Bøger udgivet af Aunt Lute Books

Edited by Sara A Ramírez, Larissa M. Mercado-López, and Sonia Saldívar-Hull. A collection of diverse essays and poetry that offer scholarly and creative responses inspired by the life and work of Gloria Anzaldúa, selected from the 2018 meeting of The Society for the Study of Gloria Anzaldúa.

A wonderful, fast-paced first novel by a new talent, "Send My Roots Rain" is the story of an urban woman artist's experiences in a small southwestern town near the Mexican border.

Fiction. This rowdy, irreverent novel explores relationships among a community of Black women--mothers and daughters, friends and lovers--who came to Detroit in the late 1950s to work the lines at the Ford Motor plant. HER is a novel whose words refuse to be constrained by the boundaries of its pages. Like jazz that reaches out to both heart and gut...From a central core of strong women characters, Cherry Muhanji experiments and elaborates, playing variations, solos, and combinations up and down the register. Her creation is both eye-opening and sensual--500 Great Books by Women.

Poetry. Cultural Studies. This volume gathers 150 poems written by WritersCorps youth over the past 12 years. These young writers have much to say about their individual experience and about the world we share. They describe the stresses that impact their lives and the tension that results. They express, as well, the strength and compassion born from their efforts to stay steady as the ground beneath them shakes. Writers Corps teachers have met with thousands of youth in public schools, detention centers, halfway houses, after-school programs, and many other community settings. To better the conditions our children face, we must first listen to what they have to say--to themselves, to each other, and to parents, teachers, police, and presidents. This volume provides just such an opportunity.

Edited by Ricardo F. Vivancos-Pérez and Norma Cantú. Rooted in Gloria Anzaldúa's experiences growing up near the U.S./Mexico border, BORDERLANDS/LA FRONTERA remaps our understanding of borders as psychic, social, and cultural terrains that we inhabit and that inhabit us all. Drawing heavily on archival research and a comprehensive literature review while contextualizing the book within her theories and writings before and after its 1987 publication, this critical edition elucidates Anzaldúa's complex composition process and its centrality in the development of her philosophy. It opens with two introductory studies; offers a corrected text, explanatory footnotes, translations, and four archival appendices; and closes with an updated bibliography of Anzaldúa's works, an extensive scholarly bibliography on Borderlands, a brief biography, and a short discussion of the Gloria E. Anzaldúa Papers.

Fiction. Simply and sensually written, this love story between two Mexican Jewish women has been both scandalous and celebrated since its first publication. A romance that explores the constraints that family, community and society place on love, TWO MUJERES is an evocation of a desire that crosses boundaries and the risks of that transgression.

Cultural Writing. Leela Fernandes' years of teaching women's studies courses at Rutgers-where she has seen frustration, paralysis and depression take hold of young students grappling with the hard realities of social activism-led her to examine the state of contemporary feminism and social justice movements. The result is an accessible social critique that goes directly to the heart of the issues. TRANSFORMING FEMINIST PRACTICE takes a hard, unrelenting look at social justice organizations, academia, and identity politics, refocusing the struggle and opening a dialogue for a new era.

Two decades of essays on the key issues of feminism.

Literary Nonfiction. Education Studies. Memoir. Why would a high school teacher who loves teaching leave school--after half a career in the classroom? TEACHER AT POINT BLANK answers this question at a time when concerns about school performance, safety, and teacher attrition are at an all-time and often anxious high. Meditating on subtle and overt forms of violence in secondary public education from an up-close and pink collar point of view, Jo Scott-Coe defies clichés and cultural fantasies about teachers. She examines her own workplace as a microcosm of the national compulsory K--12 system, where teachers--now nearly 80 percent women--find themselves idealized and disparaged, expected to embody the dedication of parents, the coldness of data managers, and the obedience of Stepford spouses. In this groundbreaking memoir in essays, Scott-Coe recounts her own journey to recover a sane and independent voice. TEACHER AT POINT BLANK fuses her perspectives as teacher and former student, adult and child, educator and writer.

"This volume gathers selected academic and creative works from the 2019 meeting of the Society and recognizes the importance and sustained impact of Anzaldâua's work. The productions for these edited conference proceedings have been organized into distinct categories that align with the conference tracks in El Mundo Zurdo: each work speaks to the one next to it, emphasizing the manner in which Anzaldâuan thought travels across communities-from the personal to the political, from the academic to the activist, from the creative to the spiritual. Part I, Anzaldâua in and out of Academia: Theory & Pedagogy, focuses on sustaining Anzaldâua's legacy and teaching her work both in academic and public settings. Part II. Telling Lives: Testimonios, Autohistoria, Oral History, and Autoethnography brings together authors who are participating in the legacy of storytelling and theorizing from personal experience, history, creative expression, and social observation in the tradition of Anzaldâua. Part III, Philosophy, Theory, Culture, explores the interconnectedness of Anzaldâua's contributions to these three fields of study. Part IV, Anzaldâua and Healing: Art, Music, and Poetry, as the final section, brings together the creative works and cultural production born out of Anzaldâua's work. The poetry and artwork included in this section focus on the border reality of the artists and the way they connect their work to Anzaldâua"--

In English for the first time, an arresting novel by one of Spain's most accomplished writers.

Consists of SSGA conference proceedings held May 27-30, 2015, at The University of Texas at Austin.

El Mundo Zurdo 6 is a collection of diverse essays and poetry that offer scholarly and creative responses inspired by the life and work of Gloria Anzaldúa, selected from the 2016 meeting of The Society for the Study of Gloria Anzaldúa.Contributors include: Anel I. Flores, Alejandra I. Ramírez, Isabel Millán, Jennifer Lozano, Yndalecio Isaac Hinjosa, Candace Zepeda, Norma Alarcón, Marisa Belausteguigoitia, Romana Radlwimmer, Richard Giddens, Jr., Fabiane Ramos, Veronica Sandoval, Itzel Corona Aguilar, Susana N. Ramírez, Megan Michelle Moran

"The Issue is Power in this collection of essays, speeches, and reviews spanning 15 years of writing and organizing. Political activist and writer Melanie Kaye/Kantrowitz brings an insightful eye and a sharp analytical mind to address a wide range of issues in contemporary America: race, class, anti-Semitism, lesbian culture, war, sexual power, identity politics, Israel, Palestine and the Middle East, international and domestic violence against and by women. Kaye/Kantrowitz is indomitable in the fight against being worn down, hushed up. Her work reminds us of the strength in community. The second edition includes a Foreword by Julie R. Enszer"--

Literary Nonfiction. Memoir. LGBT Studies. Growing up in Las Cruces, New Mexico, the lean child of working-class Chicago transplants, Judy Grahn hungered to connect with the larger world, to create a place for herself beyond the deprivations and repressions of small town, 1950s life. Refusing the imperative to silence that was her inheritance as a woman and as a lesbian, Grahn found her way to poetry, to activism, and to the intoxicating beauty and power of openly loving other women. In the process, she emerged not only as one of the most inspirational and influential figures of the gay women's liberation movement, but as a poet whose vision and craft has helped to give voice to long-unexplored dimensions of women's political and spiritual existence.In telling her life story, Grahn reflects on the profound cultural shifts brought about by the women's and gay rights movements of the 1960s and 1970s. The "simple" revolution she recounts involved not just the formation of new institutions (the Women's Press Collective, Oakland Feminist Women's Health Center, A Woman's Place Bookstore), but the creation of whole new ways of living, including collective feminist households that cut through the political and social isolation of women.Throughout, Grahn describes her involvement with iconic scenes and figures from the history of these years--the Altamont Music Festival, the Black Panthers, the imprisoned Manson women, the Weather Underground, Inez Garcia--sometimes as witness, sometimes as participant, sometimes as instigator. Looking at these events and people within the context of the women's movement, and through the prism of Judy Grahn's luminous poetic sensibility, we see them anew."In A SIMPLE REVOLUTION, Grahn refuses dramatic, psychological narratives that readers have come

Literary Nonfiction. Asian American Studies. This compilation is the first comprehensive work to focus on South Asian American and South Asian immigrant women in the U.S. It represents a pioneering effort to collect the critical essays, creative works and personal histories by and about women of South Asian descent. The diverse expressions of identity and experience found here enable us to begin to see how women of South Asian origin define their positions within their respective communities, within wider interethnic networks, and within national and international social, economic, and political frameworks which impact women's lives, both in the United States and in South Asia."A brazenly contemporary approach to literature...offering South Asian women a release from modern social restrictions, allowing them to forge spiritual connections within themselves and with each other.... The first collection of its kind, the editors and writers should be commended for their boldness in printing in black and white the controversial ideas of sexuality and revolution that are often forbidden."--Hinduism Today

¡Cuéntamelo! Oral Histories by LGBT Latino Immigrants began as a cover story for SF Weekly, and, eventually in 2014 with local grant support, Lopera was able to self publish. The first edition of 300 books sold out within a week. In addition to beautiful black and white drawings of the contributors by artist Laura Cerón Melo, this edition features a number of candid earlier photographs of several of the contributors, as well as a new introduction from Julián.¡Cuéntamelo! is "[a] stunning collection of bilingual oral histories and illustrations by LGBT Latinx immigrants who arrived in the U.S. during the 80s and 90s. Stories of repression in underground Havana in the 60s; coming out trans in Catholic Puerto Rico in the 80s; Scarface, female impersonators, Miami and the 'boat people'; San Francisco's underground Latinx scene during the 90s and more."¡Cuéntamelo! is bilingual. All stories in this book have both an English and Spanish version.Full of humor and heart--the oral histories collected here speak of exilio and gentrification, bad tricks and forever friendships, hoped for memories and forgotten utopias. This is queer latinidad in all of her salty glory, spilling tales wrapped in glitter and grime, urgent stories that capture your spirit and don't let go. This book is a must-read for anyone interested in real-world accounts of the quotidian cruelties and unexpected pleasures of immigrant latinx queers remaking community, sex, politics, culture, and themselves. --Juana María RodríguezContributors include: Adela Vázquez, Alexandra Cruz, Manuel Rodríguez Cruz, Marlen Hernández, Carlos Sayán Wong, Mahogany Sánchez, Nelson D'Alerta (Catherine White)

Poetry. Literary Nonfiction. Fiction. Drama. LGBTQIA Studies. Women's Studies. Compiled in one book for the first time, featuring both new and out of print pieces, the contents of THE JUDY GRAHN READER span four decades of work by the prominent writer and activist. This volume contains writing from every phase of Judy Grahn's career, including poems from all of her major poetry collections, such as "The Common Woman," "A Woman is Talking to Death," and the previously unpublished "Mental"; a number of her groundbreaking essays ("Writing from a House of Women" and the newly revised "Ground Zero: The Rise of Lesbian Feminism," among others); as well as selected fiction and the full-length play The Queen of Swords. As Judy Grahn's writing continues to be relevant in today's social, political and cultural climate, this comprehensive volume gathers the varying strands of her writing and makes visible the tremendous scope of her ongoing contribution as a feminist thinker, activist, and literary artist. "Judy Grahn is the direct inheritor of that passion for life in the woman poet, that instinct for true power, not domination, which poets like Barrett Browning, Dickinson, H.D., were asserting in their own very different ways and voices."--Adrienne Rich"Judy Grahn has done more to create a women's literature than any other writer in the past half century."--Ron Silliman

Fiction. Native American Studies. MIKO KINGS: AN INDIAN BASEBALL STORY is an homage to the dusty roads and wind-blown diamonds of America's first moving picture about baseball, His Last Game. Just as Henri Day and his team, the Miko Kings, are poised to win the 1907 Twin Territories' Pennant against their archrivals, the Seventh Cavalrymen from Fort Sill, pitcher Hope Little Leader finds himself embroiled in a plot that will destroy him and the Indian team. Only the town's chimeric postal clerk, Ezol Day, understands the outcome of Hope's last game and how it will affect Indians and baseball for the next four generations.Set in Indian Territory that is about to become part of Oklahoma, MIKO KINGS tells of the turbulent days before statehood when white settlers and gamblers are swindling the Indians out of their land and what has already happened will change its course. "They're stories that travel now as captured light in someone else's telescope," Ezol Day will tell the woman who should have been her granddaughter. In MIKO KINGS, LeAnne Howe bends the pitch of time to return us to the roots of a national game.

"Originally published by Spinsters, Ink, 1983."--Title page verso.