Bøger udgivet af Dalkey Archive Press

The Poor (Os Pobres, 1906), is a powerful tribute to the underclasses. Innovative thematically and stylistically, the novel consists of loosely connected vignettes on two narrative levels: the lives of prostitutes, where the inexorable need for love is transformed into a means for survival; and the life of Gebo, a seemingly slovenly man.

Following his anthologies Man + Dog (2009) and Man + Doctor (2012), Nick Wadley has, with our encouragement, compiled this collection of drawings around the theme of Man + Table.

For five years, Enn Padrik has postponed the investigation into the apparently religiously inspired suicides of his daughter and her friends at a commune near Viljandi, but now he can postpone it no longer. The search for truth spans two generations and narrates the changes in the wider world and Estonian society in particular.

Hailed from publication as one of the finest novels ever written in Hebrew, A Room is in the league of Gravity's Rainbow or The Recognitions: a monumental, subversive classic of twentieth-century literature.

Eliza travels to Sydney to deal with the estate of her Aunt Dodge, and finds Maxine, a hitherto unknown cousin, occupying Dodge's apartment. When legal complications derail plans to live it up on their inheritance, the women's lives become consumed by absurd attempts to deal with Australian tax law, as well their own mounting boredom and squalor.

Since 2010, this anthology has been an essential resource for readers, critics, and publishers interested in contemporary European literature. In this, the seventh installment of the series, Best European Fiction 2016 continues its commitment to uncovering the best prose writing happening on the continent

One of the most penetrating and sympathetic explorations ever undertaken by one writer into the mind of another, Prancing Novelist is far more than a simple tribute or work of research. Prancing Novelist is not only a monument to Firbank, but is also a showcase for Brophy's own uproarious prose, not to mention her genius for telling good stories.

The writer-narrator of The Bulgarian Truck has hit upon a new technique for writing a novel, which he calls "a building site beneath the open sky," but he cannot persuade his more widely read wife, Marianne, a character from an earlier novel, that it is any good.

Prague is a place where murders happen, and it takes an English-speaking Russian expat with a strong antipathy for the city and its inhabitants to solve the mystery . . . or maybe not. As the plots thicken, the two narrators of Kirill Kobrin's ten short stories gradually merge into a single hazy, undefined personality.

Majnun lives his life online in his grandparents' well-appointed home in the Brazilian capital. No school, no work-just bored in Brasilia. After falling in love with a married woman, he flees to Madrid with friends, intent on, well ... something. As the story progresses, his vague interests threaten to boil over into violent, even deadly action.

John Barth, a moderately successful novelist just turned sixty, decides to take a sail on Chesapeake Bay with his wife, but a tropical storm forces them deep into the Maryland tidal marshes. Lost, Barth takes out his dinghy to search for a way home, but becomes embarked instead on a quest through the murkier regions of his own memory-a semi-memoir, staged as an operatic cruise through desire, vocation, despair, love, marriage, selves, and counterselves.

Finnley Wren: His Notions and Opinions, Together with a Haphazard History of His Career and Amours in These Moody Years, as Well as Sundry Rhymes, Fables, Diatribes and Literary Misdemeanors stands as one of the greatest American responses to the thrown gauntlet that is Tristram Shandy. An innovative, uproarious sentimental education, this novel marries the mordant satire of Wylie's Generation of Vipers to what might in other hands have been an ordinary story of frustrated ambition and frustrated love, turning forty-eight hours' worth of drunken conversation into an emotional and typographical explosion.

The nine stories that make up this collection depict a wide variety of contemporary Koreans navigating a world focused on material wealth and social power, in which family ties have been disrupted and all relationships are dysfunctional.

A postmodern poet who successfully employed classic structures to exploit the range of possibilities inherent in the Slovenian language, this selection from the life's work of Milan Jesih highlights his revolutionary approach to verse. Beginning with humor and autobiography and gradually withdrawing into a universe of of fragments, quotations, dreams, and doubt, this collection offers English readers a first glimpse into the work of one of Slovenia's literary treasures.

Subtitled "An Exploration of the Musico-Erotic," this novel is an experiment in blurring the boundaries between the syntax of music and that of poetry.

Editor's note/An interview with Gerald Murnane by Antoni Jach/Looking for Writers Beyond Their Work by John Griswold/Five Silhouettes by Luis Chitarroni (translated by Sarah Denaci)/Seven and a Half Studies by S.D. Chrostowska/Nine Suppositions Concerning "Bouvard and Pecuchet" by Jacques Jouet (translated by E.C. Gogolak)/Irrationality, Situations, and Novels of Inquiry by Thalia Field/Margins and Mirrors by Warren Motte/The Colon by Lily Hoang and Bhanu Kapil/The Fragile Shelter of the Declarative: On Edouard Leve by Adrian West/Transgressive Autofictions by Jacques Houis/Contributors/Translators/Acknowledgments/Book Reviews/Books Received/Annual Index

A moving contribution to the tradition of the metaphysical novel as exemplified by Dostoyevsky and Bernanos, and likewise a worthy counterpart to the vibrant and polyphonic work of fellow Iberians Camilo Jos? Cela and Juan Goytisolo, "The Sea" is a cornerstone of postwar Catalan literature. Set in a tubercular sanatorium in Mallorca after the Spanish Civil War, it tells the story of three children sharing a gruesome secret who are brought together again by chance and illness -- two patients and one nurse. A love triangle, a story of retribution, and an exploration of evil, "The Sea" is "a profound and radical descent into the depths of the human soul." (Gerard de Cortanze)

On Wing, the first published work of fiction by the Slovak poet-philosopher Robert Gal, is a constellation of hundreds of aphorisms, dreams, anecdotes, and inquiries, all written in a restless, searching, "improvisational" prose whose techniques reflect those of Bernhard, Nietzsche, and Kierkegaard, not to mention the saxophonist and composer John Zorn, who makes a brief cameo as a character.

The narrator of this novel is Ballerina, a fifteen-year-old with the cognitive faculties of a child, and each of its fifteen chapters begins with her first wetting her bed and thereby greeting a new day. Drawing comparison to William Faulkner in its expressionistic depiction of Ballerina's interior world, this is a classic of contemporary Slovenian literature: a hugely popular exploration of a character whose world is so divorced from what we think of as reality.

Wolfgang Koeppen is the most important German novelist of the past seventy years: a radical, not to say terrifying, stylist; a caustic, jet-black comedian; a bitter prophet. His late, autobiographical work--the short, intense autofiction, Youth, translated here for the first time--is a portrait of the little north German town of Greifswald before World War I, and is a miracle of compression: this is not historical fiction, but a kind of personal apocalypse. Also included here, in Michael Hofmann's brilliant translation, is one of Koeppen's very last works: a short, fragmentary text spoken over a 1990 German television program depicting his return visit to the town of his schooldays.

A forlorn traveler is taken in by three suffering orphans, who, in the midst of their pain, give him food and shelter. The first, orphaned by history, still mourns a father who was sent to a Nazi concentration camp, never to return. The second, orphaned by pathology, has a rare disease, and is facing madness alone in a mountain chalet. The third, orphaned by philosophy, is a teenager who has decided to cut all ties with his parents.Never one to avoid challenging questions, in this poignant triptych Laroche examines the relationship between a writer and his words: suggesting that, perhaps, he is the orphan of his own work.

A bevy of mediocre writers are invited to a seminar aboard a specially chartered train, and this novel tracks their progress across Europe: bitter, bickering, and self-absorbed. Aboard this Literature Express is a Georgian author whose love for the wife of his own Polish translator seems as doomed as his hopes for international success; worse still, it seems all the novelists congregated on The Literature Express intend to write their next books about their time on the train... Can our Georgian author compete? Is there any hope for contemporary literature, or, barring that, at least his own little love affair? "The Literature Express" is a riotous parable about the state of literary culture, the European Union, and our own petty ambitions--be they professional or amorous.

In normal, everyday tones, a story is told by the perpetrator of triple incest: first with his mother as a child and a young man, then with his daughter as he grows into mature manhood, and finally with his sister in middle age. This primeval fairytale burns with an icy passion as the narrator switches roles along with familial relationships. The quasi-metaphysical lucidity with which he pursues his odd fate is eerie, particularly in light of his apparent innocence as to the perverse nature of his taboo attachments, and the theatrical artifice with which he pursues them. In the end, his passionate desire is so earnest that the reader is left to wonder if he is truly a monster or an innocent: who is directing whom?