Bøger udgivet af CARNEGIE MUSEUM OF ART

Contemporary artists reestablishing ecological awareness through the powerful instrument of photographyHow has humanity's relationship with the land been documented by, and altered through, photography? How has the ever-increasing pace of image-making changed the environment and human ecology? These are the driving questions of Widening the Lens: Photography, Ecology, and the Contemporary Landscape, a publication inspired by a generation of contemporary artists who have endeavored to chart the past, present and potential futures of photography and the landscape.Through a collection of essays, poetry and newly commissioned artwork, Widening the Lens aims to ignite renewed ecological awareness through visual representations of the environment that reveal underlying historical, social, geological and political processes. The publication includes an introduction by Dan Leers, curator of photography, Carnegie Museum of Art; an essay by renowned curator, writer and activist Lucy R. Lippard; a new commission from poet Saretta Morgan; and an epilogue by award-winning environmental and science journalist Michelle Nijhuis.

Key works of contemporary art from an exemplary Pittsburgh collectionPromised to Carnegie Museum of Art in 2015, the Milton and Sheila Fine Collection is an outstanding selection of contemporary painting, sculpture, photography and drawing that epitomizes the couple's interest in American and German art from the 1980s to the 2000s. This book, published alongside the corresponding exhibition, offers a closer look into the Fines' collection and collecting practice. In remembrance of Milton Fine, who died in 2019, essays by Richard Armstrong and Eric Crosby share personal reflections and convey Milton's impact on Pittsburgh and the Carnegie Museum of Art. An illustrated chronology presents all the gifted artworks from the Fines, which include over 100 works by artists such as Mark Bradford, Alfredo Jaar, Jeff Koons, Robert Mapplethorpe, Chris Ofili, Sigmar Polke, Ed Ruscha, Cindy Sherman, Kiki Smith, Rosemarie Trockel, Christopher Wool and others.

Bey explores functional and ritual objects, arts of the African and Oceanic diasporas, and the materiality of clay, metal, wood and glass, rejoicing in nature and aweHow does an artist connect their practice to their identity? In what ways does an artist fulfill a social responsibility to their community? These are the driving questions of Sharif Bey: Excavations, a publication inspired by the artist's solo exhibition at Carnegie Museum of Art in his hometown of Pittsburgh. Through a series of autobiographical excavations highlighting seminal places, peoples and experiences in his artistic journey, Bey (born 1974) explores themes of ancestral wisdom and diasporic identity, while also reflecting on personal connections to museums and cultural organizations. The publication includes an introduction by Rachel Delphia, Alan G. and Jane A. Lehman Curator of Decorative Arts and Design; an essay by James B. Stewart, Penn State Emeritus professor of African American studies; and an exploration of museum collections archives by curatorial assistant Alyssa Velazquez.

An expansive dialogue between old and new forms of emancipatory artThe 58th Carnegie International traces the geopolitical footprint of the US since 1945 to suggest a historical ground for the images, ideas, objects and people that shape and desire emancipatory expressions and artworks, contextualizing conversations around migration, representation, appropriation and decolonization. This 424-page publication features two dialogical tracks: a historical current that comprises existing works borrowed from institutions, estates and artists, which are placed in dialogue with recent works and new commissions.Artists include: Abdul Hay Mossallam Zarara, Ali Eyal, Võ An Khánh, Andy Robert, Angel Velasco Shaw, Anh Tran, Antonio Martorell, Aziz Hazara, Banu Cennetoglu, Carlos Cañas, Carlos Motta, Christian Nyampeta, Claes Oldenburg, Colectivo 3, Dala Nasser, Daniel Lie, Denzil Forrester, Dia al-Azzawi, Diane Severin Nguyen, Doan Ket, Dogma Collection, Édgar Calel, Felix Gonzalez-Torres, Fereydoun Ave, Giana De Dier, Hiromi Tsuchida, Hyphen--, I Gusti Ayu Kadek Murniasih and Isabel De Obaldía.

The Dispatch is the second of two publications accompanying the 2018 Carnegie International, 57th Edition. Intended as a missive that sends the exhibition out into the world, this slim scholarly volume stands as a document of the show, through photographs and a checklist of the exhibition and its programs. In addition, it reflects forward, by presenting a series of studies on the relevance of an international exhibition today. Local, national and global perspectives are surveyed here, as well as artists' thoughts on the role of recurring international exhibitions for their work. With contributions by Gabriella Beckhurst, Jennifer Burris, Emi Finkelstein, Rebecca Giordano, Larissa Harris, Talia Heiman, Elizabeth Hoover, Hitomi Iwasaki, Koyo Kouoh, Prem Krishnamurthy, Paula Kupfer, Ellen Larson, Katie Loney, Sophia Marisa Lucas, Ashley McNelis, Liz Park, Erin Peters, Ingrid Schaffner and Marina Tyquiengco, and an artist project by Leslie Hewitt.

Hack the Grid documents a series of large-scale light installations produced in Pittsburgh by New Mexico-based environmental artist Andrea Polli (born 1968), using the city's long history of energy and industry to interrogate issues from particulate pollution to wind power.

"This book is published on the occasion of the exhibition Michael Williams, curated by Eric Crosby and organized by Carnegie Museum of Art, Pittsburgh, April 20-August 27, 2017."

Edited by Jason T. Busch. Text by Jason T. Busch, Rachel Delphia, Sarah Nichols, Dawn Reid, Richard Simmons.