Bøger udgivet af Anthem Press

This book is a new and exciting resource for teachers, students, and activists who aim to critically examine contemporary sexuality through the lens of sexual literacy and situated social analysis. This original anthology provides shorter cutting-edge essays on theory, method, and activism, including the nature of globalization and local sexuality discovered in ''glocal'' topics, processes, and contexts. Within the anthology, students, educators, practitioners, and policy makers will find critical conversations regarding a wide array of sexual topics that impact our world currently. These cutting-edge essays inform readers of key moments in sexual history, including areas relating to research, practice, and social policy, and provide a platform from which to engage in rich discussion and forecast the development of sexual literacy in our world within multiple contexts. Remarkable transformations in critical sexuality studies, sexual science, empirical and humanities-based studies, and human rights in the late-twentieth century reveal many of the complex conundrums of power that drive sexual study in the twenty-first century. Using the multi-faceted characteristics of sexuality literacy to engage critically and situationally across glocal factors, augmenting our ability to forecast sexuality issues, the book attempts answers for the following questions: What are the kinds of problems and solutions does applied critical sexual literacy work engage? How do we value one another and what political stakes are revealed when we do put one person over another? How do sexual identities and behaviors become authentic, meaningful, and important to comprehend in specific times and contexts? How does such work push forward pedagogy and allow forecasting the circumstances of tomorrow inasmuch as we can foresee?

This book examines the governance and politics of Kenya since independence with a particular focus on the betrayal by the political class of the aspirations of anticolonial nationalism.

Gothic has often articulated fear as much through its depictions of weather, climate and landscape as it has through its typical monsters, and the relationship between geography, the environment and travel has been a persistent characteristic of the Gothic from its earliest moments. Gothic is an innately travelling mode of writing, and the literary fascination provoked by armchair travel is central to the navigation of cultural fears: 'strangeness' only becomes apparent once one exchanges the homely (Heimlich) for the uncanny in new or uncharted settings. This book will argue that what differentiates Gothic travel from all other kinds is the growing realisation that the terrain across which one journeys has become 'haunted' by what one finds there. At the same time, that encounter similarly transforms the traveller 'for good': whatever ghosts we encounter abroad follow us home and take root in our collective consciousness. This book therefore argues that Gothic literary travel plays a key role in giving expression to a range of very 'real' haunting anxieties. The strange and discomforting landscapes into which our reading propels us allow those anxieties to take form while, in turn, our experience of journeying through these landscapes enables us, in part, to confront the fears they provoke. This book argues that the process and experience of travel in Gothic literature provides a unique perspective on recurring cultural preoccupations from the late-eighteenth century onward, ranging from concerns about climate change or the presence of the unseen to the negotiation of cultural difference and the apprehensions produced by various modes of modern transport. The book follows travellers who take many fictional forms - tourists, commuters, walkers, explorers, as well as the 'armchair' tourist or reader - as they encounter fascinating, curious and often disquieting weathers, climates, landscapes and topographies. Gothic travel epitomises the wonder, excitement, suspicion or incomprehension that arises from journeys through familiar and unfamiliar terrain. While exposure to the wild, elemental or primitive could produce the elevation of the sublime in early Gothic, increasingly the experience of travel raised unsettling questions about people and environments that lay beyond established frames of knowledge. Gothic travellers are haunted, never alone, and the experience of journeying through these landscapes provokes fears that may shadow them even after they have returned to home ground.One of the reasons why Gothic literature remains as popular in the twentieth and twenty-first centuries as it has ever been, despite our lessening belief in the supernatural or the after-life, is because it continues to provide us with a mechanism for giving shape to otherwise formless but profound cultural concerns. The book questions, however, whether Gothic literature per se remains a source of fear (as it arguably was in its earliest phases), or whether it now provides a 'homeopathic' response to growing social, cultural and environmental anxieties which loom large in our consciousness. It tracks the ways in which Gothic literature, from the later eighteenth century to the present, has always propelled fictional travellers abroad into cultural landscapes which prove terrifying and unknowable, but also questions whether more recent literary portrayals ask different questions of their readers in relation to the environment, surveillance, (im)migration, the foreign and technological innovation, as viewed through the lens of travel. As this study will show, these expressions of fear speak loudly to our own time, and are manifested not only in contemporary Gothic literature but in the wider cultural discourse.

War and Peace in the Worlds of Rudolf H. Sauter is a unique project which complements current trends in scholarship and the insatiable public appetite for books about the experience and impact of war. It is the first book to examine the creative life and worlds of Rudolf H. Sauter (1895-1977), the German-born artist, poet, cultural observer and nephew of the famed novelist John Galsworthy. Revealing him to be a creative figure in his own right, it examines his early life as a German immigrant in Britain, his formative years during the run-up to the Great War, his wartime internment as an "e;enemy alien,"e; and the postwar development of his intriguing body of artistic and literary work. Placing Sauter and his creative life in the historical contexts they have long deserved, this cultural biography opens a window onto subjects of war, love, memory, travel and existential concerns of modern times.

Prometheus and Gaia examines the ideological currents known as Futurism and Eco-Pessimism. While these tendencies are rarely spoken about explicitly, especially in mainstream discourse, they do have strong (if subterranean) influences on today's popular politics. In light of the existential threats posed by climate change, nuclear proliferation, disruptive technologies (especially bioengineering and AI) and looming economic crises, many have grown weary of the "e;small fixes"e; offered by conventional politicians. Worsening climate change, to take one example, appears to be a problem that "e;reducing, reusing, and recycling,"e; or non-binding treaties, are inadequate to remedy. Likewise, perennial economic crises seem too large and too systemic a threat compared to the moderate "e;fixes"e; of quantitative easing and government bailouts. If the system, itself, is the problem, then some radical change appears necessary. Here, two styles of thought emerge to challenge the status quo: The Futurist sees in existential threats just so many symptoms of a disconnect. This is the widening chasm between a dynamic and ever-accelerating technology, on the one hand, and an all-too static conception of human nature and human society, on the other. Their solution is to fully embrace the disruptive and anarchic powers of technology, and to leave the human as we know it behind, as nothing more than a parochial relic. The Eco-Pessimist instead sees technological development as the problem. The need to dominate nature, and our spoiling the planet, is the proximate cause of our contemporary crises. Their solution is to chastise human consumption, egoism and instrumental reason as destructive of a holistic, planetary balance.What these two ideologies have in common is a strident anti-humanism. Each, in their own way, subordinates human welfare and reason to some alien "e;other."e; This common anti-humanism is, in some respects, more important than the specific "e;other"e; that they designate-whether this be an anarchic nature or a dynamic technology. In both cases, what stands above humanity is valorized as an object of adoration rather than true understanding or comprehension. This need for radical transcendence beyond the human masquerades as a new form of politics; in fact it is a pre-modern and counter-Enlightenment tendency. Prometheus and Gaia seeks to uncover and demystify this strange coincidence of opposites, and goes on to make the positive case for a humanistic rationalism.

Can we live with being merely a brain with a history of being souls? Can our supra-nature, learnt in the crucible of religion and expressed in theology, survive without being exiled to the quantum mysteries of consciousness? Our very survival depends on these questions being answered and in a manner by which a non-expert can understand.The book explores these ideas and posits how we might be able to understand ourselves as merely brain without the confusion of pixie dust in the nanotubules, reorienting ourselves to the idea of Nature, and our humane ethical response. By looking at the challenge of neuroscience to identity and our souls, the book explores the tension of being scientific and theological and helps guide the reader to what can be said by either front in our axial age.The work places the soul, neuroscience and the new physics (as refuge for emergence of souls) into a conversation that considers what can be said about the Real of reality, including G-d. The book works theology, religion and science together so that each is given its voice and place in the conversation on how humans can become nature realists as a response to our challenges as a species with respect to climate change and worldwide pandemics.

In human binocular vision, the lenses of our eyes project two slightly different images onto the retinas and our brain calculates the difference between them as actual depth. Stereoscopy replicates this process by providing left-eye views and right-eye views (stereo pairs) of the same picture at slightly different angles which, when viewed simultaneously, create the illusion of depth (stereopsis). In 1844 Sir David Brewster invented a handheld apparatus for viewing stereoscopic photographs through a system of prismatic lenses, with the stereo pairs mounted on a single card. During the 1870s, a popular theatrical entertainment involved the projection of duo-color coded slides onto a large screen to be viewed through glasses with corresponding left and right colored cells to produce a stereoscopic illusion, known as "e;anaglyphic"e; 3-D. With the development of motion pictures, it was natural that pioneers like William Friese-Green and the Lumiere brothers would experiment with anaglyphic systems, since the photographic principle was the same. But commercial exploitation of the process awaited 1952, when independent producer Arch Oboler released Bwana Devil, a low-budget Anscocolor feature whose phenomenal box-office success catalyzed a short, industry-wide conversion to 3-D. Between 1953 and 1954, Hollywood produced 69 features in 3-D, mostly action films that could exploit the depth illusion, such as Westerns, science fiction, and horror films-all of them shot in some version of Oboler's Natural Vision. With some modification, such as the introduction of twin-lens cameras and projectors, this was the process used for nearly all the 3-D films made between 1953 and 2009, when James Cameron's Avatar became the highest-grossing feature of all time and the studios once again stampeded into 3-D production, this time in the more perceptually satisfying (and, ultimately, cost-effective) digital form.While all 3-D systems fool our brains into believing that something is either closer or farther away than it actually is, older systems tended to represent depth as a series of dimensionally flat planes like an eighteenth-century peep show, whereas digital systems add the effect of volumetric figures occupying real space, creating a kind of "e;aesthetics of immersion."e; Yet the ultimate technology for seeing things in three dimensions is Virtual Reality (VR), which uses a hybrid of advanced modern technology-Lidar scanners, hyper-accelerated graphic cards, etc.-and the stereoscopic illusion first quantified in the nineteenth century to create a state of sensory immersion that borders on otherness. Finding a way to mass-market the VR experience as a form of popular cinema, rather than as an enhanced form of video game, has become the new grail of the film industry.

This book provides a comprehensive guide to all three volumes of Karl Marx¿s Capital, with advice on further reading and points for further discussion.

This book tells the story of how the monarchy aimed at creating a new capital city in a remote and forgotten area of the empire and shows how the local Creole bourgeoisie rapidly assumed the role of urban developers and enhanced their economic status by investing in and controlling the Buenos Aires' property market.

What does ''queer'' have to do with children and young people and, in particular, with literature for them? How are sexualities and gender identities depicted in writing and illustration for younger readers in a variety of languages and cultures? How are queer families and the construction of queer families portrayed? How is this depiction influenced by the way the culture in question views queer identities? What is the connection between LGBTQ+ rights and literature for children and young adults? These are some of the questions addressed in this edited collection. While English-language LGBTQ+ literature for young readers has been and continues to be explored in some depth in academia, this is the first book to compare LGBTQ+ children''s literature from around the world and to connect the literature to greater societal, political, linguistic, historical and cultural concerns. The aim of this book, then, is to explore LGBTQ+ literature for young readers around the world, particularly beyond the English-speaking countries/cultures. This collection brings together contributions from across the academic and activist spectra, looking at picture books, middle-grade books and young adult novels. The foci of individual chapters include the representation of sexualities and gender identities, depictions of queer families, censorship, translation of LGBTQ+ literature for young readers, and self-publishing. Ultimately, the book considers what is at stake when we write (or do not write) about LGBTQ+ topics for young readers.

In a community hospital in suburban Chicago run by Catholic nuns, surgeons performed an operation never done in the world before. The team at the Little Company of Mary Hospital led by Richard Lawler transplanted a kidney in 1950 from a just-deceased woman into the abdominal cavity of a 44-year-old woman.Critics in the medical community called the operation irresponsible because immunosuppressant drugs that prevent the rejection of a transplanted organ had yet to be developed. Some Catholic clergy considered the transplant sacrilegious because it "e;desecrated"e; the sacred body of a dead woman when her kidney was removed. Yet the nuns who ran the hospital blessed the procedure.Lawler said time alone would judge its success. Seventy years later, that transplant is largely lost to history-overshadowed by remarkable transplant surgeries and medical breakthroughs that have made life-saving kidney and other organ transplants almost routine. The book throws light on a seminal moment in medical history, offering new insights into the early days of human organ transplantation while also looking at the current national kidney crisis.

This book is a new and exciting resource for teachers, students, and activists who aim to critically examine contemporary sexuality through the lens of sexual literacy and situated social analysis. This original anthology provides shorter cutting-edge essays on theory, method, and activism, including the nature of globalization and local sexuality discovered in ¿glocal¿ topics, processes, and contexts. These cutting-edge essays inform readers of key moments in sexual history, including areas relating to research, practice, and social policy, and provide a platform from which to engage in rich discussion and forecast the development of sexual literacy in our world within multiple contexts.

An in-depth analysis of the climate impacts facing Boston and the city's efforts to mitigate and adapt to a changing climate.

This book explores fourteen international case studies of ''crimes of the powerful'', both contemporary and historical. As such, it explores a hidden and often unknown area of criminal and immoral activity beyond the more commonly studied field of conventional or ''street'' crimes. It offers a unique insight into different examples of criminality and immorality enacted by the powerful, including corporations, states and criminal networks. The case studies include little-known and more widely known events, offering a critical sociological or forensic analysis of each case. By doing so, the book explores what kinds of criminality or immorality the case exemplifies and identifies key contextual and legislative factors facilitating their occurrence and limiting the perpetrators'' accountability. The critical analytical approach situates the case studies within the wider context and considers the role of social, political and other factors, such as neoliberalism, colonialist histories, inequalities of race and gender and globalisation in their facilitation of particular kinds of immoral or criminal acts. Fundamentally, it explores the legacies of social harm produced by the case study events and how these have played out over time. Drawing upon themes like disasters, medico-crimes, genocide, corporate crime, organised crime, colonial crimes and internment, the book explores key concepts like critical criminology, sociology and legislation combined with critical social policy. It will also include corporate crime, white collar crime, professional crime and social harm. These concepts will be outlined and then applied in the case studies as a way of understanding and analytically engaging with the individual cases. Being highly topical, the book reflects a growing popular and academic interest in the social harms produced by the actions of the powerful relating to the legacies and consequences of colonialism, and the impacts of global inequalities, particularly in terms of race and gender. Offering a critical sociological perspective on these issues, the book presents a novel insight into criminality which has interdisciplinary relevance in diverse disciplines including criminology, sociology, social policy and law, geography, environmental studies, international politics and development, peace studies and critical gender studies.

Wittgenstein and Modernist Fiction: The Language of Acknowledgment shows how early twentieth-century economic and social upheaval prompted new ways of conceptualizing the purposes and powers of language. Scholars have long held that formally experimental novels written in the early twentieth century reflect how the period's material crises-from world wars to the spread of industrial capitalism-call into question the capacity of language to picture the world accurately. This book argues that this standard scholarly narrative tells only a partial story. Even as signal modernist works by Virginia Woolf, Nella Larsen, William Faulkner, and others move away from a view of language as a means of gaining knowledge, they also underscore its capacity to grant acknowledgment. They show how language might matter less as a medium for representing reality than as a tool for recognizing others. The book develops this claim by engaging with the philosophy of Ludwig Wittgenstein. Writing in 1945, in the preface to Philosophical Investigations, Wittgenstein laments, "e;It is not impossible that it should fall to the lot of this work, in its poverty and in the darkness of this time, to bring light into one brain or another-but, of course, it is not likely."e; Worrying that "e;the darkness"e; of this historical moment renders his words unintelligible, Wittgenstein echoes the linguistic skepticism that scholars have found in literary modernism. But the Investigations ultimately pushes back against such skeptical doubts by offering a vision of language as a set of shared human practices. Even when it comes to a word like "e;pain,"e; which seemingly gestures toward something absolutely private and individual, Wittgenstein indicates that we learn what "e;pain"e; means by familiarizing ourselves with the contexts in which people use the term. In his pioneering reading of the Investigations as a "e;modernist"e; work, Stanley Cavell argues that Wittgenstein's distinctive response to the problem of skepticism consists in the view that "e;other minds [are] not to be known, but acknowledged."e;The book argues that this concept of acknowledgment, as articulated implicitly by Wittgenstein and explicitly by Cavell, enables a broader reconceptualization of modernist fiction's stance toward the referential capacities of language, and it bears out this claim by reading a series of modernist novels through the lens of Wittgenstein's philosophy. From the residence halls of Cambridge to the farmsteads of rural Mississippians, the early decades of the twentieth century sowed serious doubts about the ability of individuals to find shared criteria for the meanings of words: the greater convenience of travel led to increased cross-cultural misunderstandings; technological developments facilitated new modes of race-, class-, and gender-based oppression, and two world wars irrevocably shattered an earlier generation's optimism about the inevitability of political and moral progress. In this light, Wittgenstein and Modernist Fiction contends that modernist representations of consciousness strive to capture the inner lives of socially marginalized figures, seeking to facilitate new forms of intimacy and community amongst those who have survived crushing losses and been subject to deeply isolating social forces.

This collection provides a panoramic view of practical philosophical insight, ranging across a spectrum of humanistic themes. These essays cast light on our perennially imperfect human condition. They are written from the complementary standpoints of a classical liberal scholar with one foot planted in the academy, and of a peripatetic pioneer whom The New York Times called "e;the world's most successful marketer of philosophical counseling."e; These writings, therefore, span space in which theory and praxis are mutually informative and seamlessly collaborative.The collection ranges from Alfred Korzybski's general semantics; Thomas Mann's prognosis for Western civilization; Hume's moral skepticism applied to globalization; Jungian synchronicity and encounters with Irvin Yalom; J.S. Mill's harm principle applied to cyberspace; Ayn Rand's prophetic apocalypse; philosophical practice as Dadaist activism; humanities-based therapies as remedies for culturally induced illnesses; biological roots of human conflict; deconstruction and critique of "e;sustainable development"e;; dangers and detriments of over-digitalized and hyper-virtualized lifestyles and learning methods; and calls for the re-emergence of philosophy from inactive academic entombment to pro-active modes of personal guidance, social influence, consumer advocacy, and political engagement. A unifying claim of this anthology is the cautionary tale that humanity's recurrent and conflict-ridden predicaments are only exacerbated by myopic analyses, toxic ideologies, and expedient prescriptions. While philosophy is scarcely a panacea for human afflictions, its proper exercise illuminates our understanding of them, thereby suggesting better as opposed to worse ways forward.Overall, the thrust of this collection can be viewed as a realization of John Dewey's forthright vision, expressed in 1917: "e;Philosophy recovers itself when it ceases to be a device for dealing with the problems of philosophers and becomes a method, cultivated by philosophers, for dealing with the problems of men."e; Indeed, these essays deal with problems of humanity writ large. They also constitute a compelling response to Mortimer Adler's clarion call in 1965, that philosophy "e;must cease to be an activity conducted by moles, each burrowing in its own hole, and become a public and cooperative enterprise."e; As these essays reveal, Marinoff has accomplished Adler's mission, transforming and returning philosophy to the agora, which in contemporary parlance amounts to the global village. That his popular books on philosophy for everyday life have sold millions of copies in dozens of languages has distracted some-perhaps too many-philosophers from exploring what he has written for a philosophical audience itself. This book helps remedy that distraction.

Media Sociology and Journalism is a dialogue on the kind of society we find ourselves in as defined through news media and politics, and as seen in contemporary sociological theory. As we work through opposing visions of the global pandemic and an economic depression as well as solutions to racial reckoning, we need to remember we are navigating inside a political and media storm that has raged around the world since the unexpected results of the 2016 U.S election and Brexit Referendum. Deregulation, climate change, forced migrations, and inequality are only some of the topics on which opposing alt right, progressives, and moderates are divided. Journalism, politics and contemporary sociological theory are examined through their interplay and respective strengths and weaknesses in assessing the tenacity of the many deeply opposing claims where each side takes the other's "truth" to be an existential threat. The relation between truth and democracy as a regime of power and type of society has always been fragile, often tenuous, and even irrelevant at times. We are nonetheless in a moment where journalists, politicians and social scientists are continually perplexed as to what to do with the denial of basic facts they are expected to trust in order to help create democracy. Post-truth attitudes, the rise of authoritarianism, fake news, conspiracy theories, neoliberalism, nihilism, white nationalism are all threats to democracy but so are repetitive mainstream journalistic narrative strategies that exclude subaltern subjects they report on as the first audience they imagine in writing reports and opinions. Case studies of immigration, urban poverty, and regulating cultural and religious difference are selected to show patterns of hospitality, conditional tolerance or recognition that journalists frame for audiences in ways that help define the public dialogue on welcoming, acceptance, or rejection of others. A dialogical critique of the gaps between how social actors are represented in journalism, politics and sociology versus how they might see themselves is the first step toward an alternative way of creating democratic society.

The book presents the first integrated study of the relationship between official Islamic leadership (muftiship), non-official Islamic authorities, grassroots Muslim communities and the state in post-Communist Eurasia, encompassing Lithuania, Belarus, Ukraine, the Volga-Urals, Crimea, the North Caucasus, Azerbaijan and ex-Soviet Central Asia. Its analysis is positioned within the current secularism/de-secularisation debate. The book is based on a wide range of primary and secondary sources, including the author's interviews with Islamic official and popular leaders and authorities, which she conducted over two decades in various parts of Eurasia. The book employs a history-based perspective and compares the nature and role of official Islamic leadership and the state-Muslim relations across Eurasia with those in both the Middle East and Western Europe. It argues that in most of the post-Soviet lands, the official Islamic leadership and its relations with the state have largely retained their particular national and broader Eurasian character, which distinguishes them from what prevails in the Middle East and Western Europe. At the same time, the increasing political 'Europeanisation' of Lithuania and Ukraine since 2014 and, to some extent, Belarus, has accounted for their divergence towards the Western model of state-Muslim relations. In conclusion, it analyses the impact of globalisation and the advance of global Salafism, in particular, on Islamic leadership and state-Muslim relations across post-Soviet Eurasia.

Violence exploding in public spaces, corruption by political figures and economic elites, the will of the people thwarted in both elections and votes in the senate, military misadventures abroad, and rampant economic inequality at home diminishing a shared sense of the common good - in sum, a republic in disarray. These descriptions are not only familiar from ancient Roman political and social life but are also recognizable to any United States citizen who follows the news and American civic life. On the Republic proceeds chronologically through the fall of the Roman Republic beginning in 133 BCE and continuing down to around 14 CE, providing a continuous narrative of the fall of the Roman Republic juxtaposed with the contemporary political landscape of the United States.On the Republic focuses on four constellations of lessons that represent the most significant things which the fall of the Roman Republic has to teach us at this time: the dangers of political violence, the inability of individuals and institutions to save us, the finality of the loss of freedom, and lastly the importance of civic virtue. In 20 short chapters, On the Republic explores how the United States now faces many of the same challenges that toppled the Roman Republic - political divisions, economic inequality, and creeping authoritarianism. How we respond to these challenges today will determine the future of American democracy.On the Republic is not a book about the fall of ancient Rome to so-called barbarians overrunning the border. It addresses the fall of a democratic society (the Roman Republic) into an autocracy (the Roman empire). This is not a book about sexual debauchery and gluttony, but a serious reading of political events that had serious consequences. On the Republic offers modern readers lessons that, while sobering, can also empower them to participate in political life in new ways. History is a means not to predict the future, but rather to stir the civic imagination of its readers.

Emerging Thoughts in Disability and Humanness examines the role of embodied disablement in providing an important but often circumvented analysis of the explicit and implicit nature of the legitimate human body, its symbolism, and responses that such bodies elicit from diverse local through global social and cultural entities. The various sections of the book introduce the theoretical and historical foundations for analyzing humanness, and the role of the atypical body in determining membership, meaning and worth; examine embodied criteria of "e;humanness"e; and offending corporeal characteristics; describe and analyze how offenders are identified and depicted in diverse contexts; delve into how these bodies are met with praxis and axiological responses from revision through exclusion; and invoke contemporary post-postmodernist marriages of varied disciplines as frameworks for returning creative substance into rethinking disability within the textured fabric of humanness.

During the Romantic period, Hannah Cowley (1743-1809) achieved fame both as a playwright and a poet, composing popular comedies and, as Anna Matilda, amorous Della Cruscan verse. But despite a recent surge of scholarly interest in her works, her controversial comedy The World as It Goes has never been published.This edition of The World as It Goes is based on the Larpent licensing holograph manuscript held by the Huntington Library (LA 548). The transcription of the play is supplemented with an introduction providing cultural, theatrical, historical and biographical contexts; contemporaneous reviews; and a note on the text.The World as It Goes satirizes English tourists visiting a southern French resort and the scoundrels who prey on them. The play's cast included some of the era's most popular comic actors: John Edwin, John Quick, Charles Lee Lewes, William Thomas Lewis (aka "e;Gentleman Lewis"e;), Ralph Wewitzer (who specialized in stereotypical foreigners), Isabella Mattocks (who specialized in "e;vulgar"e; characters) and the famously rotund Lydia Webb. Elizabeth Younge, acclaimed for her portrayals of sentimental wives and daughters, played Lady Danvers, and the future novelist and playwright Elizabeth Inchbald appeared in the role of Sidney Grubb.Before the premiere of The World as It Goes at Covent Garden, Cowley's comedies The Runaway (1776) and The Belle's Stratagem (1780) and her farce Who's the Dupe (1779) had been theatrical hits. But reviewers who admired her previous plays found The World as It Goes vulgar and morally offensive, and its sole performance on February 24, 1781, was disrupted by audience members who loudly objected to a ribald scene in a bedroom antechamber and repeatedly interrupted Younge as she attempted to deliver the epilogue, which contained a risqu reference to the transgender Chevalire D'Eon. Cowley heavily revised the play, but its second incarnation as Second Thoughts Are Best (performed March 24, 1781) was also a failure. The World as It Goes is Cowley's most bawdy, multigeneric and socially subversive comedy and features a valet masquerading as his master and aspiring to take a seat at Westminster; French and German swindlers; a seductive countess; a lecherous, nouveau-riche London "e;Citizen"e;; an antiquarian bluestocking modeled after Lady Anna Miller; a fatuous aristocrat who neglects the wife he adores to be seen as fashionable; and a French monk who attempts to rape an Englishwoman. Among the contemporaneous issues and cultural products addressed in the play, its prologue and epilogue are English tourism on the continent; the pantomime Harlequin Free-Mason (1780); the January 1781 French raid on Jersey Island; the Chevalire d'Eon's androgyny; the Gordon riots and Lord George Gordon's acquittal in the ensuing treason trial; the recent performances by the French ballet dancer Gatano Appoline Balthazar Vestris at the King's Theatre; anxieties about ambitious and oversexed male servants; bluestocking antiquarianism; the pretensions of the London merchant class; the pro-American revolution Bill of Rights Society and the London Association; James Graham's Celestial Bed; and prison ships ("e;Hulks"e;).The comedy's catastrophic failure influenced the manner in which Cowley handled controversial issues in her subsequent dramas and provides insights into late eighteenth-century anxieties and mores. Mortified by the damnation of The World as It Goes, she omitted it from her posthumous Works (1813), but she reworked some of its themes, situations and characters in her final play, The Town before You, which was staged in 1794. Although The Town before You, like The World as It Goes, portrays nefarious impostors, a philistine businessman, a spurious connoisseur and a wealthy female eccentric obsessed with classical art, it enjoyed a respectable run of nine nights.

Written in reverse, the chapters go backwards. The book starts from present (approximately Chapter 50, 2020, back 30 years, to Chapter 20, 1990). The story coincides with an imbedded "e;road itinerary."e; Years are rarely mentioned in the text; and, in most cases, only initials are used for all characters. People, places and things are all real in relation to the timeline. The work involves the interpolation of common conversations-from sources such as texting and emails-to shed light on the fallibility of human relations. To a large degree, and within reason, the length of conversations are meant to be overbearing, countered by other aspects of the writing. Ron Westray's father and grandfather's stories are imbedded in the work. His mother's free-verse-poetry is the muse/soul that binds the work together like a second, invisible narrator.

The book explores the era of space collaboration (from 1970 to the present). This period has been largely ignored by historians in favor of a focus on the earlier space race. The Apollo-Soyuz Test Project, a key program and catalyst for Detente, marked the transition to the new age of space collaboration, which continued through the Soviet Interkosmos missions, the Mir-Shuttle dockings of the early 1990s, and on through the International Space Station. Europeans, Americans, and Russians envisioned space collaboration as a way to reconfigure political and international relations. The shift toward collaboration was a resultofa new focus on safety, which displaced the earlier emphasis on risk-taking in the first phaseofthe space race, when military imperatives often overshadowed peaceful goals. Apollo-Soyuz (ignored by Cold War historians) was thus imagined as a test project for a docking mechanism that would allow a manned-capsule stranded in orbit to dock with another capsule and provide an escape hatch back to earth (it was actually inspired, in part, by the 1969 Hollywood film "e;Marooned"e; with Gene Hackman). The focus on engineering for safety grew outofthe broader concerns about environmental degradation and nuclear war that in turn reflected a growing sense in the 1970s and 1980softhe dangers associated with excessive risk-taking in politics and engineering. Few historians or social scientists have examined the social constructionofsafety and its use in engineering and politics.The book draws on the Russian AcademyofSciences Archives, Nixon and Reagan libraries and National Archives Collections, NASA headquarters library documents, and various memoirs and other published sources in English and Russian.

Brazil, the world's largest sugar producer, supplies 16 per cent of its energy consumption and approximately three quarters of its transport fuels with sugarcane-based ethanol. From ca. 2003 until 2014, the country under the Workers' Party government aimed at creating a global market for ethanol. The time seemed right to steer foreign policy towards this goal due to a benevolent structural environment with global discussions about energy security, climate change, and South-South cooperation. Within a neoclassical realist framework, this study examines why Brazil did not fully succeed in its ethanol diplomacy to create a global market for ethanol. The analysis covers three analytical levels: the bilateral with Brazil in power deficit, the bilateral with Brazil in power surplus, and the multilateral, represented in three empirical chapters, Brazil-US, Brazil-Mozambique, and Brazil's multilateral ethanol diplomacy, respectively. Each chapter finishes with a set of recommendations for political consideration. This study also demonstrates how the theoretical approach of neoclassical realism can combine foreign policy output with international politics outcome research and is useful to analyse policy outside the hard security realm. It offers a basis for further research towards an understanding of Brazil's overall foreign policy and the foreign policies of other emerging powers.

An exploration of the Animal Crossing virtual world, bringing together insights about law, commerce, psychology, sociology and creativity for scholars and non-specialist readers.

Raymond Aron is an exceptional figure among twentieth-century sociological and political thinkers. The book focuses on the sociological work of this author of the century, who analyzed his age both in its grand-scale political and socio-economic traits and in the complex social and political ramifications of its day-to-day life.

As the mission, relevance and intellectual orientation of development studies is increasingly being challenged, this collection of essays argues for the continued necessity to ground the field in a critical political economy approach informed by the contributions of Ashwani Saith.

The book is a story about three characters who go on a road trip and experience technology, organizations, and work life in 2030. Through their journey, the reader will encounter a new job entrant, one in the middle of his career, and another who is contemplating on what to do to finish strong. They all will think through key questions and resolve issues individually, from other people or situations encountered along the way. There are exciting learning opportunities relating to how the characters approach, think, and decide on what to do to get ahead in the Corporate America of the future. The book centers around the authors' individual passions around AI, future trends, and the changing nature of work. The simple story offers unique insights on what scenarios exist, how to manage the challenges, and capitalize on opportunities to achieve career success. The book hopes the story will get readers to think about what needs to be done to prepare for future careers. The featured lessons will help readers make the appropriate right steps towards a developmental journey and pathway towards a happy, healthy, and productive life ahead.

Artificial intelligence and robotics have defined and redefined work environments worldwide. Utilizing stories, news events, and academic research, the book highlights the new realities of business and leadership in the world of AI and provides meaningful insights to help executives and corporations manage and succeed.The business and academic communities would find the book insights useful in understanding the basic notion of artificial intelligence and its impact on an organization's success. The book discusses strategies that executives can use to best manage business in an AI environment. Written with an equally educational and fun approach, the book covers practical business strategies that will help managers succeed in an AI world.