Bøger udgivet af Dalkey Archive Press

Similarly four complete poetry books and a selection of new poems and sequences—samples the ongoing project of C. S. Giscombe’s long, long song of location and range.  In all the work collected here, location is a practice; range is the fact of the serial, the figuring of continuous arrival. The writing speaks to rivers, the souls of city life, animals, the counted and uncounted, the many instances that might indicate “a shape to all that sound,” monstrosity and argument (the latter defined, with a hat-tip to Frankenstein, as “a thing that becomes terrifying to its maker”), and the colors of human migration, these things among others.  In the “Cry Me a River” poem, Giscombe writes, "for the sake of argument, say that the shape of a region or of some distinct areas of a city could stand in for memory and that it—the shape is a specific value because it’s apparent and public, and that way achieves an almost nameless contour."

The Bern Book is a travelogue, a memoir, a ¿diary of an isolated soul¿ (Darryl Pinckney), and a meditation on the myth and reality of race in midcentury Europe and America.In 1953, having left the US and settled in Bern, Switzerland, Vincent O. Carter, a struggling writer, set about composing a ¿record of a voyage of the mind.¿ The voyage begins with Carter¿s furiously good-humored description of how, every time he leaves the house, he must face the possibility of being asked ¿the hated question¿ (namely, Why did you, a black man born in America, come to Bern?). It continues with stories of travel, war, financial struggle, the pleasure of walking, the pain of self-loathing, and, through it all, various experiments in what Carter calls ¿lacerating subjective sociology.¿ Now this long-neglected volume is back in print for the first time since 1973.

Inspired by Jack Kerouac s On the Road, Andrzej Stasiuk, Poland s most accomplished living prose writer, takes readers into the forgotten Europe.

In addition to his novels and stories, Aidan Higgins--one of Ireland's most respected contemporary writers--has written a large body of criticism. Windy Arbours includes pieces written between 1970-1990 and is the first collection of his reviews to be published. Incredibly well-read, Higgins covers writers from around the world, from relatively well-known authors such as William Faulkner, Djuna Barnes, and Jorge Luis Borges, to more obscure writers such as Ralph Cusack and Dorothy Nelson. Serving as an informative guidebook about contemporary fiction, Higgins's criticism is always insightful, and oftentimes entertainingly acerbic.

Drawing on O¿Brien¿s experience of cancer and of childhood abuse, and on his ongoing collaboration with a war reporter, the four essays in A Story that Happens¿first written as craft lectures for the Sewanee Writers¿ Conference and the US Air Force Academy¿offer hard-won insights into what stories are for and the reasons why, "afraid and hopeful," we begin to tell them.

Machado de Assis's first novel visits themes the author developed exquisitely throughout his career including marriage, memory, and perspective. In this insightful translation by Karen Sherwood Sotelino, and with an introduction by José Luiz Passos, the novel reveals the author¿s early experiment in drawing out psychological and sociological issues of his times. Readers familiar with his mature works will recognize the progression from infatuation, through passion, doubt, and toxic jealousy, as experienced by protagonists Félix and Lívia in 19th century Rio de Janeiro.

Six Italian women living in Paris gather for a drunken dinner party, an occasion for ribald storytelling and gossip, shocking confession and soul-searching, unexpected revelation and painful betrayal, and, ultimately, profound and enduring female solidarity.Rossana Campo blends pop and high culture in this polyphonic novel whose vibrant, colloquial language gleefully overturns stuffy literary convention, subverts the expectations of genre and narrative, and celebrates orality in all its untamed glory. Bawdy, exuberant, hilarious, Never Felt So Good is a deliciously ironic depiction of female sexuality and friendship, an irrepressible stream of overlapping female voices, a symposium in the truest sense.

Elegy for Joseph Cornell is at once a monologue; a collection of metafictional microfictions; a series of prose poems; an artist¿s quest; the herös journey; a filmography, biography, bibliography, and inventory; a travel scrapbook; and a guidebook for creativity. Argentinian writer María Negroni transcends form and genre as she explores, with both luminous and illuminating results, the life of Joseph Cornell, a solitary urban artist whose work also defied conventional classification.

This issue of The Review of Contemporary Fiction focuses on Moldova, offering translations of 20 Moldovan writers writing in the Romanian language. Compiled by editor and translator Alistair Ian Blyth, the 20 stories found here give a ¿highly eclectic introduction to the very wide range of literature being written in Moldova today.¿

The poems in this collection were written between 2007 and 2020. When asked to describe the poems here, Ishmael Reed wrote: ' The poems are based on events that occurred around the house to cataclysmic space events.'

A new collection of poems from the AmericanpoetTennesseeReed.From "California Burning 2017-2018"Will smoke days become the West's new snow days?When an early morning dagger of red lightcuts through my curtainsI think of what I want to save in case I have to evacuate

First published in 1996 to international acclaim, Eric Darton's Free City is the fictional journal of L., a seventeenth-century inventor caught in a precarious love triangle, even as his beloved northern European port town teeters on the brink of catastrophe.In a tale laced with bawdy humor and elements of the fantastical, L. must balance the demands of his patron-a rapacious entrepreneur-against those of his sorceress lover. As L. attempts to avert calamity, he finds himself joined by the most unlikely of allies.Weaving together historical, political and absurdist elements, Free City resonates more profoundly today than ever.

A bildungsroman in 21 songs and collages, 3 Minutes and 53 Seconds follows the life of an unnamed hero from 1984 to 2004 as he moves from boyhood to early fatherhood.Uprooted from his home in Sarajevo following his parents' divorce, the hero is thrust into a new life in Skopje, where he grows up amid the unfolding political and social drama of the collapse of Yugoslavia. The story is an intimate account of rupture and displacement, but also, ultimately, resilience. The title refers to the average length of a hit song, and the time it takes to read each chapter. Arranging the formative moments in the hero's life around songs of the period, Branko Prlja captures the zeitgeist of the time. With a playlist from the '80s, '90s, and '00s that ranges from heavy metal to punk rock, from grunge and drum 'n' bass to trip hop and pop music, these are the tracks that left their mark on a whole generation-not just in the Balkans, but worldwide.

The time is the twilight of the decrepit Brezhnev regime, the place, the Soviet Socialist Republic of Moldavia: the "Latin periphery of empire." A pensioner seeks justice for his dead wife, crushed by a falling crane--the very symbol of the "construction of socialism"--but comes up against hostility from a cynical system at best indifferent, at worst contemptuous of human life. With a keen, Gogolian eye for the grotesque, often squalid, details of everyday life in the USSR, Iulian Ciocan paints darkly humorous but compassionate portraits of Homo sovieticus, from crusty war veterans and lowly collective farm workers to venal Party bigwigs, as each comes to the disturbing realization that the lofty ideals of Soviet society were lies all along. And for idealistic young pioneer Iulian, the biggest disillusionment of all will be the abrupt revelation of Brezhnev's mortality.

collection of previously published and unpublished storiesDumitru Tsepeneag exiled because of this controversial writing style

Exercises is a mixed genre of memoir, confession, journal and letters, written during a short period in the 1990s when the author, Tõnu Õnnepalu, served as the Estonian cultural representative in Paris.In these pages, Õnnepalu submits all his past commitments and feelings to merciless scrutiny. This elegiac piece contains many perceptive insights into cross-cultural resentment, snobbery, and self-deception. And the main topic of his writing is often the very writing itself, as the means of the construction of one's own identity.The narrator is sufficiently intelligent and clear-sighted enough to make his musings and reflections on culture, daily politics, and sexuality irresistibly--even vo­yeu­ristically--readable.

The End of the World Would Not Have Taken Place is Czech author Patrik Ourednik's second work originally written in French. Like the author, the narrator is a writer and translator writing a book about the end of the world, in which he reflects on life, death, war, and divine action to form a biting social critique.

In this, Esad Babacic's first book of poetry to appear in English, we have a very different and surprising voice emerging from Slovenia. The closest parallel is the poetry, as much as the attitude, of Charles Bukowski. It's the voice of the streets and it's a demotic voice, purged of the sense of the "beautiful." It could be described as jagged and rough, but done purposely to release poetry from well-worn traditional forms and style. his is a masterful voice, and one that should be heard and recognized outside of Slovenia, and here translated ingeniously by Andrej Pleterski.

Amanda Michalopoulou's God's Wife is a deceptive novel: it draws us close with promises of titillating confession and heart-warming intimacy only to send us on a conceptual scavenger hunt that probes the ethics of reading, writing, and the unspoken conventions of literary mastery. "It sounds like a lie, but I am His wife," is the arresting opening declaration made by the novel's unnamed narrator, who will always be known through her role as an appendage, "at His side." This premise-bringing to mind as it does the very origins of the western novel: epistolary novels of romance as both salvation and captivity-immediately also raises issues of power, domination, truth and belief. God's Wife, then, is ultimately a meditation on the power of literature to create a space of imaginative play. It is a love story, a philosophical treatise on the nature of faith and divinity, a self-conscious meditation on the nature of writing and creativity, and a feminist tract all rolled into one. What holds all these strands together is what can only be described as the compelling authenticity of the narrator's voice and her relentless focus on the role of femininity as performance and convention in literature. Her voice is, of course, shaped by Michalopoulou's inimitably spare, elegant and masterfully evocative prose, which like the narrator's mother's brand of storytelling, uses few words and eschews didacticism.

With each chapter embodying a separate Commandment, Living Tissue, 10x10 is both a Decalogue and a ribald, exuberant, deliriously inventive postmodern Decameron, which covers four decades in the life of the protagonist, unfolding against the backdrop of Soviet and post-communist Moldova, from the untimely death of Yuri Gagarin in 1968 to the so-called "twitter revolution" of 2009. Tens of tragical, comical, fantastical, historical tales intertwine, punctuated by the endless upheavals suffered by twentieth-century Moldova. But the narrative also takes euphoric flight, in episodes that travel as far afield as Paris, Moscow, and Tibet. In Living Tissue. 10x10, Emilian Galaicu-Päun engages in literary origami, bending and blending together real and fictional worlds, abolishing up and down, here and there, past and present, as if in an Escher engraving, alternating narrative techniques, braiding myth, history and literary allusion, transgressing the boundaries of languages and cultures to create a rapturously intricate novel in ten dimensions.

With some echoes of Kafka and Vonnegut, this novel looks for the soul of the 21st century and finds an abyss." - Kirkus Reviews, Starred ReviewAndrej Blatnik's ambitious novel, Change Me, tells the story of a man's determination to radically transform himself and to alter the world that has embraced globalization as the God of the future.

Winner of the National Book Critics Circle AwardWinner of the Nobel Prize in LiteratureA journalist by trade, who now suffers from an immune deficiency developed while researching this book, presents personal accounts of what happened to the people of Belarus after the nuclear reactor accident in 1986, and the fear, anger, and uncertainty that they still live with. Chernobyl, the acclaimed HBO miniseries (winner of ten Emmy Awards and two Golden Globe Awards), is based in large part on the personal recollections from Voices from Chernobyl.On April 26, 1986, the worst nuclear reactor accident in history occurred in Chernobyl and contaminated as much as three quarters of Europe. Voices from Chernobyl is the first book to present personal accounts of the tragedy. Journalist Svetlana Alexievich interviewed hundreds of people affected by the meltdown---from innocent citizens to firefighters to those called in to clean up the disaster---and their stories reveal the fear, anger, and uncertainty with which they still live. Comprised of interviews in monologue form, Voices from Chernobyl is a crucially important work, unforgettable in its emotional power and honesty.The Nobel Prize in Literature was awarded to Svetlana Alexievich "for her polyphonic writings, a monument to suffering and courage in our time."

In Counterclaims, renowned poet H. L. Hix has amassed the responses of more than one hundred and fifty of his fellow writers, scholars, and artists to a singular problem, simultaneously a set of questions and a call-to-arms: whether the old truths inherent in 20th-century poetics can still be adhered to today, or whether new truths might take their place and what might they be?The answers collected in this volume from many of the greatest luminaries of their generation, writers young and old, from diverse backgrounds and cultures, form the basis of a new conversation; a step forward, not toward any one monolithic thesis or manifesto, but toward a new and ever adapting notion of poetry.