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This book documents the work that Mexican artist Erick Meyenberg (born 1980) produced during a residency at in-Site/Casa Gallina in Mexico City--a participatory piece involving a local high-school marching band.
For this stochastic homage to Stravinsky, the abstractionist Arturo Herrera collaborated with a computer programmer in order to develop software that randomly draws from the artist's database of images to create an ever-changing sequence in response to the pitches of Stravinsky's music for the 1923 ballet "Les Noces."
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