Bøger udgivet af COPPER CANYON

"A collection of poems by Jenny George"--

"A collection of poems by Jennifer Chang"--

"A memoir of journal notes, early drafts of poems, and short meditations by Marianne Boruch" --

"A collection of poems by Danusha Lamâeris"--

"A collection of poems by Traci Brimhall"--

The long-anticipated third collection from the revered Richard Siken delivers his most personal and introspective collection yet.Richard Siken’s long-anticipated third collection, I Do Know Some Things, navigates the ruptured landmarks of family trauma: a mother abandons her son, a husband chooses death over his wife. While excavating these losses, personal history unfolds. We witness Siken experience the death of a boyfriend and a stroke that is neglectfully misdiagnosed as a panic attack. Here, we grapple with a body forgetting itself—“the mind that / didn’t work, the leg that wouldn’t move…”. Meditations on language are woven throughout the collection. Nouns won’t connect and Siken must speak around a meaning: “dark-struck, slumber-felt, sleep-clogged.” To say “black tree” when one means “night.”Siken asks us to consider what a body can and cannot relearn. “Part insight, part anecdote,” he is meticulous and fearless in his explorations of the stories that build a self. Told in 77 prose poems, I Do Know Some Things teaches us about transformation. We learn to shoulder the dark, to find beauty in “The field [that] had been swept clean of habit.”

"A collection of poems by Kayleb Rae Candrilli"--

Inspired by the nineteenth century image of an enslaved woman wearing iron horns and bells, Alison C. Rollins's Black Bell continues an exploration of cataloging individual experience and collective memory.

"A collection of poems by Sophie Cabot Black"--

"A collection of poems by Diannely Antigua"--

"Tyree Daye's a little bump in the earth is an act of invention and remembrance. Through sprawling poems, the town of Youngsville, North Carolina, where Daye's family has lived for the last 200 years, is reclaimed as the 'Ritual House.' Here, 'every cousin aunt uncle ghost' is welcome. Daye invokes real and imagined people, the ancestral dead, land, snakes, and chickens, to create a black town on a hill. Including dreams, letters, revised rental agreements, and 'a little museum in the herein-&-after,' where collaged images appear beside documents from Daye's ancestors--census records, marriage licenses, and WWII Draft Registration cards--the collection asks if the past can be a portal to the future, the present a catalyst for the past. a little bump in the earth explores what it means to love someone, someplace, even as it changes, dies right in front of your eyes. Poem by poem, Daye is honoring the people of Youngsville and 'bringing back the dead.'"

"A collection of poems by Philip Metres"--

Aimee Nezhukumatathil has been widely celebrated for her lush imagination and all-embracing style. Preoccupied with earth science since childhood, Nezhukumatathil crafts her research-based poetry using curious phenomena of the natural world; realizing a vision of strangeness and beauty. Her full-length debut, Miracle Fruit: Poems, won the Tupelo press prize in 2003, followed by her Balcones prize-winning At the Drive-In Volcano. Her third collection, Lucky Fish, was the winner of a gold medal from the Independent Publisher Book Awards and the prestigious Eric Hoffer Grand Prize for Independent Books. Her many other honors include fellowships from the MacDowell Colony, the Wisconsin Institute for Creative Writing, and the National Endowment for the Arts. Today Nezhukumatathil serves as the poetry editor of Orion magazine. She teaches creative writing and environmental literature as a professor of English in the MFA program at the University of Mississippi in Oxford, where she lives with her husband and sons.

In The Book of Questions, Pablo Neruda refuses to be corralled by the rational mind. Composed entirely of unanswerable couplets, the poems integrate the wonder of a child with the experiences of an adult. Whether comic, surreal, or Orphic, Neruda's poignant questions lead the reader beyond reason into realms of sudden intuition and pure imagination.

"We are homesick everywhere," writes Tishani Doshi, "even when we're home." With aching empathy, righteous anger, and rebellious humor, A God at the Door calls on the extraordinary minutiae of nature and humanity to redefine belonging and unveil injustice. In an era of pandemic lockdown and brutal politics, these poems make vital space for what must come next―the return of wonder and free movement, and a profound sense of connection to what matters most. From a microscopic cell to flightless birds, to a sumo wrestler and the tree of life, Doshi interrupts the news cycle to pause in grief or delight, to restore power to language. A God at the Door invites the reader on a pilgrimage―one that leads us back to the sacred temple of ourselves. This is an exquisite, generous collection from a poet at the peak of her powers.

"This may be the most anticipated poetry book of the last decade...expect it to haunt you."-NPR.orgIn reviewing Richard Siken's first book, Crush, the New York Times wrote that "his territory is [where] passion and eloquence collide and fuse." In this long-awaited follow-up to Crush, Siken turns toward the problems of making and representation, in an unrelenting interrogation of our world of doublings. In this restless, swerving book simple questions-such as, Why paint a bird?-are immediately complicated by concerns of morality, human capacity, and the ways we look to art for meaning and purpose while participating in its-and our own-invention.* "Slippery, magnetic riffs on the arbitrary divisions made by the human mind in light of the mathematical abstractions that delete them; poetry lovers will want to read."-Library Journal, starred review"[P]oems of passion, examining what it means to love, to be, and to create."-Vanity Fair"Siken's stark, startling collection focuses tightly on both the futility and the importance of creating art."-Booklist"Poems primarily about painting and representation give way to images that become central characters in a sequence of fable-like pieces. Animals, landscapes, objects, and an array of characters serve as sites for big, human questions to play out in distilled form. Siken's sense of line has become more uniform, this steadiness punctuated by moments of cinematic urgency."-Publishers Weekly"War of the Foxes builds upon the lush and frantic magic of Richard Siken's first book, Crush. In this second book, Siken takes breathtaking control of the rich, varied material he has chosen...Siken paints and erases-the metaphor of painting with words allows him to leave those traces that mostly go unseen. He is the Trickster. If paint/then no paint. He does this with astonishing candor and passion."-The RumpusThe MuseumTwo lovers went to the museum and wandered the rooms.He saw a painting and stood in front of itfor too long. It was a few minutes before sherealized he had gotten stuck. He was stuck lookingat a painting. She stood next to him, looking at hisface and then the face in the painting. What do yousee? she asked. I don't know, he said. He didn'tknow. She was disappointed, then bored. He waslooking at a face and she was looking at her watch.This is where everything changed . . .Richard Siken is a poet, painter, and filmmaker. His first book, Crush, won the Yale Younger Poets' prize. He lives in Tucson, Arizona.

This gorgeous debut speaks with heart-wrenching intimacy and first-hand experience to the hot-button political issues of immigration and border crossings.