional"e; literature was not always sharp and distinct. Rabbi Rosenberg's kabbalistic works will shed light on the revival of kabbala study in the twentieth century. Yudel Rosenberg's career in Canada will serve as a counter-example to the often-expressed idea that Hasidism exercised no significant influence on the development of American Judaism at the turn of the twentieth century.

This book contains a collection of eight annotated translations of responsa, alongside the original Hebrew texts, focusing on the post-expulsion Spanish-Portuguese communities of the sixteenth to seventeenth centuries. Topics include excommunication in Amsterdam, ʻagunot, inheritance rights of a converso son, obligatory contracts and breach of agreement, heresy and humanist scholarship, informing on someone to the Venetian Inquisition, and more.

In the six essays of this book, Ksana Blank examines affinities among works of nineteenth and twentieth-century Russian literature and their connections to the visual arts and music. Blank demonstrates that the borders of authorial creativity are not stable and absolute, that talented artists often transcend the classifications and paradigms established by critics. Featured in the volume are works by Alexander Pushkin, Fyodor Dostoevsky, Leo Tolstoy, Vladimir Nabokov, Daniil Kharms, Kazimir Malevich, Mstislav Dobuzhinsky, and Dmitri Shostakovich.

Taming Oblivion examines the cultural construction of senility in Japan and the moral implications of dependent behavior for older Japanese. While the biomedical construction of senility-as-pathology has become increasingly the norm in North America, in Japan a folk category of senility exists known as boke. Although symptomatically and conceptually overlapping with Alzheimer's disease and other forms of senile dementia, boke is distinguished from unambiguously pathological conditions. Rather than being viewed as a disease, boke is seen as an illness over which people have some degree of control. John Traphagan's ethnographic study of older Japanese explores their experiences as they contemplate and attempt to prevent or delay the boke condition.

The Bilingual Muse analyzes the work of seven Russian poets who translated their own poems into English, French, German, or Italian. Investigating the parallel versions of self-translated poetic texts by Joseph Brodsky, Vladimir Nabokov, Marina Tsvetaeva, Wassily Kandinsky, Elizaveta Kul'man, Andrey Gritsman, and Katia Kapovich, Adrian Wanner considers how verbal creativity functions in different languages, the conundrum of translation, and the vagaries of bilingual identities. Wanner argues that the perceived marginality of self-translation stems from a romantic privileging of the mother tongue and the original text. The unprecedented recent dispersion of Russian speakers over three continents has led to the emergence of a new generation of diasporic Russians who provide a more receptive milieu for multilingual creativity.

This book provides a thorough examination of how both Marina Tsvetaeva and Boris Pasternak perceived Rainer Maria Rilke's poetic persona and oeuvre in similar ways, and how, in their perception of Rilke's role as that of the paradigmatic poet, they had drawn on the specifically Russian poetic paradigm, i.e., the image of Pushkin in the context of Russian literature of the Silver Age. At the same time, both poets' scrutiny of the sublime, the mundane, and the tragic side of practicing poetic craft in the Soviet Union, as in the case of Pasternak, and in exile, as in Tsvetaeva's case, generates the discourse of "empathic attunement." By applying "empathic" discourse towards Rilke, both poets' anxieties about their future, and that of Russian poetry in general, come to the fore.

Religion in China survived the most radical suppression in the human history-a total ban of any religion during the Cultural Revolution. All churches, temples, and mosques were closed down, converted for secular uses, or turned into museums for the purpose of atheist education. Since the 1970s, however, religion has thrived even though China remains under Communist rule. Christianity ranks among the fastest-growing religions throughout the vast land while many Buddhist and Daoist temples have been restored. The Communist authorities have carried out waves of atheist propaganda, anti-superstition campaigns, and severe crackdowns on Christian churches and new religious movements. How do we explain the resilience and vitality of religion in modernizing China? How did religion survive the eradication measures in the 1950s to 1970s? How have various religious groups managed to revive despite strict regulations? Why have some religions grown fast? Why have some forms of spirituality gone through dramatic turns? This book provides a comprehensive overview of the religious change in China under ¿ommunist rule, and it also offers a set of theoretical tools for studying religious vitality in modernizing societies.

Dostoevsky and the Riddle of the Self charts a unifying path through Dostoevsky's artistic journey to solve the "mystery" of the human being. Starting from the unusual forms of intimacy shown by characters seeking to lose themselves within larger collective selves, Yuri Corrigan approaches the fictional works as a continuous experimental canvas on which Dostoevsky explored the problem of selfhood through recurring symbolic and narrative paradigms. Presenting new readings of such works as The Idiot, Demons, and The Brothers Karamazov, Corrigan tells the story of Dostoevsky's career-long journey to overcome the pathology of collectivism by discovering a passage into the wounded, embattled, forbidding, revelatory landscape of the psyche

The destructive power of obsessive love was a defining subject of eighteenth- and nineteenth-century Russian literature. In Febris Erotica, Sobol argues that Russian writers were deeply preoccupied with the nature of romantic relationships and were persistent in their use of lovesickness not simply as a traditional theme but as a way to address pressing philosophical, ethical, and ideological concerns through a recognizable literary trope. Sobol examines stereotypes about the damaging effects of romantic love and offers a short history of the topos of lovesickness in Western literature and medicine.

From the time the word kul'tura entered the Russian language in the early nineteenth century, Russian arts and letters have thrived on controversy. At any given time several versions of culture have coexisted in the Russian public sphere. The question of what makes something or someone distinctly Russian was at the core of cultural debates in nineteenth-century Russia and continues to preoccupy Russian society to the present day. When Art Makes News examines the development of a public discourse on national self-representation in nineteenth-century Russia, as it was styled by the visual arts and popular journalism. Katia Dianina tells the story of the missing link between high art and public culture, revealing that art became the talk of the nation in the second half of the nineteenth century in the pages of mass-circulation press

This bold challenge to conventional notions about medieval music disputes the assumption of pure literacy and replaces it with a more complex picture of a world in which literacy and orality interacted. Asking such fundamental questions as how singers managed to memorize such an enormous amount of music and how music composed in the mind rather than in writing affected musical style, Anna Maria Busse Berger explores the impact of the art of memory on the composition and transmission of medieval music. Her fresh, innovative study shows that although writing allowed composers to work out pieces in the mind, it did not make memorization redundant but allowed for new ways to commit material to memory.

On the Horizon of World Literature compares literary texts from asynchronous periods of incipient literary modernity in different parts of the world: Romantic England and Republican China. These moments were oriented alike by "world literature" as a discursive framework of classifications that connected and re-organized local articulations of literary histories and literary modernities. World literature thus provided-and continues to provide-a condition of possibility for conversation between cultures as well as for their mutual provincialization.

This book identifies the crucial variables as classic Japanese forms of socio-political organization: the "circles of compensation." These cooperative groupings of economic, political, and bureaucratic interests dictate corporate and individual responses to such critical issues as investment and innovation; at the micro level, they explain why individuals can be decidedly cautious on their own, yet prone to risk-taking as a collective. Kent E. Calder examines how these circles operate in seven concrete areas, from food supply to consumer electronics, and deals in special detail with the influence of Japan's changing financial system. The result is a comprehensive overview of Japan's circles of compensation as they stand today, and a road map for broadening them in the future.

What forces shaped the twentieth-century world? Capitalism and communism are usually seen as engaged in a fight-to-the-death during the Cold War. With the establishment of the People's Republic of China in 1949, the Chinese Communist Party aimed to end capitalism. Karl Gerth argues that despite the socialist rhetoric of class warfare and egalitarianism, Communist Party policies actually developed a variety of capitalism and expanded consumerism. This negated the goals of the Communist Revolution across the Mao era (1949-1976) down to the present. Through topics related to state attempts to manage what people began to desire - wristwatches and bicycles, films and fashion, leisure travel and Mao badges - Gerth challenges fundamental assumptions about capitalism, communism, and countries conventionally labeled as socialist. In so doing, his provocative history of China suggests how larger forces related to the desire for mass-produced consumer goods reshaped the twentieth-century world and remade people's lives.

Words, silences, and narratives as vehicles are always in flux, always fueling us, precipitating actions both virtuous and criminal, good and evil, beautiful and ugly, sublime and ridiculous. Dostoevsky, more than any other writer except perhaps Shakespeare, supplies an unending source of inspiration for the full sweep of human action, thought, emotion, and belief in all their contradictory manifestations and combinations. Dostoevsky's journeys onto these terrains are without exception unfinished, always in process, alive and precariously so, even as those inspired by him may find for themselves completion, rationales, and answers. His readers have given various names to the quality of completion embedded within uncertainty that his oeuvre conveys and which can then serve to engender religious, philosophical, or nakedly political discourses and responses, some of which would no doubt surprise, even horrify him.Dostoevsky, however, continues to stand apart; his written words, silences, and narratives expressing, through their embodiment in characters, his own unfinished journey. Ivan Karamazov's rebellious philosopher maybe have walked his quadrillion kilometers in the dark, but their mutual creator still travels on.

Born into a low-level literati family in the port city of Ningbo, the seventeenth-century Chinese Christian convert Zhu Zongyuan likely never left his home province. Yet Zhu nonetheless led a remarkably globally connected life. His relations with the outside world, ranging from scholarly activities to involvement with globalizing Catholicism, put him in contact with a complex and contradictory set of foreign and domestic forces. In Global Entanglements of a Man Who Never Traveled, Dominic Sachsenmaier explores the mid-seventeenth-century world and the worldwide flows of ideas through the lens of Zhu's life, combining the local, regional, and global. Taking particular aspects of Zhu's multiple belongings as a starting point, Sachsenmaier analyzes the contexts that framed his worlds as he balanced a local life and his border-crossing faith. At the local level, the book pays attention to the intellectual, political, and social environments of late Ming and early Qing society, including Confucian learning and the Manchu conquest, questioning the role of ethnic and religious identities. At the global level, it considers how individuals like Zhu were situated within the history of organizations and power structures such as the Catholic Church and early modern empires amid larger transformations and encounters. A strikingly original work, this book is a major contribution to East Asian, transnational, and global history, with important implications for historical approaches and methodologies.