Bøger udgivet af Catapult

Set in the near-future (2008), Exit Strategy is a darkly comic send-up of the dot.com mania of the late 1990s and a modern-day retelling of the story of Joseph. Like Joseph, Jamie Cohen is betrayed by his compadres but unexpectedly finds himself at the right hand of power. He helps a huge venture capitalist build pyramids - except these are investment pyramids based on technology idols. An additional narrative conceit is this: 200 years later, anthropologists find the virtual manuscript of Exit Strategy and begin annotating the text. Hundreds of readers have already contributed footnotes for the book - they are charming, wacky, compelling and Rushkoff has selected one hundred of his favorites for inclusion.

The wildly various stories in "Running After Antelope" are connected and illuminated by a singular passion: the author's attempt to run down a pronghorn antelope. His pursuit is juxtaposed with stories about sibling rivalry, falling in love, and working as a journalist in war-torn countries.

"The South Pole discovered" trumpeted the front page of The Daily Chronicle on March 8, 1912, marking Roald Amundsen's triumph over the tragic Robert Scott. Yet behind all the headlines there was a much bigger story. Antarctica was awash with expeditions. In 1912, five separate teams representing the old and new world were diligently embarking on scientific exploration beyond the edge of the known planet. Their discoveries not only enthralled the world, but changed our understanding of the planet forever. Tales of endurance, self–sacrifice, and technological innovation laid the foundations for modern scientific exploration, and inspired future generations.To celebrate the centenary of this groundbreaking work, 1912: The Year the World Discovered Antarctica revisits the exploits of these different expeditions. Looking beyond the personalities and drawing on his own polar experience, Chris Turney shows how their discoveries marked the dawn of a new age in our understanding of the natural world. He makes use of original and exclusive unpublished archival material and weaves in the latest scientific findings to show how we might reawaken the public's passion for discovery and exploration

No one in their right mind travels across Siberia in the middle of winter in a modified Russian jeep, with only a CD player (which breaks on the first day) for company. But Jacek Hugo–Bader is no ordinary traveler.As a fiftieth birthday present to himself, Jacek Hugo–Bader sets out to drive from Moscow to Vladivostok, traversing a continent that is two and a half times bigger than America, awash with bandits, and not always fully equipped with roads. But if his mission sounds deranged it is in keeping with the land he is visiting. For Siberia is slowly dying — or, more accurately, killing itself. This is a traumatized post–Communist landscape peopled by the homeless and the hopeless: alcoholism is endemic, as are suicides, murders, and deaths from AIDS. As he gets to know these communities and speaks to the people, Hugo–Bader discovers a great deal of tragedy, but also dark humor to be shared amongst the reindeer shepherds, the former hippies, the modern–day rappers, the homeless and the sick, the shamans, and the followers of ‘one of the six Russian Christs,’ just one of the many arcane religions that flourish in this isolated, impossible region.

Taking on the thorny ethics of owning and selling property as a white woman in a majority Black city and a majority Bangladeshi neighborhood with both intelligence and humor, this memoir brings a new perspective to a Detroit that finds itself perpetually on the brink of revitalization.In 2016, a Detroit arts organization grants writer and artist Anne Elizabeth Moore a free house—a room of her own, à la Virginia Woolf—in Detroit’s majority-Bangladeshi “Banglatown.” Accompanied by her cats, Moore moves to the bungalow in her new city where she gardens, befriends the neighborhood youth, and grows to intimately understand civic collapse and community solidarity. When the troubled history of her prize house comes to light, Moore finds her life destabilized by the aftershocks of the housing crisis and governmental corruption. This is also a memoir of art, gender, work, and survival. Moore writes into the gaps of Woolf’s declaration that “a woman must have money and a room of one’s own if she is to write”; what if this woman were queer and living with chronic illness, as Moore is, or a South Asian immigrant, like Moore’s neighbors? And what if her primary coping mechanism was jokes? Part investigation, part comedy of a vexing city, and part love letter to girlhood, Gentrifier examines capitalism, property ownership, and whiteness, asking if we can ever really win when violence and profit are inextricably linked with victory.