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As candles flickered, she pulled out a small stool then sat, resting her palms gently on the surface of the smooth wood. Then, again reaching into her robe pocket, she pulled out a small, sepia-colored photograph, resting it against a plain, black urn.With candle flames mirrored in her eyes, Amelia lit the cigar with one of the candles, blowing its thick, acrid smoke at the photo-and, it was then she spoke, her words unintelligible. Chanting her desires, she gently picked up the photograph, raising it to her God.And, there she stayed until it was done . . . Once again, author Faith Wood transports her readers into a world of intrigue and the unexpected. When The Social Hour's Decklin Kilgarry pulls up stakes to embark on a new life in Miami, he never considered changes to his heart. His soul. Even so, as his investigation transforms from something routine and familiar into an undercurrent of darkness and corruption, he digs in, stunned when confronted with a person from his past-one whom he barely knows. Forming an unanticipated allegiance, mysteries unlock one-by-one, revealing an insidious truth. One, when illuminated, reveals a malevolent, treasonous intent-and, murder.
Have you ever heard of a humbug?No?Well, they are the grumpiest creatures in the North Pole.Humbugs are the opposite of jolly-they prefer their humdrum routine over exciting spontaneity, they only wear drab colors, and you won't ever catch them in a fit of giggles.The humbugs dislike most things, but what they hate most of all is Christmas.Now, would you believe me if I told you that Christmas couldn't happen without them?It's true!Without the grouchy humbugs, the jolliest holiday wouldn't exist!Three ingredients create Christmas magic: holiday cheer, light from the North Star, and humbug magic.>When the North Pole suffers a holiday cheer mishap, the humbugs are the only ones who can fix it.Out of duty, discipline, and to protect his humbug legacy, Pepper Plump, General of the Humbugs, sets forth on a mission to save Christmas. Despite his dislike for the holiday and the horrible merriment he would surely encounter, Pepper braves the jubilant nightmare and enters Christmas Village.Will he save Christmas, or will his woeful loathing get in the way?>The Humbugs Save Christmas is the first installment in the Saving Christmas Chronicles.
Imagine if all the pivotal moments in your life manifested as fantastical stories inside your mind-every defining memory, emotion, and interaction existing in your head as an ever-evolving fairytale. Imagine if the essential parts of your identity fractured into spectacular characters within magical storylands personifying the moments that have shaped your life. How would your story read? Inside this book are Jane's stories-every story that you read takes place within her mind. When her mental health is challenged by an invasive illness, the whimsical harmony inside her head is disrupted. Chaos ensues and the line separating ruin from love becomes blurred. Fantastical creatures representing different parts of her identity-known as the Faces-rally to save her, but how do we save ourselves when we are also the enemy?Here, you will witness Jane's struggle for salvation.>Into the Foxhole is an intense poetic fantasy tale for those who enjoy deep and abstract reads. For those in the trenches fighting silent, solitary battles-this one is for you. This is how we save ourselves.
The Railroad Photography of Donald W. Furler showcases the black-and-white imagery of a master of the craft. Furler (1917-1994) grew up in New Jersey and helped pioneer the "action shot" to show trains at speed. He faithfully and dramatically documented the final decade of steam operations in the northeastern United States with technically-superior and often creative images portraying the trains in their environments. While his work appeared frequently in early issues of Trains magazine in the 1940s and 1950s, it has rarely been seen since. As someone who helped write the rules for railroad action photography, an examination of Furler's photography is long overdue.
In Railroads and the Art of Place: An Anthology, a team of thirty contemporary and historical photographers--whose work is displayed across eighteen portfolios--visually contemplate the visible and philosophical imprint of the railroad on the American landscape. Combined with lucid, literary essays by Kevin P. Keefe, former editor of Trains magazine, noted transportation historian Alexander B. Craghead, industrial historian Matt Kierstead, and the late Michael Flanagan (author of Stations: An Imaginary Journey) the book, conceived by David Kahler, is sure to set a new benchmark in the field of railroad photography and transportation studies. Produced to the highest standards and featuring 230 color and black-and-white photographs, this deluxe 372-page book printed on heavy stock portrays a storied industrial culture in an entirely new context. Produced by the Center for Railroad Photography & Art and generously funded by the Kahler Family Charitable Fund.
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