Bøger udgivet af Bordighera Press

New York, 1910. Pasquale D'Angelo, a sixteen-year-old native of Abruzzo, arrives at Ellis Island together with his father and a group of their companions in search of a better life. The shock of the New World is brutal, one of the worst experienced by our emigrants; but at the same time, for Pasquale (who becomes "Pascal") it's powerfully attractive, electrifying. Unlike his buddies, whose sole aim is to improve their condition and to send some money back home to their families in Italy, Pascal develops a desire to become a writer, an American poet. In order to do so, he studies English assiduously, night and day, utilizing every free moment he gets during his merciless schedule at work as a stone cutter, a manual laborer, a pick and shovel man. With titanic amounts of perseverance and an indestructible faith in poetry, Pascal will carry on until he reaches the limit of his sufferings. Over time, he will become convinced of having a mission that he has been destined for since birth, with a responsibility to obey his internal voice in the face of the enormously difficult life circumstances and countless sacrifices he must bear, of a new language learned with a crumbling Webster's Dictionary and with the help of sublime teachers like Keats and Shelley-teachers who light the way along his path and give him the strength to keep going. It's a promethean struggle, made more difficult by crippling poverty, a struggle that will lead the young stone cutter to leave his friends after a long and exhausting stint of manual labor and to retreat in the end to a miserable hovel in Brooklyn in order to take on the challenge of New York City and the "god" that rules it.

Art, aesthetics, literary criticism, and political science are fields that are today scarcely recognized (though they were originally long pursued) among the truly extraordinary intellectual exploits of the great Italian philosopher and political activist Eugenio Colorni. The present volume intends, at least in part, to fill this gap. It reveals first and foremost the anti-fascist inspiration which from the beginning animated Colorni in the pages of the Genoese Gobettian young-people's review Pietre, especially in its second series edited by Lelio Basso. It presents three of Colorni's essays on aesthetics (two of them unpublished and rediscovered by Mario Quaranta), initially developed in the framework of the teachings of G.A. Borgese, which respectively concern the work of Roberto Ardig¿, Bergsonism, and Benedetto Croce (the latter in the definitive version - L'estetica di Benedetto Croce. Studio Critico - published as a monograph as early as 1932). It brings together many of the young Colorni's reviews of articles concerning these disciplines and others, such as law and philosophy. Through the courtesy of Signora Eva Hirschmann Monteforte, it also includes many of Colorni's opinions as an involuntary literary critic, taken from his correspondence with his wife Ursula Hirschmann during his imprisonment and confinement. Finally, the volume closes with two novellas that he wrote as an adult.

"Chronicling the history of Preston Street and the Italian Canadian community in Ottawa, Professor Franco Ricci thoroughly researches and recounts the social history, the people, and the many institutions of Ottawa's Italian community"--

"In this tenacious collection of poems, the drugs, pop music, rocket crash, and Martelli's "queens"-from Geraldine Ferraro to Madonna, Nancy Pelosi to Molly Ringwald-embody the struggle with and resistance against gender oppression, political sexism, and ongoing threats to reproductive rights, while reminding us of the power of one strong woman"--

"The poems collected in "Sunset Cue" have a rare, mystical quality. Through her observant eye, love of science and nature, and poetic alchemy, Angie Macri transmutes her subjects-red-winged blackbirds, a garden at the end of fall, children at play-from the physical into the metaphysical"--

"In an unsentimental departure from the conventional immigrant family saga, the linked stories of "The Sons of the Santorelli" feature the collision of great hope and whittling circumstance. Tony Taddei invites us into the home of the Santorelli family with its plastic Pieta, lace doilies, and behemoth TV, and paints a vivid portrait of a time and place"--

This book is a collection of essays in honor of Joseph Tusiani and his long career as poet, prose writer, translator, and critic. The collection opens with an essay by Joseph himself, "The Making of an Italian American Poet," which chronicles his first two decades in the United States. There is also an interview with Joseph, conducted by Bea Tusiani. The other contributions, some in English others in Italian, are essays about Joseph's various works he composed over the years in Italian, English, Latin, and his native Pugliese dialect. In addition to Giordano and Tamburri, the other contributors include, Emilio Bandiera, Luigi Bonaffini, Gaetano Cipolla, Ryan Calabretta-Sajder, Luigi Fontanella, John T. Kirby, Mark Pietralunga, Ilaria Serra, and Cosma Siani.

"Set between the Netherlands and the end of western Liguria, Marino Magliani traces a geography of the humane and the forlorn, of panoramas and yearning. "A Window to Zeewijk" is the story of a changing landscapes, of houses with lifespans shorter than that their inhabitants. A chance encounter leads readers down trails of joy and melancholy, as everything seems to be in Zeewijk"--

"Mike Fiorito shoots the brief documentary tales of "The Hated Ones" in a vivid black and white, bringing to life a "Basketball Diaries"-like world of ne'er-do-wells growing up on the wrong side of whatever tracks separate the silver spoons from the rest of us with our wayward fathers, disappointed mothers, and ill-defined dreams of being somebody"--

"The answer [Eugenio Colorni's, to a question of Ursula Hirschman's on the existence of "concentric circles" in explanations of reality] is this: that the philosophical illness is more difficult to eradicate than you think, and that it lurks in the most unimaginable places and people [. . .]. All these concentric explanations are in fact 'philosophies.' Each coherent in itself, each 'true' from a certain point of view, each 'beautiful,' 'satisfying,' 'habitable'; sometimes 'exciting' [. . .]. No wonder, then, if they turn out to be satisfying, calming and coherent. Now just take each of these concentric circles and ask yourself - what good are they beyond giving me all this satisfaction? And then you will see all this beautiful concentricity and coherence fall apart, and each of the circles will prove no longer to be a self-contained whole, but something detached and fragmentary. The utility of the dialectic is in interpreting some spiritual things and some historical phenomena, and that's all [. . . ]. Analytic psychology is useful in treating certain nervous disorders, and helping us understand certain mental processes even in healthy people, and that's all [. . .]. Kant helps physics deal with time and space and causality his way. And he's not good for anything else. You ask me if it also makes me nervous to see how easily our minds think in analogies - which we then take to be facts. Does it make me nervous?! I've been nervous for twelve years, and only now have I begun to sort this out."

Gli studi letterari e culturali degli ultimi decenni hanno progressivamente abbracciato una concezione transnazionale dello spazio basata su paradigmi di diffusione e mobilità. Strettamente legata a tali nozioni è l'idea di 'circolazione', sulla quale si concentrano le indagini contenute nel presente volume, caratterizzate da una prospettiva emisferica che dalle Americhe si estende all'Europa e oltre. Le curatrici hanno ritenuto opportuno, per la natura eterogenea e sfaccettata del fenomeno, stabilire un dialogo tra i testi e le diverse tipologie migratorie in essi esaminate, credendo fermamente che nella tessitura delle molteplici riflessioni possano sorgere concetti e nodi problematici che offrano nuove visioni e correlazioni, stimolando ulteriori analisi su un terreno di ricerca fertile e in costante attualizzazione. I saggi di questa raccolta sono stati scritti nel periodo precedente la diffusione della pandemia Covid-19. I temi indagati allora ci interpellano oggi, se possibile, in maniera ancora più urgente. Quali saranno le condizioni future della circolazione di persone e di idee attraverso confini reali e simbolici, di varia natura e dimensione, e in che modo le mutate condizioni incideranno sui flussi migratori e sulle varie forme di mobilità che caratterizzano l'epoca contemporanea? Le questioni poste offrono in tale prospettiva elementi fondamentali per orientarsi e riflettere, pure nel profondo cambiamento che stiamo attraversando, sul futuro delle circolazioni che hanno come meta o come punto di origine il continente americano.

"He was ready to let himself be pervaded by an idea and to experience it by compassionately living it, so as to possess it. Then sometimes he would turn it around and transform it into something rich and strong, in Shakespeare''s words. If I think of a baffling and miraculous intelligence, able even to absorb superstition, even astrology or magic, and transform them into an original treasure, I think of Eugenio Colorni." - Guido Morpurgo-Tagliabue,"Ricordo di Colorni," Arethusa, July-August 1945Eugenio "detests a federation organized through state diplomacy for purposes of economics and power. He sees a federation in terms of a socialist movement - that is, born of the people. And therefore revolutionary (just as he detests arranged marriages or unions without love, in which one tends to exploit and reduce the other to oneself)." - Luisa Villani Usellini, "A Very Quick Note," undated"In short, Colorni''s thinking was an incandescent magma of colossal genius that would have assailed any sphere his intellectual interests had turned to." - Leo Solari, 18 May 2004"I remember Angelo, this great scientist, this great scholar, this great freedom fighter also as a man who was exquisitely political, exceptionally able in political activity and propaganda and in the lessons he was able to teach us even though he was only slightly older than we were." - Giuliano Vassalli, 18 May 2004

I have often been asked by Italians: "Who are these Italian Americans? Why don''t they speak Italian like us? Why don''t they read the same books we read? Why don''t they behave like us? Why do they serve a lunch of spaghetti with meat balls as if it were an Italian dish instead of the sorry marriage of a Swedish recipe with an Italian one?" As I said earlier, Italian Americans bear the wrong name. They are not a mixture of Italy and America: they are Italians lost in America.-from the foreword

"In a rural New Jersey town, on the eve of WWII, young Marie Genovese looks out from her apartment window above the Five & Ten and wonders how she'll save the failing store she's inherited from her mother. Forced to bake for extra money, Marie dabbles in herbs, and hopes to change her fate. But when a herb-laced cake causes a wealthy local banker and Marie to fall in love, her troubles only compound-a family friend plots to take the store, her brother is involved in a fascist hate crime, and Marie becomes pregnant by her married lover. Enter the mysterious Aunt Ada from Italy, who brings a skill with herbs and knowledge of the family's Italian past. Soon Marie will face a choice: accept the protection of her wealthy lover, or defiantly break cultural norms by remaining independent. In a time similar to today, full of fear, economic uncertainty, and the controlling behavior of men, a powerful line of women, living and dead, helps Marie decide. ITALIAN LOVE CAKE is a story of a rare feminist awakening in 1939"--

Systems, love, philosophy, science, end-means, anthropomorphism, economy, action, success, separation: these are the main theoretical themes of "that strange and extraordinary dialogue" that developed between Eugenio Colorni and Altiero Spinelli in the Ventotene island (1939-42). They represent an easily accessible, interdisciplinary, iconoclastic, liberating, and fantastic intellectual feast under extreme conditions of confinement imposed by the fascist regime. They developed hand in hand with the political discussion that, with the contribution of Ernesto Rossi and Ursula Hirschmann, gradually unveiled the well-known political Manifesto for the unification of Europe.

In this unique volume of essays, three Italian-Canadian-American scholars of the post-WWII diaspora, who among them span a wide expanse of geographic and cultural ground, reflect on the meaning of triangulated identities. What are the processes of translation required by personal lives, consciousness, scholarship, and modes of representation, lived in such a context? At their simplest, they must confront blended or hybridized environments, geographic, cultural, and temporal straddling, "chronic otherness," and the apparently contradictory forms of invisibility and hyper-visibility, peripherality and multi-centredness. As a basic navigational tool, cartographic "triangulation" allows these authors to explore their own personal geo-cultural positionings and to seek equipoise in an equilateral triangle. All three bring direct experience and heightened knowledge of the trans-diasporic perspective, which has left them well-prepared for the challenges of an increasingly globalized reality. Even so, such positioning does not deny an elusive sense of home and belonging; their journeys have also taught them how to feel at home in the world.

Come nel nostro volume inaugurale di sette anni fa - Europe, Italy, and the Mediterranean: L'Europa, l'Italia, e il Mediterraneo (2014), nato dal primo convegno organizzato dal Mediterranean Centre for Intercultural Studies (MCIS; Centro Mediterraneo di Studi Interculturali) - questa raccolta di saggi nasce dal settimo convegno del Centro, che si è svolto ad Erice, in Sicilia, nel Maggio 2019. La presente raccolta contribuisce alla missione fondamentale del MCIS ... con l'obiettivo specifico di creare un dialogo tra quegli studiosi il cui lavoro intellettuale è dedicato a temi legati a qualsiasi aspetto della cultura mediterranea, nel senso più ampio del termine. Il volume sottolinea anche il nostro desiderio - e oseremmo dire la necessità - di mettere a disposizione il meglio del lavoro che scaturisce dagli incontri annuali del Centro.