Bøger udgivet af Bookland Press

The Long Burnout is the poetic chronicle of a doctor's burnout, beginning with and continuing past the Covid-19 pandemic. Of course, burnout is a primary concern facing the medical profession today, and probably all of society. The anxiety created by the virus and its endless variants was amplified by difficulties in caring for people, preexisting pressures, and ever-worsening resource scarcities. And, when things seemed darkest, the author suffered the loss of his father, which added grieving to the ordeal. However, a slow process of recovery began thereafter, thanks to a supportive family, exercise and healthy habits, the catharsis of writing, and the tincture of time. These poems express a year of suffering and healing playing out among existential contexts, our place in a world which we are degrading, and a universe we still can't understand. If only we could reverse our own civilization's long burnout to achieve a respectful state of equilibrium with our surroundings: homeostasis, biologically, or the Buddhist idea of Oneness with the world.

This book follows different characters called the Number People who live in the Indigenous community of akihcikan askiy. They reside on their native land alongside many different animals, including turtles, squirrels, and owls. Everyday, the Number People go on a new adventure! Moving from house to house, readers learn how the Number People live. How many things do they each have in their house? How do they spend their free time? Where does Number Four travel? What is Number Nine celebrating? While going about their day-to-day lives, the Number People learn how important it is to live with one another. When all together, they can support and help each other. Read this playful book to learn the Number People's secret formula to friendship!

This book follows different characters called the Number People who live in the Indigenous community of akihcikan askiy. They reside on their native land alongside many different animals, including turtles, squirrels, and owls. Everyday, the Number People go on a new adventure! Moving from house to house, readers learn how the Number People live. How many things do they each have in their house? How do they spend their free time? Where does Number Four travel? What is Number Nine celebrating? While going about their day-to-day lives, the Number People learn how important it is to live with one another. When all together, they can support and help each other. Read this playful book to learn the Number People's secret formula to friendship!

For over twenty years, John Brady McDonald's day job has been working with youth. Over half of that time was spent as a Frontline Youth Outreach Worker on the streets of Prince Albert, Saskatchewan. During that time, John would write down his thoughts and feelings on scraps of paper and in little black hardcover notebooks, chronicling the struggles and traumas of the youth he worked with and which he himself had also experienced. Never being quite the right fit for his other poetry books, John took these poems and hid them away for years, until now. Recently rediscovered in his archives, John has compiled them, using a 54-year-old typewriter, into a work which gives voice to the experiences and resilience of those youth, along with his own experiences, thoughts and recollections of a poet in the midst of a turbulent moment in time amongst the concrete and asphalt of the city.

The Lilac Girl is a beautifully written and illustrated imaginative story about the departure of renowned Palestinian artist and educator Tamam Al-Akhal from the city of Jaffa where she was born. The story portrays Tamam as a young girl who dreams about returning to her first home, which she has been away from for 75 years, since the Palestinian Nakba.

La fille couleur lilas est un bel album illustré racontant le départ de l'artiste et éducatrice palestinienne Tamam Al-Akhal de sa ville natale, Jaffa. Il peint le portrait d'une petite fille, Tamam, qui rêve de retourner dans la maison qu'elle a quittée 75 ans plus tôt, lors de l'exode palestinien. Tamam découvre qu'elle a un don pour le dessin et utilise son imagination pour dessiner sa maison dans sa tête. Une nuit, elle décide de s'y rendre et y trouve une autre petite fille, qui ne lui permet pas d'entrer et lui ferme la porte au nez. Submergée de tristesse, Tamam s'assied dehors et commence à dessiner sa maison sur une feuille de papier. À mesure qu'elle dessine, elle voit les couleurs de la maison s'échapper et la suivre. L'autre fille essaie de faire revenir les couleurs, en vain. Incolore et terne, la maison ressemble alors aux ar bres en hiver, nus, désolés et quelconques. Quand Tamam s'en va, les lieux se couvrent de lilas.

Chaque année, l'UNESCO décerne à une ville le titre de Capitale mondiale du livre du 23 avril - la Journée mondiale du livre de l'UNESCO - au 22 avril de l'année suivante. Pendant cette année, la ville sélectionnée s'engage à organiser et à animer plusieurs activités et événements liés aux livres, à la lecture et à la littérature. Ces activités sont mises en oeuvre grâce à un programme qui vise à accroître la sensibilisation à l'alphabétisation et à la lecture ainsi qu'à souligner l'importance des bibliothèques et des librairies et les avantages d'une culture du livre vivante.

Tu n'es pas seul is a French translation of You Are Not Alone - an illustrated children's book in French about growing up in the North as an Inuit child and looking for friends. This book is a debut collaboration between Tagiuk Ikkidluak, an emerging Inuit author and Arnaq Pitsiulak, an Inuit artist and illustrator.

When the mix is right and the music tight, the seedy downtown bar shakes with frenetic fusion as students, hipsters, artists, hoods, hookers, and undercover cops ride the same funky beat to the end of the night. This changes after an artist, a punk band drummer, and a homeless man die in a fire discovered to be arson. It is the year of Orwell in a city so cold even Big Brother doesn't bother with it. The uneasy peace between the artists and hoods who hang out in the bar begins to unravel. Survivors of the fire struggle. Scott Kostyk's wife died and guilt overwhelms his grief while igniting a desire to paint. Tony Bender, the arson architect, planning to avoid prison, contends with his competition for the drug trade in the bar and goes to the assistance of Sarah Grant, a Métis woman, dealing with the abuse of her daughter.

High Noon Neptune is a powerful poetry collection that delves into important issues of loss, love, class, and capitalism. Throughout this book, the reader is taken on a journey of survival, where the intersections of identity and oppression are explored with clarity and reverence. The poems shed light on the complexities of living in a society that is rife with discrimination and inequality, and the battles that individuals face to survive within these intersecting systems. This book fearlessly navigates through societal and personal struggles with a sharp wit and bold defiance. With each poem, David Groulx confronts and challenges the societal norms and structures that perpetuate injustice and inequality. High Noon Neptune offers a raw and unapologetic perspective on the realities of navigating life as a marginalized individual. This poetry collection is a powerful testament to the resilience and strength of those who refuse to be silenced and continue to fight for survival.

Morning Song is a Cree girl who lives on a reserve. She does not like to eat vegetables because she thinks they are not important and do not taste good. One day, she goes on a walk and stumbles upon a magic garden where vegetables can talk. Morning Song meets carrots, cabbage, cucumbers, potatoes, pumpkins and other vegetables which explain her why each of them is an important part of a healthy diet. The book teaches children about importance of eating healthy, and living a happy and active lifestyle.

Solus Urger Voyager is a powerful and moving poetry collection which stretches across the boundaries of skin colour, language, and religion to give a voice to the lives and experiences of ordinary Indigenous people. The poems embrace anguish, pride, and hope. They come from the woodlands and the plains, they speak of love, of war, and of the known and the mysterious, they strike the reader with wisdom, joy, and sadness, bringing us closer than ever before to the heart of urban Indigenous life.

Faller mixes Roshoman style storytelling with traditional stories to describe the meeting, or juxtapositions, of a few characters on a Reservation. All of these characters are damaged in one way or the other. Faller is not narrative so much as bursts and flashes. It is not about what happens as much as moments in time. The stories fall together rather than follow each other. Faller is dark and funny in places, less sane and rational than yearning. Haunted. Not like every other book, Faller is the first work by an old young Indigenous writer, not trying to make sense of life on the Reservation, but giving a glimpse into the world he grew up in.

In this poetry collection, the author honours Inuit who lay in the past, and Inuit who are with us now and most importantly the Inuit who are waiting to come to us. The author believes it is not okay that Inuit children and adults died and were buried in unmarked graves, their bodies never returned to their loved ones. It is not okay that their relatives were never told of their deaths or where they were buried because keeping track of dead Inuit bodies was simply not very important to Canadian authorities. The author wants to imagine a world free of colonialism, a world without interference in Inuit lives.

This debut English-language collection written by a Trillium Award-winning Francophone poet strikes with endless patterns and infinite grains. Through expert wordplay, technically sound poetry, and bold imagery, Charlebois offers a wistful approach to the moments we encounter most often in life. Each poem pulses with creativity as the poet breathes life into each of the thought-provoking pieces of his puzzle. It is this welcome interference with expectations and strong command of language that returns us to the overlooked, constantly changing worlds that only appear altered after the sands of time have passed.

î-nitotamahk kîsik is a poetry collection in Cree that describes deep personal experiences and post-generational effects of the Canadian Aboriginal residential school confinements in the 1960's when thousands of First Nations, Métis, and Inuit children were placed in these schools against their parents' wishes. Many were forbidden to speak their language and practice their own culture. Rosanna Deerchild exposes how the residential schools systematically undermined Aboriginal culture across Canada and disrupted families for generations, severing the ties through which Aboriginal culture is taught and sustained, and contributing to a general loss of language and culture. The devastating effects of the residential schools are far-reaching and continue to have significant impact on Aboriginal communities.

Eskimo Pie: A Poetics of Inuit Identity examines Dunning's lived history as an Inuk who was born, raised and continues to live south of sixty. Her writing takes into account the many assimilative practices that Inuit continue to face and the expectations of mainstream as to what an Inuk person can and should be. Her words examine what it is like to feel the constant rejection of her work from non-Inuit people and how we must all in some way find the spirit to carry through with what we hold to be true demonstrating the importance of standing tall and close to our words as Indigenous Canadians. We are the guardians of our work regardless of the cost to ourselves as artists and as Inuit people, we matter.

With vivid imagery and an appealing use of Arabic meters and rhymes, the poems in this book explore nature, family, school, play, and boundless world of the imagination. The diverse themes and sounds in Thirty Poems for Children cultivate cognitive and contemplative senses along with unique layout and drawings of the book. The 30 poems deliver an important educational message in simple, yet captivating language, and prompt children to think creatively through the senses and the imagination.

Does our childhood really end when we are no longer afraid to look under the bed? Join Tommy the magical dwarf, Flammeus the owl, and a host of other original and amusing characters in this lively and creative collection of exciting adventures for children of all ages. Tommy definitely does not want to grow up because he does not want to be as busy as his mother or as worried as his grandmother. Flammeus the owl promises him to stop time and shows him a way to stay a child forever. Tommy's Fairy Tales is a beautiful story in which you meet funny characters. It is an extraordinary book that takes you on an exciting imaginary journey.

In Beneath the Willows, the author portrays that like her Indigenous ancestors, we often find ourselves repeating the old stories of the eerie things they have experienced. It is through these stories that we are reminded that paranormal events still exist today. We have to wonder how close is the spirit world? A dark spirit has walked among people for centuries learning their ways. In this book, the dark spirit learns of the trapped souls of the shape shifters buried beneath the willows and quickly takes control. The shape shifters not only become animals and birds, but they also now have the ability to step into human bodies, becoming as one. Strange disappearances begin to happen since that time.

Iskotew Iskwew/Fire Woman is a poetry collection written during a period of trauma while the author was working as a Counsel to the National Inquiry into Missing and Murdered Indigenous Women and Girls in 2017. This book is about memories and experience growing up on the Pelican Narrows Reserve in northern Saskatchewan in the 1980s: summers spent on the land and the pain of residential school. With this collection, the author wants to teach and inform Canadians of her experiences growing up as an Indigenous woman in Saskatchewan. She believes it is important to share her stories for others to read.

Tarte à l'esquimaude: une poétique de l'identité inuit is the French translation of Eskimo Pie: A Poetics of Inuit Identity previously published in English by BookLand Press. This poetry collection examines the author's lived history as an Inuk who was born, raised and continues to live south of sixty. Her writing takes into account the many assimilative practices that Inuit continue to face and the expectations of mainstream as to what an Inuk person can and should be. Her words examine what it is like to feel the constant rejection of her work from non-Inuit people and how she must in some way find the spirit to carry through with what she holds to be true demonstrating the importance of standing tall and close to her words as an Indigenous woman.