Gør som tusindvis af andre bogelskere
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.Du kan altid afmelde dig igen.
The fourth volume in Jack Pierson's (born 1960) celebrated Tomorrow's Man artist's-book series mixes imagery from all spectrums of the visual landscape into a single meditation on the world around us. Combining archival material with contributions by emerging and established artists, Tomorrow's Man 4 continues on where the earlier volumes left off. This installment showcases historical pen and ink sketches by John Tottenham, hummingbird portraits by Brian Calvin, glazed ceramic constructions by Liz Larner and deadpan street shots by Trevor Hernandez (better known to many by his Instagram handle Gang Culture), plus contributions by Cali Dewitt, Paul Mpagi Sepuya, Lily Stockman, Richard Tinkler and Evan Whale.
From 1978 to 1983, Greg Reynolds served as a youth minister for an evangelical Christian organization, spreading the teachings of the Bible and encouraging young Christians in their faith. When a missionary gave him a 35mm camera, Reynolds--an untrained photographer--began to take pictures of his close-knit community. What emerged was a photo diary--sunlit kodachromes show happy youths strumming guitars at Christian camp, missionary trips to Central America and short-shorted men smiling on the beach during a religious canvassing trip. Reynolds himself appeared the evangelical poster boy throughout this period: he prayed, read the Bible and refrained from sex. It wasn't until 1983, when he resigned from the organization and came out as gay, that he was able to fully pursue photography and reevaluate his life. The resulting paperback, assembled retrospectively, is a unique document of 1970s-era religious America, its images a powerful account of illusion and disillusion.
Tilmeld dig nyhedsbrevet og få gode tilbud og inspiration til din næste læsning.
Ved tilmelding accepterer du vores persondatapolitik.