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Set in Bethlehem in 1920. A sense of foreboding hangs over Palestinian society under British rule. Samira Lafiah, a progressive young woman is in conflict with her prominent, traditional family who expect her to accept an arranged marriage. Can she defy her family and her society's rigid conventions and discover love in a year full of turmoil.
Poetry collection by Bernard Kops who remarkably, at aged 91, proves that his lyric powers remain undimmed. Full of tears and laughter and outpouring of love for his beloved Erica and sadness that the joys of living cannot go on for ever. The dead are calling to him. He imagines life after death and a world that never ends.
A photographic exploration of the role of Holocaust memorials in Germany. This work focuses on the remarkable numbers of Holocaust memorials in Berlin; on the sculptures, art instillations, and unusual plaques and signs that can be found in public places - on street corners, walls and pavements; in market places or on railway lines.
This collection brings together many of the poet's continuing preoccupations: the idea that no book is complete till a reader reads it; that the totality of any writer's oeuvre constitutes one work, one book; and the Biblical and mystical idea of the Book of Life.
In this volume Miriam Halahmy celebrates the work of her sculptor brother-in-law, Oded Halahmy. The text includes illustrations of his work alongside accompanying poems. Miriam Halahmy shares Oded Halahmy's passion for the symbolism of the pomegranate, an ancient symbol of beauty, love and marriage, fertility, prosperity, hope, life and rebirth.
Where do poets stand when faced with events like September 11? Can they speak up for humanity? United by a belief that poetry cannot be neutral, American poet Karen Eberhardt Shelton and British poet Jay Ramsay send out a message about how we can connect with each other across great divides.
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