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"At her San Francisco art school, Joey enrolls in a film elective that requires her to complete what seems like a straightforward assignment: create a self-portrait. Joey inexplicably decides to remake Wes Anderson's Rushmore despite having never seen the movie. As Tell Me I'm An Artist unfolds over the course of the semester, the assignment hangs over her as she struggles to exist in a well-heeled world that is hugely different from any she has known. Miles away, Joey's sister goes missing, leaving her toddler with their mother, who in turn suggests that Joey might be the selfish one for pursuing her dreams. Meanwhile, her only friend at school, the enigmatic Suz, makes meaningful, appealing art, a product of Suz's own singular drive and talent as well as decades of careful nurturing by wealthy, sophisticated parents"--
"Black Punk Now is an anthology of contemporary nonfiction, fiction, illustrations, and comics that collectively describe punk today and give punks-especially the Black ones-a wider frame of reference. It shows all of the strains, styles, and identities of Black punk that are thriving, and gives newcomers to the scene more chances to see themselves"--
"Inspired by The Wiz, this poetry collection celebrates South Side Chicago and a Black woman's quest for self-discovery--one that pulls her away from the safety of home and into her power"--
The parallel-universe version of the "Dick and Jane" coloring book, Girls Will Be Boys Will Be Girls is a comic deconstruction of traditional gender roles. This playful, provocative coloring book contains 32 original illustrations guaranteed to give even the most seasoned gender bender a good laugh. Captions like "Calvin, baking is fun and all, but we can make a rad drum set out of these pots and bowls" and "Don't let gender box you in" offer lighthearted, fun ways to rethink gender for both children and adults. Girls Will Be Boys Will Be Girls makes it OK to step outside the lines.
Acclaimed author Evan S. Connell sends us through the complete experience of a man initially intrigued and then enslaved by art: a curious interest, a rapt fixation, and the becoming of a connoisseur. "The Connoisseur" trails the evolution of Muhlbach, an insurance executive on a business trip in Taos, New Mexico, who develops an obsession with pre-Columbian figurines after meandering through a curio shop. Entranced yet bewildered by his sudden affinity for a little figurine, Muhlbach succumbs to his intrigue and, thirty dollars later, begins his journey as a connoisseur. With superb delivery and subtle clarity, Connell allows us to see and feel Muhlbach's emerging mania, with its impending tension and sudden exhilaration. He illustrates how a new fixation alters our lens on life and shapes our actions.
"Five months pregnant and struggling with a creative block, JoAnna Novak becomes obsessed with the enigmatic Abstract Expressionist painter Agnes Martin. She is drawn to the contradictions in Martin's life as well as art-the soft and exacting brushstrokes she employs for grid-like compositions that are both rigid and dreamy. But what most calls to JoAnna is Martin's dedication to her art in the face of paranoid schizophrenia. Uneasy with the changes her pregnant body is undergoing, JoAnna relapses into damaging old habits and thought patterns. When she confides in her doctor that she's struggling with depression, he tells her she must stop being so selfish, given she has a baby on the way, and start taking antidepressants. Appalled by his patronizing tone and disregard of her mental health history, JoAnna instead makes a deal with herself: she'll surrender to her obsession with Agnes Martin and adopt the painter's doctrine of joyful solitude and isolation."--Provided by publisher.
"Tennis bad boy Zeko Slade is serving twenty years for the grisly murder of small-time criminal Lenny Lerman. The facts of the case-and Slade's checkered past-seem indisputable. What begins as a cursory review of the case as a favor to Dave Gurney's wife's friend soon spirals into something much more complicated. When Gurney's involvement threatens to expose a viper's nest of corruption, he finds himself framed for murder and pursued by a sensational media, a ruthless district attorney, and a coldblooded killer"--
Finalist for the New England Book AwardFrom a National Book Award nominated poet, this collection is about a life lived in the red, on the edges of great lack and great abundance, of financial and emotional marginsNegative Money follows a speaker continually coming of age while probing the binary thresholds of racial and gender identity, violence and safety, security and precarity, love and loneliness.For readers of Readers Claudia Rankine, Torrey Peters, Ocean Vuong, and Jericho Brown, NBA nominated Lillian-Yvonne Bertrams’s poems are innovative, conceptually thoughtful work. Through experimentation and muscular lyricism, Bertram maintains a style that observes a speaker’s attempt to understand and exert multiple identities within the binary confines of race and gender.Playing and gliding from acrostics to sonnets to maps, these compassionate, cerebral, and irreverent poems plainly recognize the larger and potentially escapable oppressive systems that dominate all of our lives by narrating the exhaustion that comes from living under constraining systems of relentless extraction, systems whose powers fracture all attempts at genuine love and intimacy.
Originally published: London: Jonathan Cape, 2009.
"Four women from La Plata, Argentina, are forced to suffer through a series of ordeals thanks to their impoverished, dysfunctional family."--Provided by publisher.
Vivian Carpentier, confined by her role as an upper class woman in the 1940s, gleans meaning only from erotic love. Troubled by the elusiveness of men, yet convinced that they run the world, she can barely conceal her desperation to entice. Struggling with motherhood and the failure of marriage, she takes jobs to bridge intervals between lovers. She sings in a hotel bar, sells dresses, and nurses her father's friend through his last illness, hoping to atone for a self-centered life. The constant in Vivian's life is her son, David. Having seen her worst and best moments, he provides her with consolation and a reason for living, "In those days of her lover's absence, she grew fascinated with her son's beauty .... with the hard blue of his eyes, with all the particulars of his face, the pliability of his lips". The Son is the haunting story of a woman who desires "something more, as if something more had been promised her that was not yet given".
"Earlier versions of this novel were published under the title Conference of victims, in 1962 by Atheneum and in 1985 by North Point Press."
In the Willapa Hills of southwest Washington, both the human community and the forest community are threatened with extinction. Virtually every acre of the hills has been logged, often repeatedly, in the past hundred years, endangering both the land and the people, leaving dying towns as well as a devastated ecosystem. Weaving vivid portraits of the place and its inhabitants—animal, plant, and human—with the story of his own love affair with the hills, Robert Michael Pyle has written a book so even–handed in its passion that it has been celebrated by those who make their living with a chain saw as well as by environmentalists. As he writes, 'My sympathies lie with the people and the woods, but not with the companies that have used them both with equal disregard.In his vivid portrayal of the land, plants, people and animals of the Willapa Hills of Washington State, Bob Pyle makes the modest patch of land he writes about a metaphor for the world.
"After ten years of reporting from central Africa for The New York Times, Associated Press, and others, Anjan Sundaram finds himself living a quiet life in Shippagan, Canada, with his wife and newborn. But when word arrives of preparations for ethnic cleansing in the Central African Republic, he is suddenly torn between his duty as a husband and father, and his moral responsibility to report on a conflict unseen by the world."--
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