Bøger udgivet af EDINBURGH UNIVERSITY PRESS

This book is the first to trace the story of children's cinema from the end of Victoria's reign to its demise in 1982. The book taps into, evokes through its many black and white photographs, and frequently quotes, the remembered experience of millions of people. This book will revive many personal memories and, by setting out the context of the original experiences, will make a distinctive contribution to the history of British cinema.

Challenging beliefs about intellectual culture, Makdisi reaffirms the links between Western and Arabic thought and shows that although scholasticism and humanism have long been considered to be exclusive to the Western world, they have their roots in the medieval Islamic world.

Explores the relationship between Muslim communities and the State in East Africa in political, institutional and legal contexts.

Examines the significance of the Faustian pact in international criminal law

This architectural history of Edinburgh amalgamates the city's three main characteristics - a dramatic natural setting, an old town which evolved over several centuries and the Georgian new town which was conceived and built between 1766 and 1840. The book begins with the original proposals to build the New Town and ends a hundred years later with the death of William Playfair in the year of the completion of the National Gallery. It features period photographs of the city in the '50s by the late Sir Edwin Smith.

Solicitors and counsel in Scotland receive little training in the information systems of the Churches in Scotland. This makes it difficult for them to advise on church law or appear in ecclesiastical courts, tribunals or commissions. Following well-received seminars on the Church of Scotland's legal system in 2007, and with additional contributions from the Scottish Episcopal Church and the Roman Catholic Church, this book was specially written to fill this gap. It includes chapters on the various Churches' polity, processes and judicial procedures, including the Church of Scotland's Judicial Commission and disciplinary processes.

Main melody films are propaganda works that pay tribute to the Chinese nation, the party and the army. Since the turn of the century, they have gradually developed into the main genre of Chinese cinema, and its "blockbusterization" is arguably the most phenomenal aspect of the 2010s Chinese film industry. As an increasing number of Hong Kong directors are commissioned to direct main melody blockbusters, Chu examines their contributions to this genre, shedding light on the development of cross-border cooperation between the mainland and Hong Kong film industries. Professor Yiu-Wai Chu is Director and Professor of Hong Kong Studies Programme at the University of Hong Kong. He has authored and edited over twenty books, including Lost in Transition: Hong Kong Culture in the Age of China (2013), Hong Kong Cantopop: A Concise History (2017), Hong Kong Culture and Society in the New Millennium: Hong Kong as Method (2017) and Found in Transition: Hong Kong Studies in the Age of China (2018).

Whether we consider the digitally created and manipulated faces of Hollywood cinema or the social media filters, face apps, and surveillance software of everyday life, reading face language has become the seemingly endless task of humans and machines alike. Recent facial controversies - from politicians in blackface to "deep fakes," casting debates, and facial data collection-- have made clear the need for a broader understanding of the face on screen and its varied techniques and effects. Faces on Screen: New Approaches will consider the screen face from a variety of perspectives, across time periods and media, bringing together essays on topics ranging from early cinema to contemporary digital media - from photogénie to facial recognition, celebrity culture to digital creatures. It explores how screen culture builds on and complicates our urge to search the face for answers to our most intractable questions. Edited by Dr Alice Maurice is Associate Professor of English and Cinema Studies at University of Toronto. She is the author of The Cinema and Its Shadow: Race and Technology in Early Cinema (2013). Her work has appeared in journals including Camera Obscura, JCMS, and The New Review of Film and Television Studies, among others, as well as in a number of anthologies. She was the Associate Producer for both A Healthy Baby Girl (1996) which won the Peabody Award, and Defending Our Lives (1993) which won the 1994 Academy Award for Best Documentary Short Subject.

Explores the social, cultural, legal and religious changes in modern Oman This book provides multiple perspectives on the modern history of Oman during the reign of Sultan Qaboos (1970-2020). It examines the theme of rebirth: of the connections between the past and the future pursued by Sultan Qaboos and his government in fields as diverse as health, religion, law, economy, heritage and diplomacy. Not overlooking the many challenges faced during Sultan Qaboos' reign - and still faced by Oman - the contributors engage various theories and perspectives about the country's remarkable economic, religious, educational and cultural transformations. Key Features - Examines the role of Sultan Qaboos and the transformations that took place in Oman during his 50-year reign - Delves into new research on an understudied part of the world and the Middle East - Explores important themes of transformation and preservation, modernisation and continuity across heritage and culture; religion and law; literature, health and education; economics and development; policy, society and diplomacy Allen James Fromherz is Professor of History at Georgia State University and Director of the Middle East Studies Centre. Abdulrahman al-Salimi is an Omani scholar.

The most extensive and up-to-date volume of essays on the Gothic mode in twentieth century culture. During the latter half of the twentieth century the Gothic emerged as one of the liveliest and most significant areas of academic inquiry within literary, film, and popular culture studies. This volume covers the key concepts and developments associated with Twentieth-Century Gothic, tracing the development of the mode from the fin de siècle to 9/11. The eighteen chapters reflect the interdisciplinary and ever-evolving nature of the Gothic, which, during the century, migrated from literature and drama to the cinema and television. The volume has both a chronological and thematic focus and particular attention is paid to topics and themes related to race, identity, marginality and technology. Chapters on ecogothic, Gothic Studies as a discipline, Medical Humanities, Queer Studies, African American Studies and Russian Gothic ensure that the collection is up-to-date and wide-ranging. Suggested further readings at the end of each chapter are intended to facilitate further independent research by readers and researchers. Sorcha Ní Fhlainn is Senior Lecturer in Film Studies and American Studies, and a founding member of the Manchester Centre for Gothic Studies, in the Department of English at Manchester Metropolitan University. Her recent books include Clive Barker: Dark Imaginer (2017) and Postmodern Vampires: Film, Fiction, and Popular Culture (2019). Bernice M. Murphy is an Associate Professor and Lecturer in Popular Literature at the School of English, Trinity College, Dublin. She has published extensively on topics related to Gothic and horror fiction and film. Her latest monograph is entitled The California Gothic in Fiction and Film.

The first systematic, critical and comparative assessment of new authoritarian practices in the MENA region This collection examines new authoritarian practices that 16 MENA countries have developed in the aftermath of major uprisings across the region. These span new forms of digital surveillance, new protest policing practices, new forms of control over the judiciary, civil society and media, through to new security and communication laws and state of emergencies. The book also emphasises continuities with past authoritarian practices such as intimidation, imprisonment, torture, extrajudicial killing and ill treatment of dissidents, as well as other practices to suppress dissents and control activists, opposition parties, the judiciary and the media. By focusing on micro-practices of repression, New Authoritarian Practices in the Middle East and North Africa balances macro-structural explanations of authoritarian persistence alongside widespread social discontent and opposition. Key Features - Identifies the continuities and discontinuities in the practice of authoritarianism in the MENA region - Promotes a comparative approach when analysing new forms of authoritarian control in 16 countries: Algeria, Bahrain, Egypt, Jordan, Libya, Iran, Iraq, Israel/Palestine, Morocco, Qatar, Saudi Arabia, Sudan, Tunisia, Turkey, United Arab Emirates and Yemen - Brings together contributions from 18 academics specialising in different countries of the region Özgün E. Topak and Merouan Mekouar are both Associate Professors in the Department of Social Science at York University, Canada. Francesco Cavatorta is Professor of Political Science and Director of the Centre Interdisciplinaire de Recherche sur l'Afrique et le Moyen Orient (CIRAM) at Laval University, Canada.

An inquiry into probabilistic modes of sensing and making sense of reality developed by avant-garde artists Konrad Wojnowski argues that the probabilistic revolution, while recognized and investigated by historians of science, has been largely overlooked in the field of art. He shows that the idea that one can perceive and comprehend reality in terms of shifting probabilities was clearly present in the work of many avant-garde artists working in Europe and North America. Exploring the probabilistic aspects of the avant-garde allows him to establish a dialogue between scientific and artistic forms of knowledge. This is particularly important now, as we become surrounded by probabilistic AIs and while the very nature of cognition is being reinterpreted as inherently probabilistic. Konrad Wojnowski is Assistant Professor of Performativity Studies at Jagiellonian University, Krakow, Poland.

Examines the bicycle as a literary device and a cultural phenomenon at the turn of the century in Britain and France.

A comparison of tribal politics and the impact on governance in Kuwait, Oman and Qatar Tribe-state relations are a foundational element of authoritarian bargains in the Middle East - particularly in the Gulf States. However, the structures of governance built upon that foundation exhibit wide differences. What explains this variation in the salience of kinship authority? Through a case comparison of Kuwait, Qatar and Oman, Scott Weiner shows that variation in tribal access to limited resources before state building can account for these differences. Based on empirical data and over 50 interviews with former government officials, tribal leaders, civil society activists and students, the book reveals important new details about state formation on the Arabian Peninsula. Key features  Systematically connects the construction of kinship identity to state-level political outcomes  Emphasises the importance of pre-state conditions to post-state building politics  Assesses kinship politics in the ruling family, state ministries, parliaments, local governing institutions and interpersonal interactions Scott Weiner is a professorial lecturer in political science at George Washington University.

Explores advances in the fields of language documentation, language change and historical linguistics

Proposes naming as a criterion for classifying and evaluating theories of morphology

Remaps the state of Scottish writing in the contemporary moment, embracing its uncertainty and the need to reconsider the field's founding assumptions and exclusions A provisional re-mapping of Scotland's post-devolution literary culture, these fifteen essays explore how literature, theatre and visual art have both shaped and reflected the 'new Scotland' promised by parliamentary devolution. Chapters explore leading figures such as Alasdair Gray, David Greig, Kathleen Jamie and Jackie Kay, while also paying particular attention to women's writing by Kate Atkinson, A. L. Kennedy, Denise Mina, Ali Smith, Louise Welsh, and writers of colour such as Bashabi Fraser, Annie George, Tendai Huchu, Chin Li and Raman Mundair. Tracing continuities with 1990s debates alongside 'edges of the new' visible since Indyref 2014, these critics offer an in-depth study of Scotland's vibrant literary production in the period of devolution, viewed both within and beyond the frame of national representation. Marie-Odile Pittin-Hedon is a Professor of Scottish Literature at Aix-Marseille University (AMU). Camille Manfredi is a Professor of Scottish Literature at the University of Western Brittany (UBO). Scott Hames is a Senior Lecturer at the University of Stirling, where he led the MLitt programme in Scottish Literature.

Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world's most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions. This edited collection broadens the critical conversation around Martel's work by integrating analyses of her features with the less frequently studied short films and her other artistic projects. This volume's fresh, holistic approach to Martel's career includes contributions from scholars in Latin America, Europe and the United States, and ends with a new interview with Martel herself. Edited by Natalia Christofoletti Barrenha is an independent film researcher and programmer specialising in Latin American cinema. She is the author of Espaços em conflito. Ensaios sobre a cidade no cinema argentino contemporâneo (2019) and A experiência do cinema de Lucrecia Martel: Resíduos do tempo e sons à beira da piscina (2014. Translation into Spanish: 2020). Julia Kratje is a researcher at Argentina's National Council of Scientific and Technical Research (CONICET), and teaches at the Universidad de Buenos Aires. She is the author of Al margen del tiempo. Deseos, ritmos y atmósferas en el cine argentino (2019) and editor of El asombro y la audacia. El cine de María Luisa Bemberg (2020), among others. Paul R. Merchant is Senior Lecturer in Latin American Film and Visual Culture at the University of Bristol. He is the author of Remaking Home: Domestic Spaces in Argentine and Chilean Film, 2005-2015 (2022) and the co-editor of Latin American Culture and the Limits of the Human (2020).

What is the relationship between filmmaking and mapping? Accounting for the unique characteristics of Taiwan's cinema from 2008 to 2020, this book examines how filmmakers have depicted and imagined the island's diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, Brown offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan's film history. Christopher Brown is Senior Lecturer in Filmmaking at the University of Sussex. A practitioner as well as a researcher, Chris has published work on contemporary Taiwanese film, practice-as-research, and American cinema.