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These finely wrought stories unfold in the Dakotas during the struggling pioneer days and bone-dry landscape of the thirties as well as the verdant years that followed, where the nighttime plains are bathed by softly radiant harvest moons shining down from dazzling northern skies. Young's absorbing narratives begin with the pleasant sense of "Once upon a time..." anticipation, but the firmly sketched details, warm humor, and vivid characterizations reveal an unanticipated and satisfying realism. The haunting title story is about a beautiful and tragic pioneer woman and her wedding dress; her gown takes on a life of its own and turns into an enduring symbol for the grace and compassion of homesteading women on the plains. In "Bank Night, " a hired hand working during the midst of the Depression wins $250 at the movies, careening him into a single night of notoriety that becomes a legend in its time. "The Nights of Ragna Rundhaug" tells the tale of a woman who wants only to be left alone with her white dog Vittehund and her crocheting but instead is propelled into a life of midwifery "because there was no one else to do it." The babies have a predilection for arriving during blizzards and always at night, when she must be transported across the dark plains by frantic husbands who have fortified themselves with strong drink and headstrong horses. All the stories in The Wedding Dress are linked by the enigmatic Nordic characters who people them and by the skill with which Young draws them. Emotions run so deep that they are seldom able to surface; when they do the interaction is extraordinarily luminous, both for the characters themselves and for the fortunate reader. The Wedding Dress isfor all readers, young and old.

In the tradition of "Passages" and "My Mother, My Self," this unique, personal, and ground-breaking "New York Times" best-seller -- the first of its kind -- explores the profound pain of mother loss among women and is available here for the first time in paperback. " When my mother died, I knew no woman my age who had experienced mother loss. I felt utterly and irrevocably alone. In college, where new friends knew only as much about me as I was willing to reveal, I told few people my mother had died. I searched the university library and local bookstoresfor writings about mother loss. In each book I found about mother-daughter relationships, I quickly flipped ahead to the chapter about a mother's death, but discovered they all assumed the reader would be in her forties or fifties when her mother dies. I was eighteen." --excerpt from "Motherless" Daughters. Not only for motherless daughters, but for all women who want to better understand the mother/daughter relationship, this beautifully written work inspired an Anna Quindlen column; appeared in the "New York Times," Ingram, Barnes & Noble, and San Francisco best-seller lists; and received an extraordinary amount of media attention including a feature on The Today Show. Hope Edelman lost her mother to breast cancer when she was eighteen. Unable to find a book to help herunderstand and cope with that loss, she decided to write her own. She posted notices asking motherless women to share their experiences with her, and was unprepared for both the number of responses she received, and for their emotional intensity. Eventually meeting with 92 women and surveying 154 by mail, Hope was able to compare how mother loss affects daughters differently depending on their ages, their relationships to their mothers, their father's attitude, and the support or dependency of siblings. But more important Hope's book explores what these women share -- a void in their lives they cannot seem to fill. Their common experiences and insights will help motherless daughters, and those who care about them, come to better understand how this painful loss shapes lives forever.

"Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . . . a zany but moral mad scientist."-Time Happy Birthday Wanda June was Kurt Vonnegut's first play, which premiered in New York in 1970 and was then adapted into a film in 1971. It is a darkly humorous and searing examination of the excesses of capitalism, patriotism, toxic masculinity, and American culture in the post-Vietnam War era. Featuring behind-the-scenes photographs from the original stage production, this play captures Vonnegut's brilliantly distinct perspective unlike we have ever seen it before. "A great artist." -The Cincinnati Enquirer

"The year is 53 B.C. Julius Caesar approaches his final destiny--a destiny that will be decided not by legions but by his friend Brutus and a bewitching Egyptian queen named Cleopatra. . . . "Fresh from victory in Gaul, Julius Caesar leads his battle-hardened legions across the Rubicon.The armies of Rome will face each other at last in civil war, led by the two greatest generals ever to walk the seven hills. From the spectacles of the arena to the whispered lies of conspirators, author Conn Iggulden brings to life a world marked by fierce loyalty and bitter betrayal, with dark events shrouded in noble ideals.

Beaufort. To the handful of Israeli soldiers occupying the ancient crusader fortress, it is a little slice of hell—a forbidding, fear-soaked enclave perched atop two acres of land in southern Lebanon, surrounded by an enemy they cannot see. And to the thirteen young men in his command, twenty-one-year-old Lieutenant Liraz "Erez” Liberti is a taskmaster, confessor, and the only hope in the face of attacks that come out of nowhere and of missions seemingly designed to get them all killed. But in their stony haven, Erez and his soldiers have created their own little world, their own rules, their own language. And here Erez listens to his men build castles out of words, telling stories, telling lies, talking incessantly of women, sex, and dead comrades. Until, in the final days of the occupation, Erez and his squad of fed-up, pissed-off, frightened young soldiers are given one last order: a mission that will shatter all remaining illusions—and stand as a testament to the universal, gut-wrenching futility of war.The basis for the Academy Award-nominated film of the same name.

Every jury has a leader, and the verdict belongs to him. In Biloxi, Mississippi, a landmark tobacco trial with hundreds of millions of dollars at stake beginsroutinely, then swerves mysteriously off course. The jury is behaving strangely, and at least one juroris convinced he's being watched. Soon they have to be sequestered. Then a tip from an anonymousyoung woman suggests she is able to predict the jurors' increasingly odd behavior. Is the jury somehow being manipulated, or even controlled? If so, by whom? And, more important,why?

In 1970, Willie Traynor came to Clanton, Mississippi, in a Triumph Spitfire and a fog of vague ambitions. Within a year, the twenty-three-year-old found himself the owner of Ford County's only newspaper, famous for its well-crafted obituaries. While the rest of America was in the grips of turmoil, Clanton lived on the edge of another age—until the brutal murder of a young mother rocked the town and thrust Willie into the center of a storm. Daring to report the true horrors of the crime, Willie made as many friends as enemies in Clanton, and over the next decade he would sometimes wonder how he had gotten there in the first place. But he could never escape the crime that had shattered his innocence or the criminal whose evil had left an indelible stain. Because as the ghosts of the South's past gather around Willie, as tension swirls around Clanton, men and women who served on a jury nine years ago are starting to die one by one—as a killer exacts the ultimate revenge. . . .

In the corridors of Chicago's top law firm:Twenty -six-year-old Adam Hall stands on the brink of a brilliant legal career. Now he is risking it all for a death-row killer and an impossible case.Maximum Security Unit, Mississippi State Prison:Sam Cayhall is a former Klansman and unrepentant racist now facing the death penalty for a fatal bombing in 1967. He has run out of chances -- except for one: the young, liberal Chicago lawyer who just happens to be his grandson.While the executioners prepare the gas chamber, while the protesters gather and the TV cameras wait, Adam has only days, hours, minutes to save his client. For between the two men is a chasm of shame, family lies, and secrets -- including the one secret that could save Sam Cayhall's life... or cost Adam his.

They watched Danilo Silva for days before they finally grabbed him. He was living alone, a quiet life on a shady street in Brazil; a simple life in a modest home, certainly not one of luxury. Certainly no evidence of the fortune they thought he had stolen. He was much thinner and his face had been altered. He spoke a different language, and spoke it very well.But Danilo had a past with many chapters. Four years earlier he had been Patrick Lanigan, a young partner in a prominent Biloxi law firm. He had a pretty wife, a new daughter, and a bright future. Then one cold winter night Patrick was trapped in a burning car and died a horrible death. When he was buried his casket held nothing more than his ashes.From a short distance away, Patrick watched his own burial. Then he fled. Six weeks later, a fortune was stolen from his ex-law firm's offshore account. And Patrick fled some more.But they found him.

In a weedy lot on the outskirts of Memphis, two boys watch a shiny Lincoln pull up to the curb...Eleven-year-old Mark Sway and his younger brother were sharing a forbidden cigarette when a chance encounter with a suicidal lawyer left Mark knowing a bloody and explosive secret: the whereabouts of the most sought-after dead body in America. Now Mark is caught between a legal system gone mad and a mob killer desperate to cover up his crime. And his only ally is a woman named Reggie Love, who has been a lawyer for all of four years. Prosecutors are willing to break all the rules to make Mark talk. The mob will stop at nothing to keep him quiet. And Reggie will do anything to protect her client -- even take a last, desperate gamble that could win Mark his freedom... or cost them both their lives.

With bravura storytelling, daring imagination, and fierce narrative control, this dazzling debut introduces that rare writer who finds humanity in our most unconventional behavior, and the humor beneath our darkest impulses.In these ten strange, funny, and unnerving stories, animals become the litmus test of our deepest fears and longings. In the title story, an elephant keeper courts danger from his gentle charge; in "Miss Waldron's Red Colobus,” a headstrong young woman in Africa is lured by the freedom of the monkeys in the trees; in "Talk Turkey,” a boy has secret conversations with the turkeys on his friend's family's farm; in "Slim's Last Ride,” a child plays chilling games with his pet rabbit; in "Gallus Gallus,” a pompous husband projects his anger at his wife onto her prized rooster.This fresh, inventive debut will introduce Hannah Tinti as one of the most gifted writers of her generation. Enter her world at your own risk, and you will come away bewitched.