Bøger udgivet af Beacon Press

2015 Recipient of the American Book AwardThe first history of the United States told from the perspective of indigenous peoples Today in the United States, there are more than five hundred federally recognized Indigenous nations comprising nearly three million people, descendants of the fifteen million Native people who once inhabited this land. The centuries-long genocidal program of the US settler-colonial regimen has largely been omitted from history. Now, for the first time, acclaimed historian and activist Roxanne Dunbar-Ortiz offers a history of the United States told from the perspective of Indigenous peoples and reveals how Native Americans, for centuries, actively resisted expansion of the US empire.In An Indigenous Peoples' History of the United States, Dunbar-Ortiz adroitly challenges the founding myth of the United States and shows how policy against the Indigenous peoples was colonialist and designed to seize the territories of the original inhabitants, displacing or eliminating them. And as Dunbar-Ortiz reveals, this policy was praised in popular culture, through writers like James Fenimore Cooper and Walt Whitman, and in the highest offices of government and the military. Shockingly, as the genocidal policy reached its zenith under President Andrew Jackson, its ruthlessness was best articulated by US Army general Thomas S. Jesup, who, in 1836, wrote of the Seminoles: ';The country can be rid of them only by exterminating them.' Spanning more than four hundred years, this classic bottom-up peoples' history radically reframes US history and explodes the silences that have haunted our national narrative.

A new gift edition of the classic guide to meditation and mindfulness, featuring archival photography and beautiful calligraphy by Thich Nhat HanhSince its publication in 1975, The Miracle of Mindfulness has been cherished by generations of readers for its eloquent and useful introduction to the practice of meditation. Readers interested in an introduction to Buddhist thought, as well as those seeking to learn about mindfulness and stress reduction, continue to look to Thich Nhat Hanh's classic work for guidance and inspiration. This new hardcover gift edition features elegant calligraphic illustrations by Thich Nhat Hanh, as well as a dozen photographs spanning his early days as a peace activist to his life in Plum Village, a spiritual community that he founded in France. Also included in this edition is a historical chronology of Thich Nhat Hanh's life and work, and a revised afterword by Jim Forest.

One of the world's great meditation teachers offers thirty-four guided exercises that will bring both beginning and experienced practitioners into closer touch with their bodies, their inner selves, their families, and the world. Compassionate and wise, Thich Nhat Hanh's healing words help us acknowledge and dissolve anger and separation by illuminating the way toward the miracle of mindfulness.

A harrowing and indispensable first-hand account of the experience of the first 85 days of the Israeli invasion of Gaza, from a prominent Palestinian writer. In the morning I read the news. The news is about us. But it's designed for people reading it far, far away, who couldn't possibly imagine they could ever know anyone involved. It's for people who read the news to comfort themselves, to tell themselves: it's still far, far away. I read the news for different reasons: I read it to know I"m not dead. Early in the morning of Oct 7, 2023, Atef Abu Saif went swimming. It was a beautiful morning: sunny with a cool breeze. The Palestinian Authority's Minister for Culture, he was on a combined work and pleasure trip to Gaza, visiting his extended family with his 15 year old son, Yasser, and participating in National Heritage Day. Then the bombing started. Don't Look Left takes us into the day to day experiences of Gazan civilians trying to survive Israel's war against Hamas, its detail and extended narrative showing us what brief reports and video clips cannot. In a war that has taken an extraordinarily high toll on civilians, it is a crucial document--a day-to-day testimony and a deeply moving depiction of a people's fight to survive and maintain their humanity amid the chaos and trauma of mass destruction. It is also, remarkably, a powerful literary experience. Atef Abu Saif was born in Jabalia refugee camp in Gaza in 1973, and, as he writes, his first war broke out when he was two months old. He writes as only someone who knows Gaza deeply can, and only as someone who knows war can, picking out the details of ordinary life and survival amidst the possibility of death coming at any moment: washing the only shirt he has and waiting naked for three hours for it dry; noticing a cat, as terrified as the people on the street around it, hiding under a bistro table; visiting his sister-in-law's daughter in the hospital, who tells him in her dream she has no legs, and asks him if it is true. It is: she has lost her legs and a hand when her home was hit by a bomb. Trying to figure out the best place to sleep each night, and when and where to flee as the destruction intensifies. This is not like past wars with Israel, Abu Saif soon realizes--thinking of the Nakba, and of images of bombed cities from World War II. Profits from the sale of this book will go to two Palestinian charities: Medical Aid for Palestinians and the Middle East Children's Alliance.

A searing critique of the disability rights movement from within, and a call for collective liberation that is pro-Black and centers disabled people of color For over twenty years, Dara Baldwin has often been the only person of color in the room when significant disability policy decisions are made. Disenfranchisement of people of color and multi-marginalized communities within the disability rights community is not new and has left many inside the community feeling frustrated and erased. In To Be a Problem, Baldwin candidly shares her journey to becoming a disability activist and policymaker in DC while critiquing the disability rights community. She reveals the reality of erasure for many Black people and people of color in the disability movement and argues that, in turn, many white disabled people center themselves within the work without addressing their own white privilege. Disability rights groups have been centering white, straight, cisgender people while racial justice groups often fail to center disabled people, leading many Black and Brown disabled people to start their own Disability Justice organizations. Drawing from her unique vantage point, Baldwin calls readers to understand the shortcomings of the disability rights movement while inspiring us to push all movements towards a more inclusive and authentic liberation.

Offers powerful insight into the portrayal of romantic love by Jean Rhys, Clover Adams, Christina Stead, Willa Cather, Grace Paley, Raymond Carver, Andre Dubus, and others.

A unique gathering of poems by two great twentieth-century poets, with the original Spanish versions and powerful English translations on facing pages. In a new preface, editor and translator Robert Bly explores what the poems reveal today about politics, the spirit, and the purpose of art.

"The challenge, then, is not to invent new victims or new scapegoats but to mobilize America for the future. What would it take to ensure that all of us can succeed at getting the job done, the problem solved, and the future more secure?" As a student at Yale Law School in 1974, Lani Guinier attended a class with a white male professor who addressed all the students, male and female, as "gentlemen." To him the greeting was a form of honorific, evoking the values of traditional legal education. To her it was profoundly alienating. Years later Guinier began a study of female law students with her colleagues, Michelle Fine and Jane Balin, to try to understand the frustrations of women law students in male-dominated schools. Women are now entering law schools in large numbers, but too often many still do not feel welcome. As one says, "I used to be very driven, competitive. Then I started to realize that all my effort was getting me nowhere. I just stopped caring. I am scarred forever." After interviewing hundreds of women with similar stories, the authors conclude that conventional one-size-fits-all approaches to legal education discourage many women who could otherwise succeed and, even more, fail to help all students realize their full potential as legal problem-solvers. In Becoming Gentlemen Guinier, Fine, and Balin dare us to question what it means to become qualified, what a fair goal in education might be, and what we can learn from the experience of women law students about teaching and evaluating students in general. Including the authors' original study and two essays and a personal afterword by Lani Guinier, the book challenges us to work toward a more just society, based on ideals of cooperation, the resources of diversity, and the values of teamwork.

The story of America's first Muslim institution of higher education, Zaytuna College In the fall of 2010, anti-Muslim furor in the United States reached a breaking point, capping a decade in which such sentiment had surged. Loud, angry crowds gathered near New York's Ground Zero to protest plans to build an Islamic cultural center, while a small-time Florida minister appeared on national television almost nightly promising to celebrate the anniversary of 9/11 with the burning of Korans. At the same time, fifteen devout Muslims quietly gathered in a basement in Berkeley, California, to execute a plan that had been coming together for over a decade: to found Zaytuna College, "Where Islam Meets America." It would be the nation's first four-year Muslim liberal arts college, its mission to establish a thoroughly American, academically rigorous, and traditional indigenous Islam. In Light without Fire, Scott Korb tells the story of the school's founders, Sheikh Hamza Yusuf and Imam Zaid Shakir, arguably the two most influential leaders in American Islam, "rock stars" who, tellingly, are little known outside their community. Korb also introduces us to Zaytuna's students, young American Muslims of all stripes who admire--indeed, love--their teachers in ways college students typically don't and whose stories, told for the first time, signal the future of Islam in this country. From a heady theology classroom to a vibrant storefront mosque, from the run-down streets Oakland to grand ballrooms echoing with America's most powerful Muslim voices, Korb follows Zaytuna's students and teachers as they find their place and their voice. He ultimately creates an intimate portrait of the school and provides a new introduction to Islam as it is being lived and re-envisioned in America. It's no exaggeration to say that here, at Zaytuna, are tomorrow's Muslim leaders.

Originally published in 1947, Slave and Citizen is a classic in the field of comparative slave history and race relations.

"The Essential Marcuse" provides an overview of Herbert Marcuse's political and philosophical writing over four decades, with excerpts from his major books as well as essays from various academic journals. The most influential radical philosopher of the 1960s, Marcuse's writings are noteworthy for their uncompromising opposition to both capitalism and communism. His words are as relevant to today's society as they were at the time they were written.

"Profound and revelatory, Racial Innocence tackles head-on the insidious grip of white supremacy on our communities and how we all might free ourselves from its predation. Tanya Katerí Hernández is fearless and brilliant. ...What fire!" --Junot Díaz Ahora disponible en español, el primer libro exhaustivo sobre la antinegritud en la comunidad latina que desenmascara la idea equivocada de que los latinos están "exentos" de racismo debido a su origen étnico y multicultural Now available in Spanish, the first comprehensive book about anti-Black bias in the Latino community that unpacks the misconception that Latinos are "exempt" from racism due to their ethnicity and multicultural background Inocencia racial sacando a la luz las voces silenciadas de las víctimas afrolatinas y afroamericanas de la antinegritud de los latinos. Mediante estudios de caso jurídicos que prueban el discrimen, Hernández, profesora afrolatina de Derecho experta en 'CRT' la teoría crítica de la raza, desmiente la alegación de que la cultura de los latinos, por ser mestiza, los escuda del prejuicio. Con ejemplos diversos que nunca llegan a los titulares e incluyen los contextos del trabajo, el mercado de vivienda, las escuelas, los lugares de recreación y la justicia criminal, Hernández prueba la existencia del racismo latino. Inocencia racial demuestra que el racismo en Estados Unidos es complejo y multifacético, y que es posible que un grupo históricamente marginado --que ahora constituye el segundo grupo racial/étnico más grande de los Estados Unidos-- sea víctima de discrimen y a la vez discrimine. Este análisis pionero, valiente y urgente de la antinegritud latina y cómo enfrentarla correctamente impugnará y transformará nuestras discusiones acerca de la raza. Racial Innocence excavates the otherwise silenced voices of the Afro-Latino and African American victims of Latino anti-Blackness. Hernández, an Afro-Latina law professor and expert in critical race theory, exposes the claim that Latinos' racially mixed culture shields them from bias by showing how legal case studies prove discrimination. Through varied examples from around the country, including the workplace, the housing market, schools, places of recreation, and criminal justice contexts that never make the headlines, Hernández proves the existence of Latino racism. Racial Innocence demonstrates that US racism is complex and multifaceted, and that it's possible for a historically marginalized group--now the second-largest racial/ethnic group in the United States--to experience discrimination while simultaneously being discriminatory. Bold and urgent, this trailblazing analysis of Latino anti-Blackness, and how to properly address it, will challenge and transform our conversations about race.

A timely companion to the New York Times bestseller For White Folks Who Teach in the Hood...and the Rest of Y'all Too Progressive white educators on the challenges and reimaginings of anti-racist education, cultural responsiveness, and sustained liberatory learning practices Designed for educators by educators, From White Folks Who Teach in the Hood is the white teachers' guide to effective multicultural, anti-racist pedagogy. Over 20 educators are featured in this book, representing different types of schools, different geographies, different durations of experience in the classroom, and different depths of experience in interrogating their whiteness. Throughout the text, nationally renowned educators and coeditors Dr. Christopher Emdin and sam seidel offer feedback and perspective on how to incorporate the practices and wrestle with the ideas outlined by the contributors. Replete with practical reflections and actionable exercises, this book explores among other things: --identity formation, healing, and growth in the early years of a teacher's career --the restrictive, harmful nature of standardization and the power of localization as a tool for transformation --hip-hop as a vehicle for promoting culture and authenticity within the classroom --whiteness as a racial identity and intentional anti-racist teacher trainings to identify and unlearn white supremacy From White Folks Who Teach in the Hood is the essential classroom companion for every white teacher committed to fostering productive learning spaces that respect the races, cultures, and identities of their students. It offers all readers a window into the essential work that must be done to transform our nation's schools from sites of harm to sites of healing.

SELECTED BY MAHOGANY L. BROWNE FOR THE NATIONAL POETRY SERIESAn irreverent poetry collection that wrestles with questions of family, mortality, cultural history, and identity from the Filipinx-American experience "you showed him your teeth, you dared him to look into your mouth to see the metal bands straightening your jaw into an American smile."—from Field Guide for AccidentsBorn in the United States to Filipino immigrants, poet Albert Abonado is no stranger to the language of periphery. Neither wholly “American” nor Filipino, Field Guide for Accidents’s speakers are defined by what they are not: not white enough to be born in America, not Asian enough to feel at home in the Philippines. Abonado’s poetry illuminates the strange and surreal in domestic routine, suturing wounds of love, grief, and the contradiction of being Filipinx-American, two identities bound with a hyphen that resists negation. What results is a growing exposure to a world mired in paradox.The poems in Field Guide for Accidents experiment with the constraints of the poetic line, shaping forms that exhume what tend to haunt us in the silence. In Field Guide for Accidents, memory becomes augmented with the imaginary; suspicion collides with superstition, while spirituality crosses paths with scientific fact. A mother returns to her son as a boat. A stew is prepared with blood yet masked as chocolate. The living eat with the dead in memories built like houses. Mythic, bloodthirsty creatures in Pinoy folklore prey on an exhausted poet. Research conducted in hindsight provides new avenues to explore regret.For many third-culture kids of the Asian-American diaspora, there is no such thing as a success story for “fitting in.” What matters more is finding where you belong. Spooning images from hand to mouth, the poems in Field Guide for Accidents struggle with what it means to consume and be consumed by American culture.

A wide-ranging collection, including two novellas and ten stories exploring complex identities, from the acclaimed author of Corregidora, The Healing, and Palmares“Gayl Jones’s work represents a watershed in American literature. From a literary standpoint, her form is impeccable . . . and as a Black woman writer, her truth-telling, filled with beauty, tragedy, humor, and incisiveness, is unmatched.”—Imani Perry, author of, Looking for Lorraine and BreatheGayl Jones, who was first edited by Toni Morrison, has been described as one of the great literary writers of the 20th century and was recently a finalist for the Pulitzer Prize in fiction. This new collection of short fiction is only the second in her rich career, and one that displays her strengths in the genre in many facets. Opening with two novella-length works, “Butter” and “Sophia,” this collection features Jones’s legendary talents in a range of settings and styles, from the hyper-realist to the mystical, in intricate multi-part stories, in more traditional forms, and even in short fragments.Her narrators are women and men, Black, Brown, Indigenous; her settings are historical and contemporary, in South America, Mexico and the US; her themes center on complex identities, unorthodox longings and aspirations. She writes about spies, photographers, playground designers, cartoonists, and baristas, about workers and revolutionaries, about environmentalism, feminism, poetry, film and love, but above all about our multicultural, multiethnic and multiracial society.

A chorus of Black student voices that renders a new story of US education—one where racial barriers and violence are confronted by freedom dreaming and resistanceBlack students were forced to live and learn on the Black side of the color line for centuries, through the time of slavery, Emancipation, and the Jim Crow era. And for just as long—even through to today—Black students have been seen as a problem and a seemingly troubled population in America’s public imagination.Through over one hundred firsthand accounts from the nineteenth and twentieth centuries, Professor Jarvis Givens offers a powerful counter-narrative in School Clothes to challenge such dated and prejudiced storylines. He details the educational lives of writers such as Zora Neale Hurston and Ralph Ellison; political leaders like Mary McLeod Bethune, Malcolm X, and Angela Davis; and Black students whose names are largely unknown but who left their marks nonetheless. Givens blends this multitude of individual voices into a single narrative, a collective memoir, to reveal a through line shared across time and circumstance: a story of African American youth learning to battle the violent condemnation of Black life and imposed miseducation meant to quell their resistance.School Clothes elevates a legacy in which Black students are more than the sum of their suffering. By peeling back the layers of history, Givens unveils in high relief a distinct student body: Black learners shaped not only by their shared vulnerability but also their triumphs, fortitude, and collective strivings.

"In this electrifying literary memoir, Kate Hamilton deftly traces her complicated journey from loving wife to gaslit victim to furious feminist with an urgent goal: to expose how women are pressured to uphold the institutions of marriage and family, no matter the cost. In the tradition of Know My Name and The Argonauts, Hamilton braids her own story with cultural criticism to argue that we must face the misogyny lurking in the shadows of marriage in the 21st century. She examines the beliefs and conditioning that held her in an increasingly destructive marriage and unflinchingly documents what she did to keep her family together-therapy, unwanted sex with her husband, swinging, affairs, an abortion-without always knowing what she freely chose. And she considers the damage that was done, to herself and others, until she could acknowledge that to save herself and her sons, she had to destroy her marriage. Emotionally intense and timely, Mad Wife interrogates how marriage and the institutions that support it provide the perfect ecosystem for abuse of women and children, endangering their lives and denying them autonomy-all in the service of men's desires"--

Featuring narrative, chants, songs, and rituals, Dreaming the Dark has helped many thousands of women use magic, spirituality, and community to bring about political and social change. This anniversary edition of the best-selling classic includes a new preface reflecting on the fifteen years since the book's original publication.

For readers of Hood Feminism and Against White FeminismAn incisive examination of why the pillars of feminism have eroded—and how all women, not just the #girlbosses, can rebuild themAfter over 175 years, the feminist movement, now in its fourth wave, is at risk of collapsing on its eroding foundation. In Faux Feminism, political philosopher Serene Khader advocates for another feminism—one that doesn’t overwhelmingly serve white, affluent #girlbosses. With empathy, passion, and wit, Khader invites the reader to join her as she excavates the movement’s history and draws a blueprint for a more inclusive and resilient future.A feminist myth buster, Khader begins by deconstructing “faux feminisms.” Thought to be the pillars of good feminism, they may appeal to many but, in truth, leave most women behind. Khader identifies these traps that white feminism lays for us all, asking readers to think critically about –The Freedom Myth: The overarching misconception that feminism is about personal freedom rather than collective equality–The Individualism Myth: The pervasive idea that feminism aims to free individual women from social expectations–The Culture Myth: The harmful misconception that “other” cultures restrict women’s liberation–The Restriction Myth: The flawed belief that feminism is a fight against social restrictions–The Judgment Myth: The fallacy of celebrating women’s choices without first interrogating the privileges afforded or denied to the womenIn later chapters, Khader draws on global and intersectional feminist lessons of the past and present to imagine feminism’s future. She pays particular attention to women of color, especially those in the Global South. Khader recounts their cultural and political stories of building a more inclusive framework in their societies. These are the women, she argues, from whom today’s feminists can learn.Khader’s critical inquiry begets a new vision of feminism: one that tackles inequality at the societal, not individual, level and is ultimately rooted in community.

For hundreds of thousands of families, the death of their loved ones will never be forgotten, but for millions more, their memories of that year are giving way to indistinct recollections of general anxiety and anger. A Deeper Sickness is a one-of-a-kind eyewitness account that chronicles the disease, the disinformation, the frayed social fabric, and the violence that converged around the twelve astonishing months of 2020. Award-winning historians Margaret Peacock and Erik Peterson set out with a mission to preserve what they call the "focused confusion" of this fateful year. They consulted with dozens of experts and witnesses from a wide range of fields--from distinguished epidemiologists and healthcare workers to leaders of the Black Lives Matter movement, district attorneys, political scientists, philosophers, and more. Their journey revealed a sick country that believed it was well and a violent nation that believed it was peaceful, one that mistook poverty for prosperity and accountability for rebellion. Organized by almost daily entries, A Deeper Sickness will help listeners sift through the chaos and misinformation that characterized those frantic days. It is both an unflinching indictment of a nation that is still reeling and a testament to the power of human resilience and collective memory. Listeners can also share their story about the pandemic by visiting an interactive digital museum, where the authors have preserved dozens of more stories and interviews.

As Brenda Hillman notes in her Introduction, Larissa Szporluk "creates an animate new universe out of cryptic original speech" in these poems. Exploring how the mind orders experience--and how disorder, or different orders, affect that experience--Szporluk has produced a poetry of alien beauty, limning worlds where the inability to exert control results in a disturbing, overwhelming immediacy.

In stunning full color and accessible text, a graphic adaptation of the American Book Award winning history of the United States as told from the perspective of Indigenous peoples—perfect for readers of all agesRoxanne Dunbar-Ortiz’s influential New York Times bestseller exposed the brutality of this nation’s founding and its legacy of settler-colonialism and genocide. Through evocative full color artwork, renowned cartoonist Paul Peart-Smith brings this watershed book to life, centering the perspective of the peoples displaced by Europeans and their white descendants to trace Indigenous perseverance over four centuries against policies intended to obliterate them.Recognized for his adaptation of W.E.B. DuBois’ The Souls of Black Folk and his extensive expertise in the comics industry, Peart-Smith collaborates with experienced graphic novel editor Paul Buhle to provide an accessible introduction to a complex history that will attract new generations of readers of all ages. This striking graphic adaptation will rekindle crucial conversations about the centuries-long genocidal program of the US settler-colonial regime that has largely been omitted from history.

Four stories of resilience, mutual aid, and radical rebellion that will transform how we understand the Great DepressionDrawing on little-known stories of working people, What Can We Learn from the Great Depression? amplifies voices that have been long omitted from standard histories of the Depression era.In four tales, Professor Dana Frank explores how ordinary working people in the US turned to collective action to meet the crisis of the Great Depression and what we can learn from them today. Readers are introduced to* the 7 daring Black women who worked as wet nurses and staged a sit-down strike to demand better pay and an end to racial discrimination * the groups who used mutual aid, cooperatives, eviction protests, and demands for government relief to meet their basic needs* the million Mexican and Mexican American repatriados who were erased from mainstream historical memory, while (often fictitious) white “Dust Bowl migrants” became enshrined* the Black Legion, a white supremacist fascist organization that saw racism, antisemitism, anti-Catholicism, and fascism as the cure to the DepressionWhile capitalism crashed during the Great Depression, racism did not and was, in fact, wielded by some to blame and oppress their neighbors. Patriarchy persisted, too, undermining the power of social movements and justifying women’s marginalization within them. For other ordinary people, collective action gave them the means to survive and fight against such hostilities.What resulted were powerful new forms of horizontal reciprocity and solidarity that allowed people to provide each other with the bread, beans, and comradeship of daily life. The New Deal, when it arrived, provided vital resources to many, but others were cut off from its full benefits, especially if they were women or people of color.What Can We Learn from the Great Depression? shows us how we might look to the past to think about how we can shape the future of our own failed economy. These lessons can also help us imagine and build movements to challenge such an economy—and to transform the state as a whole—in service to the common good without replicating racism and patriarchy.