Bøger udgivet af EDINBURGH UNIVERSITY PRESS

With explosive interest in Romantic science and theories of mind and a renewed sense of the period's porousness to the world, along with new developments in cognitive theory and research, Romantic studies scholars have been called to revisit and re-map the terrain laid out in the highly influential 1970 volume Romanticism and Consciousness. Romanticism and Consciousness, Revisited brings this shift in approach to Romantic "consciousness"--no longer the possession of a sole self but transactional, social, and entangled with the outside world--up to date.

The early nineteenth century saw the dead take on new life in Scottish literature; sometimes quite literally. This book brings together a range of Scottish Romantic texts, identifying a shared interest an imagined national dead. It argues that the publications of Edinburgh-based publisher William Blackwood were the crucible for this new form of Scottish cultural nationalism. Scottish Romantic authors including James Hogg, John Wilson and John Galt, use the Romantic kirkyard to engage with, and often challenge, contemporary ideas of modernity. The book also explores the extensive ripples that this cultural moment generated across Scottish, British and wider Anglophone literary sphere over the next century.

Few modern materials have been as central to histories of environmental toxicity, medical ignorance, and legal liability as asbestos. A naturally occurring mineral fibre once hailed for its ability to guard against fire, asbestos is now best known for the horrific illnesses it causes. This book offers a new take on the established history of asbestos from a literary critical perspective, showing how literature and film during and after modernism responded first to the material's proliferation through the built environment, and then to its catastrophic effects on human health. Starting from the surprising encounters writers have had with asbestos--Franz Kafka's part ownership of an asbestos factory, Primo Levi's work in an asbestos mine, and James Kelman's early life as an asbestos factory worker--the book looks to literature to rethink received truths in historical, legal and medical scholarship. In doing so, it models an interdisciplinary approach for tracking material intersections between modernism and the environmental and health humanities. Asbestos - The Last Modernist Object offers readers a compelling new method for using cultural objects when thinking about how to live with the legacies of toxic materials.

This book offers various approaches to understanding the short form in television. The collection is structured in three parts, first engaging with the concept of brevity as inherent to television fiction, before going on to examine how the rapidly-changing landscape of "television" outside traditional networks might adapt this trope to new contexts made accessible by streaming platforms. The final part of the study examines how this short form is inextricable from a larger context, either in its relation to seriality (from the crossover to the "bottle episode") and/or a larger structure, for example in the reception of a larger whole through short but evocative clips in order to better weigh their impact (from "Easter Egg" fan videos to "Analyses of"). The collection concludes with an interview with award-winning screenwriter Vincent Poymiro about his French series En thérapie (an adaptation of BeTipul/In Treatment).

This book examines the poetry of Hart Crane and his circle within transnational modernist periodical culture. It reappraises Crane's poetry and reception and introduces several lost works by the poet, including critical prose, reviews and 'Nopal', a poem written in Mexico. Through its exploration of Crane's close engagement with periodical culture, it provides a rich and detailed panorama of twentieth-century literary and artistic communities. In particular, this monograph offers a vivid portrait of forgotten periodicals and their artistic communities, examines the periodical contexts in which modernist poetry fused material and aesthetic experimentation and explores Crane's important and neglected influence on modern and contemporary poetry.

This book tells the story of a manuscript repository found all over the pre-modern Muslim world: the khizanat al-kutub, or treasury of books. The focus is on the undisclosed Arabic manuscript culture of a small but vibrant South Asian Shi'i Muslim community, the Bohras. It looks at how books that were once part of one of the biggest imperial book repositories of the medieval Muslim world, the khizanat of the Fatimids of North Africa and Egypt (909CE-1171CE) ended up having a rich social life among the Bohras across the Western Indian Ocean, starting in Yemen and ending in Gujarat. It shows how, under strict conditions of secrecy, and over several centuries, one khizana was turned into another, its manuscripts gaining new meanings in the new social realities in which they were preserved, read, transmitted, venerated and copied into. What emerged was a new distinctive Bohra Ismaili manuscript culture shaped by its local contexts.

Pinpointing how consumer culture transformed female beauty ideals during the nineteenth and early twentieth centuries, this study documents the movement from traditional views about beauty in relation to nature, God, morality and character to a modern conception of beauty as produced in and through consumer culture. While beauty has often been approached in relation to aestheticism and the visual arts in this period, this monograph offers a new and significant focus on how beauty was reshaped in girls' and women's magazines, beauty manuals and fiction during the rise of consumer culture. These archival sources reveal important historical changes in how femininity was shaped and illuminate how contemporary ideas of female beauty, and the methods by which they are disseminated, originated in seismic shifts in nineteenth-century print culture.

Writing the Past in Twenty-First-Century American Fiction examines contemporary novels profoundly shaped by a sense of historical consciousness. Authors including Ben Lerner, Colson Whitehead, Dana Spiotta, Hari Kunzru and Garth Greenwell each use flashbacks, historical parallels and non-sequential narrative arrangements to emphasise the re-emergence, in a twenty-first-century context, of historical structures and circumstances. This study explores how these frequent moments of temporal slippage amount to a 'falling out of time', as characters are forced to confront the past crises which continue to exert pressure on their own contemporary moment.

Australian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 1946-75.

This is the first book-length study of James Macpherson (1736-1796) that considers him as an historian. From his early poetry, to the Ossianic Collections, his prose histories, and his later political writing, Macpherson's subject was the past and he engaged with the latest Enlightenment theories about how to write history. Macpherson the Historian examines James' published works, from the neoclassical verse of The Highlander (1758) to his pamphlets defending the British imperial state during the late 1770s. In all of these texts, Macpherson wrote as an Enlightenment historian, where ideas about narrative, philosophy, and erudition were interwoven with eighteenth-century debates about the Highlands, commercial modernity, and the British Empire.

Katherine Mansfield's complicated relationship with London began in 1903, when her parents sent her and her two older sisters from New Zealand to Queen's College in Harley Street to be educated, and where they remained until the summer of 1906. As soon as she was back in Wellington, she longed to return, her parents finally agreeing to her returning to London to forge a career as a writer, no longer 'Kathleen Beauchamp' but 'Katherine Mansfield'. As an adult, Mansfield had a love/hate relationship with London, but it remained central to her literary career. Mansfield became part of a literary couple with John Middleton Murry, and together they forged connections with most of the important writers in London at that time, thanks to their editorship of several little magazines and their own published work. As the symptoms of Mansfield's tuberculosis increased, and she spent more and more time away from England, seeking a healthier climate, life in London became a series of brief sojourns. It remained, however, at the heart of her literary life until her early death. This book combines a range of cutting-edge scholarship on themes including Mansfield's school life, telephony, the weather, literary sources and influences, music, and hotels, also including reviews of relevant publications in the field, a diverse range of creative writing, and the first publication of notes by Mansfield's early friend and contemporary in London, Margaret Wishart.

A fresh account of the remarkable rise of Dundee as a global industrial city - and the origins of its later demise. The background to jute, the product most closely associated with Dundee, is investigated in unprecedented depth. The role of flax and linen as foundations for the jute industry is emphasised. The book challenges many perceptions of Dundee. Linen was as important to Dundee before c.1850 as jute was afterwards; the significance of jute pre-1850 has often been exaggerated by historians. Traditionally Dundee's success was attributed to the production of cheap coarse cloth for sacks, bagging etc. Yet many firms manufactured high quality, admiralty grade canvas, and colourful rugs and carpets in imitation of Brussels and other woollen floor coverings. Design was important. So too were enterprising merchants and manufacturers from the early eighteenth century onwards. Although squalor and industrial and social conflict became the norm after the 1870s, prior to that Dundee was relatively buoyant economically, and greatly admired by visitors including those from as far afield as the US. In short, Dundee was one of Scotland's industrial powerhouses - a fact too often overlooked.

Instead of making readers into better people, what if fiction could help us to become better animals? On Fiction and Being a Good Animal argues that we should abandon the persistent humanist idea that fiction can produce better people. Instead, we should read and value fiction according to its ability to help us to envision being better animals. Inspired by Theodor W. Adorno, David Rando defines a good animal as one who does not live a life of domination. He argues that when readers approach fiction's wishful images with non-anthropocentric expectations, we are rewarded by anthropocosmic visions of the world - ones in which humans are in and with the world but no longer at the centre of it. In compelling readings of Agustina Bazterrica, T. C. Boyle, Leonora Carrington, Marian Engel, Karen Joy Fowler, Franz Kafka, Doris Lessing, Clarice Lispector, Kenzaburo Oe, Olga Tokarczuk, and Jesmyn Ward, the book explores wishful images that pertain to the nonhuman and more-than-human worlds. Readers will discover in this fiction wishful images relating to irreconcilable minds and experiences, human-nonhuman family relationships, love and risk across race and species, and shared vulnerability, communion and pleasure.

Bringing together world-leading scholars from the Global North and Global South, this book interrogates ideas of multiculturalism and their resilience in politics, policy and culture. To do so, each chapter critically engages with one of the foremost thinkers and proponents in the field, Tariq Modood. As a whole, the book contributes to debates on citizenship and diversity, identity and belonging, and nationalism and migration.

The period of Arabo-Islamic domination of parts of Sicily, and the consequent large Muslim presence on the island from 800 to the mid-13th century constitutes a crucial epoch whose influence remains an integral part of the island's architectural and cultural landscape. This volume builds on existing scholarship and goes beyond the 'Arabo-Norman' construct to afford greater recognition to the island's Arabic and Islamic history. Using a multidisciplinary approach, the chapters examine Sicily's mercantile, artistic and architectural links to the Muslim world, including the subjects of the Fāṭimids of Ifrīqiya and their Kalbid allies in Sicily. It also reflects upon the Arabo-Islamic philosophical legacy at the court of Frederick II, Muslim accounts of medieval Sicily, Fāṭimid influence on the arts, women's textile production, discussions of linguistics and literature, and various other aspects of Sicily's diverse cultural and religious life during this period.

By bringing together eminent scholars, this book highlights the current scholarship in the field of migration, which tries to present a counter-narrative to the popular anti-immigrant rhetoric and the populist domestic politics of the US. There has been a growing global trend of alternative histories and anthropologies that brings forth the voices from the margins and the developing world. This volume, in that sense, without undermining the US's eminence, tries to deprovincialise (Burke, 2020) or deparochialise it from within or through the histories of the immigrants. In other words, it attempts to re-read the US's emergence as an important power with immigration as the site of analysis. It provides a comprehensive and in-depth theoretical and empirical discussion that will appeal to scholars and practitioners alike.

In June 2022, former miners secured through the Scottish Parliament a collective pardon for convictions acquired during the 1984-85 miners' strike. The Miners' Strike (Pardons) (Scotland) Act recognised the distinct injustices facing Scottish strikers: twice as likely to be arrested as those in England and Wales and three times as likely to be sacked. This book analyses the injustices of the strike, and shows how the pardons were won, using thirty oral history testimonies from former strikers and family members. They remembered the injustices of arrest, conviction and employment dismissal. They emphasised how the National Coal Board, police and courts operated as confederates of Margaret Thatcher's Conservative government, silencing union voice and closing pits deemed unprofitable, to maximise returns from intended privatisation. These testimonies were used in the successful campaign which pushed the Scottish government to provide the broad-based collective and posthumous pardon that was won in Parliament in 2022.

Deleuze, Mathematics, Metaphysics provides new solutions to the central problems of the philosophy of mathematics by reconstructing Deleuze's metaphysics. It does so through direct engagement with analytic and continental philosophy, along with the formal and natural sciences. These new Deleuzian solutions reject equally other-worldly accounts of mathematics, such as Platonism, and accounts which treat mathematics as a useful fiction or an empty formalist game. Instead, Deleuze, Mathematics, Metaphysics argues that mathematical truth is grounded in the necessity of difference itself. Since difference is entirely this-worldly, the truth of mathematics does not require us to posit the reality of transcendent entities or possible worlds. Doing so not only provides a new metaphysics of mathematics; it also explains the usefulness of mathematics for science and why mathematical truth appear to have such otherworldly properties in the first place.

What in terms of Alice Munro's creative artistry and creative power allowed her to become the first and only short story writer, the first and only Canadian, and just the thirteenth woman in history to win the Nobel Prize in Literature? And exactly when during Munro's career did her artistry and power advance to ensure that she would earn such world-wide renown? The answers lie in studying the boldly innovative yet greatly under-examined group of her four mid-career breakthrough books. Our volume therefore provides a carefully orchestrated analysis of Munro's subtle yet potent handling of form, technique and style both within individual stories and across these special collections. Reading Alice Munro's Breakthrough Books: A Suite in Four Voices not only addresses a significant vacancy in Munro criticism - and, by extension, in all short story criticism - but, equally importantly, offers an exciting new model for how criticism can be collectively written.

Alfred Hitchcock was a major figure in the development and flourishing of film noir. His noir films became an inspirational foundation of the neo-noir movement beginning in the 1970s, from Brian de Palma's mash-up homages to Hitchcock originals such as Obsession (1976) and Body Double (1984) to the dark political thrillers of the era that explore the underside of American life, all of which owe a substantial debt to Hitchcock. However, the central role of Hitchcock in the long history of film noir has seldom been acknowledged in work devoted to his career and noir criticism more generally. Instead, there has been a tendency to consider Hitchcock's many dark thrillers and crime melodramas as sui generis, that is, as "Hitchcock films" that are somehow separate and distinct from industry trends. But this is to take a narrow view of the director's accomplishments that underestimates his substantial contributions to film history. Alfred Hitchcock and Film Noir will be the first book-length treatment of the impressive corpus of Hitchcock noir films considered as such, as well as of his connection more generally to the emergence and flourishing of this important cinematic trend.

In Shakespeare's Britain rivers were not only a crucial form of travel and important natural resources which sustained communities and provided employment but were also sites to which myths and memories accrued and which could be used to figure religious ideas of cleansing and the waters of life. Pageants were performed on them, legends grew up about their names and led to plays and poems being written about personified river gods and goddesses, and stories were told of historic battles which had been fought on their banks. These essays explore the cultural and literary geography of rivers in the early modern period and the ways in which they shaped the lives and identities of those who lived near them. By charting changes (both manmade and natural) to the way in which rivers ebb and flow the book also reminds us of the urgency of the climate crisis.

Explores the biopolitics of modern metabolism, of how humans manage the world through their peristaltic systems, as they ingest food and produce waste. Set against a backdrop of Marx's theory of how we "mediate, regulate, and control" our metabolic relation to nature, of the rise of a bourgeois faecal habitus, of the relegation of domestic waste management to female "meta-industrial" workers, of depleted agricultural fields and polluted urban centres, Dissident Gut performs three in-depth case studies of early twentieth-century English and European women whose wayward intestinal systems intervene in larger social, affective, and political networks, and who assert a peristaltic grammar of desire and resistance. Intervenes in theoretical discussions around the gut-brain axis, biopolitics and biopower, materialist feminism, psychoanalysis and hysteria, bodily habitus, and waste management.

New modes of Hope have emerged in the Anthropocene, increasingly grounded in an ethics of attentiveness and responsibility. Through incorporating contemporary approaches to both theory and policy practice, including critical, feminist, black and indigenous perspectives, this book analyses how Hope works with the uncertainties and interdependencies of human agency and interaction. It draws out the problems of integrating Hope into governance and policy management, and engages with Hope as a potentially negating force, in a world which can be seen as one of unending catastrophe.

Finnegans Wake - Human and Nonhuman Histories opens new ground by exploring the productive tension between anthropocentric and non-anthropocentric readings of James Joyce's final modernist masterpiece. Drawing on the most up-to-date theories and methodologies (the Anthropocene, new materialism, petroculture studies, the blue humanities, animal studies, ecofeminism, ecomedia), twelve leading Joyce scholars offer valuable new insights into the interwoven historical and planetary dimensions of Finnegans Wake. The volume's focus allows the contributors to read the Wake's nonhuman imaginary in original, often surprising comparative contexts (colonialism, the Irish Revival, the Free State's energy policies, the invention of television) and to spotlight enlightening nonhuman themes in Joyce's circular history (bogs, storms, rivers, bodily fluids, skin, wolves, mourning, DNA, atoms, labour, music). As these chapters show, a century later, Finnegans Wake remains a vibrant and vital text in which to interrogate the limits, exploitations and common plight of human and nonhuman life in the 21st-century.

The decades between the French Revolution and the mid-nineteenth century were a period of radical transformation in Scottish society and culture on many levels. The Scottish Enlightenment had seen a striking blossoming of the natural sciences, with the development of a distinctive and influential national scientific culture. The natural philosopher David Brewster was educated in Edinburgh amidst the intellectual ferment of the late Enlightenment but lived to end his days as a grand old man of Victorian science. This book uses the long and eventful career of Brewster as a lens through which to explore themes of rupture and continuity in Scottish scientific culture in a period of dramatic social and political change.

With an interdisciplinary agenda, Film Phenomenologies investigates the emerging field of film phenomenology, linking the fundamental significance of early thinkers and related methods of phenomenological investigation to newer emphases and diverse voices, such as Gaston Bachelard, Karen Barad, Simone de Beauvoir, bell hooks, Iris Murdoch and Hermann Schmitz. Established scholars consider various themes, including colonial duration and the politics of refusal, feeling feminist time, the exchange of play, scalar theory and scattered bodies, spectatorship and the entanglement of montage, disability, dance and speculative embodiment, AI phenomenology and breath gestures, cinematic atmospheres, the precarious intimacy of the film screen, stardom and biopics, and Black lived experience. Divided into three parts, Film Phenomenologies offers a collective combination of phenomenological approaches, braiding classic and critical methods to explore aesthetic, embodied, ethical, and political perspectives. It is the first collection to provide a substantial engagement with diverse and inclusive directions in the field of film and media studies.

The Midcentury Minor Novel brings to light a distinctive mode of the American novel emergent in the middle decades of the twentieth century. It explains how a group of neglected writers reimagined the novel as a minor form, defined by its constraints rather than its possibilities. Reflecting a broadly held view among critics that midcentury fiction was in crisis or decline, these 'minor writers' sought to make a virtue of what were taken to be the novel's bleak prospects, crafting fictions of modest proportions and seemingly attenuated ambition that reflexively explored their own aesthetic limitations. Ironically, the book argues, midcentury anxieties about the 'death of the novel' breathed new life into it. Blending literary criticism and intellectual history, the book offers close readings of five writers who shared this curious project for the novel, an account of which adds texture to our understanding of the aesthetic diversity of midcentury American literature.

Lyn Hejinian is considered one of the most important avant-garde poets of the twentieth and twenty-first centuries. Beginning with five poems written from 1963 to 1965, The Proposition collects Hejinian's previously uncollected works from 1963-1983 in one unique volume. The individual early works curated in this volume broaden the existing published collections of Hejinian's works, showing Hejinian's play with form, visual language, and linguistic experiment before the poet's move to project orientated writing practices. With a new Preface by Lyn Hejinian, and five essays by prominent critics in the field, the volume offers both a new collection of Hejinian's poetry and an important scholarly resource for students, scholars, and readers of contemporary avant-garde writing more widely.

Few polities were more instrumental to the rise of the East India Company and the advent of British colonial rule in South Asia than the Mughal successor state of Awadh (c. 1722-1856). And few individuals influenced the making of the Awadh regime and its pivotal relationship with the Company more than the chief consorts (begams) of its ruling dynasty. Drawing on previously unexamined Persian sources, this book centres the begams of Awadh within a revised history of state-formation and conceptual change in pre- and early colonial India. In so doing, it posits the begams as essential, if contested, builders of both the Awadh regime and the Company state, and as ambivalent partners in forging evolving political economies and emerging conceptual languages of statehood and sovereignty in early colonial India.