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Four book-length poems respond to the experience of walking in the wild landscapes of the highlands and islands of Scotland.

The poems in Gillian Clarke's The Silence begin during lockdown, whose silences Clarke listens so attentively that other voices emerge.

From Sussex to Mexico, the poems in Rebecca Hurst's debut collection travel far and wide, documenting tensions between embodied and inherited landscapes.

The poems in Near-Life Experience consider, above all, ideas of attentiveness: to art and experience, to nature and imagination; to the present moment as it happens, what it offers, leaves behind, and means.

Isabel Galleymore's second book is a collection of ecopoetry that explores cuteness, care and commodification in an age of hyper-capitalism and environmental crisis.

The highly anticipated second collection from the winner of the Seamus Heaney First Collection Prize 2022.

The dramatic, eccentric, startling poetry of V.R. 'Bunny' Lang, rediscovered and in print for the first time since 1975.

The third Carcanet collection from award-winning Glasgow-based poet and novelist Oli Hazzard.

The September-October 2023 issue of PN Review, one of the most outstanding poetry journals of our time.

In her second collection, Mann wrestles with the questions and possibilities raised when trans identity, faith, and the limits of myth and language intersect and are tested.

Anthony Burgess's brilliance as an essayist and his passion for music are united in The Devil Prefers Mozart, the largest collection of his music essays ever assembled.

The first gathering of work by the pioneering filmmaker, writer and poet Margaret Tait reissued as a Carcanet Classic.

The January-February 2023 issue. Horatio Morpurgo revisits Bertrand Russell and Jurassic Marble. Lesley Harrison and the whalers' diaries, how a language and culture survive. Anthony Vahni Capildeo on Islands. Basil Bunting's Letters from two perspectives: Don Share and August Kleinzahler. Craig Raine being and not being Whitman. Anthony Huen on the Hong Kong Moment. New to PN Review this issue: Kate Hendry, Petra White, Diane Mehta and Philip Armstrong. And more...

Jack van Zandt, one of Goehr's grateful pupils, has written this first comprehensive account of the creative formation and life of this great composer and teacher.

In Child Ballad, David Wheatley's sixth collection, he explores a world transformed by the experience of parenthood.

Angela Leighton's sixth book of poems turns on the curious arts of remembering and forgetting.

This second collection from poet Andrew Wynn Owen is marked by increasing intricacy of art, experience, and thought.

New collection from Martina Evans, winner of the Pigott Poetry Prize 2022.

This new collection from Sujata Bhatt is a treasury of stories that recur to the poet in response to something seen, heard or dreamt. They come as living memory.

This Collected Poems revives the poetry of Nelly Sachs who, despite winning the Nobel Prize for literature, has largely been forgotten in the English-speaking world.

This is a fascinating window into the private thoughts of one of the great American writers of the twentieth century.

Late gifts is a collection of lyric poems exploring a middle-aged father's relationship with his new son.

John Masefield's Sea-Fever: Selected Poems reissued as a Carcanet Classic.

Hell, I love everybody: 52 Poems by James Tate re-introduces the poet, providing a poem for every week of the year, every mood and season.

A 'Selected and New Poems' from one of Ireland's most important religious poets of recent times.

Letford's long-awaited third book is a tour de force of storytelling and poetry that has the narrative punch of a novel, taking us to the not-too-distant-future, where an artificial intelligence rules the world and a working-class family use their wits to live off the land.

Fred D'Aguiar's new collection connects the condition of namelessness of a famous black jockey with a present-day need to give back to those lost souls the dignity of their names.

In poems and translations, The Grid tells a highly unusual set of stories about the end of the world, ancient and modern.

This first collection by New Poetries poet and Telegraph poetry editor is at once brilliantly witty in language and formal ambition, and wryly dark in its themes.

During the latter phases of covid, Isobel Williams completed the challenge of completing her celebrated translations of Catullus. It joins Carcanet's celebrated Classics series, and like its incomplete predecessor it is illustrated with bondage drawings by the translator herself.