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Explains the attraction of Muslims to their faith, and discusses the challenges contemporary Islam confronts, and how we might imagine an Islamic theology and identity ready to face tomorrowIslam is often associated with and limited to the worst of the world—extremism, obscurantism, misogyny, bigotry. So why would so many people associate with such a fundamentalist faith? Two Billion Caliphs advocates for a way of being Muslim in the world, ready for today and prepared for tomorrow. Unlike stale summaries, which restrict themselves to facts and figures, Haroon Moghul presents a deeply Muslim perspective on the world, providing Islamic answers to universal questions: Who are we? What are we doing here? What happens to us when we die? And from description, Moghul moves to prescription, aspiring to something outrageous and audacious. Two Billion Caliphs describes what Islam has been and what it is, who its heroes are, what its big ideas are, but not only to tell you about the past or the present, but to speak to the future.Two Billion Caliphs finds that Islam was a religion of intimacy, a faith rooted in and reaching for love, and that it could be and should be again. Fulfilling that destiny depends on the efforts of Muslims to reclaim their faith, rebuild their strength, and reimagine their future, on their own terms. Two Billion Caliphs offers Muslim thoughts for the age ahead, to create an interpretation Islam of and for days to come, the kind of religion the world’s Muslims deserve, with echoes of the confident faith Muslims once had. The destiny of Islam, then, is not, as so many prefer to argue, a reformation. It is a counter-reformation. A restoration of what once was.

A harrowing chronicle by two leading historians, capturing in real time the events of a year marked by multiple devastations.When we look back at the year 2020, how can we describe what really happened? In A Deeper Sickness, award-winning historians Margaret Peacock and Erik Peterson set out to preserve what they call the “focused confusion,” and to probe deeper into what they consider the Four Pandemics that converged around the 12 astonishing months of 2020:   • Disease    • Disinformation    • Poverty    • Violence Drs. Peacock and Peterson use their interdisciplinary expertise to extend their analysis beyond the viral science, and instead into the social, political, and historical dimensions of this crisis. They consulted with dozens of experts and witnesses from a wide range of fields—from leading epidemiologists and health care workers to leaders of the Black Lives Matter movement, district attorneys, political scientists, philosophers, and more. Their journey revealed a sick country that believed it was well, a violent nation that believed it was peaceful; one that mistook poverty for prosperity and accountability for rebellion.Organized into the journal-entries along with dozens of archival images, A Deeper Sickness will help readers sift through the chaos and misinformation that characterized those frantic days. It is both an unflinching indictment of a nation that is still reeling and a testament to the power of human resilience and collective memory.Readers can share their story and become a contributing author by visiting an interactive digital museum, where the authors have preserved dozens of more stories and interviews.Visit Margaret Peacock and Erik L. Peterson’s digital museum at adhc.lib.ua.edu/pandemicbook/.

"Some of the Light: New & Selected gathers the first 25 years of Hernandez's award-winning poetry, offering a glimpse at the trajectory of a rising contemplative American author. At its core, Some of the Light contains collected poems of love, told through the lens of a single father raising two children alone in the borderlands. They are at times intimate and confessional, telescoping from personal relationships to spiritual inquiry, from human rights to the environment, while between the cracks of the poems are poetic contemplations, chronicling the passing days of the pandemic"--

The story of one of America's first professional astronomers and the changes that led to science being a male-dominated fieldThere are a number of intellectual women from the 19th century whose crucial roles in the philosophical, social, and scientific debates that roiled the era have not been fully examined.Among them is the astronomer Maria Mitchell. Given the relative dearth of women scientists today, most of us assume that science has always been a masculine domain. But as Renée Bergland reminds us, science and humanities were not seen as separate spheres in the nineteenth century; indeed, before the Civil War, women flourished in science and mathematics, disciplines that were considered less politically threatening and less profitable than the humanities. Mitchell apprenticed with her father, an amateur astronomer; taught herself the higher math of the day; and for years regularly "swept" the clear Nantucket night sky with the telescope in her rooftop observatory.In 1847, thanks to these diligent sweeps, Mitchell discovered a comet and was catapulted to international fame. Within a few years she was one of America's first professional astronomers; as "computer of Venus"-a sort of human calculator-for the U.S. Navy's Nautical Almanac, she calculated the planet's changing position. After an intellectual tour of Europe that included a winter in Rome with Sophia and Nathaniel Hawthorne, Mitchell was invited to join the founding faculty at Vassar College, where she spent her later years mentoring the next generation of women astronomers. Tragically, opportunities for her students dried up over the next few decades as the increasingly male scientific establishment began to close ranks.Mitchell protested this cultural shift in vain. In this compulsively readable biography, Renée Bergland chronicles the ideological, academic, and economic changes that led to the original sexing of science-now so familiar that most of us have never known it any other way.

In the tradition of Buzz Bissinger's Friday Night Lights, a sensitive and clear-eyed journalist takes us deep inside Oregon's only all-Hispanic boys' high school soccer team, a team whose players stand on the cusp of change. The all-Hispanic boys' soccer team from Woodburn High has made the playoffs for nineteen straight years--but they've never won a championship. As they prepare to make it twenty, one thing will become clear: "Los Perros" play the beautiful game with heart, pride, and their lives on the line. More than just riveting sports writing, "The Boys from Little Mexico" is about the fight for the future of the next generation--and a hard, true look at boys dismissed as gang-bangers, told to "go home" by lily-white sideline crowds. The wins and losses they notch along the way spin a striking tale about what it takes to capture the American Dream.

"An innovative, insightful, and often humorous look at the Constitution's lesser-known clauses, offering a fresh approach to understanding our democracy. In this captivating and witty book, Jay Wexler draws on his extensive background in constitutional law to shine a much-deserved light on some of the Constitution's lesser-known parts. For a variety of reasons, many of the Constitution's "odd clauses" never make it to any court, and therefore never make headlines or even law school classrooms that teach from judicial decisions. Wexler delves into many of those more obscure passages, which he uses to illuminate the essence of our democratic process, including our tripartite government; the principles of equality, liberty, and privacy; and the integrity of our democracy"--

A complete and revealing history of the Peace Corps--in time for its fiftieth anniversary "When the World Calls" is the first complete and balanced look at the Peace Corps's first fifty years. Stanley Meisler's engaging narrative exposes Washington infighting, presidential influence, and the Volunteers' unique struggles abroad. He deftly unpacks the complicated history with sharp analysis and memorable anecdotes, taking readers on a global trek starting with the historic first contingent of Volunteers to Ghana on August 30, 1961.

A new 100th anniversary edition of the only adult book on one of the odder disasters in US history-and the greed, disregard for poor immigrants, and lack of safety standards that led to it.Around noon on January 15, 1919, a group of firefighters were playing cards in Boston's North End when they heard a tremendous crash. It was like roaring surf, one of them said later. Like a runaway two-horse team smashing through a fence, said another. A third firefighter jumped up from his chair to look out a window-"Oh my God!" he shouted to the other men, "Run!" A 50-foot-tall steel tank filled with 2.3 million gallons of molasses had just collapsed on Boston's waterfront, disgorging its contents as a 15-foot-high wave of molasses that at its outset traveled at 35 miles an hour. It demolished wooden homes, even the brick fire station. The number of dead wasn't known for days. It would be years before a landmark court battle determined who was responsible for the disaster.

Like the typewriter and the light bulb, the heterosexual was invented in the 1860s and swiftly transformed Western culture. The idea of "the heterosexual" was unprecedented. After all, men and women had been having sex, marrying, building families, and sometimes even falling in love for millennia without having any special name for their emotions or acts. Yet, within half a century, "heterosexual" had become a byword for "normal," enshrined in law, medicine, psychiatry, and the media as a new gold standard for human experience. With an eclectic scope and fascinating detail, Straight tells the eye-opening story of a complex and often contradictory man-made creation that turns out to be anything but straight or narrow.

"The epic rendering of a Black woman's journey through slavery and liberation, set in 17th-century colonial Brazil"--

"A searing call out of the systemic racism happening in disability rights and also ableism occurring in other justice movements, told through the story of a Black women activist and policymakers."--