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The latest edition of the photographer's playful artist's book series, featuring works by Agustin Bruno, Mark Flood, Kembra Pfahler and moreThe sixth edition in American photographer Jack Pierson's (born 1960) celebrated artist's book series, Tomorrow's Man--titled after the infamous bodybuilding series of the 1950s and '60s--features work from some of Pierson's favorite contemporary artists, both established and emerging. As in the previous editions, the book comes in four different covers.This installment showcases a diverse collection of work, such as Cameron Jamie's ceramics, Clément PJ Schneider's nude studies and Danny McDonald's pop-inspired sculptures, alongside images from Matthew Bede Murphy, Michael Bilsborough, Agustin Bruno, Jeremy Deprez, Eliza Douglas, Robert Escalera, Mark Flood, Quinn Gorbutt, Mended Veil, Nathan Morgan, Nehama, Kembra Pfahler and Niv Shank. Rounding out this volume are Pierson's own images and assorted ephemera as well as a screenplay by Chico Kramer.
The latest edition of Jack Pierson's photobook-cum-artist's book featuring work from some of Pierson's favorite contemporary artistsThe fifth volume in Jack Pierson's celebrated Tomorrow's Man artist's book series mixes imagery from all spectrums of the visual landscape into a single meditation on the world around us. Combining archival material together with contributions by emerging and established artists, Tomorrow's Man 5 continues on where the earlier volumes left off. In this edition, the diverse body of art includes Dietmar Busse's enigmatic, almost occult drawings on photography, David Dupuis' delicate, colorful abstractions and Richard Tinkler's bright geometric abstractions, as well as work by Janet Stein, David Carrino, Jeff Davis, Clement Schneider, Paul Stuttman and Jordan Wolfson (now infamous for his shocking work at the 2017 Whitney Biennial Real Violence) is included alongside Pierson's own images.
Taxonomies of Orientalism in art, from Piotr UklanskiCelebrated Polish-born artist Piotr Uklanski (born 1968) established himself in the mid-1990s with a diverse body of work examining the ever-changing relationship between identity, history and culture. Continuing this investigation, Uklanski's new book, Ottomania, traces the phenomenon of Orientalist portraiture over the past 500 years. This book contains over 200 paintings, drawings, prints and photography--images of men in turbans, theatrically embellished masculine dress, richly decorated fabrics, the codification of facial hair and the romantic settings of Ottoman or Persian court life--from Rembrandt, Zurbarán, Liotard, Tiepolo, Rubens, Delacroix, Schiele, Matisse, Picasso, de Chirico, Dalí, Balthus and Leonor Fini. Uklanski orders the works roughly by theme, demonstrating how Western artists exploited key Orientalist signifiers, in dress, setting and pose, in order to portray their sitters--men, women and children--as worldly, romantic and in other ways exotic.
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