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New play by the author of I Love You Terribly
Joyce Peseroff's new collection teases the nature of self-knowledge from a world where identity is fluid, character fragmented, landscape overwhelmed, and culture riven. In poems that dramatize politics, eros, myth, and mortality, Peseroff's edgy wit cuts through the classical Greek definition--"You're not an animal/or a god, take the middle path"--to parse our century's slippery dialectics. Playful and complex, Know Thyself distills music from the salt of human experience.
A poetics of literal survival merged into and defiant of the mundane
Souvenir, a collection of autobiographical essays rooted in the present, investigates travel, staying put, and how it is that our experience of being here right now includes so much of being elsewhere at another time. Rhett reconciles present to past in serious encounters with birth and death, alongside lighter observations. In a world that makes no sense except the sense we make of it, Souvenir plays with the dynamics of home and away to represent the fullness of daily life.
An anthology of poems by twelve exceptional young American female writers
"Beginning in poverty and a broken home, Wesley McNair went on, through family hardships and setbacks, to become what Philip Levine has called "one of the great storytellers of contemporary poetry." This memoir tells how he developed into a poet against the odds, incorporating his struggles into his art."--Publisher's website.
Like Robert Frost's North of Boston, David Yezzi's Birds of the Air intersperses charged lyrics with longer dramatic narratives. His monologues explore the frenetic pressures of urban life, as a number of memorable characters take stage: the guy who is hired to clear out a dying man's apartment; the actor stuck in an inadvertently hilarious production of Macbeth and his estranged girlfriend's tragic end; and the short-order cook who elevates his work to an art form. Like the birds of the air described by St. Matthew, these threadbare denizens of the modern city subsist on the few scraps that fall to them.
From the opening poem, we follow a narrator through the loss of an Edenic life and its manifestations, from personal loss to the extinction of species and--looming in the future--the threat of our own extinction. In the process we range from the microscopic to the cosmic, from the worlds of literature, science, culture, politics, and religion.
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