Bøger udgivet af Bold Type Books

"Every day, in dance studios all across America, millions of little girls line up at the barre and take ballet class. Ballet is for girls what football is for boys; while few go on to professional careers, their time in the studio shapes their lives, instilling lessons about gender, power, the value of their bodies and minds, and their place in the world both in and outside of dance. In Turning Pointe, journalist Chloe Angyal takes readers into the exclusive and complicated world of ballet, from the suburban studios where young dancers learn the artform, to the elite summer training programs, to ballet's professional world. She shares the love of ballet that so many dancers feel while also grappling with its shortcomings: the power and tyranny of male choreographers, the impossible standards of beauty, and the racism that pervades ballet. Drawing on interviews with over 80 dancers, students, teachers, and health care professionals, Turning Pointe offers an unprecedented window into the joys and pain of ballet. As Angyal makes clear, if ballet is going to survive in the twenty-first century, if it is going to chart a path into a more socially just future, this reckoning is essential"--

Central banks and institutions like the IMF and the World Bank are overstepping the boundaries of their mandates by using the flow of money to control global markets and dictate economic policy both at the domestic and global level. These public institutions have become so dependent on funding from private banking and the revolving door between the two worlds is so smooth that public and private banks are effectively working toward the same goals. Packed with bold-faced names from the world of finance--from Janet Yellen, Mario Draghi, and Ben Bernanke to Christine Lagarde and Angela Merkel--Collusion sheds a bright light on the dark conspiracies and unsavory connections between what is ostensibly private and public banking and how it affects us.

"Matt Taibbi used to take on the rich and powerful, but today, his reporting is crafted to please grievance-addicted American conservatives. Glenn Greenwald, whose reporting on the Snowden leaks arguably changed the course of history, has similarly taken a hard right turn. Yet these political transformations of journalists formerly associated with the left did not happen in a vacuum. The new mouthpieces of the right are paid and disseminated by an emerging "alternative" media ecosystem, funded by a cohort of billionaires whose goal is to censor critics, so these new plutocrats can pursue their businesses-and personal vendettas-entirely unimpeded. Owned is the story of the underreported collaboration between the new wealth and the new journalism. Right-wing billionaires like Marc Andreessen, David Sacks, Peter Thiel, and Elon Musk use their wealth to fund journalists-like Taibbi and Greenwald-who exploit the failings of traditional journalism and social media. This unholy alliance has undermined the very idea of an independent and fact-based press while ostensibly standing up for principles of liberty and free speech. A biting exposâe of journalist greed and tech-billionaire ambition, Owned follows the money, and offers a chilling portrait of the future social media and news landscape, empty of all critique, except for newly empowered right-wing commentators"--

An unexpected family photograph leads Dionne Ford to uncover the stories of her enslaved female ancestors, reclaim their power, and begin to heal  Countless Black Americans descended from slavery are related to the enslavers who bought and sold their ancestors. Among them is Dionne Ford, whose great grandmother was the last of six children born to a Louisiana cotton broker and the enslaved woman he received as a wedding gift.  What shapes does this kind of intergenerational trauma take? In these pages, which move between her inner life and deep research, Ford tells us. It manifests as alcoholism and post-traumatic stress; it finds echoes in her own experience of sexual abuse at the hands of a relative, and in the ways in which she builds her own interracial family.  To heal, Ford tries a wide range of therapies, lifestyle changes, and recovery meetings. “Anything,” she writes, “to keep from going back there.” But what she learns is that she needs to go back there, to return to her female ancestors, and unearth what she can about them to start to feel whole.

"Against the backdrop of ongoing massive resistance to racial desegregation and increasingly strident calls for Black Power, the NBA in the 1970s embodied the nation's imagined descent into disorder. The press and the public blamed young Black players for the chaos in the NBA, citing drugs, violence, greed, and criminality. The supposed decline of pro basketball became a metaphor for the first decades of integration in America: the rules of the game had changed, allowing more Black people onto a formerly white playing field, and now they were ruining everything. But Black Ball argues that this much-maligned period was pivotal to the rise of the NBA as the star-laden powerhouse we know today, thanks largely to the efforts of Black players in challenging the white basketball establishment of owners, coaches, and spectators. Spotlighting legendary players like Kareem Abdul-Jabbar, Bernard King, and Connie Hawkins, scholar Theresa Runstedtler expertly rewrites basketball's "Dark Ages," weaving together her deep knowledge of the game's key icons and institutions with incisive social and political analysis of the era. Black ballers created an aerial, improvisational, and creative style derived from the playground courts of their neighborhoods, laying the foundation for the explosive popularity and profitability of the league in subsequent decades. They also transformed labor in the pro-basketball world, filing lawsuits and organizing unions to demand better salaries and greater autonomy. Without their skills, style, and savvy, there would be no Michael Jordan, Allen Iverson, or LeBron James today"--

One of Kirkus Reviews Best Books of 2015 An epic, multigenerational story of courage and sacrifice set in a tropical dictatorship, The Rebel of Rangoon captures a gripping moment of possibility in Burma (Myanmar) Once the shining promise of Southeast Asia, Burma in May 2009 ranks among the world's most repressive and impoverished nations. Its ruling military junta seems to be at the height of its powers. But despite decades of constant brutality-and with their leader, the Nobel Peace Prize-laureate Aung San Suu Kyi, languishing under house arrest-a shadowy fellowship of oddballs and misfits, young dreamers and wizened elders, bonded by the urge to say no to the system, refuses to relent. In the byways of Rangoon and through the pathways of Internet cafes, Nway, a maverick daredevil; Nigel, his ally and sometime rival; and Grandpa, the movement's senior strategist who has just emerged from nineteen years in prison, prepare to fight a battle fifty years in the making. When Burma was still sealed to foreign journalists, Delphine Schrank spent four years underground reporting among dissidents as they struggled to free their country. From prison cells and safe houses, The Rebel of Rangoon follows the inner life of Nway and his comrades to describe that journey, revealing in the process how a movement of dissidents came into being, how it almost died, and how it pushed its government to crack apart and begin an irreversible process of political reform. The result is a profoundly human exploration of daring and defiance and the power and meaning of freedom.

The United States' victory in the Cold War in 1991 led to triumphalist claims that humanity had reached the end of history," and that Washington would enjoy everlasting supremacy. Some years later, U.S. Secretary of State Madeleine Albright called America the indispensable nation." And a senior aide to President George W. Bush crowed: We are an empire now." But by invading Iraq, Bush irreparably undermined U.S. credibility worldwide. And by curtailing Americans' civil liberties in the name of waging an endless war on terror," and resorting to torture in the prisons of occupied Iraq, Afghanistan, and Guantánamo Bay, his administration,as well as America,lost its claim to a moral high ground. Moreover, the 2008-2009 global fiscal meltdown, triggered by the sub-prime mortgage crisis on Wall Street, exposed a stark fact: The heavily indebted America had ceased to be the financial behemoth it had been since World War II. After Empire sketches the contours of a complex world system emerging during the late imperial phase of the U.S. It examines, critically, the events that prepared the ground for the world to move from the tutelage of the sole superpower, America, to a multipolar, post-imperial global order. Refreshingly, it does so from a distinctly non-Western perspective. Unlike other scholars, Dilip Hiro,one of the world's leading experts on the geopolitics of hydrocarbons as well as the Middle East and South and Central Asia,does not offer a comforting thesis that the U.S. is quite capable of accommodating the rising world powers like China, Russia, India, and the European Union while retaining its dominant position at the table. Neither does he frame global politics in a Manichean way,America versus China the West against Asia. The world, he suggests, is set to revisit the pre-World War I Europe, where rulers frequently changed allies and adversaries to achieve the shared aim of keeping the continent free of an overarching power,to date, a privilege enjoyed globally by America. With more than two trillion dollars in its foreign reserves, China's state-owned corporations are busily buying up companies worldwide. By surpassing Saudi Arabia in its oil output, Russia, the number one producer of natural gas, is now the world's foremost producer of hydrocarbons. Its nuclear arsenal is on par with America's. Elsewhere the hydrocarbon-rich nations of Venezuela and Iran are challenging the Washington-dominated status quo respectively in South America and the Middle East. Already, the 27-nation European Union of nearly 500 million has surpassed America as the globe's largest trading entity, and the euro has emerged as a strong rival to the U.S. dollar as a dominant reserve currency. After Empire is realistic and nuanced in its assessment of global politics. Shorn of an ideological bias or a soft corner for America, it abounds in unsettling and stimulating insights on politics, history, hard and soft power, political economy and democracy.

The gripping origin story of Pong, Atari, and the digital icons who defined the world of video games.A deep, nostalgic dive into the advent of gaming, Easy to Learn, Difficult to Master returns us to the emerging culture of Silicon Valley. At the center of this graphic history, dynamically drawn in colors inspired by old computer screens, is the epic feud that raged between Atari founder Nolan Bushnell and inventor Ralph Baer for the title of “father of the video game.” While Baer, a Jewish immigrant whose family fled Germany for America, developed the first TV video-game console and ping-pong game in the 1960s, Bushnell, a self-taught whiz kid from Utah, put out Atari’s pioneering table-tennis arcade game, Pong, in 1972. Thus, a prolonged battle began over who truly spearheaded the multibillion-dollar gaming industry, and around it a sweeping narrative about invention, inspiration, and the seeds of digital revolution.

Winner of a 2020-2021 New York City Book AwardIn a rapidly changing New York, two forces battled for the city's soul: the pro-slavery New Yorkers who kept the illegal slave trade alive and well, and the abolitionists fighting for freedom.We often think of slavery as a southern phenomenon, far removed from the booming cities of the North. But even though slavery had been outlawed in Gotham by the 1830s, Black New Yorkers were not safe. Not only was the city built on the backs of slaves; it was essential in keeping slavery and the slave trade alive. In The Kidnapping Club, historian Jonathan Daniel Wells tells the story of the powerful network of judges, lawyers, and police officers who circumvented anti-slavery laws by sanctioning the kidnapping of free and fugitive African Americans. Nicknamed "The New York Kidnapping Club," the group had the tacit support of institutions from Wall Street to Tammany Hall whose wealth depended on the Southern slave and cotton trade. But a small cohort of abolitionists, including Black journalist David Ruggles, organized tirelessly for the rights of Black New Yorkers, often risking their lives in the process. Taking readers into the bustling streets and ports of America's great Northern metropolis, The Kidnapping Club is a dramatic account of the ties between slavery and capitalism, the deeply corrupt roots of policing, and the strength of Black activism.

"Dr. Cohen has created a work of nonfiction that will transform the national conversation surrounding the weight crisis in this country and throughout the world. Based on her own research at the RAND corporation, as well as the latest insights from behavioral economics, psychology, cognitive science, and the social sciences, A Big Fat Crisis reveals the surprising forces behind the obesity epidemic and how we, as a nation, can overcome it. Her conclusions contradict conventional wisdom and widely held expert opinion, and go against our own intuitive beliefs about the way we eat. They represent, in short, a paradigm-shift in how we approach the problem of obesity--and the solution. A Big Fat Crisis offers concrete solutions, arguing that the most important and modifiable steps in the chain of events that leads to obesity are at the point of purchase and the point of consumption. Like cholera and typhoid in the 19th century, obesity is a public health crisis. Ending it requires solutions that transcend individual behavior. Change begins with a fresh perspective and a clearer vision of what we need to do."--

In a sequence of elegiac and deliciously droll observations, the distinguished Latin American writer, Eduardo Galeano here reflects on mortality and immortality in the world's greatest game. Tragedy spins a continuous thread through these pages.

When Lyle Jeremy Rubin first arrived at Marine Officer Candidates School, he was convinced that the "war on terror" was necessary to national security. He also subscribed to a strict code of manhood that military service conjured and perpetuated. Then he began to train and his worldview shattered. Honorably discharged five years later, Rubin returned to the United States with none of his beliefs, about himself or his country, intact. In Pain Is Weakness Leaving the Body, Rubin narrates his own undoing, the profound disillusionment that took hold of him on bases in the U.S. and Afghanistan. He both examines his own failings as a participant in a prescribed masculinity and the failings of American empire, examining the racialized and class hierarchies and culture of conquest that constitute the machinery of U.S. imperialism. The result is a searing analysis and the story of one man's personal and political conversion, told in beautiful prose by an essayist, historian, and veteran transformed.

Roman physicians told female patients they should sneeze out as much semen as possible after intercourse to avoid pregnancy. Historical treatments for erectile dysfunction included goat testicle transplants. In this kaleidoscopic compendium of centuries-old erotica, science writer Rachel Feltman shows how much sex has changed-and how much it hasn't. With unstoppable curiosity, she debunks myths, breaks down stigma, and uses the long, outlandish history of sex to dissect present-day practices and taboos.Feltman's mischievous humor dismantles fear and brings scientific literacy to a subject surrounded by misinformation, and indeed, as it gravitates toward the strange, Been There, Done That delivers some sorely needed sex ed. Explorations into age-old questions and bizarre trivia around birth control, aphrodisiacs, STIs, courtship rituals, and more establish that, when it comes to carnal pleasures and procreation, there's never been a normal, and sex isn't something to be scared of.

The story of an infamous poison that left toxic bodies and decimated wildlife in its wake is also a cautionary tale about how corporations stoke the flames of science denialism for profit.The chemical compound DDT first earned fame during World War II by wiping out insects that caused disease and boosting Allied forces to victory. Americans granted it a hero’s homecoming, spraying it on everything from crops and livestock to cupboards and curtains. Then, in 1972, it was banned in the US. But decades after that, a cry arose to demand its return. This is the sweeping narrative of generations of Americans who struggled to make sense of the notorious chemical’s risks and benefits. Historian Elena Conis follows DDT from postwar farms, factories, and suburban enclaves to the floors of Congress and tony social clubs, where industry barons met with Madison Avenue brain trusts to figure out how to sell the idea that a little poison in our food and bodies was nothing to worry about.In an age of spreading misinformation on issues including pesticides, vaccines, and climate change, Conis shows that we need new ways of communicating about science—as a constantly evolving discipline, not an immutable collection of facts—before it’s too late.

An unlikely friendship, a four-thousand-mile voyage, and an impenetrable frontier-this dramatic odyssey reveals the chaos and cruelty US immigration policies have unleashed beyond our borders.Axel Kirschner was a lifelong New Yorker, all Queens hustle and bravado. But he was also undocumented. After a minor traffic violation while driving his son to kindergarten, Axel was deported to Guatemala, a country he swore he had not lived in since he was a baby. While fighting his way back through Mexico on a migrant caravan, Axel met Levi Vonk, a young anthropologist and journalist from the US. That chance encounter would change both of their lives forever.Levi soon discovered that Axel was no ordinary migrant. He was harbouring a secret: Axel was a hacker. This secret would launch the two friends on a dangerous adventure far beyond what either of them could have imagined. While Axel's abilities gave him an edge in a system that denied his existence, they would also ensnare him in a tangled underground network of human traffickers, corrupt priests, and anti-government guerrillas eager to exploit his talents for their own ends. And along the way, Axel's secret only raised more questions for Levi about his past. How had Axel learned to hack? What did he want? And was Axel really who he said he was?Border Hacker is at once an adventure saga-the story of a man who would do anything to return to his family, and the friend who would do anything to help him-and a profound parable about the violence of American immigration policy told through a single, extraordinary life.

Shortlisted for the J. Anthony Lukas PrizeThe story of art collective Gran Fury—which fought back during the AIDS crisis through direct action and community-made propaganda—offers lessons in love and grief. In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Writer Jack Lowery examines Gran Fury’s art and activism from iconic images like the “Kissing Doesn’t Kill” poster to the act of dropping piles of fake bills onto the trading floor of the New York Stock Exchange. Lowery offers a complex, moving portrait of a collective and its members, who built essential solidarities with each other and whose lives evidenced the profound trauma of enduring the AIDS crisis. Gran Fury and ACT UP’s strategies are still used frequently by the activists leading contemporary movements. In an era when structural violence and the devastation of COVID-19 continue to target the most vulnerable, this belief in the power of public art and action persists.

Brave, clear-eyed, and passionate, Stakes Is High is the book we need to guide us past crisis mode and through an uncertain future.

A Cold Civil War has engulfed the nation.After a deadly pandemic, shocking incidents of police brutality, a racial justice crisis, and the fall of a dangerous demagogue, America remains more divided than at any time in decades. At the heart of this national crisis is the fear of a darkening America—a country in which there is no longer a predominant white majority.As the Republican Party has lost the popular vote in seven of the last eight presidential elections, its leaders have incited white Americans in a last-ditch race against time to stop the advance of a new, multiracial emerging majority. Keith Boykin, long time political commentator, has watched this white resentment consume the GOP over the course of a life in politics, activism, and journalism. He has also observed the divisions among Democrats, as white progressives have postponed demands for full racial equity, while Black voters have often been too forgiving of party leaders who have failed to deliver. America can no longer avoid its long overdue reckoning with the past, Boykin argues. With the familiarity of personal experience and the acuity of historical insight, Boykin urges us to fight racism, sexism, xenophobia, and homophobia, and save the union, not just by making Black lives matter, but by making Black lives equal.

The dark story of the shocking resurgence of white supremacist and nationalist groups, and their path to political powerSix years ago, Vegas Tenold embedded himself among the members of three of America''s most ideologically extreme white nationalist groups-the KKK, the National Socialist Movement, and the Traditionalist Workers Party. At the time, these groups were part of a disorganized counterculture that felt far from the mainstream.But since then, all that has changed. Racially-motivated violence has been on open display at rallies in Charlottesville, Berkeley, Pikesville, Phoenix, and Boston. Membership in white nationalist organizations is rising, and national politicians, including the president, are validating their perceived grievances.Everything You Love Will Burn offers a terrifying, sobering inside look at these newly empowered movements, from their conventions to backroom meetings with Republican operatives. Tenold introduces us to neo-Nazis in Brooklyn; a millennial Klanswoman in Tennessee; and a rising star in the movement, nicknamed the "Little F├╝hrer" by the Southern Poverty Law Center, who understands political power and is organizing a grand coalition of far-right groups to bring them into the mainstream.Everything You Love Will Burn takes readers to the dark, paranoid underbelly of America, a world in which the white race is under threat and the enemy is everywhere.

Across America, universities have become big businesses—and our cities their company towns. But there is a cost to those who live in their shadow. Urban universities play an outsized role in America’s cities. They bring diverse ideas and people together and they generate new innovations. But they also gentrify neighborhoods and exacerbate housing inequality in an effort to enrich their campuses and attract students. They maintain private police forces that target the Black and Latinx neighborhoods nearby. They become the primary employers, dictating labor practices and suppressing wages. In the Shadow of the Ivory Tower takes readers from Hartford to Chicago and from Phoenix to Manhattan, revealing the increasingly parasitic relationship between universities and our cities. Through eye-opening conversations with city leaders, low-wage workers tending to students’ needs, and local activists fighting encroachment, scholar Davarian L. Baldwin makes clear who benefits from unchecked university power—and who is made vulnerable. In the Shadow of the Ivory Tower is a wake-up call to the reality that higher education is no longer the ubiquitous public good it was once thought to be. But as Baldwin shows, there is an alternative vision for urban life, one that necessitates a more equitable relationship between our cities and our universities.

One of Time Magazine's Must-Read Books of 2019: An award-winning journalist shows how workplace diversity initiatives have turned into a profoundly misguided industry—and have done little to bring equality to America's major industries and institutions. Diversity has become the new buzzword, championed by elite institutions from academia to Hollywood to corporate America. In an effort to ensure their organizations represent the racial and ethnic makeup of the country, industry and foundation leaders have pledged hundreds of millions of dollars to commission studies, launch training sessions, and hire consultants and diversity czars. But is it working? In Diversity, Inc., award-winning journalist Pamela Newkirk shines a bright light on the diversity industry, asking the tough questions about what has been effective—and why progress has been so slow. Newkirk highlights the rare success stories, sharing valuable lessons about how other industries can match those gains. But as she argues, despite decades of handwringing, costly initiatives, and uncomfortable conversations, organizations have, apart from a few exceptions, fallen far short of their goals.Diversity, Inc. incisively shows the vast gap between the rhetoric of inclusivity and real achievements. If we are to deliver on the promise of true equality, we need to abandon ineffective, costly measures and commit ourselves to combatting enduring racial attitudes.

Learn about key moments in New York City's development, starting with the history of the J.M. Kaplan Fund and its role in shaping the city from World War II to the present.The J.M. Kaplan Fund was established in 1945 by Jacob M. Kaplan, and would go on to play a critical role in New York City's cultural and urban life. Kaplan's long leadership of the Fund (1945-1977) was marked by determined advocacy, including the effort to save Carnegie Hall from destruction, support for institutions like The New School for Social Research and the South Street Seaport Museum, as well as to bolster the cause of union democracy, the arts, and the co-operative movement. Since the 1970s, the Fund has been led by Kaplan's daughter, Joan K. Davidson, who has led the Fund to its current place as a forceful presence in New York City's civic life, supporting the Westbeth Artists Housing, Greenmarkets, and more.