Bøger udgivet af Archetype

Now in his 80s, Gai Eaton describes how, after a strange childhood completely isolated from other children, followed by a Cambridge education and life as an actor and later as a diplomat, circumstances led him at the age of 30 to Islam. Fascinated by the vagaries of human behavior and the strangeness of human destinies, he has observed the human scene with a novelist's eye and traced the profound changes in attitudes and tastes which have taken place in a single lifetime. He recounts his youthful adventures with the clear-sight and understanding only possible for someone whom age has freed from the passions which once possessed him. What makes this work unique is the juxtaposition of hindsight with diary entries made at the time, which gives a quality of immediacy to a true story that includes reminiscences of the diplomatic life and an outline of the Sufi path.

In this, one of his last works, Martin Lings discusses the significance of the pilgrimage to Mecca, made annually by several million Muslims, in the light of the tradition of Abraham. Drawing upon his own experience of performing the pilgrimage first in 1946 and then in 1978, as well referring to the traditional sources, he considers the timeless spiritual meaning of the Hajj, which was proclaimed and established by Abraham and Ishmael and renewed by the Prophet Muhammad, in the context of its long history and comes to some surprising conclusions.

Martin Lings gives us powerful reasons for believing that we have now reached a point in time from which 'the end' - whatever that may mean - is already in sight without being immediately imminent. The Eleventh Hour has its roots in the parable of the laborers in the vineyard. The following questions run through the book: why did the latecomers receive the same wage as those who had laboured throughout the heat of the day? Why were they the first to be paid? And why, did Christ say 'And the last shall be first?' These questions are answered in the light of the concept of the Millennium, which is clearly the equivalent of the new Golden Age of the next cycle of time, and which is found in all three monotheistic religions, bringing them into line, in this respect, with Hinduism, Greco-Roman Antiquity and Buddhism.

Drawing upon a wide range of ancient sources as well as contemporary scholarly research this ground-breaking book reveals the astonishing continuity and the historical transformation of spiritual patterns from the Assyrian and Babylonian to the Islamic civilization. It argues that in Sufism the main metaphysical content of ancient wisdom can be shown to have been preserved and reinterpreted in accordance with Quranic revelation, following the pattern of prevailing monotheistic Jewish, Christian, and Islamic mythologies. Such motifs include the Divine covenant and human kingship, Lordship and servant hood, holy war and the return to primordial integrity. Recurring myths and rituals of cosmogony and eschatology, of ontological irradiation and spiritual deconstruction, constitute a dialectical play which re-appear in the context of Sufism, that is, in the context of traditional Islamic piety and sacred rites.

Drawing upon his wide knowledge of world religions the author in this book strikes at the root of everything that makes it difficult for people today to believe wholeheartedly in religion and in doing so, it shows modern man to be, in his own peculiar twenty-first century way, the embodiment of superstition in its most dangerous form. We are faced in the modern world with a situation similar to that in the fable of the Emperor's new clothes. This book aims to speak the truth about the modern outlook especially concerning science and metaphysics, in order to dispell the illusion that prevents the intellect from seeing things as they really are.

Shems Friedlander has studied with Sufi Shaykhs throughout the Middle East--in Mecca, Medina, Cairo and Istanbul. Here he presents ancient Sufi teaching stories rooted in the Islamic tradition. With common sense and insightful wit he addresses questions and problems of contemporary life and awakens our attention to the often overlooked moments that give importance and meaning to our lives. Through the re-telling of classical stories and his own commentary, a pattern unfolds that helps to distinguish knowledge from information, reality from imagination, and makes what seems to lie beyond our perception--accessible.

Behind today's media stereotypes of an apocalyptic 'clash of civilisations, ' could we be witnessing the epochal birth of new spiritual, ethical and cultural forms of communion, of a nascent global civilisation? 'Orientations' begins with those intimately familiar situations of disorientation, painful conflict and confusion whose most dramatic expressions are daily so visible in emblematic images from each Jerusalem or Sarajevo. It presents three Muslim thinkers whose seminal works together provide the inspiration for positive, realistic, and constructive responses to those challenges.

Now in his 80s, Gai Eaton describes how, after a strange childhood completely isolated from other children, followed by a Cambridge education and life as an actor and later as a diplomat, circumstances led him at the age of 30 to Islam. Fascinated by the vagaries of human behavior and the strangeness of human destinies, he has observed the human scene with a novelist's eye and traced the profound changes in attitudes and tastes which have taken place in a single lifetime. He recounts his youthful adventures with the clear-sight and understanding only possible for someone whom age has freed from the passions which once possessed him. What makes this work unique is the juxtaposition of hindsight with diary entries made at the time, which gives a quality of immediacy to a true story that includes reminiscences of the diplomatic life and an outline of the Sufi path.

"The Tree of Being" ("Shajarat al-Kawn" in Arabic) is a work by Ibn Arabi, interpreted by Shaykh Tosun Bayrak who also includes here two other short works by the same author. Ibn Arabi (1165-1240) knew and influenced the great men of his time, including Ibn Rushd (Averroes), Jalaluddin Rumi and Suhrawardi, and his influence spread beyond the Islamic world to medieval Europe. Dante shows the influence of Ibn Arabi in the Divine Comedy for example. Sections of the book include the interpreter's introduction, a biography of Ibn Arabi and a discussion of his approach to Sufism, and Ibn Arabi's devotion to the Prophet Muhammad as the perfect man.