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Lolly Willowes; or The Loving Huntsman is a novel by English writer Sylvia Townsend Warner, her first, published in 1926. It has been described as an early feminist classic."Lolly" is the version of Laura's name used by her family after a mispronunciation by a young niece. She comes to dislike being called "Aunt Lolly" and to see the name as a symbol of her lack of independence. "The Loving Huntsman" refers to Satan, whom Laura envisions as hunting souls in a kindly way.Lolly Willowes is a satirical comedy of manners incorporating elements of fantasy. It is the story of a middle-aged spinster who moves to a country village to escape her controlling relatives and takes up the practice of witchcraft. The novel opens at the turn of the twentieth century, with Laura Willowes moving from Somerset to London to live with her brother Henry and his family. The move comes in the wake of the death of Laura's father, Everard, with whom she lived at the family home, Lady Place. Laura's other brother, James, moves into Lady Place with his wife and his young son, Titus, with the intention to continue the family's brewing business. However, James dies suddenly of a heart attack and Lady Place is rented out, with the view that Titus, once grown up, will return to the home and run the business.After twenty years of being a live-in aunt Laura finds herself feeling increasingly stifled both by her obligations to the family and by living in London. When shopping for flowers on the Moscow Road, Laura decides she wishes to move to the Chiltern Hills and, buying a guide book and map to the area, she picks the village of Great Mop as her new home. Against the wishes of her extended family, Laura moves to Great Mop and finds herself entranced and overwhelmed by the chalk hills and beech woods. Though sometimes disturbed by strange noises at night, she settles in and befriends her landlady and a poultry farmer.After a while, Titus decides to move from his lodgings in Bloomsbury to Great Mop and be a writer, rather than managing the family business. Titus's renewed social and domestic reliance on Laura make her feel frustrated that even living in the Chilterns she cannot escape the duties expected of women. When out walking, she makes a pact with a force that she takes to be Satan, to be free from such duties. On returning to her lodgings, she discovers a kitten, whom she takes to be Satan's emissary, and names him Vinegar, in reference to an old picture of witches' familiars. Subsequently, her landlady takes her to a Witches' Sabbath attended by many of the villagers.Titus is plagued with misadventures, such as having his milk constantly curdle and falling into a nest of wasps. Finally, he proposes marriage to a London visitor, Pandora Williams, who has treated his wasp stings, and the two retreat to London. Laura, relieved, meets Satan at Mulgrave Folly and tells him that women are like 'sticks of dynamite' waiting to explode and that all women are witches even 'if they never do anything with their witchcraft, they know it's there - ready!' The novel ends with Laura acknowledging that her new freedom comes at the expense of knowing that she belongs to the 'satisfied but profound indifferent ownership' of Satan.The novel was well received by critics on its publication. In France it was shortlisted for the Prix Femina and in the USA it was the very first Book Of The Month for the Book Club.Until the 1960s, the manuscript of Lolly Willowes was displayed in the New York Public Library.In 2014, Robert McCrum chose it as one of the 100 Best Novels in English, for his list for The Guardian. (wikipedia.org)

Whose Body? is a 1923 mystery novel by Dorothy L. Sayers. It was her debut novel, and the book in which she introduced the character of Lord Peter Wimsey. In their review of crime novels (revised edn 1989), the US writers Barzun and Taylor call Whose Body? "a stunning first novel that disclosed the advent of a new star in the firmament, and one of the first magnitude. The episode of the bum in the bathtub, the character (and the name) of Sir Julian Freke, the detection, and the possibilities in Peter Wimsey are so many signs of genius about to erupt. Peter alone suffers from fatuousness overdone, a period fault that Sayers soon blotted out".A. N. Wilson, writing in 1993, noted that "The publisher made [Sayers] tone the story down, but the plot depends on Lord Peter being clever enough to spot that the body, uncircumcised, is not that of a Jew". In the 1923 text, Parker says that the body in the bath could not be Sir Reuben Levy because "Sir Reuben is a pious Jew of pious parents, and the chap in the bath obviously isn't ..." Later versions replaced this with "But as a matter of fact, the man in the bath is no more Sir Reuben Levy than Adolf Beck, poor devil, was John Smith".In her introduction to Hodder & Stoughton's 2016 reprint, Laura Wilson notes that Wimsey, conceived as a caricature of the gifted amateur sleuth, owes something to P. G. Wodehouse, whose Bertie Wooster had made his first appearance some years earlier. Sayers said of Wimsey that "at the time I was particularly hard up and it gave me pleasure to spend his fortune for him. When I was dissatisfied with my single unfurnished room I took a luxurious flat for him in Piccadilly. ... I can heartily recommend this inexpensive way of furnishing to all who are discontented with their incomes".In his 2017 overview of the classic crime genre, Martin Edwards notes that Lord Peter Wimsey began his life as a fantasy figure, created "as a conscious act of escapism by young writer who was short of money and experiencing one unsatisfactory love affair after another". (wikipedia.org) About the author: Dorothy Leigh Sayers (13 June 1893 - 17 December 1957) was an English crime writer and poet. She was also a student of classical and modern languages.She is best known for her mysteries, a series of novels and short stories set between the First and Second World Wars that feature English aristocrat and amateur sleuth Lord Peter Wimsey. As a crime writer during the "Golden Age of Detective Fiction", Sayers was considered one of its four "Queens of Crime", alongside Agatha Christie, Margery Allingham and Ngaio Marsh.Sayers is also known for her plays, literary criticism, and essays. She considered her translation of Dante's Divine Comedy to be her best work. Sayers's obituarist, writing in The New York Times in 1957, noted that many critics at the time regarded her mystery The Nine Tailors as her finest literary achievement. (wikipedia.org)

An exemplary "entry-level" introduction to Beethoven's life and music, this little book is still in print* almost a century after its first publication. Sullivan rarely assumes musical knowledge or expertise on the part of the reader but discusses Beethoven's major works in terms of what they mean to us and how they reflect the composer's deepening understanding of existence in response to the crises in his life.Inevitably the book shows its age here and there: Sullivan tends to see humanity as evolving towards some higher ideal; and there's a Victorian whiff to his chiding Wagner for depicting eroticism. Some readers will question his evaluations of J. S. Bach, Mozart and Shakespeare vis-a-vis Beethoven. Others may find outmoded his division of Beethoven's career into three main periods. Some of the biographical details can now be called into question. But these are minor quibbles. His discussions of the works themselves are simple, eloquent and illuminating ("a fierce joyousness" in the Scherzo of the Ninth Symphony, "sorrow without hope, sorrow for what is irrevocable, and a longing for what has not been and never can be" in the Cavatina of the B-flat quartet, Op 130; Sullivan does find more in the slow movement of the third Rasoumovsky quartet than I've usually heard in performance).Juxtaposing his interpretations of the music with accounts of the main events in Beethoven's life, Sullivan convincingly argues the case for a composer of intense tragic power, "more than Bacchic" joy, and intense and elusive spirituality. (John Park)About the author: John William Navin Sullivan (1886-1937) was a popular science writer and literary journalist, and the author of a study of Beethoven. He wrote some of the earliest non-technical accounts of Albert Einstein's General Theory of Relativity, and was known personally to many important writers in London in the 1920s, including Aldous Huxley, John Middleton Murry, Wyndham Lewis, Aleister Crowley and T. S. Eliot. (wikipedia.org)

Sunshine Sketches of a Little Town is a sequence of stories by Stephen Leacock, first published in 1912. It is generally considered to be one of the most enduring classics of Canadian humorous literature. The fictional setting for these stories is Mariposa, a small town on the shore of Lake Wissanotti. Although drawn from his experiences in Orillia, Ontario, Leacock notes: "Mariposa is not a real town. On the contrary, it is about seventy or eighty of them. You may find them all the way from Lake Superior to the sea, with the same square streets and the same maple trees and the same churches and hotels."This work has remained popular for its universal appeal. Many of the characters, though modelled on townspeople of Orillia, are small town archetypes. Their shortcomings and weaknesses are presented in a humorous but affectionate way. Often, the narrator exaggerates the importance of the events in Mariposa compared to the rest of the world. For example, when there is a country-wide election, "the town of Mariposa, was, of course, the storm centre and focus point of the whole turmoil."The story of the steamboat Mariposa Belle sinking in Lake Wissanotti is one of the best-loved in the set. The apparent magnitude of this accident is lessened somewhat when it is revealed that the depth of the water is less than six feet. Men from the town come to the rescue in an un-seaworthy lifeboat which sinks beneath them just as they are pulled onto the steamer, and the narrator earnestly remarks that this was "one of the smartest pieces of rescue work ever seen on the lake." The stories in the book were initially published as a sequence of short literary pieces serialized in the Montreal Daily Star from February 17 to June 22, 1912. Leacock reworked the series - by the means of additions, combinations, and divisions (but no deletions) - and assembled it as the book's manuscript. The book was first published on August 9, 1912. Leacock corrected proof pages of the first edition of Sunshine Sketches while in Paris. In 1923, George Locke commented in the New York Evening Post that library students had chosen the book as one of a dozen "[...] books of prose fiction would best represent the works of Canadian authors to readers who wish to know something of Canadian life".The book, along with the Champlain statue in Couchiching Beach Park on Lake Couchiching, were used in tourist promotions for the town as proof of Orillia's civic pride in the decades following the 1925 Dominion Day celebrations.In 1952, the book was adapted into a television series, Sunshine Sketches, by CBC Television, the network's first foray into Canadian-produced drama. The cast of the series included John Drainie as the Narrator, Paul Kligman as John Smith, Timothy Findley as Peter Pupkin, Eric House as Dean Drone, Peg Dixon as Liliane Drone and Robert Christie as Golgotha Gingham. A second television adaptation premiered on CBC in 2012, and stars Gordon Pinsent and Jill Hennessy. This made-for-TV movie features two stories from the book, "The Marine Excursions of the Knights of Pythias" and "The Hostelry of Mr. Smith", and was created to coincide with the book's 100th anniversary. The stories are a mix of fact and fiction; drawing on details of Leacock's own life and that of his literary creation. (wikipedia.org)

Don't come to Mark Twain looking for a tightly outlined, focused work. He wasn't that type of writer. His books are closer to theme and variations - starting with an idea, riffing on it, detouring from it, throwing in another theme, detouring from that with wild, tangentially connected variations, and back around again. And somehow he makes it work with his one of a kind American voice that's always just barely concealing a chuckle. Life on the Mississippi is Mark Twain's memoir of his early life learning to be a pilot on a Mississippi River Boat during the glory days of those crafts. It's also a travel book, recording his trip on the river over twenty years after he had left it. It includes excerpts from his then work in progress, Huckleberry Finn (in a form different than you will find in that novel). It's full of broad jokes, tall tales, shaggy dog stories, and legends and folklore that Twain satirically deconstructs. He includes a bit of Mississippi River history, takes a few shots at some of his favorite targets (religion and the medieval romances of Sir Walter Scott) and even engages in some touching nostalgia as he visits his childhood home, Hannibal, Missouri. (Theo Logos) About Mark TwainSamuel Langhorne Clemens (November 30, 1835 - April 21, 1910), known by his pen name Mark Twain, was an American writer, humorist, entrepreneur, publisher, and lecturer. He was lauded as the "greatest humorist the United States has produced," and William Faulkner called him "the father of American literature". His novels include The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1884), the latter of which has often been called the "Great American Novel". Twain was raised in Hannibal, Missouri, which later provided the setting for Tom Sawyer and Huckleberry Finn. He served an apprenticeship with a printer and then worked as a typesetter, contributing articles to the newspaper of his older brother Orion Clemens. He later became a riverboat pilot on the Mississippi River before heading west to join Orion in Nevada. He referred humorously to his lack of success at mining, turning to journalism for the Virginia City Territorial Enterprise. His humorous story "The Celebrated Jumping Frog of Calaveras County" was published in 1865, based on a story that he heard at Angels Hotel in Angels Camp, California, where he had spent some time as a miner. The short story brought international attention and was even translated into French. His wit and satire, in prose and in speech, earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty. Twain earned a great deal of money from his writings and lectures but invested in ventures that lost most of it-such as the Paige Compositor, a mechanical typesetter that failed because of its complexity and imprecision. He filed for bankruptcy in the wake of these financial setbacks, but in time overcame his financial troubles with the help of Henry Huttleston Rogers. He eventually paid all his creditors in full, even though his bankruptcy relieved him of having to do so. Twain was born shortly after an appearance of Halley's Comet, and he predicted that he would "go out with it" as well; he died the day after the comet made its closest approach to the Earth. (wikipedia.org)

Algernon Henry Blackwood, CBE (14 March 1869 - 10 December 1951) was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary critic S. T. Joshi stated, "His work is more consistently meritorious than any weird writer's except Dunsany's" and that his short story collection Incredible Adventures (1914) "may be the premier weird collection of this or any other century". Throughout his adult life, he was an occasional essayist for periodicals. In his late thirties, he moved back to England and started to write stories of the supernatural. He was successful, writing at least ten original collections of short stories and later telling them on radio and television. He also wrote 14 novels, several children's books and a number of plays, most of which were produced, but not published. He was an avid lover of nature and the outdoors, as many of his stories reflect. To satisfy his interest in the supernatural, he joined The Ghost Club. He never married; according to his friends he was a loner, but also cheerful company.His two best-known stories are probably "The Willows" and "The Wendigo". He would also often write stories for newspapers at short notice, with the result that he was unsure exactly how many short stories he had written and there is no sure total. Though Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur, which reaches a climax with a traveller's sight of a herd of the mythical creatures; and Julius LeVallon and its sequel The Bright Messenger, which deal with reincarnation and the possibility of a new, mystical evolution of human consciousness. Blackwood died after several strokes. Officially his death on 10 December 1951 was from cerebral thrombosis, with arteriosclerosis as a contributing factor. He was cremated at Golders Green crematorium. A few weeks later his nephew took his ashes to Saanenmöser Pass in the Swiss Alps, and scattered them in the mountains that he had loved for more than forty years. (wikipedia.org)

The story is comprised of a narrative written to the protagonist's twin brother looking back on his short marriage to an artistically-creative young woman who was his short-lived wife and can be seen as signifying both a mesmerizing beauty embodying true love as well as possibly a dark force of seduction. The narrative mainly documents the protagonist's spiritual development through the years following his short marriage and the effect her embodiment still has on him, either through memory or ghostly presence. (Robert Blenheim) About the authorAlgernon Henry Blackwood, CBE (14 March 1869 - 10 December 1951) was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary critic S. T. Joshi stated, "His work is more consistently meritorious than any weird writer's except Dunsany's" and that his short story collection Incredible Adventures (1914) "may be the premier weird collection of this or any other century". Throughout his adult life, he was an occasional essayist for periodicals. In his late thirties, he moved back to England and started to write stories of the supernatural. He was successful, writing at least ten original collections of short stories and later telling them on radio and television. He also wrote 14 novels, several children's books and a number of plays, most of which were produced, but not published. He was an avid lover of nature and the outdoors, as many of his stories reflect. To satisfy his interest in the supernatural, he joined The Ghost Club. He never married; according to his friends he was a loner, but also cheerful company.His two best-known stories are probably "The Willows" and "The Wendigo". He would also often write stories for newspapers at short notice, with the result that he was unsure exactly how many short stories he had written and there is no sure total. Though Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur, which reaches a climax with a traveller's sight of a herd of the mythical creatures; and Julius LeVallon and its sequel The Bright Messenger, which deal with reincarnation and the possibility of a new, mystical evolution of human consciousness. Blackwood died after several strokes. Officially his death on 10 December 1951 was from cerebral thrombosis, with arteriosclerosis as a contributing factor. He was cremated at Golders Green crematorium. A few weeks later his nephew took his ashes to Saanenmöser Pass in the Swiss Alps, and scattered them in the mountains that he had loved for more than forty years. (wikipedia.org)

These stories have that wonderful turn of the century feel to them, where horror is a matter of the toppling of a protagonist's spiritual and psychological underpinnings by the inexplicable, rather than our own 21st century's grotesque reveling in gore and physical mutilation. (Mark Hauer)About the authorAlgernon Henry Blackwood, CBE (14 March 1869 - 10 December 1951) was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary critic S. T. Joshi stated, "His work is more consistently meritorious than any weird writer's except Dunsany's" and that his short story collection Incredible Adventures (1914) "may be the premier weird collection of this or any other century". Throughout his adult life, he was an occasional essayist for periodicals. In his late thirties, he moved back to England and started to write stories of the supernatural. He was successful, writing at least ten original collections of short stories and later telling them on radio and television. He also wrote 14 novels, several children's books and a number of plays, most of which were produced, but not published. He was an avid lover of nature and the outdoors, as many of his stories reflect. To satisfy his interest in the supernatural, he joined The Ghost Club. He never married; according to his friends he was a loner, but also cheerful company.His two best-known stories are probably "The Willows" and "The Wendigo". He would also often write stories for newspapers at short notice, with the result that he was unsure exactly how many short stories he had written and there is no sure total. Though Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur, which reaches a climax with a traveller's sight of a herd of the mythical creatures; and Julius LeVallon and its sequel The Bright Messenger, which deal with reincarnation and the possibility of a new, mystical evolution of human consciousness. Blackwood died after several strokes. Officially his death on 10 December 1951 was from cerebral thrombosis, with arteriosclerosis as a contributing factor. He was cremated at Golders Green crematorium. A few weeks later his nephew took his ashes to Saanenmöser Pass in the Swiss Alps, and scattered them in the mountains that he had loved for more than forty years. (wikipedia.org)

CONTENTSThe Insanity of JonesThe Man Who Found OutThe Glamour of the SnowSand About the authorAlgernon Henry Blackwood, CBE (14 March 1869 - 10 December 1951) was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary critic S. T. Joshi stated, "His work is more consistently meritorious than any weird writer's except Dunsany's" and that his short story collection Incredible Adventures (1914) "may be the premier weird collection of this or any other century". Throughout his adult life, he was an occasional essayist for periodicals. In his late thirties, he moved back to England and started to write stories of the supernatural. He was successful, writing at least ten original collections of short stories and later telling them on radio and television. He also wrote 14 novels, several children's books and a number of plays, most of which were produced, but not published. He was an avid lover of nature and the outdoors, as many of his stories reflect. To satisfy his interest in the supernatural, he joined The Ghost Club. He never married; according to his friends he was a loner, but also cheerful company.His two best-known stories are probably "The Willows" and "The Wendigo". He would also often write stories for newspapers at short notice, with the result that he was unsure exactly how many short stories he had written and there is no sure total. Though Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur, which reaches a climax with a traveller's sight of a herd of the mythical creatures; and Julius LeVallon and its sequel The Bright Messenger, which deal with reincarnation and the possibility of a new, mystical evolution of human consciousness. Blackwood died after several strokes. Officially his death on 10 December 1951 was from cerebral thrombosis, with arteriosclerosis as a contributing factor. He was cremated at Golders Green crematorium. A few weeks later his nephew took his ashes to Saanenmöser Pass in the Swiss Alps, and scattered them in the mountains that he had loved for more than forty years. (wikipedia.org)

Gilbert Keith Chesterton KC*SG (29 May 1874 - 14 June 1936) was an English writer, philosopher, Christian apologist, and literary and art critic. He has been referred to as the "prince of paradox". Of his writing style, Time observed: "Whenever possible, Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out."Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Roman Catholicism from high church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman and John Ruskin.Chesterton wrote around 80 books, several hundred poems, some 200 short stories, 4,000 essays (mostly newspaper columns), and several plays. He was a literary and social critic, historian, playwright, novelist, Catholic theologian and apologist, debater, and mystery writer. He was a columnist for the Daily News, The Illustrated London News, and his own paper, G. K.'s Weekly; he also wrote articles for the Encyclopedia Britannica, including the entry on Charles Dickens and part of the entry on Humour in the 14th edition (1929). His best-known character is the priest-detective Father Brown, who appeared only in short stories, while The Man Who Was Thursday is arguably his best-known novel. He was a convinced Christian long before he was received into the Catholic Church, and Christian themes and symbolism appear in much of his writing. In the United States, his writings on distributism were popularised through The American Review, published by Seward Collins in New York.Of his nonfiction, Charles Dickens: A Critical Study (1906) has received some of the broadest-based praise. According to Ian Ker (The Catholic Revival in English Literature, 1845-1961, 2003), "In Chesterton's eyes Dickens belongs to Merry, not Puritan, England"; Ker treats Chesterton's thought in chapter 4 of that book as largely growing out of his true appreciation of Dickens, a somewhat shop-soiled property in the view of other literary opinions of the time. The biography was largely responsible for creating a popular revival for Dickens's work as well as a serious reconsideration of Dickens by scholars.Chesterton's writings consistently displayed wit and a sense of humour. He employed paradox, while making serious comments on the world, government, politics, economics, philosophy, theology and many other topics. (wikipedia.org)

ContentIntroduction The Ring of the Curse I. The Rhine-Gold . II. The War Maidens III. Siegfried the Fearless IV. The Downfall of the Gods Parsifal the Pure Lohengrin the Swan Knight Tannhauser the Knight of Song The Master Singers Rienzi the Last of the Tribunes The Flying Dutchman Tristan and Isolde About the authorJoseph Walker McSpadden attended UT beginning in November 1893. He graduated in 1899 and moved to New York. He and two other UT alumni (Marshall Lawrence Havey and John S. Coppers) organized a U.T.N.Y. luncheon group in 1899, which was expanded to become the Tennessee Society of New York in 1905.McSpadden was a prolific author. He is best known for his Robin Hood (1891) and succeeding tales of Robin Hood. Among his other publications are Opera Synopses (1920), Operas and Musical Comedies, Light Opera and Musical Comedy (1936), Shakespearian Synopses (1923), The Fables of Aesop, Based on the Texts of L'Estrange and Croxall (1903), Stories from Great Operas (1923), Alps: As Seen by the Poets (1912), California: A Romantic Story for Young People (1926), Boys' Book of Famous Soldiers (1924), Famous Ghost Stories (1918), Famous Psychic Stories (1920), Famous Sculptors of America (1924), Synopses of Dickens's Novels (1909), The Book of Holidays (1935), and Storm Center: A Novel about Andy Johnson (1947).

Spoon River Anthology (1915), by Edgar Lee Masters, is a collection of short free verse poems that collectively narrates the epitaphs of the residents of Spoon River, a fictional small town named after the Spoon River, which ran near Masters' home town of Lewistown, Illinois. The aim of the poems is to demystify rural and small town American life. The collection includes 212 separate characters, in all providing 244 accounts of their lives, losses, and manner of death. Many of the poems contain cross-references that create an unabashedly candid tapestry of the community. The poems originally were published in 1914 in the St. Louis, Missouri, literary journal Reedy's Mirror, under the pseudonym Webster Ford. Spoon River Anthology was a critical and commercial success. Ezra Pound's review of the Spoon River poems begins: "At last! At last America has discovered a poet." Carl Sandburg's review is similarly glowing: "Once in a while a man comes along who writes a book that has his own heart-beats in it. The people whose faces look out from the pages of the book are the people of life itself, each trait of them as plain or as mysterious as in the old home valley where the writer came from. Such a writer and book are realized here." The book sold 80,000 copies over four years, making it an international bestseller by the standards of the day.Meanwhile, those who lived in the Spoon River region objected to their portrayal in the anthology, particularly as so many of the poems' characters were based on real people. The book was banned from Lewistown schools and libraries until 1974. Even Masters's mother, who sat on the Lewistown library board, voted for the ban. (Masters claimed "My mother disliked [the anthology]; my father adored it.") Despite this, the anthology remained widely read in Lewistown; local historian Kelvin Sampson notes that "Every family in Lewistown probably had a sheet of paper or a notebook hidden away with their copy of the Anthology, saying who was who in town."Masters capitalized on the success of The Spoon River Anthology with the 1924 sequel The New Spoon River, in which Spoon River became a suburb of Chicago and its inhabitants have been urbanized. The second work was less successful and received poorer reviews. In 1933, Masters wrote a retrospective essay on the composition of The Spoon River Anthology and the response it received, entitled "The Genesis of Spoon River." He recounts, among other things, the "exhaustion of body" that befell him while writing, which eventually manifested in pneumonia and a year-long bout of illness as the work was being prepared for publication. He claims that the Lewistown residents who strove to identify the poems' characters with real people did so only "with poor success."More recently, Lewistown celebrated its relationship to Masters's poetry. The Oak Hill Cemetery features a memorial statue of Masters and offers a self-guided walking tour of the graves that inspired the poems. In 2015, the town celebrated the 100th anniversary of the anthology's publication with tours, exhibitions, and theatrical performances.Today Spoon River Anthology often is assigned in high school and college literature classes and as a source of monologues for theatrical auditions. It is also often used in second-year characterization work in the Meisner technique of actor training.Spoon River Anthology is credited as an initial inspiration for the "audio log" storytelling device in video games as it first appeared in the game System Shock, a narrative technique that became a standard trope of narrative games. (wikipedia.org)

William Stephen Richard King-Hall, Baron King-Hall of Headley (21 January 1893 - 2 June 1966) was a British naval officer, writer, politician and playwright who served as the member of parliament for Ormskirk from 1939 to 1945. The son of Admiral Sir George Fowler King-Hall and Olga Felicia Ker; theirs was an artistic naval family, King-Hall's sisters Magdalen and Lou also being writers. He married Kathleen Amelia Spencer (died 14 August 1950), daughter of Francis Spencer, on 15 April 1919 and they had three children, Ann, Frances Susan and Jane.He was educated at Lausanne in Switzerland and at the Royal Naval College in Dartmouth. He fought in the First World War between 1914 and 1918, with the Grand Fleet, serving on HMS Southampton and 11th Submarine Flotilla. He gained the rank of commander in the service of the Royal Navy in 1928, before resigning in 1929. He wrote several plays between 1924 and 1940, including Posterity accepted by Leonard Woolf for the Hogarth Essays. He joined the Royal Institute of International Affairs in 1929, having previously been awarded their gold medal for his 1920 thesis on submarine warfare. He entered the House of Commons in 1939 as Member of Parliament (MP) for Ormskirk unopposed, standing as the National Labour candidate. He later changed his affiliation and continued to stand as an Independent, subsequently losing the seat to future Prime Minister Harold Wilson in the 1945 general election. During his term, he served in the Ministry of Aircraft Production under Max Aitken as Director of the Factory Defence Section.In 1944 he founded and chaired the Hansard Society to promote parliamentary democracy. He presented a programme for children on current affairs on both BBC radio and television. He was invested as a Knight Bachelor on 6 July 1954 and was created a Life Peer as Baron King-Hall of Headley on 15 January 1966. He lived at Hartfield House, Headley until his death in Westminster on 2 June 1966. (wikipedia.org)

To the Lighthouse is a 1927 novel by Virginia Woolf. The novel centres on the Ramsay family and their visits to the Isle of Skye in Scotland between 1910 and 1920.Following and extending the tradition of modernist novelists like Marcel Proust and James Joyce, the plot of To the Lighthouse is secondary to its philosophical introspection. Cited as a key example of the literary technique of multiple focalization, the novel includes little dialogue and almost no direct action; most of it is written as thoughts and observations. To the Lighthouse is made up of three powerfully charged visions into the life of the Ramsay family, living in a summer house off the rocky coast of Scotland. There's maternal Mrs. Ramsay, the highbrow Mr. Ramsay, their eight children, and assorted holiday guests. From Mr. Ramsay's seemingly trivial postponement of a visit to a nearby lighthouse, Virginia Woolf examines tensions and allegiances and shows that the small joys and quiet tragedies of everyday life could go on forever. The novel recalls childhood emotions and highlights adult relationships. Among the book's many tropes and themes are those of loss, subjectivity, the nature of art and the problem of perception.In 1998, the Modern Library named To the Lighthouse No. 15 on its list of the 100 best English-language novels of the 20th century. In 2005, the novel was chosen by TIME magazine as one of the one hundred best English-language novels since 1923. The novel maintains an unusual form of omniscient narrator; the plot unfolding through shifting perspectives of each character's consciousness. Shifts can occur even mid-sentence, and in some sense they resemble the rotating beam of the lighthouse itself. Unlike James Joyce's stream of consciousness technique, however, Woolf does not tend to use abrupt fragments to represent characters' thought processes; her method is more one of lyrical paraphrase. The unique presentation of omniscient narration means that, throughout the novel, readers are challenged to formulate their own understanding, and views, from the subtle shifts in character development, as much of the story is presented in ambiguous, or even contradictory, descriptions.Whereas in Part I, the novel is concerned with illustrating the relationship between the character experiencing and the actual experience and surroundings, part II, 'Time Passes', having no characters to relate to, presents events differently. Instead, Woolf wrote the section from the perspective of a displaced narrator, unrelated to any people, intending that events be seen in relation to time. For that reason the narrating voice is unfocused and distorted, providing an example of what Woolf called 'life as it is when we have no part in it.' Major events like deaths of Mrs Ramsay, Prue, Andrew are related parenthetically, which makes the narration a kind of journal-entry. It is also possible that the house itself is the inanimate narrator of these events. (wikipedia.org)

Sir Percy Hits Back is one of many sequels to The Scarlet Pimpernel. It spends most of its time examining an unknown side of the series' villain, Chauvelin. Usually portrayed as a calculating, cold-hearted executioner, the character's softer side is shown as the reader discovers he is a father. It was an excellent example of how to make a character--even a villainous one--sympathetic to the reader. In the other books, Orczy habitually describes Chauvelin's hands as talon-like and sinister. However, in this volume the perspective changes to that of his daughter and she uses much softer terms to describe them. This book showed me how point of view changes how the author portrays the same object, person, etc. which I have implemented many times in my own writing. (Elyse Kelly)About the author: Baroness Emma Magdolna Rozália Mária Jozefa Borbála "Emmuska" Orczy de Orci (23 September 1865 - 12 November 1947) was a Hungarian-born British novelist and playwright. She is best known for her series of novels featuring the Scarlet Pimpernel, the alter ego of Sir Percy Blakeney, a wealthy English fop who turns into a quick-thinking escape artist in order to save ill-fated French royalty from "Madame Guillotine" during the French revolution.Introducing the notion of a "hero with a secret identity" into popular culture, the Scarlet Pimpernel exhibits characteristics that would become standard superhero conventions, including the penchant for disguise, use of a signature weapon (sword), ability to out-think and outwit his adversaries, and a calling card (he leaves behind a scarlet pimpernel at each of his interventions). By drawing attention to his alter ego Blakeney he hides behind his public face as a slow thinking foppish playboy (like Bruce Wayne), and he also establishes a network of supporters, The League of the Scarlet Pimpernel, that aid his endeavours.Orczy went on to write over a dozen sequels featuring Sir Percy Blakeney, his family, and the other members of the League of the Scarlet Pimpernel, of which the first, I Will Repay (1906), was the most popular. The last Pimpernel book, Mam'zelle Guillotine, was published in 1940. None of her three subsequent plays matched the success of The Scarlet Pimpernel. She also wrote popular mystery fiction and many adventure romances. Her Lady Molly of Scotland Yard was an early example of a female detective as the main character. Other popular detective stories featured The Old Man in the Corner, a sleuth who chiefly used logic to solve crimes.Orczy held strong political views. Orczy was a firm believer in the superiority of the aristocracy, as well as being a supporter of British imperialism and militarism. During the First World War, Orczy formed the Women of England's Active Service League, an unofficial organisation aimed at encouraging women to persuade men to volunteer for active service in the armed forces. Her aim was to enlist 100,000 women who would pledge "to persuade every man I know to offer his service to his country". Some 20,000 women joined her organisation. Orczy was also strongly opposed to the Soviet Union.She died in Henley-on-Thames, Oxfordshire on 12 November 1947. (wikipedia.org)

CONTENTWhat Is Sanctification?The Apostolic ExperienceConsecration and DedicationThe Holy Spirit of PromiseOur InheritanceSanctified by FaithThe Subtraction ProcessChristian PerfectionHolinessThe Vine and the BranchesSome Helpful Thoughts on ConsecrationQuestions and AnswersPersonal ExperienceAbout the authorJacob Whistler Byers (an older brother of A. L. Byers) was born March 26, 1859, in Whiteside County, Illinois. He was converted among the Methodists in 1876 but later drifted from his faith. His father had been preaching among a group known as the River Brethren when, in the early 1880's, he subscribed to The Gospel Trumpet paper. In the meantime, Jacob had recommitted his life to Christ, married Jennie M. Shirk, and had also begun preaching in the River Brethren church. In 1884 Jacob claimed the experience of sanctification. In 1888, the Byers family met D. S. Warner and his company of singers, which forever changed their lives.They did not hesitate to take their stand with the reformation movement and the truths D. S. Warner was preaching. Although J. W. Byers wrote few songs, he did much writing for The Gospel Trumpet and authored a few books. One of the chief burdens of his ministry was the good news that Jesus still heals! He wrote the words of Evening Light Songs #407, "He Is Just the Same Today," which were set to music by his younger brother, Andrew. In 1896, Jacob and his wife, Jennie, moved to Oakland, California, where they opened a healing home mission and published a magazine called Tidings of Healing. J. W. Byers also did some excellent writings on the subject of "sanctification" and authored the words of Evening Light Songs #297, "Come Over Into Canaan," which were also set to music by Andrew, his brother. J. W. Byers departed this life October 16, 1944, at the age of 85. His burial was in the Forest Lawn Memorial Park, Glendale, California. On his tombstone are written the words, "I have fought a good fight."Jennie M. (Shirk) Byers was born June 13, 1861 in Carrol County, Illinois. She departed this life on January 24, 1950, at the age of 88. She is buried beside her husband in Forest Lawn Memorial Park, Glendale, California. On her tombstone are inscribed the words, "The Lord Is My Shepherd.".

One of the most prosecuted and banned books in history. The classic novel of a young girl's exploration of physical pleasures. Young Fanny Hill is tricked into a life of prostitution, but she quickly learns the power of her own body as she learns the ways of physical passion. She soon escapes her fate for the loving arms of a wealthy young man, but misadventure and fate conspire to keep her from domestic bliss. Instead, Fanny discovers that sex need not be just for love; that it can be had for pleasure. She then sets out to explore those pleasures in as wide a variety as she can. With old men and young, and women as well; in positions of power, and situations where she has none; either watching or participating, Fanny's journey through the realms of sexual pleasure is a literary tour-de-force. Presented with classically bawdy illustrations from fin-de-siecle French artist Paul Avril, and an introduction placing the work in historical context, this complete, unexpurgated edition is the ultimate presentation of the original erotic novel."synopsis" may belong to another edition of this title. About the authorJohn Cleland (c. 1709, baptised - 23 January 1789) was an English novelist best known for his fictional Fanny Hill: or, the Memoirs of a Woman of Pleasure, whose eroticism led to his arrest. James Boswell called him "a sly, old malcontent".John Cleland began courting the Portuguese in a vain attempt to reestablish the Portuguese East India Company. In 1748, Cleland was arrested for an £840 debt (equivalent to a purchasing power of about £100,000 in 2005) and committed to Fleet Prison, where he remained for over a year. It was while he was in prison that Cleland finalised Memoirs of a Woman of Pleasure. The text probably existed in manuscript for a number of years before Cleland developed it for publication. The novel was published in two instalments, in November 1748 and February 1749. In March of that year, he was released from prison.However, Cleland was arrested again in November 1749, along with the publishers and printer of Fanny Hill. In court, Cleland disavowed the novel and said that he could only "wish, from my Soul", that the book be "buried and forgot" (Sabor). The book was then officially withdrawn and not legally published again for over a hundred years. However, it continued to sell well in pirated editions. In March 1750, Cleland produced a highly bowdlerised version of the book, but it too was proscribed. Eventually, the prosecution against Cleland was dropped and the expurgated edition continued to sell legally.leland's account of when Fanny Hill was written is difficult. For one thing, the novel has allusions to other novels that were written and published the same year (including Shamela). Further, it takes part in the general Henry Fielding/Samuel Richardson battle, with Pamela: or, Virtue Rewarded on one side and Joseph Andrews on the other. Furthermore, the novel's geography and topicality make a Bombay composition less likely than a Fleet Prison one. It is possible, of course, that a pornographic novel without vulgarity was written by Cleland in Bombay and then rewritten in Fleet Prison as a newly engaged and politically sophisticated novel. ...(wikipedia.org)

The investigative journalist and activist Ida B. Wells, later Wells-Barnett, spearheaded the anti-lynching movement in the United States. Expanding on her groundbreaking exposé Southern Horrors: Lynch Law in All Its Phases (1892), A Red Record used mainstream white newspapers to document a resurgence of white mob violence, finding that -more than 10,000 African Americans had been killed by lynching in the South between 1864 and 1894. Wells compiled statistics on alleged offenses and the geographic distribution and extent of lynching, and tied whites' increased brutality and violence to their fear of African Americans' increased political power. Her conclusion exhorts anti-lynching advocates to "tell the world the facts," for "When the Christian world knows the alarming growth and extent of outlawry in our land, some means will be found to stop it." (nypl.org)About the authorIda B. Wells (full name: Ida Bell Wells-Barnett) (July 16, 1862 - March 25, 1931) was an American investigative journalist, educator, and early leader in the civil rights movement. She was one of the founders of the National Association for the Advancement of Colored People (NAACP). Wells dedicated her lifetime to combating prejudice and violence, the fight for African-American equality, especially that of women, and became arguably the most famous Black woman in the United States of her time.Born into slavery in Holly Springs, Mississippi, Wells was freed by the Emancipation Proclamation during the American Civil War. At the age of 16, she lost both her parents and her infant brother in the 1878 yellow fever epidemic. She went to work and kept the rest of the family together with the help of her grandmother. Later, moving with some of her siblings to Memphis, Tennessee, Wells found better pay as a teacher. Soon, Wells co-owned and wrote for the Memphis Free Speech and Headlight newspaper. Her reporting covered incidents of racial segregation and inequality.In the 1890s, Wells documented lynching in the United States in articles and through her pamphlets called Southern Horrors: Lynch Law in all its Phases, and The Red Record, investigating frequent claims of whites that lynchings were reserved for Black criminals only. Wells exposed lynching as a barbaric practice of whites in the South used to intimidate and oppress African Americans who created economic and political competition-and a subsequent threat of loss of power-for whites. Well's pamphlet set out to tell the truth behind the rising violence in the South against African Americans. At this time, the White press continued to paint the African Americans involved in the incident as villains and Whites as innocent victims. Ida B. Wells was a respected voice in the African American community in the South that people listened to. Thus, Well's pamphlet was needed to show people the truth about this violence and advocate for justice for African Americans in the South. A white mob destroyed her newspaper office and presses as her investigative reporting was carried nationally in Black-owned newspapers. Subjected to continued threats, Wells left Memphis for Chicago. She married Ferdinand L. Barnett in 1895 and had a family while continuing her work writing, speaking, and organizing for civil rights and the women's movement for the rest of her life. (wikipedia.org)