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The perennial graphic novel about a "hermit country," with a new cover and an introduction by Gore VerbinskiGuy Delisle's Pyongyang: A Journey in North Korea is the graphic novel that made his career, an international bestseller for more than ten years. Delisle became one of the few Westerners to be allowed access to the fortress-like country when he was working in animation for a French company. While living in the nation's capital for two months on a work visa, Delisle observed everything he was allowed to see of the culture and lives of the few North Koreans he encountered, bringing a sardonic and skeptical perspective on a place rife with propaganda. As a guide to the country, Delisle is a non-believer with a keen eye for the humor and tragedy of dictatorial whims, expressed in looming architecture and tiny, omnipresent photos of the president. The absurd vagaries of everyday life become fodder for a frustrated animator's musings as boredom and censorship sink in. Delisle himself is the ideal foil for North Korean spin, the grumpy outsider who brought a copy of George Orwell's 1984 with him into the totalitarian nation. Pyongyang is an informative, personal, and accessible look at a dangerous and enigmatic country.
Set in modern-day Tel Aviv, a young man,Koby Franco, receives an urgent phone call from a female soldier. Learning that his estranged father may have been a victim of a suicide bombing in Hadera, Koby reluctantly joins the soldier in searching for clues. His death would certainly explain his empty apartment and disconnected phone line. As Koby tries to unravel the mystery of his father's death, he finds himself piecing together not only the last few months of his father's life but his entire identity. With thin, precise lines and luscious watercolors, Rutu Modan creates a portrait of modern Israel, a place where sudden death mingles with the slow dissolution of family ties.Exit Wounds is the North American graphic-novel debut from one of Israel's best-known cartoonists. Modan has received several awards in Israel and abroad, including the Best Illustrated Children's Book Award from the Israel Museum in Jerusalem four times and Young Artist of the Year by the Israel Ministry of Culture. She is a chosen artist of the Israel Cultural Excellence Foundation.
The 2007 New York Times Book Review Notable Book now in paperbackLauded for its provocative and insightful portrayal of interpersonal relationships, Adrian Tomine''s politically charged Shortcomings was one of the most acclaimed books of 2007. Among many interviews and reviews in outlets around the country, Tomine was interviewed by Terry Gross on NPR''s Fresh Air and also in The Believer, New York magazine, and Giant Robot. Shortcomings landed on countless "best of" lists, including those in Entertainment Weekly and The New York Times; was praised by Junot Díaz in Publishers Weekly; and was the subject of a solo review in The New York Times Book Review that drew comparison between Tomine and Philip Roth. The groundbreaking graphic novel now returns in paperback.
FEATURED ON MORE THAN TWENTY BEST-OF LISTS, INCLUDING TIME, AMAZON, E! AND PUBLISHERS WEEKLY! Hark! A Vagrant is an uproarious romp through history and literature seen through the sharp, contemporary lens of New Yorker cartoonist and comics sensation Kate Beaton. No era or tome emerges unscathed as Beaton rightly skewers the Western world's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. She deftly points out what really happened when Brahms fell asleep listening to Liszt, that the world's first hipsters were obviously the Incroyables and the Merveilleuses from eighteenth-century France, that Susan B. Anthony is, of course, a "Samantha," and that the polite banality of Canadian culture never gets old. Hark! A Vagrant features sexy Batman, the true stories behind classic Nancy Drew covers, and Queen Elizabeth doing the albatross. As the 500,000 unique monthly visitors to harkavagrant.com already know, no one turns the ironic absurdities of history and literature into comedic fodder as hilariously as Beaton.
ON TIME, NPR AND USA TODAY'S BEST-OF 2011 LISTS! WINNER OF THE EISNER, HARVEY AND IGNATZ AWARDSTeen outcast Andy is an orphaned nobody with only one friend, the obnoxious-but loyal-Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can, and as he learns the extent of his new powers, he discovers a terrible and seductive gadget-a hideous compliment to his seething rage-that forever changes everything. The Death-Ray utilizes the classic staples of the superhero genre-origin, costume, ray gun, sidekick, fight scene-and reconfigures them in a story that is anything but morally simplistic. With subtle comedy, deft mastery, and an obvious affection for the bold pop-art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche.
AN ORIGINAL GRAPHIC NOVEL FROM THE OSCAR-NOMINATED SCREENWRITER AND AWARD-WINNING CARTOONIST Meet Wilson, an opinionated middle-aged loner who loves his dog and quite possibly no one else. In an ongoing quest to find human connection, he badgers friend and stranger alike into a series of onesided conversations, punctuating his own lofty discursions with a brutally honest, self-negating sense of humor. After his father dies, Wilson, now irrevocably alone, sets out to find his ex-wife with the hope of rekindling their long-dead relationship, and discovers he has a teenage daughter, born after the marriage ended and given up for adoption.Wilson eventually forces all three to reconnect as a family-a doomed mission that will surely, inevitably backfire. In the first all-new graphic novel from one of the leading cartoonists of our time, Daniel Clowes creates a thoroughly engaging, complex, and fascinating portrait of the modern egoist-outspoken and oblivious to the world around him.Working in a single-page-gag format and drawing in a spectrumof styles, the cartoonist of GhostWorld, Ice Haven, and David Boring gives us his funniest and most deeply affecting novel to date.
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