Bøger udgivet af Columbia University Press

From Ram Mohan Ray to Arundhati Roy, two hundred years of Indian literature in English are covered in this volume, essential for anyone interested in this increasingly important literary tradition. Spanning a period from 1800 to the present, this collection of historical essays covers the canonical Indian poets, novelists, and dramatists writing in English--names like Rudyard Kipling, Rabrindanath Tagore, R.K. Narayan, and Salman Rushdie--as well as lesser-known literary figures--scientists, social reformers, anthropologists--who have made significant contributions to the evolution of Indian literature in English. The essays in this volume are arranged chronologically and are devoted to a single author, a group of authors, or to a genre. The book includes 150 rare and interesting photographs and sketches of writers and their contexts.

Isaac Newton has become an intellectual avatar for our modern age, the man who, as even children know, was inspired to codify nature's laws by watching an apple fall from a tree. Yet Newton devoted much of his energy to deciphering the mysteries of alchemy, theology, and ancient chronology. How did a man who was at first obscure to all but a few esoteric natural philosophers and Cambridge scholars, was preoccupied with investigations of millennial prophecies, and spent decades as Master of the London Mint become famous as the world's first great scientist? Patricia Fara demonstrates that Newton's reputation, surprisingly limited in his day, was carefully cultivated by devoted followers so that Newton's prestige became inseparable from the explosive growth of science itself. Newton: The Making of Genius is not a conventional biography of the man but a cultural history of the interrelated origins of modern science, the concept of genius, and the phenomenon of fame. Beginning with the eighteenth century, when the word "scientist" had not even been coined, Fara reveals how the rise of Isaac Newton's status was inextricably linked to the development of science. His very surname has acquired brand-name-like associations with science, genius, and Britishness--Apple Computers used it for an ill-fated companion to the Mac, and Margaret Thatcher has his image in her coat of arms. Fara argues that Newton's escalating fame was intertwined with larger cultural changes: promoting him posthumously as a scientific genius was strategically useful for ambitious men who wanted to advertise the power of science. Because his reputation has been repeatedly reinterpreted, Newton has become an iconic figure who exists in several forms. His image has been so malleable, in fact, that we do not even reliably know what he looked like. Newton's apotheosis was made possible by the consumer revolution that swept through the Atlantic world in the eighteenth century. His image adorned the walls, china, and ornamental coinage of socially aspiring British consumers seeking to identify themselves with this very smart man. Traditional impulses to saint worship were transformed into altogether new phenomena: commercialized fame and scientific genius, a secularized version of sanctity. Handsomely illustrated and engagingly written, this is an eye-opening history of the way Newton became a cultural icon whose ideas spread throughout the world and pervaded every aspect of life.

In an unusual, novel approach to critical race theory, Joel Kovel manages to tackle a subject that stumped so many theorists in the 1960s and 1970s: unconscious bias. White Racism: A Psychohistory presents a psychohistorical matrix of racism in an analysis of unconscious bias. Kovel's psychoanalytic approach to race is haunting in its approach to Western culture. With psychoanalytic calculation, White Racism probes the deep psychological and historical embedding of racism in Western civilization and provides a pessimistic view of future reform.

Following the American indie cinema boom of the 1990s and the creation of "specialty" divisions by several Hollywood studios, many predicted an end to both the indie sector's viability and the making of films with ambitions beyond the commercial mainstream. Yet, as Geoff King demonstrates, plenty of distinct indie productions continue to thrive, even in the face of difficult economic circumstances. Recasting the term "indie" to denote a particular form of independent feature production that has risen to prominence in the twenty-first century, King identifies and discusses the new opportunities available to indie filmmakers. These new options and techniques include low-cost digital video and a range of Internet and social-media ventures providing funding, distribution, promotion, and sales. He also covers the ultra-low-budget "mumblecore" movement; the social realism of such filmmakers as Kelly Reichardt and Ramin Bahrani; the "digital desktop" aesthetics of Jonathan Caouette's Tarnation (2003) and Arin Crumley and Susan Buice's Four Eyed Monsters (2005); and the affect of certain dominant discourses, such as the articulation of notions of "true" indie film and its opposition to what some see as the quirky contrivances of crossover hits such as Little Miss Sunshine (2006) and Juno (2007). King ultimately locates a strong vein of continuity in indie practice, both industrially and in the textual qualities that define individual features.

In a first-season episode of The Sopranos, Tony Soprano is once again in conflict with his uncle Carrado "Junior" Soprano. Tony is in no mood for conciliation, but neither is Junior, who warns his nephew not to return unless he is armed: "Come heavy," he insists, "or not at all." As a work of popular culture, a ground-breaking television series, and a cultural phenomenon, The Sopranos always "comes heavy," not just with weaponry but with significance. The cultures of the United States, Great Britain and Canada, Australia, and even Italy (where it premiered in the spring of 2001) have come under its influence and contributed to the cultural conversation about it. Talk, discourse, about The Sopranos has migrated far beyond the water cooler, and not all of it has been praise. David Chase's The Sopranos has also received starkly contradictory critical assessments. In the eyes of Ellen Willis (whose seminal essay in The Nation is reprinted in this volume), for example, the HBO series is "the richest and most compelling piece of television--no, of popular culture--that I've encountered in the past twenty years... a meditation on the nature of morality, the possibility of redemption, and the legacy of Freud." Others have condemned it for racial and sexist stereotypes, excessive violence, and profanity. These eighteen essays consider many facets of The Sopranos: its creation and reception, the conflicting roles of men and women, the inner lives of the characters, obesity, North Jersey, the role of music, and even how food contributes to the story.

-- "Journal of Asian Studies"

Known for his entertaining investigations into culinary practice, Massimo Montanari turns his hungry eye to the phenomenon of food culture, food lore, cooking methods, and eating habits throughout history. An irresistible buffet of one hundred concise and engaging essays, this collection provides stimulating food for thought for those curious about one of life's most fundamental pleasures.Focusing on the selection, preparation, and mythology of food, Montanari traverses such subjects as the status of the pantry over the centuries, the various strategies of cooking over time, the gastronomy of famine, the science of flavors, the changing characteristics of convivial rituals, the customs of the table, and the ever-evolving identity of food. He shows that cooking not only is a decisive part of our cultural heritage but also communicates essential information about our material and intellectual well-being. From the invention of basic bread making to chocolate's reputation for decadence, Montanari positions food culture as a lens through which we can plot changes in historical values and social and economic trends. Even the biblical tale of Jacob buying Esau's birthright for a bowl of lentils is a text full of essential meaning, representing civilization's important shift from a hunting to an agrarian society. Readers of all backgrounds will enjoy these delectable insights and their easy consumption in one companionable volume.

In 1917, Bolshevik revolutionaries came to power in the war-torn Russian Empire in a way that defied all predictions, including their own. Scarcely a lifespan later, in 1991, the Soviet Union collapsed as accidentally as it arose. The decades between witnessed drama on an epic scale--the chaos and hope of revolution, famines and purges, hard-won victory in history's most destructive war, and worldwide geopolitical conflict, all entwined around the dream of building a better society. This book is a lively and authoritative distillation of this complex history, told with vivid details, a grand sweep, and wry wit. The acclaimed historian Sheila Fitzpatrick chronicles the Soviet Age--its rise, reign, and unexpected fall, as well as its afterlife in today's Russia. She underscores the many ironies of the Soviet experience: An ideology that claimed to offer humanity the reins of history wrangled with contingency. An avowedly internationalist and anti-imperialist state birthed an array of nationalisms. And a vision of transcending economic and social inequality and injustice gave rise to a country that was, in its way, surprisingly normal. Moving seamlessly from Lenin to Stalin to Gorbachev to Putin, The Shortest History of the Soviet Union provides an indispensable guide to one of the twentieth century's great powers and the enduring fascination it still exerts.

The history of the book in Tibet involves more than literary trends and trade routes. Functioning as material, intellectual, and symbolic object, the book has been an instrumental tool in the construction of Tibetan power and authority, and its history opens a crucial window onto the cultural, intellectual, and economic life of an immensely influential Buddhist society.Spanning the fourteenth to the eighteenth centuries, Kurtis R. Schaeffer envisions the scholars and hermits, madmen and ministers, kings and queens who produced Tibet's massive canons. He describes how Tibetan scholars edited and printed works of religion, literature, art, and science and what this indicates about the interrelation of material and cultural practices. The Tibetan book is at once the embodiment of the Buddha's voice, a principal means of education, a source of tradition and authority, an economic product, a finely crafted aesthetic object, a medium of Buddhist written culture, and a symbol of the religion itself. Books stood at the center of debates on the role of libraries in religious institutions, the relative merits of oral and written teachings, and the economy of religion in Tibet.A meticulous study that draws on more than 150 understudied Tibetan sources, The Culture of the Book in Tibet is the first volume to trace this singular history. Through a single object, Schaeffer accesses a greater understanding of the Tibetan plateau.

With a complete selection of bibliographies and tables of dates, titles, and names, this completely revised classic manual builds upon a work that has been a cornerstone of Islamic studies for thirty years. It remains the best source of clear, accurate information on centuries of Muslim dynastic history and the royal families in the Muslim world.

-- Robert Craft, New York Review of Books

When Hitchcock's Films was first published, it became known as a book on film that came to be considered a necessary text in the Hitchcock bibliography. This work includes eighteen essays and a chapter on Marnie titled Does Mark Cure Marnie? Or, 'You Freud, Me Hitchcock.'

With 43 illustrations of works by Louise Bourgeois, Frida Kahlo, Alice Neel, Cindy Sherman, and Jo Spence, among others, The Art of Reflection is the first sustained inquiry into the appropriation of self-portraiture by women painters, photographers, scultptors, and performance artists.

Hailed as a concise survey of Islamic history and culture, An Introduction to Islam covers everything from Islamic theology and law to the development of the Arabic, Persian, and Turkish languages, from social and economic life in the middle ages to the invention of the Muslim calendar. For the second edition, the text as well as the references and bibliography have been brought up to date.

William Duggan¿a leading expert on innovation and strategic thinking¿offers a guide to navigating the maze from idea to implementation.

This book presents the first comprehensive and accessible concordance of the Bhagavad G¿t¿.