Bøger udgivet af Columbia University Press

For more than sixty years, Partisan Review has been the most influential literary and cultural journal in America, home to some of this century's finest writers. A Partisan Century now collects the journal's greatest political essays from the 1930s to the present. The list of writers collected here is a virtual who's who of American and European intellectual culture in the past half century. Leon Trotsky, James T. Farrell, Irving Howe, Hannah Arendt, Norman Mailer, C. Wright Mills, Arthur Schlesinger Jr., Nat Hentoff, Steven Marcus, Andrei Sakharov, and many more. A Partisan Century gathers together some of the journal's most outstanding moments: from George Orwell's "London Letter," written when invasion by Nazi Germany seemed imminent; to Susan Sontag's 1964 essay, "Notes on 'Camp'," a harbinger to the age of postmodernism; to Steven Marcus's "Soft Totalitarianism," part of a rousing symposium on the effects of political correctness. On the subjects ranging from the Cold War tothe neoconservatives, from the war in Vietnam to revolutionaries in Romania, the writings in A Partisan Century are a barometer of the shifts in global politics in the twentieth century.

A collection of the author's essays on art and literature, which expounds Bourdieu's theory of a cultural field that situates artistic works within the social conditions of their production, circulation and consumption.

An easily accessible introduction to Kristeva's work in English. The essays have been selected as representative of the three main areas of Kristeva's writing--semiotics, psychoanalysis, and political theory--and are each prefaced by a clear, instructive introduction. For beginners or those familiar with Kristeva's work this is a good complement to The Portable Kristeva with a convenient selection of articles from Kristeva's earlier work some of which are otherwise hard to come by.

On October 1 and 2, 1964, several hundred students at the University of California's Berkeley campus held a police car captive for thirty-two hours, until administrative leaders of the university agreed to negotiate a series of grievances. The prolonged conflict that emerged from the encounter of the newly formed "Free Speech Movement" convulsed the campus for almost a year. This report uses the Berkeley events as raw material for studying the genesis of collective action in a conflict setting and presents a sociological history of the Free Speech controversy.

Since the late 1980s, Brazilians of Japanese descent have been return migrating to Japan as unskilled foreign workers. With an immigrant population currently estimated at roughly 280,000, Japanese Brazilians are now the second largest group of foreigners in Japan. Although they are of Japanese descent, most were born in Brazil and are culturally Brazilian. As a result, they have become Japan's newest ethnic minority.Drawing upon close to two years of multisite fieldwork in Brazil and Japan, Takeyuki Tsuda has written a comprehensive ethnography that examines the ethnic experiences and reactions of both Japanese Brazilian immigrants and their native Japanese hosts. In response to their socioeconomic marginalization in their ethnic homeland, Japanese Brazilians have strengthened their Brazilian nationalist sentiments despite becoming members of an increasingly well-integrated transnational migrant community. Although such migrant nationalism enables them to resist assimilationist Japanese cultural pressures, its challenge to Japanese ethnic attitudes and ethnonational identity remains inherently contradictory.Strangers in the Ethnic Homeland illuminates how cultural encounters caused by transnational migration can reinforce local ethnic identities and nationalist discourses.

In a stunning repudiation of the Democratic machine, John V. Lindsay (1921-2000) captured the New York mayoralty in 1965 by promising to rid the city of apathy and corruption and make New York governable again. Over the next eight years, Lindsay presided over a city at the vortex of the civil rights, antiwar, women's, and gay rights movements, a turbulent global economy, demographic upheaval defined by an influx of blacks and Puerto Ricans and an exodus of whites, and volatile local labor politics further fractured by race. He would revolutionize urban planning, hoping to make New York not just inhabitable but enjoyable--a celebration of itself-and he would attempt to overhaul the government's services and priorities. Some reforms succeeded. Others failed. While few have evaluated Lindsay's controversial legacy with the benefit of hindsight and within the context of national cultural upheaval, this book does just that. Edited by The New York Times urban affairs correspondent Sam Roberts and published in collaboration with the Museum of the City of New York, America's Mayor is lavishly illustrated and features original essays by Hilary Ballon, Joshua Freeman, Jeff Greenfield, Pete Hamill, Charlayne Hunter-Gault, Kenneth T. Jackson, John Mollenkopf, Charles Morris, Nicholas Pileggi, Richard Reeves, James Sanders, and Steven Weisman. Key contemporaries such as Jimmy Breslin, Mario Cuomo, and Juan Gonzalez offer personal reminiscences enhanced by compelling documents and articles. With his undeniable charisma and bold support for cities and urban living, Lindsay galvanized the attention of a nation at a time of looming crisis. This collection vividly reexamines the truth behind Lindsay's reputation as a failed dreamer and the forces that transformed him into America's mayor.

Of all the major Hollywood stars, Katharine Hepburn was the least conventional, conforming to none of the stereotypes of female superstardom. She was not an exotic outsider in Hollywood like Greta Garbo or Marlene Dietrich; nor was she a victim of the studios like Judy Garland or Marilyn Monroe; and she was certainly not a creature of the system like Joan Crawford and Lana Turner. Instead, she always appeared intelligent, willful and independent, able to develop her own persona within the confines of the studio system. Andrew Britton proposes a feminist reading of Hepburn's films, arguing that her persona raises problems about class, female sexuality, and women's oppression that strain to the limits the conventions of a cinema ultimately committed to the reassertion of bourgeois gender roles. Hepburn's work is also used to explore more general issues, such as the functioning of the star system. This is one of the very few analyses of American cinema to focus on a film star rather than a director or a genre and as such is essential reading for anyone interested in the movies. First published in the United Kingdom twenty years ago, this lavishly illustrated new edition features a foreword by the noted film critic Robin Wood.

Asserting that a history of shopping was, until recently, a history of women, Rachel Bowlby trains her eye on the evolution of the modern shopper. She uses a compelling blend of history, literary analysis, and cultural criticism to explore the rise of department stores and supermarkets of the United States, France, and Great Britain. Bowlby recalls the fascinating early days of these institutions. In the mid-nineteenth century, when department stores first developed, their fabulous new buildings brought middle-class women into town, where they could indulge in what was then a new activity: a day's shopping. The stores offered luxury, flattering women into believing that they belonged in a beautiful environment. It is here, Bowlby argues, that the idea of the modern woman's passion for fashion and shopping took hold. Developed in the twentieth century, supermarkets took an opposite tack: they offered functionality, standardization, and cheapness. However, Bowlby claims, despite their differences, the two institutions belong together as emblematic of their respective eras' social developments: the department store with the growth of cities, the supermarket with the proliferation of suburbs. With their dazzling lights and displays, both supermarkets and department stores were thought to produce in females an enhanced or trance-like state of mind. For readers who regard shopping as a spectator or participatory sport, and for those who wish to understand our culture and the psychology of women, or those who simply enjoy a witty, literate romp through the aisles, Carried Away is the perfect purchase.

Social work professionals generally agree that one of the most critical components of the learning process for a practitioner in training is field education, and that the field instructor has the greatest influence on a student's approaching career. In Marion Bogo and Elaine Vayda's text, field instructors will find a model for pedagogy based on the authors' many years of experience both in field and classroom environments. Now in its second edition--completely revised and updated--The Practice of Field Instruction in Social Work remains the only volume specifically intended for use by field instructors. Bogo and Vayda address how the teaching professional can systematically address the critical societal, organizational, psycho-social, and interactive components of social work practice. They discuss all phases of the field educator's work, from student orientation to assessment and contracting, from shepherding students' learning processes to evaluating their work. In addition, they bring to the table the many practical concerns that affect today's teaching professional, including the uses and abuses of the instructor-student relationship, ethical issues, and working with students where differences in age, ethnicity, gender, or disability may be important considerations. This book also includes eight teaching modules, each one a complete curriculum with numerous examples and exercises, for use by field coordinators in the seminar setting and by field instructors. Throughout the modules, Bogo and Vayda present a wealth of case examples drawn from their teaching experience and that of others who have applied their highly effective pedagogical framework.

Postcolonial Theory is a ground-breaking critical introduction to the burgeoing field of postcolonial studies. Leela Gandhi is the first to clearly map out this field in terms of its wider philosophical and intellectual context, drawing important connections between postcolonial theory and poststructuralism, postmodernism, marxism and feminism. She assesses the contribution of major theorists such as Edward Said, Gayatri Spivak and Homi Bhabha, and also points to postcolonialism's relationship to earlier thinkers such as Frantz Fanon and Mahatma Gandhi. The book is distinctive in its concern for the specific historical, material, and cultural contexts for postcolonial theory, and in its attempt to sketch out the ethical possibilities for postcolonial theory as a model for living with and knowing cultural difference non-violently.Postcolonial Tehory is a useful starting point for readers new to the field and a provocative account which opens possibilities for debate.

With the publication of The Scarlet Letter in 1850, Nathaniel Hawthorne achieved not only critical recognition in his native New England, but also an undisputed place amongst the newly emerging ranks of great American writers. This guide introduces and sets in context, the range of critical arguments that have been generated by this work.

Mary Wollstonecraft is widely recognized as a social and political thinker of major significance and as one of the most important and influential of the early feminists. Some of her works, such as A Vindication of the Rights of Woman, have become central texts of feminist thought. Written in the eighteenth century, her social commentary challenged the other eminent thinkers of the day, including Edmund Burke and Jean-Jacques Rousseau, and confronted the major events of the period, such as the French Revolution. Wollstonecraft was a persuasive writer and thinker who never felt compelled to separate her female experience from her writing. A Wollstonecraft Anthology brings together the well-known and lesser-known texts: A Vindication of the Rights of Men, The French Revolution, her early educational writings, her letters to Gilbert Imlay and William Godwin, and her reviews of fiction. This volume provides a comprehensive overview of Wollstonecraft's work and includes a biographic introduction by Janet Todd.

Explores the critical material generated by The Sound and the Fury and As I Lay Dying. This guide follows the growth of interest in Faulkner's work across six decades. It discusses writings shaped by various critical theories, offering the reader a view of the place given to one of America's innovative and influential novelists.

Are scandals a form of legitimate journalism, or are they a sign of a society in moral degeneration? These questions are addressed and assessed in Media Scandals, the first book to take a comprehensive look at how scandals are produced and played out in modern culture.

Taught in schools and universities around the world, and the constant subject of books, essays, and articles down the years, The General Prologue to the "Canterbury Tales" has long been central to the English literary canon. Jodi-Anne George provides a detailed introduction to the most important critical debates surrounding The General Prologue. The extracts and essays included here date from early as 1368, when Eustace Deschamps paid the first recorded tribute to Chaucer's genius, and move chronologically through to the late 1990s. The selections address the opinions of early editors of Chaucer as well as the continuing interest in the poet by other writers throughout the ages. Sociological, gender-based, historical, and structural readings of The Prologue are also represented.

In Bosnia and Hercegovina: A Tradition Betrayed, Donia and Fine Shatter the myth that the former Yugoslavia has been plunged into civil strife by the end of the Cold War. To prove this point they examine Bosnia's rich historical traditions in light of the conflict that erupted there in 1992. The authors explain the origins of Bosnia's major ethnonational groups in the religious conversions of the Middle Ages and under the Ottomans as a prelude to the transformation of its principal religious communities into twentieth-century nationalities.Taking issue with the widespread perception that ancient rivalries and primordial ethnic hatreds among the Serbs, Muslims, and Croats are behind the tragedies occurring today, Bosnia and Hercegovina emphasizes instead the rich tradition of diversity, pluralism, and toleration that has developed over centuries and flourished until very recently.

French journalist Claire Parnet's famous dialogues with Gilles Deleuze offer an intimate portrait of the philosopher's life and thought. Conversational in tone, their engaging discussions delve deeply into Deleuze's philosophical background and development, the major concepts that shaped his work, and the essence of some of his famous relationships, especially his long collaboration with the philosopher Félix Guattari. Deleuze reconsiders Spinoza, empiricism, and the stoics alongside literature, psychoanalysis, and politics. He returns to the notions of minor literature, deterritorialization, the critical and clinical, and begins a nascent study of cinema. New to this edition is Deleuze's essay "Pericles and Verdi," which reflects on politics and historical materialism in the work of the influential French philosopher François Châtelet. An enduring record of Deleuze's unique personality and profound contributions to culture and philosophy, Dialogues II is a highly personable account of the evolution of one of the greatest critics and theorists of the twentieth century.

Examining the writing of Aphra Behn, Frances Sheridan, Ann Radcliffe and Fanny Burney among others, this study describes the entry of women into literature as a profession in the 17th century. It describes how the fictional genre became the main vehicle for female self-expression.

Best-selling author Umberto Eco's latest work unlocks the riddles of history in an exploration of the "e;linguistics of the lunatic,"e; stories told by scholars, scientists, poets, fanatics, and ordinary people in order to make sense of the world. Exploring the "e;Force of the False,"e; Eco uncovers layers of mistakes that have shaped human history, such as Columbus's assumption that the world was much smaller than it is, leading him to seek out a quick route to the East via the West and thus fortuitously "e;discovering"e; America. The fictions that grew up around the cults of the Rosicrucians and Knights Templar were the result of a letter from a mysterious "e;Prester John"e;-undoubtedly a hoax-that provided fertile ground for a series of delusions and conspiracy theories based on religious, ethnic, and racial prejudices. While some false tales produce new knowledge (like Columbus's discovery of America) and others create nothing but horror and shame (the Rosicrucian story wound up fueling European anti-Semitism) they are all powerfully persuasive.In a careful unraveling of the fabulous and the false, Eco shows us how serendipities-unanticipated truths-often spring from mistaken ideas. From Leibniz's belief that the I Ching illustrated the principles of calculus to Marco Polo's mistaking a rhinoceros for a unicorn, Eco tours the labyrinth of intellectual history, illuminating the ways in which we project the familiar onto the strange.Eco uncovers a rich history of linguistic endeavor-much of it ill-conceived-that sought to "e;heal the wound of Babel."e; Through the Middle Ages and the Renaissance, Greek, Hebrew, Chinese, and Egyptian were alternately proclaimed as the first language that God gave to Adam, while-in keeping with the colonial climate of the time-the complex language of the Amerindians in Mexico was viewed as crude and diabolical. In closing, Eco considers the erroneous notion of linguistic perfection and shrewdly observes that the dangers we face lie not in the rules we use to interpret other cultures but in our insistence on making these rules absolute.With the startling combination of erudition and wit, bewildering anecdotes and scholarly rigor that are Eco's hallmarks, Serendipities is sure to entertain and enlighten any reader with a passion for the curious history of languages and ideas.

French journalist Claire Parnet's famous dialogues with Gilles Deleuze offer an intimate portrait of the philosopher's life and thought. Conversational in tone, their engaging discussions delve deeply into Deleuze's philosophical background and development, the major concepts that shaped his work, and the essence of some of his famous relationships, especially his long collaboration with the philosopher Félix Guattari. Deleuze reconsiders Spinoza, empiricism, and the stoics alongside literature, psychoanalysis, and politics. He returns to the notions of minor literature, deterritorialization, the critical and clinical, and begins a nascent study of cinema. New to this edition is Deleuze's essay "Pericles and Verdi," which reflects on politics and historical materialism in the work of the influential French philosopher François Châtelet. An enduring record of Deleuze's unique personality and profound contributions to culture and philosophy, Dialogues II is a highly personable account of the evolution of one of the greatest critics and theorists of the twentieth century.

Richard Maurice Tinkler was an ordinary man in an extraordinary time and place. This riveting "biography of a nobody" offers a rare glimpse of imperialism and the making of modern China seen from the perspective of a working-class Englishman enforcing the order of everyday life on the streets of Shanghai. Culled from Tinkler's many personal letters, Empire Made Me meticulously documents his astonishingly revealing life in the service of the British Empire between 1919 and 1939, one of hundreds of young men who joined the Shanghai Municipal Police. Responsible for maintaining order in Shanghai's International Settlement, the SMP expanded and enforced British dominion in China's most important political, commercial, and cultural center. Tinkler would have remained just another anonymous and forgotten colonial policeman were it not for his unexpected death, at the hands of Japanese marines and an incompetent local doctor, in June 1939. His suspicious death created a noisy diplomatic incident that was picked up by journalists and splashed across the front pages of Britain's newspapers. Many of Tinkler's personal letters survived, and they describe his personal life in unusually vivid detail, including his relationships, his knowing masculinity, his travels, and his bitter meditations on his lowly position in a powerful but waning empire. Robert Bickers absorbing biography uses Tinkler's letters as well as extensive archival research to tell the story of this man's everyday life and violent decline in a colonial world--a story that offers an uncommonly candid history of twentieth-century imperialism.

This biography of Mme de Sevigne brings to life the world of seventeenth-century France, a mother and her daughter, a writer and her brilliant letters. The passion and the pathos of this correspondence brings us as close as we can come to the mind of a woman in the court of Louis XIV.

What makes good drama? How does drama matter in our lives? In Three Uses of the Knife, one of America's most respected writers reminds us of the secret powers of the play. Pulitzer Prize-winning playwright, screenwriter, poet, essayist, and director, David Mamet celebrates the absolute necessity of drama--and the experience of great plays--in our lurching attempts to make sense of ourselves and our world. In three tightly woven essays of characteristic force and resonance, Mamet speaks about the connection of art to life, language to power, imagination to survival, the public spectacle to the private script. It is our fundamental nature to dramatize everything. As Mamet says, "Our understanding of our life, of our drama.... resolves itself into thirds: Once Upon a Time.... Years Passed.... And Then One Day." We inhabit a drama of daily life--waiting for a bus, describing a day's work, facing decisions, making choices, finding meaning. The essays in the book are an eloquent reminder of how life is filled with the small scenes of tragedy and comedy that can be described only as drama. First-rate theater, Mamet writes, satisfies the human hunger for ordering the world into cause-effect-conclusion. A good play calls for the protagonist "To create, in front of us, on the stage, his or her own character, the strength to continue. It is her striving to understand, to correctly assess, to face her own character (in her choice of battles) that inspires us--and gives the drama power to cleanse and enrich our own character." Drama works, in the end, when it supplies the meaning and wholeness once offered by magic and religion--an embodied journey from lie to truth, arrogance to wisdom. Mamet also writes of bad theater; of what it takes to write a play, and the often impossibly difficult progression from act to act; the nature of soliloquy; the contentless drama and empty theatrics of politics and popular entertainment; the ubiquity of stage and literary conventions in the most ordinary of lives; and the uselessness, finally, of drama--or any art--as ideology or propaganda.

The 1990s has seen the growing consolidation of lesbian and gay studies as a key area of cultural theory, particularly in relation to ideas about the construction of subjectivity and identity. Lesbian theory specifically intersects with feminism and sexuality/identity politics to critique both gender and (hetero) sexuality, while developments in lesbian criticism suggest a move towards a new textual practice. This volume explores whether there can be a specific lesbian aesthetic, juxtaposed against reading as a 'woman' or as a 'heterosexual'. Contributors both explore the uses of recent theories such as post-structuralism and offer a lesbian critique of such methodologies. Close readings of contemporary lesbian fiction and popular culture focus on works such as Zami, Oranges Are Hot the Only Fruit, The Wanderground and Desert of the Heart, as well as on lesbian pornography. Together the essays point to lesbian culture's ability to create new meanings for itself and to foreground the intertextuality of lesbian identities. This important book, which includes a reassessment of lesbian literary criticism by Bonnie Zimmerman, contributes to a new and growing field of critical theory.

In this ground-breaking book, Bonnie S. McDougall and Kam Louie present the first comprehensive, integrated survey of twentieth-century Chinese literature. The Literature of China in the Twentieth Century traces the development of Chinese literature from the Boxer Rebellion, when the strains of Western influence first emerged, to the Tiananmen Massacre, when dissident poets, such as Bei Dao, earned international acclaim and indefinite exile from the mainland. Each of the book's three chronological sections contains individual chapters examining the poetry, drama, and fiction of the period and includes an introduction outlining the historical and social context of the individual writers and their works. By analyzing this captivating literary tradition in terms of subject, theme, language, structure, style, intended audience, and cultural impact, the authors present a vivid picture of this important literature and a unique window on twentieth-century Chinese society.