Bøger udgivet af Dominique Levy Gallery

Marking Lévy Gorvy's first solo exhibition with acclaimed conceptual artist and philosopher Adrian Piper (born 1948), this focused presentation includes examples from The Mythic Being series (1973-75), It's Just Art (1980) and Here, an installation work conceived in 2008 and realized for the first time at the gallery. Together, these three bodies of work delve into interrelated themes Piper has explored throughout her career--the intersubjective formation of self, identity, race and gender; racism, sexism, xenophobia and competing conceptions of political responsibility. The book includes an essay by Begum Yasar and Aliza Shvarts, "Alienation, Too, Has Its Uses," which thinks through Piper's writings and works to discuss contemporary manifestations of xenophobia and racism. Also included are a biography of the artist and color plates of the works.

This volume gathers poems by Edmund Berrigan, Peter Cole, Brenda Coultas, Erica Hunt, Vincent Katz, Amy King, Ange Mlinko, Anne Tardos, Anne Waldman and Karen Weiser, among others.

New York-based artist Joel Shapiro (born 1941) has explored the possibilities of sculptural form, as well as the interplay of color and mass, throughout his 45-year career. This catalog brings together Shapiro's early wood reliefs, created between 1978 and 1980, with his recent site-specific installation practice, exploring the ways in which both bodies of work create expansive, joyful moments of discovery and play. Published in conjunction with Dominique Lévy's exhibition of the artist's work, Joel Shapiro features the first full catalog of the wood reliefs, as well as new texts by Phyllida Barlow, David Raskin, and Olivier Renaud-Clément, poems by Peter Cole and Ange Mlinko, and a comprehensive chronology written in collaboration with the artist's studio.

This book explores parallels in thought and strategies between Italian Conceptualist Giulio Paolini's (born 1940) work, especially of the 1960s and the '70s, and the work of a younger generation of artists based in New York City today: Sebastian Black, Kerstin Brätsch (with Bosko Blagojevic), Seth Price and Antek Walczak.

Local History brings together rarely seen works from the 1950s through the early 1970s by Enrico Castellani, Donald Judd and Frank Stella, juxtaposing these with later examples that reveal each artist's distinct evolution and the various reverberations of their brief aesthetic collision in the 1960s.

Sotto Voce maps the historical progression of the abstract white relief from the 1930s to the 1970s. It includes works by Jean Arp, Ben Nicholson, Lucio Fontana, Piero Manzoni, Sergio Camargo, Enrico Castellani, Henri Laurens, Fausto Melotti, Günther Uecker, Luis Tomasello and Mira Schendel.

Inspired by the 1976 exhibition Drawing Now at The Museum of Modern Art, Drawing Then investigates revolutionary developments in the practice of drawing that emerged in the United States during a decade of radical social and political upheaval. With more than 70 works by 39 artists--almost half of whom were not represented in the 1976 exhibition--Drawing Then includes works by Josef Albers, Mel Bochner, Chuck Close, Dan Flavin, Eva Hesse, Jasper Johns, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Brice Marden, Agnes Martin, Cy Twombly, Andy Warhol, Barnett Newman, Robert Rauschenberg and Ed Ruscha, among other greats. The volume also includes newly commissioned work by poet Mei-mei Berssenbrugge in addition to rare archival material, artists' biographies and a comprehensive chronology linking developments in the art world with the larger social and political events of the decade.

This fully illustrated volume features three bodies of work, Mailorder, Mother and Purgatory, which were included in Lévy Gorvy's first exhibition with Dan Colen (born 1979). The volume includes an essay by Andrianna Campbell placing Colen within the historical tradition of painting, and a conversation between Colen and Jeff Koons, moderated and edited by Douglas Fogle.

Audible Presence explores the time-based procedures employed by three influential 20th-century artists: Italian Lucio Fontana, French Yves Klein and American Cy Twombly. With historical texts, photographs and ephemera, it relates their work to music, sound and silence.

In 1966, German artist Gerhard Richter (born 1932) embarked on a series of paintings: uniform grids of colored rectangles or squares in a chart configuration against a white background, inspired by industrially produced paint chips. With the exception of only one other painting, this marked the artist's first use of color and a turning point in his career. This comprehensive catalogue is the first publication dedicated to the original Colour Charts, both those created in 1966 and those made in the '70s after a five-year hiatus. Featuring new essays by Dietmar Elger, head of the Gerhard Richter Archive; Hubertus Butin, curator and author of several key texts on Richter; and Jaleh Mansoor, professor at the University of British Columbia, whose research concentrates on modern abstraction and its socioeconomic implications, this is a handsome tribute to one of Richter's most groundbreaking bodies of work.

A limited-edition auction catalog-style artist's book for Jutta Koether's Lévy Gorvy exhibitionMimicking an auction catalog format, this artist's book accompanies an exhibition of German artist Jutta Koether (born 1958), centering on Demonic Options (large format #1) (2010)--an assemblage painting in the collection of the Whitney Museum of American Art--and chronicling Koether's 40-year career.

Featuring a printed Plexiglas cover, this gorgeous volume celebrates the 100th birthday of "the painter of black"This fully illustrated volume reproduces works by French painter Pierre Soulages (born 1919) from the 1950s to the present, illustrating his enduring role in the dialogue between European and American painting and inviting viewers to consider an oeuvre that has injected profound poetry into abstraction through its adherence to a single material: black paint. With a Plexiglas cover in honor of Soulages' stained-glass windows at the Abbey Church of Sainte-Foy in Conques, the book is published in both English and Chinese. An essay by Alfred Pacquement, who also cocurated the Louvre's 2019 Soulages exhibition, reflects on the critical reception of Soulages' work internationally. An essay by Brooks Adams charts Soulages' engagement with architecture throughout his career. Poetry by Sy Hoahwah and Virginie Poitrasson responds to Soulages' life story and his work, while a chronology of the artist's life includes numerous excerpts from Soulages' writings appearing here for the first time in English.