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The "fourth-group Noh," so designated because they are performed fourth in a formal five-Noh program, includes almost one hundred plays, and is a group of great variety: some plays are supernatural or visional, others realistic; their leading characters include deities, demons, ghosts, mad people, samurai, and street artists. Dividing them into nine sub-groups, the author fully analyses their dramatic characteristics. Includes translations of four Noh chosen from the first four subgroups. Format is line-by-line translation next to the Romanized Japanese text, with introduction and running commentary.
The biography and writings of Ho Nansorhon (1563-1589), one of the finest poets of the entire Choson dynasty, who wrote during the Golden Age of Sino-Korean poetry. This period also witnessed the Confucianization of Korean society, when government-imposed sanctions greatly restricted the lives of Korean women, particularly those of the ruling class (yangban) to which Nansorhon belonged. Disillusioned by Confucian values, she drew inspiration from Taoism and humanism. Taoist belief in transcendent immortals (son), is a strong influence in her work. Inspired by a fantasy of shedding worldly shackles, her poetry flies beyond the stifling universe to the world of the immortals. Includes 53 poems and one prose piece with commentary, notes and poetic form in charts, together with the original Sino-Korean text.
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