Bøger udgivet af Artist Book Foundation

The Wind moves the Waves, the Waves move the Light, and the Light moves us all.-- George SherwoodGeorge Sherwood's kinetic sculptures invite us to observe, experience, contemplate and engage more fully in the natural world around us. His intricate and innovatively designed works explore aesthetic systems of space, time, and the dynamic relationships of objects in motion. The choreography of each piece is governed by a set of basic movements, facilitated by an arrangement of aerodynamic surfaces connected by rotational points. The Artist Book Foundation is pleased to present George Sherwood: Wind, Waves, and Light, the first monograph on this award-winning artist's lustrous, subtly transformative works. Featuring 100 sculptures from Sherwood's early whimsical explorations to his monumental commissions that have graced private and public gardens, city sites, and exhibition spaces around the world, readers will witness how changing winds, shades of light, times of day, precipitation, and the seasons' changing colors alter the sculptures, animate their surroundings, and ignite the imagination. Sherwood's sculptures are often made of stainless steel, a reflective material that serves to integrate the works into the unique and often transient light of their environments. Based in Ipswich, Massachusetts, Sherwood has been featured in numerous solo exhibitions including the Currier Museum, Manchester, New Hampshire; Saint Gauden's National Historic Site in Cornish, New Hampshire; The Rose Kennedy Greenway in Boston, Massachusetts; and the Katonah Museum, in Katonah, New York. In 2007 he was awarded the Lillian Heller Award for Contemporary Art at Chesterwood in Stockbridge, Massachusetts. His works can be found in the permanent collections of The Currier Museum; The Dana Farber Cancer Institute 20th and 21st century Contemporary Art Collection in Boston, Massachusetts; the Coastal Maine Botanical Gardens in Boothbay, Maine, the Atlanta Botanical Garden in Atlanta, Georgia; and the Contemporary Sculpture Path at the Forest Hills Educational Trust in Jamaica Plain, Massachusetts.

"Photorealism is a genre of painting that developed in the United States and Europe using high-resolution photography as its primary source material. Embracing digital photography perhaps more than any other artist working in this genre, French-born Bertrand Meniel (1961-) is able to incorporate an astonishing amount of detail into his renderings of cityscapes in New York City, Miami, and Paris. Primarily self-taught and with no preliminary experimental, developmental, or student work, by 1996 Meniel was creating works with powerful, distinctive, and very original imagery, having mastered techniques and skills that normally require a lifetime. Using a variety of photographs of his chosen subject, he manipulates an image to perfection, focusing simultaneously on the foreground and background by combing hundreds of shots on a computer screen. His choice to depict iconic American scenes in his paintings, particularly those associated with the "American Way of Life," reflects not just a technical mastery of Photorealism but a deep emotional connection to the culture that captivated him during his youth. His unique perspective, influenced by French artistic traditions and shaped by exposure to American pop culture, allows him to capture in his art the essence of what may be best described as the "New York State of Mind.""--