Bøger udgivet af Carnegie Museum of Art,U.S.

The essential guide to the holdings of one of America's most venerable museumsPublished on the occasion of the museum's 125th anniversary, the Carnegie Museum of Art Collection Handbook features images of more than 200 works from the collection and essays by museum staff, past and present, that reveal the stories behind their creation and acquisition. Color images of previously unpublished archival materials trace the history of the museum from the late 19th century--when founder Andrew Carnegie established the Carnegie Institute and inaugurated the Carnegie International exhibition series, with the aim of bringing the "Old Masters of tomorrow" to Pittsburgh--to the present day. This updated guide to the museum's collection features works that will be well known to museum visitors and more recent acquisitions that lay the groundwork for another century of pioneering exhibitions.Artists include: Berenice Abbott, Dawoud Bey, Pierre Bonnard, Louise Bourgeois, Stan Brakhage, Mary Cassatt, Robert Seldon Duncanson, Nicole Eisenman, Jean-Léon Gérôme, Zaha Hadid, Charles "Teenie" Harris, Mike Kelley, Karen Kilimnik, Kerry James Marshall, Henri Matisse, Duane Michals, Julie Mehretu, Marc Newson, Lorraine O'Grady, Charlotte Perriand, Camille Pissarro, Postcommodity, Auguste Rodin, Paul Rudolph, Bernard Tschumi, Andy Warhol, Gillian Wearing, Franz West, James Abbott McNeill Whistler and Lynette Yiadom-Boakye.

The complicity of the image: photography at the intersection of police surveillance, corporate/state control and artificial intelligenceHow are images being utilized to gather data on our daily activities? With the development and advancement of artificial intelligence, there has been a radical change in the way surveillance systems capture, categorize and synthesize photographs. Mirror with a Memory explores the intersection between AI, photography and surveillance‿its past, present and future‿to underscore concerns about implicit bias, right to privacy and police monitoring embedded in corporate, military and law enforcement applications. Contributors include: Zach Blas, Simone Browne, Joy Buolamwini, Oliver Chanarin, Adrian Chen, Harun Farocki, Forensic Architecture, Lynn Hershman Leeson, Trevor Paglen, Martha Rosler and Martine Syms.

Using photography as a language, Shannon Ebner (born 1971) examines the signs, symbols, letters, words and graphical icons we encounter in the world. Auto Body Collision documents Ebner's most recent ongoing project, a multipart series of photographs that began on a trip to Italy in 2014. Ebner has been collecting language taken from signs, seeking out repetitions of terms such as "Auto Body Collision" and "Automotive." In dissecting found language and coupling it with her own, Ebner establishes connections between the terms "auto," "body," "motive" and "collision." The themes of Ebner's new work include the circulatory and the network, performance and its relationship to the body, and collision, in terms both literal and conceptual.Auto Body Collision, designed in collaboration with the artist, includes more than 150 never-before-published photographs, as well as essays by Alex Klein, Tina Kukielski and Mark Owens.

Published to coincide with an exhibition held at Carnegie Museum of Art, Pittsburgh, Penn., Feb. 26-June 5, 2011.

Edited by Douglas Fogle. Text by Daniel Birnbaum, Richard Flood, Eungie Joo, Chus Martinez.

Dan Leers is Curator of Photography at the Carnegie Museum of Art, Pittsburgh. Professor Larry J. Schaaf is the Director of the William Henry Fox Talbot Catalogue Raisonn¿ foxtalbot.bodleian.ox.ac.uk ¿ an online resource of the Bodleian Libraries.