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For many years, the coverage of grammar and usage in The Broadview Guide to Writing has received particular praise. Now, for the first time, that material is made available in a stand-alone volume. Readable, reliable, and comprehensive, The Broadview Guide to Grammar, Usage, and Punctuation is appropriate for students at all post-secondary levels. The book is divided into four sections. The Grammar section provides unrivalled coverage of complete and incomplete sentences, dangling constructions, and other subjects that give many writers special difficulty. The Usage section offers sensible and up-to-date advice on hundreds of points that frequently cause confusion. The Punctuation section provides a wealth of helpful guidance on all aspects of punctuation, with particular attention paid to such vexed questions as when to use the colon and the semi-colon, and (when using quotation marks) how to properly integrate quotations into one's own text. A final section, English as an Additional Language, gives a wide range of helpful advice on special issues that may arise for those whose native language is not English. A companion website provides hundreds of exercises on every topic covered in the book itself. Many of these are interactive; on completing an exercise, students are told how they did--and explanations are provided as to why the right answers are right and the wrong answers are wrong. This book is adapted from The Broadview Guide to Writing, which is available in American and Canadian editions

This compact edition offers a substantial selection of Whitman's writing. Highlights include the full text of the 1855 Preface to Leaves of Grass, the 1855 text of the poem later titled "Song of Myself," the complete "Live Oak, with Moss" sequence, numerous selections from the 1881 edition of Leaves of Grass, and several samples of Whitman's early and late prose. The appendices include nineteenth-century reviews of Leaves of Grass, a selection of illustrations showing Whitman's design choices for various editions of the book, and numerous portraits of the author. This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature. The series is designed to make selections from the anthology available in a format convenient for use in a wide variety of contexts; each edition features an introduction and explanatory footnotes, and is designed to meet the needs of today's students. This edition departs from most other editions in the series in one important respect--its format. The large page size of the edition facilitates the reading of Whitman's long lines of verse.

The two-volume Broadview Anthology of British Literature, Concise Edition provides an attractive alternative to the full six-volume anthology. Though much more compact, the concise edition nevertheless provides a thoughtful balance between well-established canonical authors and a diverse array of lesser-known works. Guided by the latest scholarship in British literary studies, the anthology is committed to inclusiveness, social responsibility, and contextualization. The anthology skillfully balances the representation of widely-agreed upon major works with a thoroughgoing reassessment of the canon that emphasizes diversity, variety, and breadth. With an unparalleled number of illustrations and contextual materials, accessible and engaging introductions, and full explanatory annotations, the concise edition of this acclaimed Broadview anthology provides focused yet wide-ranging coverage for British literature survey courses. Among the works now included for the first time in the bound book of the concise edition are poems by Gwerful Mechain, selections from Giovanni Boccaccio's The Decameron, Samson Occom's autobiography, and selections from Samuel Richardson's Pamela and Frances Burney's Evelina. There are also new omnibus sections--including an expanded "Culture: A Portfolio" section with material on theater and crossdressing, a revised section on "Other Lands, Other Cultures" in the early modern period, and new omnibus sections addressing "The Enlightenment," "Slavery and Resistance," and "Empire and Enterprise." As before, the Concise edition includes a substantial website component, providing instructors with a great degree of flexibility. New to the Concise Edition are a selection from The Táin, Mary Rowlandson's complete narrative, Aphra Behn's The Rover, selections from Henry Fielding's Joseph Andrews, substantial selections from Ottobah Cugoano's Thoughts and Sentiments, and an omnibus section on the environment in the early modern period. Also new to the website are additional tales from Chaucer's Canterbury Tales in facing-column format, with versions in modern English included opposite the original text.

What's the best way to write a paper that analyzes a novel, a poem, a work of art, a film, or a set of historical documents? Writing on Fire focuses intensively on the fundamentals of writing college humanities papers. Each chapter offers tips, tricks, and templates that students won't find anywhere else. The book speaks directly to young writers in language that's fun and accessible, and is designed to work in the classroom, in the dorm room, or at the kitchen table--anywhere that writing work takes place.

Academic Writing Now with Readings is a rhetoric designed to cover the basics of a college writing course in a concise, student-friendly format. Anything inessential to the business of college writing has been excluded. Each chapter concentrates on a crucial element of composing an academic essay and can be read in a single sitting. The book is loaded with "timesaver tips," ideas for making the most of the student's time, along with occasional warnings to avoid common errors made by student writers. Each short chapter concludes with questions and suggestions designed to reinforce the chapter's key elements, facilitate small-group interactions, and trigger class discussion. A compact selection of lively, topical readings provides thought-provoking examples for analysis and discussion.

This book is a guide for understanding climate change. It takes an interdisciplinary approach because climate change is simultaneously a matter of science, engineering, economics, politics, culture, ethics, and more. A Field Guide to Climate Change thus follows the contours of climate change as it appears in the world--as a tangle of problems. Briggle presents climate literacy as a form of problem-posing by offering a set of tools for understanding how problems get framed, debated, and resolved. Through developing climate literacy, students gain the ability to think critically about how facts are constructed and mobilized in the pursuit of values. Part One (Big Picture and Fundamentals) provides basic definitions and broad orientation by situating climate change within larger contexts like the Anthropocene, international climate diplomacy, sustainable development, and "green growth." Part Two (Climate Sciences) offers tools for understanding climate science, its historical development, and its place in society by asking: who knows, what do we know, and how do we know it? Part Three (Politics, Ethics, and Policy) shows how to analyze debates about climate change policies from mitigation to rewilding.

Ernest Hemingway's first major novel, The Sun Also Rises follows American and British expatriates in France and Spain in the years following World War I. The novel electrified the literary community of the 1920s and was a popular success; it advanced Hemingway's public celebrity and solidified the modernist style for which he would be recognized twenty-eight years later when he won the Nobel Prize for Literature. This edition provides an introduction, textual notes, a chronology, a bibliography, and six appendices of materials from the early twentieth century that will assist readers in interpreting The Sun Also Rises. This volume also addresses long-standing issues with the original editing of the novel and concerns about its portrayals of Jewish people, Black Americans, women, and others. Ultimately, this Broadview Edition assists readers in understanding a work whose references and contexts have been obscured over its one-hundred-year existence, and it also opens up opportunities for new interpretations of this landmark novel.

Provocative, brutally honest, and timeless, Machiavelli's The Prince is one of the most important yet misunderstood writings in history. In it, Machiavelli lays bare the reality behind politics as it has always been practiced, teaching leaders to avoid the errors and failings of others while also educating those outside of government about what goes on inside the halls of power. This edition offers a new and lively translation of The Prince, written in fluid modern English that is impressively accurate to the original source. It also includes extensive selections from the Discourses on Livy, together with a range of Machiavelli's other works such as his poetry, his personal correspondence, and the Florentine Histories. The supplemental readings, engaging original introduction, and thorough annotations provided in this edition show the relevance of The Prince to a wide range of themes: human nature, the philosophy of history, and the existential question all rulers face--how to survive in a world that is largely outside of one's control.

How are sex and gender related? Are they the same thing? What exactly is gender? How many genders are there? What is the science on all of this? Is gender a product of nature, nurture, or both? This book introduces readers to fundamental questions about sex and gender categories as they've been considered across the centuries and through a wide array of disciplines and perspectives. From the Bible to Darwin, from Enlightenment thinkers to contemporary trans philosophers, Beyond the Binary offers an accessible survey of the wide range of views about sex and gender. This revised and expanded edition uses updated terminology and diagnostic criteria and offers new material with a greater focus on trans, Indigenous, racialized, and subaltern thinkers. It includes useful discussion questions and further reading recommendations at the end of each chapter, as well as an extensive glossary of terms.

Considering the composition classroom as a mad scientist's laboratory, The Mad Scientist's Guide to Composition introduces different kinds of writing as experiments. Writing an essay is a task that can strike fear into a student's heart, but performing an experiment licenses creativity and doesn't presume that one knows the outcome from the start. The Mad Scientist's Guide covers the kinds of writing most often required on college campuses, while also addressing important steps and activities frequently overlooked in composition guides, such as revision and peer reviewing. Actual examples of student writing are included throughout, as are helpful reminders and tips to help students polish their skills. Above all, the Mad Scientist's Guide seeks to make writing fun. The book briefly covers up-to-date MLA, APA, and Chicago citation styles.

Reviled as a regicide, isolated in a personal darkness, and aging, John Milton did not relinquish his voice. He somehow used that tireless voice, rather, to create Paradise Lost, one of the enduring masterpieces of English literature. Despite its difficulties--idiosyncratic syntax, densely packed ideas, capacious structure, and epic form--the poem still has the power to dislodge modern readers from our ordinary habits of reading and push us to experience new perspectives and new ideas. This new edition, based on the 1674 text, guides readers through the poem's interpretive challenges with a compact but thorough introduction and a readable and helpfully annotated text. Illuminating contextual materials, including related works by Milton, classical and biblical sources, material on the composition of the poem, and illustrations of Paradise Lost from the seventeenth to the twentieth centuries, are also included.

How to Think Critically begins with the premise that we are all, every day, engaged in critical thinking. But just as we may develop bad habits in daily life if we don't scrutinize our practices, so are we apt to develop bad habits in critical thinking if we are careless in our reasoning. Readers are presented with a traditional step-by-step method for analysis that can be applied to all argument forms. Hundreds of exercises (with solutions) are included, as are several random statement generators that can be used to create thousands of additional examples. Truth tables, Venn diagrams, and other essential concepts are introduced not merely as objects for academic study but also as tools for better thinking and living. At a time when the value of critical thinking is recognized to be greater than ever, this book is an important resource both inside and outside the classroom.

AI and Writing is an introduction to Generative Artificial Intelligence (GenAI) and its emergent role as a tool for academic, professional, civic, and personal writing. Sid Dobrin examines GenAI from two perspectives: the conceptual and the applied. The conceptual approach addresses the function of GenAI and the ramifications of its use as a writing tool - especially the ethical, social, and material issues it raises. The applied approach offers guidance to assist readers in using GenAI responsibly and authentically. In consideration of the rapid evolution of GenAI and the many unsettled questions about its role, Dobrin leaves room for readers to adapt to shifting technological and institutional conventions. This book is intended for composition and writing-intensive courses, and for any readers with a general or professional interest in the role of GenAI in writing. While it is primarily designed for first-year writing courses, it's also applicable to courses in advanced writing, professional writing, technical writing, business writing, and writing across the curriculum, as well as writing-intensive courses in other disciplines. In other words, it can be used in any course in which students are required to produce texts.

This concise version of Folk and Fairy Tales is designed to provide a more compact and versatile collection for teaching children's literature. Like the complete edition, it includes comparative versions of classic tales (Red Riding Hood, Cinderella, Sleeping Beauty, and a selection of coming-of-age tales) from different cultures and time periods, substantial introductory material, color illustrations, and a selection of critical articles. The second edition features an expanded section of color illustrations, more criticism, and a new section on "Brain over Brawn."

Knowing Reality is a guided introduction to metaphysics and epistemology. Each of the book's twelve chapters contains extended excerpts from influential historical and contemporary philosophers, as well as a guided exposition of their views and their locations within the logical space of the issues at play. Topics are introduced through engaging thought experiments, with relevant philosophical puzzles sprinkled throughout. Complex issues are explained using down-to-earth examples, with illustrations provided to connect with readers and assist them in understanding the sophisticated concepts under discussion.

Ways of Being in the World is an anthology of the Indigenous philosophical thought of communities across Turtle Island, offering readings on a variety of topics spanning many times and geographic locations. It was created especially to meet the needs of instructors who want to add Indigenous philosophy to their courses but are unsure where to begin--as well as for students, Indigenous or otherwise, who wish to broaden their horizons with materials not found in the typical philosophy course. This collection is an invitation to embark on a relationship with Indigenous peoples through the introduction of their unique philosophies.

The Applied Ethics Primer offers a concise introduction to both basic argumentation and normative ethical theory. The concepts discussed reflect the ethical theories that currently ground most professional ethics codes and debates in applied ethics. More inclusive than many similar resources, this primer gives students a sense of the truly global history of ethics, while remaining squarely focused on providing practical tools for ethical decision-making.

Practical Bioethics offers a mix of theory and readings, presented in a format that is succinct and approachable. Each chapter begins and ends with a case study, illustrating the core issues at play and emphasizing the practical nature of the dilemmas arising in medicine. Primary source texts are provided to flesh out the issues, and each of these is carefully edited and presented with interwoven explanatory comments to assist student readers. Throughout, J.K. Miles shows the importance of health-care ethics to us all, whether we be medical providers, patients, or both.

Only by Experience: An Anthology of Slave Narratives collects, in whole or in part, sixteen of the most significant and influential slave narratives in English. Based on material from the acclaimed Broadview Anthology of American Literature, the anthology includes works from the British Empire as well as the United States and puts classic examples of the slave narrative genre in conversation with works that raise questions about how the genre is defined. The anthology also features thorough headnotes and annotations for each work, along with detailed contextual materials for many of the works included.

Pop Culture for Beginners promotes reflective engagement with the world around us and provides tools for thinking critically about how meaning is created, reinforced, and circulated. Privileging a semiotic approach, the book's first part, "The Pop Culture Toolbox," outlines the development of pop culture studies; explains the semiotic framework; introduces students to a variety of critical lenses including Marxism, feminism, postcolonialism, and Critical Race Theory; and then offers an overview of pop culture "pivot points," including authenticity, intersectionality, intertextuality, and subculture. The book's second part provides a series of units, prepared in consultation with subject area experts, built around topics central to popular culture studies: television and film, music, comics, gaming, social media, and fandom. Each chapter includes "Your Turn" activities and discussion questions, as well as possible assignments and suggestions for further reading. The chapters in part two also include questions as beginning points for thinking critically and readings demonstrating relevant scholarly approaches to popular culture. Important vocabulary terms are included in a substantive glossary at the end.

How to Read (and Write About) Poetry invites students and others curious about poetry to join the critical conversation about a genre many find a little mystifying, even intimidating. In an accessible, engaging manner, this book introduces the productive questions, reading strategies, literary terms, and secondary research tips that will empower readers to participate in literary analysis. Holbrook explicates a number of poems, initiating readers into critical discourse while highlighting key poetic terms. The explications are followed by selections of related works, so the book thus offers what amounts to a brief anthology, ideal for a poetry unit or introductory class on poetry and poetics. A chapter on meter illuminates the rhythmic dimension of poetry and guides readers through methods of scansion. The second edition is updated throughout and includes a fresh selection of poems and the latest MLA citation guidance.

Letters from an American Farmer is increasingly recognized as one of the foundational texts in the study both of American literature and of American history. This compact edition combines a selection of the most important, accessible, and engaging sections of Crèvecoeur's work with a focused selection of background contextual material. The result is an edition ideally suited for use in a wide range of undergraduate courses. This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature. The series is designed to make selections from the anthology available in a format convenient for use in a wide variety of contexts; each edition features an introduction and exaplanatory footnotes, and is designed to meet the needs of today's students.

Readings in Ethics offers a vast collection of carefully edited readings arranged chronologically across five historical periods. The selections cover many major Western and non-Western schools of thought, including Daoism, virtue ethics, Buddhism, natural law, deontology, utilitarianism, contractarianism, liberalism, Marxism, feminism, and communitarianism. In addition to texts from canonical philosophers such as Plato, Mill, Wollstonecraft, and Rawls, the volume draws from other sources of wisdom: stories, fables, proverbs, medieval mystical treatises, literature, and poetry. The editors have also written substantial introductions, annotations, discussion questions, and suggestions for further reading, making for a thorough guided tour of our ethical past and present.

Style & Substance demystifies academic conversations by breaking down the underlying concepts behind good scholarship and the skills involved in research, writing, and presenting. The author guides undergraduates through the trials of academic writing, from how to form fruitful research questions, to gathering and using the appropriate evidence, and finally to crafting polished, thoughtful responses to the questions that we pose ourselves in good research. Throughout, the author demonstrates how engaging in each step of this process thoughtfully and deliberately is how one joins the academic conversations at the heart of college education.