Bøger udgivet af Bordighera Press

"First appeared in Italian as L'Italia bugiarda: smascherare le menzogne della storia per diventare finalmente un paese normale, Edizioni Piemme, 2013"--Title page verso.

Poetry. "As a poet, Stefanile presents a series of interesting paradoxes. He was both a nationalist and a cosmopolitan. Although he consciously worked in 'the American grain,' his poetry was nourished by deep roots in European literature. He championed free verse but also wrote in form. From his earliest work till his final publications, he was unwilling to give up one mode for the other. In The Dance at St. Gabriel's (1995), for instance, one finds a prose poem, a sonnet, free verse, blank verse, and rhymed quatrains side by side. A lifelong student of Italian Renaissance literature, Stefanile was an unapologetic traditionalist, but he was also an advocate of the avant- garde. He translated and published the first anthology of Italian Futurist poetry in English, The Blue Moustache (1981). Finally, Stefanile was a determined individualist who nonetheless always viewed himself as part of a community--ethnic, social, political, and cultural."--Dana Gioia, from his Afterword "For a long time now, Felix Stefanile has been among the most consistently interesting poets in America. His hard-hitting poems cry out to be spoken aloud. Readers who still need an introduction to them will find The Country of Absence an ideal point of entry. In memorable poems and an incisive essay, Stefanile sets out to retrace his roots, to understand those forces that make him a poet. In the process, he reveals a good deal about his readers, too."--X.J. Kennedy "Stefanile peoples his work with immigrants, bocce players, rowdy recruits and restless veterans, bringing all to life with compassion and eloquence. Besides offering reminders of the humanity behind history, he displays vitality and expertise in his craft as he allows each poem its own tempo and quiet refrain."--Elizabet

Poetry. "I STOP WAITING FOR YOU by Mary Jo Bona is an immensely moving meditation on grief for the twin brother who dies from AIDS; the ghosts of her other dead and lost populate this book as well. Those losses are balanced out by her poems that explore her Italian American heritage and her love poems. This book is a way of mourning her lost brother, a way of keeping him alive in her memory. It is also a celebration of the woman she loves who makes her own life worth living. What an accomplished, beautiful, amazing book! I read it all in one sitting and look forward to reading it again and again."--Maria Mazziotti Gillian

Poetry. From TOMATO PIES, 25 CENTS: "[A]t my Grandmother's restaurant in Trenton New Jersey. My grandfather is rolling meatballs in the back. He studied to be a priest in Sicily but saved his sister Maggie from marrying a bad guy by coming to America. Uncle Joey is rolling dough and spooning sauce. Uncle Joey is always scrubbed clean, sobered up, in a white starched shirt, after cops delivered him home just hours before."

Literary Nonfiction. Italian American History. "Luigi Del Bianco may not be a household name to many historians, but he should be. He played an integral role in the creation of Mount Rushmore, specifically, that of chief carver. Was Del Bianco slighted due to his Italian heritage? Gladstone more than suggests he was. This book will be an inspiration to Italian Americans everywhere, and sheds new light on the role of Italians in America's history."--Marilyn Borner

Literary Nonfiction. Edited by Dennis Barone and Peter Covino, this volume collects and expands on many of the ideas explored during the widely influential Italian American Discussion Group of the Modern Language Association, in existence ten-plus years. Scholarly writing about Italian American literature and culture has arguably entered its second fully and critically engaged decade of sustained conversation and inquiry. This collection of essays endeavors to highlight the vitality of these inquiries and offer suggestions for continuing research and enjoyment.Contributors: Michael AntonucciNancy Caronia, Jim Cocola, Joseph Conte, John Domini, Tracy Floreani, Kathleen McCormick, Gina Miele, and Roseanne Giannini Quinn.

This book deals with Giose Rimanelli's three American novels, which in turn deal with the political and societal perversion of the presidential years of Richard Nixon and the socio-political corruption that became part of the American fabric of life for years to come.

In this poem of 624 sonnets, " . . In the half-mad tradition of the Italian Futurists (Marinetti et al.), Ted Berrigan, and the brilliant scribblers of Oulipo, Viscusi has constructed a wonderful machine for generating sonnets, an effort that reproduces the equally demented project of Ellis Island itself."NMac Wellman..

O. . . reminds us who we were in the early 20th century, when our own emigrants were forced to earn their bread with the most menial and burdensome of work in an America that killed Sacco and Vanzetti.ONRenzo Cassigoli.

In a passionate and polemical manner, Aprile examines the effect that the unification of Italy has had on Southern Italy and analyzes what some of the ramifications are today. A bestseller in Italy, the book sold more than 200,000 copies in its first year of print.

(Pasquale) has an ability to create what the reader needs to feel and wants to know. He lifts us with an ecstatic imagination, placing us exactly there, happily at the center, as if we've found the right dream.--Grace Calavieri.

As a boy in the 1960s, Zweig had a rare opportunity: every summer, he would leave his home in America and make extended visits to his mother's birthplace of Naples, Italy. During each visit, he'd uncover new mysteries about the parents he thought he knew.

Literary Nonfiction. Politics. Years have passed since the Capaci and Via d'Amelio massacres, where the Sicilian judges Falcone and Borsellino were brutally assassinated by the Mafia. The presence of the Mafia continues to be strong, its influence on civil and political life increasingly more evident, and many areas of the southern Italy remain under the grip of Mafia clans. In the new world order, this form of organized crime has even succeeded in establishing links with other Mafia-type organizations, which have modified their means of operating to more closely resemble the Sicilian Mafia. These Mafia operations are interwoven with terrorist activities, and arms and narco-trafficking. The money laundering of proceeds from criminal activities has created an expanding "gray area," where the line between legality and criminality is blurred and interference has become increasingly violent.

Literary Nonfiction. Italian Studies and Literary Criticism. Performing Arts, Film & Video. This collection of essays is born out of the inaugural conference of the Mediterranean Centre for Intercultural Studies (MCIS), which took place in Erice, Sicily, in May 2013. The MCIS was founded in 2012 with the specific goal of creating an ongoing dialogue between those scholars whose intellectual work is dedicated to topics and themes related to any aspect of Mediterranean culture, in the broadest sense of the term. As we move forward, we shall make available the best of the work that emanates from the Centre's future meetings.

Poetry. "Rachel Guido deVries's The Brother Inside Me seduces with poems celebrating nature's beauty in New York. Exploring the paradoxical permanency of desire and loss, deVries writes convincingly of her beloved brother, the dementia that plagued her father, and the inevitable changes the body experiences with age..."--Mary Jo Bona "These poems, imagistic and musical, capture the song that even the wounded can learn to sing. They praise and celebrate in a way that few contemporary poems do. Gambler's Daughter is a book to be treasured and read for years."--Maria Mazziotti Gillan

Fiction. "Louise DeSalvo's visionary novel--sexy and smart, fresh and timeless--reminds us that the more women's lives have changed, the more they remain the same. Helen and Maive love their families and their men and their deep, honest friendship with each other. Their story might have been written yesterday, and is all the richer when we learn of its own long journey into the light."--Pamela Redmond Satran "Read this book and meet two ballsy, brazen women whose lives are as captivating as the friendship they share. In this exquisite novel, a new world is imagined in which women--married women--make bold choices about sex gleefully and without guilt. CASTING OFF is a keen, funny, and engrossing portrait of the culture in which we live, and two fascinating characters that fearlessly chart their own path."--Emily Bernard "Subversive, feminist, rich in dark humor and erotic intrigue, CASTING OFF opens up the friendship of two women saved by adultery from the deadening effects of childrearing, tedious husbands and sometimes disappointing lovers. Louise DeSalvo's mordant wit and intelligence sparkle through the escapades of Maive and passionate loves of Helen who, between them, perfect the craft of secret, extramarital sex. DeSalvo uses the beds of New York and New Jersey as pathways into a sexuality that encompasses female power in classical myth as well as daily life. Nancy Caronia's powerful, invaluable introduction situates the novel in a broad spectrum of writing by women. Louise DeSalvo, celebrated as a gifted memoirist and accomplished scholar and critic, has brought us a compelling novel."--Josephine G. Hendin "Once deemed 'immoral' and 'perverse,' CASTING OFF now takes its rightful place on North American bookshelves. Erotic and bold, DeSalvo's novel asks what it means for a woman t

This book includes essays on the phenomenon of the "guido," its origins, and its relationship to the Italian/American community. The writers share their own views on a phenomenon that, in December 2009/January 2010, was filling newspapers and television programs, in reaction to the then new reality show "Jersey Shore."

Fiction. A collection of newspaper columns written over a four-year span, MOUSTACHE PETE IS DEAD is an insightfully keen look into the world of the Italian immigrant. Through Pete's words, we come to understand the difficulties many immigrants and their progeny have often had in order to negotiate the dominant culture's misunderstanding of the immigrant's culture of origin. MOUSTACHE PETE IS DEAD calls for the birth of a smooth partnership between these two different cultures.

OA discreet connoisseur of Italian poetry of this century will quickly see in Ruffilli's verses the continuity of a noble tradition, made of refined poverty, of contracted music, up to the extreme limit of inaudibility, . . . and he will think, then, of certain tangents, even thematic, between the present story and the unforgettable story of Annina in "Seme del piangere."ONGiovanni Raboni.

Tamburri takes a look back at the representation of the Italian and Italian American in the United States' film world. He includes some specific readings of four distinct examples of recent modes of production and/or interpretation. Films discussed in this section are: "The House I Live In, The Godfather, Golden Door" and three short films as example of an unsung genre.

This edition collects the author's published reviews during a 10-year period, from 1995-2005.

Barone, a professor of English and director of the American Studies Program at Saint Joseph College, presents a study of Italian-American narrative.

Nonfiction. Italian American Studies. The large majority of the twenty million Italian Americans are law-abiding, hard-working, and accomplished. Yet the image of Italian Americans is often distorted by stereotypes portrayed in popular media. PROFILES OF ITALIAN AMERICANS: ACHIEVING THE DREAM AND GIVING BACK counters those stereotypes with brief sketches of Italian Americans who have achieved success and enriched the lives of others. Included are the well known, such as Fiorello LaGuardia, mayor of New York, and the less known, such as Betty DellaCorte, founder of the first shelter for victims of domestic violence. The collection features A.P. Giannini, who sifted through the rubble following the San Francisco earthquake of 1906 and established the bank known today as Bank of America, as well as Frances Xavier Cabrini, who founded orphanages, schools, and hospitals for the poor throughout the United States. These thirty-two profiles illustrate a range of Italian American contributions in the arts, business, education, law enforcement, media, medicine, the military, philanthropy, public service, research, science, and sports. This book celebrates with unabashed pride the impressive legacy of Italian American culture.

Poetry. Trilingual Edition. Translated from the original English into the Italian by Chiara Curtoni, and into the Sicilian by Nino Provenzano. With engravings by Michael McCurdy. "Truly an homage to the sonnet form of the Sicilian School, the nine poems in A NEW LIFE WITH BIANCA are vibrant with contemporary clarity of word and thought; yet, the sonnets embrace the poetic form of Iacopo da Lentini, an innovative poet of another era. This trilingual work is a gift of life and yearnings well expressed and clearly up-to-date, yet enveloped in long standing literary tradition. For a reader who loves the richness and expressive possibilities of the English language, the musicality of Italian in the translations by Dr. Chiara Curtoni added pleasure, and the Sicilian versions by Nino Provenzano went straight to the heart."--Giovanna Bellia La Marca "Frank Polizzi's sonnet series is a discourse among three cultures. He honors the history of the sonnet form by having his original English text translated into Sicilian and Italian. Polizzi has cleverly distilled the history of the sonnet into a voice that speaks simultaneously in three languages: the original medieval Sicilian sonneteer, the Dante of La Vita Nuova, and the modern descendent of this still living and evolving form. Polizzi's sonnets mirror the tradition they succinctly annotate, from Platonic love and erotic sex to betrayal, loss, and death. In the end, Polizzi's Bianca is as unattainable as Dante's Beatrice. Thoughtful as well as inspired, Polizzi has added yet another dimension to the tradition of the sonnet."--Ken Scambray "As if love itself decided it could not to be conveyed in only one language, Frank Polizzi follows its lead and puts forth a poignant multilingual collection of nine love sonnets in A NEW LIFE WITH BIANCA. Polizzi pays homage to th

Drama. Italian Studies. Translated from the Italian by Thomas Simpson. In its first founding manifestoes of the 1980s, Teatro delle Albe defined itself as "Politttttttical Theatre," with seven t's, to declare with irreverent irony its distance from the era's reigning, ideologically muscle-bound political theatre, turgid and smug in its certainties and judgements. Because in Italian the word 'politico' means 'political' but the word 'polittico,' with two t's, means 'polyptych' - that is, a painting consisting of multiple images - the invention of the ironic term 'politttttttico' also intended to trumpet the urgency of observing Italy's community (the polis) from multiple viewpoints, fixing a fiercely ingenuous gaze on a plural reality. Unafraid of finding surprise in the ordinary, the company declared that it would create theatrical actions composed of multifaceted representations, aimed at an audience in search of questions rather than confirmation of received thought. "The heretical approach to politically committed theatre carries on in RUMORE DI ACQUE, the monologue composed in 2010 by Teatro delle Albe's playwright and director, Marco Martinelli."--Franco Nasi

Poetry. "In poems of remarkable fortitude and clarity, Marisa Frasca, a self-described "hyphenated woman," navigates the passages, geographical and psychological, that allow her uneasy flow between Sicily and America, among all 'our known / and unknown mothers.' This journey in which the Atlantic transforms into 'the old dark and narrow hallway of the immigrant' is always less familiar than we might anticipate as these poems conflate past and present, 'the displaced, the incomplete, / the made new / superimposed and piled together in chorus.' Like Nino Rota, Frasca conveys depths of sorrow and wonder in her rich, musical phrasings. The poems of VIA INCANTO are operatic with breath and sex and thirst and love."--Michael Waters "Frasca's vision and passion are so arrived, so rich with variation, that they elevate us inside a lyric adventure. Vittorini's 'twice real' reveries and Pavese's story-poem architectures whisper like companions to Frasca's native and chosen places: Sicily, the Atlantic, her beloved Manhattan--all fueling the book's narrative aesthetic and elegant shapes. But her darkroom--part time-capsule, part temple--steals everything. It tests the heart with fire and compression, and it tests all of us with razor-sharp memory. Then it gives back a shining array of immortal human faces and stories, indelibly. VIA INCANTO is a luminous original."--Judith Vollmer