Bøger udgivet af BLACK CLASSIC PR INC

"The oppressor has always indoctrinated the weak with his interpretation of the crimes of the strong." Considered Woodson's seminal work, this text explores his thesis that African Americans were being culturally indoctrinated, rather than taught, in American schools. He asserts that this conditioning caused African-Americans to become dependent and to seek out inferior places in the greater society of which they were a part. Woodson skillfully exposes the weaknesses of Euro-centric based curriculums that failed to include African American history and culture.

From the Introduction by Molefi Kete Asante. This book is extraordinary in its optimism. One could approach the book as a novel, a philosophical treatise, a dialogue of rationalism an Edwardian romance, or as a meditation on love of self, family, and community. It is all of these and more because it is filled with Greek myths as reference and is a sound political tract on the contemporary strivings of the Turks and the Russians as well as British colonial life. Yet Hayford is certain in the end that there would be victory over the colonial oppression in the Gold Coast and that his people, the Fante, would enjoy their own freedoms and independence as citizens equal to any in the world. For him, this is the aim for the entire Ethiopian world, by which he means all of Africa. "Rise, you mighty giant! Rise! Ethiopia will soon be unbound!" And so it was.

Marcus Garvy stands without equal in the history of the international Black movement in the twentieth century. This biography is a brief but succinct account of Marcus Garvey's life and work. An ideal text for both students and serious laymen.

In this slim yet significant volume, first published in 1993, Rosemari Mealy, along with contributors ElombeBrath, LeRoi Jones (Amiri Baraka), Sarah E. Wright, and Bill Epton, compile the recollections of a number of persons who played important roles in this historic summit. They add to these their own perspectives--as historians, poets, journalists, and political activists-- on the two leaders and the revolutionary movements they spawned. The combined reflections, coupled with Malcolm's and Fidel's own writings about the encounter and rare photographs of the two men together, yield an authentic accounting of a remarkable meeting of the minds.

"Sometimes Farmgirls Become Revolutionaries is the story of an unsung civil rights organizer, Black Power activist, and barrier-breaking Black woman, Florence Louise Tate (1931-2014). Tate was close to the young leaders of the Student Nonviolent Coordinating Committee. She became a mentor, a mother-of-the-movement, and a target of J. Edgar Hoover and the FBI. Tate defied stereotypes of the 1960s, playing key roles in the lives of an astonishing number of high-profile leaders of the most influential social-change organizations and events of the twentieth century. An accomplished activist, most people never knew that Tate was bravely fighting chronic depression. Farmgirls is an engaging collage of Tate's life, woven together from her journal entries, memories from people who knew her, and excerpts from her FBI files. These multiple perspectives bring into focus the complex and complicated saga of a public persona engaged in private struggle, defying and overcoming the odds."--

When rock and roll was transforming American culture in the 1950s and '60s, East Harlem pulsed with the sounds of mambo and merengue. Instead of Elvis and the Beatles, Marta Moreno Vega grew up worshiping Celia Cruz, Mario Bauza, and Arsenio Rodriguez. Their music could be heard on every radio in El Barrio and from the main stage at the legendary Palladium, where every weekend working-class kids dressed in their sharpest suits and highest heels and became mambo kings and queens. Spanish Harlem was a vibrant and dynamic world, but it was also a place of constant change, where the traditions of Puerto Rican parents clashed with their children's American ideals. A precocious little girl with wildly curly hair, Marta was the baby of the family and the favorite of her elderly abuela, who lived in the apartment down the hall. Abuela Luisa was the spiritual center of the family, an espiritista who smoked cigars and honored the Afro-Caribbean deities who had always protected their family. But it was Marta's brother, Chachito, who taught her the latest dance steps and called her from the pay phone at the Palladium at night so she could listen, huddled beneath the bedcovers, to the seductive rhythms of Tito Puente and his orchestra. In this luminous and lively memoir, Marta Moreno Vega calls forth the spirit of Puerto Rican New York and the music, mysticism, and traditions of a remarkable and quintessentially American childhood.

Woodson's A Century of Negro Migration documents the movement of blacks living in the American south to the north and western parts of the country during the colonial period to the early 1900s. This book gives an enlightening account of the obstacles and triumphs faced and experienced by African Americans who sought to better their lives.

In the first of two groundbreaking volumes, the father of African Studies, William Leo Hansberry, examines the myth and legend surrounding some of the African continent's most dynamic countries. Pillars in Ethiopian History (Volume I) consists of four of Hansberry's lectures on the theme of Ethiopian history--the Queen of Sheba legend, the origin and development of Ethiopian Christianity, medieval international relations, and the Prester John legend. The essays included in Pillars in Ethiopian History are taken from Hansberry's private papers amassed while he taught at Howard University from 1922-1959. During these thirty-seven years, Hansberry laid the foundation for the systematic study of African history, culture and politics. Hansberry, who received both his B.A. and M.A. degrees from Harvard University, unfortunately, was never able to receive his doctorate in African Studies as there were no programs offering the degree in his time.

As a self-trained scientist, inventor, astronomer, and mathematician, Benjamin Banneker had few equals in early nineteenth century America. With the help of Murray (1852-1925), an assistant librarian for the Library of Congress and a pioneer of the Negro history movement, Allen compiled the information on Banneker's life and work, presented in this volume.

Few of Dr. Ben's books are written with co-authors. The Black Man's North and East Africa is an exception. Written with one of his early colleagues, George E. Simmonds, this work attacks the racist manipulation of African and Black history by 'educators' and 'authorities on Africa'. Defenders of the Africans' right to tell their own story, the authors insist that Black people must take responsibility for their own history, "Until African (Black) people are willing, and do write their own experience, past, and present, we will continue being slaves, mentally, physically, and spiritually, to Caucasian and Semitic racism and religious bigotry."

Much of First Light is autobiographical, a young boy growing into urban manhood; it's a book of family, of strangers, of learning to tell time by the people that populated E. Ethelbert Miller's life. He has populated his work with mothers, fathers, brothers, sisters and lovers who fight daily to be able to do simple things like drink clean water and sleep without gunshots interrupting their dreams. He takes instruction from Pablo Neruda, Margaret Walker, political prisoners and finds inspiration in the aloneness of Winnie Mandela. Mostly, it is a book of love, personal and cultural. It's silences are penetrating, its insights are liberating, its violence is quieting and its love is contagious.

The poems of Laini Mataka display her sharp wit, sincere political consciousness, and genuine love for Black people.

The contributors to this edition include W.E.B Du Bois, Arthur Schomburg, James Weldon Johnson, Langston Hughes, and Countee Cullen. Harlem Mecca is an indispensable aid toward gaining a better understanding of the Harlem Renaissance.

Hubert Henry Harrison's When Africa Awakes is an important collection of essays and articles written by one of America's great, but seldom noted intellectuals. The collection, originally published in 1920, provides valuable insight on the PanAfrican world of Harrison's time and sheds considerable light on the state of the contemporary African world. Harrison uses the term Africa to signify the unity of Black people throughout the world. In his lifetime, Harrison (1883-1927) worked diligently toward the unity and enlightenment of his community. A labor leader, editor, teacher, and author, Harrison is at once the contemporary social critic and wise prophet speaking to us across generations. In the article "The New Politics," Harrison, who was an advocate for revolutionary change, calls for a political agenda with an independent Black political thrust. He provides a clear and early call for Blacks to work in their own political interest.