Bøger udgivet af Catapult

"Set in the suburbs of Los Angeles and New York City, I Love You So Much It's Killing Us Both is an immersive journey into the life and mind of Khaki Oliver, who's perennially trying to disappear into something: a codependent friendship, an ill-advised boyfriend, the punk scene, or simply, the ether. These days it's a meaningless job and a comfortingly empty apartment. Then, after a decade of estrangement, she receives a letter from her former best friend. Fiona's throwing a party for her newly adopted daughter and wants Khaki to join the celebration. Khaki is equal parts terrified and tempted to reconnect. Their platonic love was confusing, all-consuming, and encouraged their worst impulses. While stalling her RSVP, Khaki starts crafting the perfect mixtape-revisiting memories of formative shows, failed romances, and the ups and downs of desire and denial-while weighing the risks and rewards of saying yes to Fiona again"--

Centered around multi–million dollar stakes and a series of nationally televised poker tournaments, Fading Hearts on the River offers a story of odds—the odds of a newborn surviving severe jaundice, the odds of Congress passing a law that renders one's online gambling income inaccessible, the odds of drawing the right card on the turn or the river. In this tale of fatherhood and worldy success, Haxton follows his son Isaac's unlikely career as a poker player, the nervous father often sitting on the sidelines with his fingers crossed or staring at a casino monitor while Isaac wins more in one hand of play than Haxton has earned from all his books of poetry combined. In this deftly crafted story Haxton explores the propensity for abstraction, logic, and memory all good poets and poker players share, all the while taking readers on a rollicking tour of complex, intertwined topics, ranging from game theory and financial strategies, to medical mysteries and lost love, to chess, Magic cards, and Texas Hold ‘em. Guided by the through–line of a father's love and admiration for his talented son, Fading Hearts delivers a unique perspective on professional gambling and one family's experience playing the odds.

Liza Monroy’s new book is collection of deeply personal essays that tackle the universal themes of romantic and familial love, fate and chance, all told in a humorous and intelligent manner that keeps the reader yearning for more. Created in the wake of Liza's popular essays– including her piece for the Modern Love column in the New York Times — Seeing As Your Shoes Are Soon To Be On Fire chronicles Liza's many misadventures in her quest for love. These misadventures span a variety of countries and a variety of men, all bound together under the watchful eye of her eccentric, single mother, a profiler for the U.S. State Department, who is soon using her professional aptitude to weed out the men in her daughter’s path.Filled with quirky details and archetypal characters from our everyday lives, with stories that are both wildly hilarious and deeply heartfelt, Seeing As Your Shoes Are Soon To Be On Fire is both a vulnerably open testament to Liza's personal experiences and an intriguing work that confronts the odds of finding love and intimacy in the increasingly depersonalized world of technology.

Black Light is a voyage of discovery and transformation. Set in Iran, it tells the story of Jamshid, a quiet simple carpet mender, who one day suddenly commits a murder and is forced to flee. With this violent act his old life ends and a strange new existence begins.Galway Kinnell combines his gift for precise imagery with a storyteller's skill in this journey across the Iranian desert—away from the fragile self–righteous virtues of adopted moral tradition, into the disorder and sexual confusion of agonizing self–knowledge. First published in 1966 by Houghton Mifflin, this extensively revised paperback edition of Black Light brings a distinguished novel back into print.

Judas Iscariot is the historical symbol of betrayal. But what really happened at the Garden of Gethsemane? What really compelled Judas to hang himself from a tree? "I, Judas" reimagines Iscariot's relationship to Jesus Christ and explores Judas's orchestration of the elaborate con of the divinity of Jesus Christ, subverting the legend of Judas as he inhabits some of our most notorious literary and historic figures in their darkest hours. Custer, Sexton, Van Gogh: These famous suicides converge through the figure of Judas in a cutting-edge piece of fiction that exposes the dangers of seeking universal truths in myth.

Bombshell is a feminist nuclear thriller set twenty-five years after the 1986 Chernobyl disaster, in which an alienated young Russian woman born in its shadow undertakes a road trip across the U.S., waging a guerrilla war against the nuclear industry and leaving in her wake a trail of destruction and assassinations. Obsessed with would-be Warhol assassin Valerie Solanas, Varyushka Cash recreates her atomic past through escalating violence and her one true goal: an assault on the Indian Point nuclear plant on the bank of the Hudson River. All along she is relentlessly pursued by the CIA, eager to capture Varyushka on charges of domestic terrorism. The cat-and-mouse chase leads to a final showdown in a decimated and irradiated New York, there on the cusp of a frightening new future.The initial draft of Bombshell was completed five months before the Fukushima catastrophe, written from the author’s morbid suspicion that the twenty-fifth anniversary of catastrophe at Chernobyl, Pripyat, and beyond would be marked by an echo in the present, shadowed by the real threat present in our unguarded and deteriorating nuclear facilities. Bombshell is a combustible and commercial step forward by one of our most creative and intellectual writers today.

No one in their right mind travels across Siberia in the middle of winter in a modified Russian jeep, with only a CD player (which breaks on the first day) for company. But Jacek Hugo–Bader is no ordinary traveler.As a fiftieth birthday present to himself, Jacek Hugo–Bader sets out to drive from Moscow to Vladivostok, traversing a continent that is two and a half times bigger than America, awash with bandits, and not always fully equipped with roads. But if his mission sounds deranged it is in keeping with the land he is visiting. For Siberia is slowly dying — or, more accurately, killing itself. This is a traumatized post–Communist landscape peopled by the homeless and the hopeless: alcoholism is endemic, as are suicides, murders, and deaths from AIDS. As he gets to know these communities and speaks to the people, Hugo–Bader discovers a great deal of tragedy, but also dark humor to be shared amongst the reindeer shepherds, the former hippies, the modern–day rappers, the homeless and the sick, the shamans, and the followers of ‘one of the six Russian Christs,’ just one of the many arcane religions that flourish in this isolated, impossible region.

I walk all the way up Hollywood Boulevard to Grauman's Chinese Theatre: past tourists snapping shots; wannabe starlets sparkling by in miniskirts with head shots in their hands and moondust in their eyes; rowdy cowboys drinking with drunken Indians; black businessmen bustling by briskly in crisp suits; ladies who do not lunch with nylons rolled up below the knee pushing shopping carts full of everything they own; Mustangs rubbing up against muscular Mercedes and Hell's Angels hogs.It's a sick twisted Wonderland, and I'm Alice.Here is a story like no other: The unforgettable chronicle of a season spent walking the razor-sharp line between painful innocence and the allure of the abyss. David Sterry was a wide-eyed son of 1970s suburbia, but within his first week looking for off-campus housing on Sunset Boulevard he was lured into a much darker world — servicing the lonely women of Hollywood by night.Chicken—the word is slang for a young male prostitute—revisits this year of living dangerously, in a narrative of dazzling inventiveness and searing candor. Shifting back and forth from tales of Sterry's youth—spent in the awkward bosom of a disintegrating dysfunctional family—to his fascinating account of the Neverland of post—sixties sexual excess, Chicken teems with Felliniesque characters and set pieces worthy of Dionysus. And when the life finally overwhelms Sterry, his retreat from the profession will leave an indelible mark on readers' minds and hearts.

In this collection about life as a twentysomething in the twenty–first century, Kathleen Rooney writes with the finesse of someone well beyond her years, but with fresh insights that reveal a girl still making discoveries at every turn. Varied and original, the tales in For You, For You I Am Trilling These Songs recount the perils of falling in love with the unlikeliest of people, of visiting the New York apartments of a vanished poet, and of touring an animal retirement home with her parents. Of getting a Brazilian wax, and of chauffeuring a U.S. senator around town. Of saying good–bye to a cousin who's joining a convent, and of trying to convince herself that she's not wasting her life. This is a book about love and longing, poetry and plagiarism, death and democracy, mountain floods and Midwestern cicadas. Here is a young woman struggling to find her place as an adult and a citizen in an America that rarely manages to live up to Whitman's dream of it. With this book, Rooney sings—yes, in fact, she trills—loud and clear.

In this electric debut essay collection, a Myanmar millennial playfully challenges us to examine the knots and complications of immigration status, eating habits, Western feminism in an Asian home, and more, guiding us toward an expansive idea of what it means to be a Myanmar woman todayWhat does it mean to be a Myanmar person—a baker, swimmer, writer and woman—on your own terms rather than those of the colonizer? These irreverent yet vulnerable essays ask that question by tracing the journey of a woman who spent her young adulthood in the US and UK before returning to her hometown of Yangon, where she still lives.In You’ve Changed, Pyae takes on romantic relationships whose futures are determined by different passports, switching accents in American taxis, the patriarchal Myanmar concept of hpone which governs how laundry is done, swimming as refuge from mental illness, pleasure and shame around eating rice, and baking in a kitchen far from white America’s imagination.Throughout, she wrestles with the question of who she is—a Myanmar woman in the West, a Western-educated person in Yangon, a writer who refuses to be labeled a “race writer.” With intimate and funny prose, Pyae shows how the truth of identity may be found not in stability, but in its gloriously unsettled nature.

"Tired of not having a place to land, twenty-year-old Akâua flies from Canada to her native Jamaica to reconnect with her estranged sister Tamika. Their younger brother Bryson has recently passed from sickle cell anemia--the same disease that took their mother ten years prior-- and Akâua carries his remains in a small wooden box with the hope of reassembling her family. Over the span of two fateful weeks, Akâua and Tamika visit significant places from their childhood, but time spent with her sister only clarifies how different they are, and how years of living abroad have distanced Akâua rom her home culture."--

Born in Missouri more than a century ago and raised in a Pentecostal orphanage, the creature now calling himself Gelson Verber has changed his name countless times. He’s part-werewolf, and makes his living hunting certain kinds of bad men—criminals, rapists, thugs—in an often grotesque parody of the natural order. Verber is clearly suffering from the kinds of things a werewolf would be uniquely vulnerable to in the modern world: the horror of war, drug abuse, and isolation in the rain-drenched environment of Portland, Oregon. He has PTSD, but in a unique way, often flashing back to his time with a regiment in World War II.His smooth life as a serial killer takes a turn when he falls into the crosshairs of Salt Street, a development corporation running pirated criminology software and Big Data sieves to identify werewolf hybrids, who are then forced into servitude. As he falls deeper into the trap that has been set for him, his introduction to its evil architect triggers within Verber a string of recollections, conversations with the late werewolf-hybrid, John Jack Bridger. Salt Street's trap is masterful, but it does have one terrible flaw: you cannot cage someone—or some thing—like Gelson Verber.

Brad Mitchell’s life is falling apart. His marriage is in limbo. The woman he thought he would marry, Kara, died from an overdose. An old friend keeps trying to convince him that Kara was actually murdered. And he has started to see double. Literally. When Kara—or, rather, her ghost—returns to Brad, his past and present blur into a fog.Kara Was Here tells the story of a failed actress whose life and sudden death are only partially understood; her teenage sister, Gwen, who starts taking dangerous steps into Kara’s secret world; Kara’s college friend, Margot, who went from being the football team’s sexy secret weapon to the solitary proprietress of a baked goods business; and Kara’s one-time lover, Brad, who stands with one foot in the past and one foot in an increasingly uncertain future.In the spirit of Clare Messud's The Emperor's Children or Hannah Pittard's The Fates Will Find Their Way, Conescu’s novel is at once a mystery about the dangers of aging into adulthood, an exploration of truth and perception, and a story about the ways we keep those we love with us—the people we’ve lost, the people we no longer see, and the people we used to be.

"Deer have been an important part of the world that humans occupy for millennia. They're one of the only large animals that can thrive in our presence. In the 21st century, our relationship is full of contradictions: We hunt and protect them, we cull them from suburbs while making them an icon of wilderness, we see them both as victims and as pests. But there is no doubt that we have a connection to deer: in mythology and story, in ecosystems biological and digital, in cities and in forests. Delving into the historical roots of these tangled attitudes and how they play out in the present, Erika Howsare observes scientists capture and collar fawns, hunters show off their trophies, a museum interpreter teaching American history while tanning a deer hide, an animal-control officer collecting the carcasses of deer killed by sharpshooters, and a woman bottle-raising orphaned fawns in her backyard. As she reports these stories, Howsare's eye is always on the bigger picture: Why do we look at deer in the ways we do, and what do these animals reveal about human involvement in the natural world?"--

"Drawing on lessons from his remarkable life, former child soldier turned activist, author, entrepreneur, and international recording artist Emmanuel Jal provides his eleven pillars for overcoming adversity and living a life of purpose. "Who owns your mind?" Beginning with this provocative question, Emmanuel Jal invites readers to claim ownership over the narratives that define their lives in order to become a force for good in the world. As a child growing up in South Sudan, Jal witnessed atrocities perpetrated against his family and community. These actions drove him to become a child soldier in a vicious civil war. Hunger, isolation, and the ever-present specter of death in battle attended his every moment. Yet his greatest challenge did not come from outside; it arose from within, from the corrosive nature of hopelessness, trauma, and narratives of victimization. Rather than succumb to these forces of negativity, Jal turned his life's challenges into opportunities by utilizing a comprehensive framework he developed around eleven pillars of support. These pillars can be utilized individually or as a unit to help build a durable internal structure that allows anyone to overcome adversity, regain joy and gratitude, and live a life of purpose that enriches the greater community"--