Bøger udgivet af Blum & Poe

Released on the 50th anniversary of the publication of Penny Slinger''s iconic artists' book 50% The Visible Woman, this 2021 edition presents Slinger's series of surrealist photomontage works and poetry unabridged for the first time, following the hand-constructed snakeskin-bound book from 1969, and the out-of-print abridged edition from 1971. With a new conversation transcribed between Slinger and fellow artist and friend Linder.

"Quin's paintings roil with the frenetic energy of many lines in motion, each moving with a different weight and at a different speed; the finished compositions hum with the radiant electricity of a neon sign" -CulturedThe paintings of Los Angeles- and San Francisco-based artist Lauren Quin (born 1992) have mesmerized audiences with their electric colors and pulsating lines. Her compositions contain an intricate language of overlapping shapes (most recently, Légeresque tubes), engendering a dizzying multitude of compositional center points. Each painting features motifs--spider, needle, sun--which she then transfers onto the canvas through a monoprint technique.This is the first comprehensive monograph on Quin, accompanying her solo show at the Nerman Museum of Contemporary Art. Featuring a foreword by Nerman director JoAnne Northrup, essays by art historian Fanny Singer and artist and writer Juliana Halpert, and an interview with the artist by curator Sarah Lehrer-Graiwer, My Hellmouth also provides insight into Quin's artistic process.

Carroll Dunham (born 1949) has been exploring the subject of the wrestler since the 1980s, making it an ideal motif for the artist to pivot around as he begins to shift away from his fabled nude-in-landscape paintings of the past decade. Wrestlers brings together four recent, interconnected bodies of work. These are the Wrestling Place series (depicting two Herculean figures tussling against a barren panorama); the Self-Examination paintings (featuring intimately folded bodies within tensely cropped picture planes); the Wrestler suite (portraits of men facing away from the viewer and exposing scuffed, bruised backs); and The Golden Age (scenes of wrestlers rendered in pencil on gessoed linen). Published in connection with an exhibition at Blum & Poe, Los Angeles, this catalogue features a new essay by artist and writer Alexi Worth.