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Keats is one of the principal figures of the Romantic era, his verse violent, tenderly fanciful and intensely musical. This book contains both texts and commentary.

Nietzsche said that he never travelled anywhere without a volume of Emerson's essays in his pocket, while Mathew Arnold described Emerson as 'the greatest prose writer of the century'. It is a remarkable writer who could at once appeal to a man considered a pillar of Victorian society, and to a man dedicated to bringing down such pillars. In his own time Emerson was considered a profoundly radical thinker, but after his death he was increasingly seen as a bland Boston Brahmin, contentedly ripening with the new England melons, benignly meditating on such viperous notions as the Over-soul.He is now appreciated as one of the truly seminal American writers, refusing all orthodoxies, complacencies and fixities--both a truly celebratory and deeply adversarial thinker. A unique paperback edition, with introduction and chronology of Emerson's life and times.

The Prince is a mere tabulation of types of government and rulers, and of methods of maintaining them. It is this and no more.--Isaiah Berlin Credited with taking the ethics out of politics and hailed as the father of realpolitik, Machiavelli's name became synonymous with a form of politics that privileged expediency at the expense of morality. Whilst assuming the guise of a traditional 'Mirror of Princes' handbook, The Prince subverts the classical and renaissance conventions of such moralizing tracts. By exploiting the distance between ruler and ruled, Machiavelli encourages his Price to present an image of virtue when necessity dictates he act immorally. the results is a handbook dedicated to a new Price, espousing a politics of necessity with scant concern for justice and Christian morality when the security of the Price's rule is threatened. Set in the context of his earlier political writings, this edition shows how Machiavelli's advice was conditioned by the prevailing political and social culture of Renaissance Italy. His clinical analysis of the dynamics of power, however, is as chilling now as it was then.

Anglo-Saxon poetry is esteemed for its subtle artistry and for its wealth of insights into the artistic, social and spiritual preoccupations of the formative first centuries of English literature. This anthology of prose translations covers most of the poetry surviving in the four major codices and in various other manuscripts. A well-received feature is the grouping by codex to emphasize the great importance of manuscript context in interpreting the poems. The full contents of the Exeter Book are represented, summarized where not translated, to facilitate appreciation of a complete Anglo-Saxon book. The introduction discusses the nature of the legacy, the poet's role, chronology, and especially of translations attempt a style acceptable to the modern ear yet close enough to aid parallel study of the old English text. A check-list of extant Anglo-Saxon poetry enhances the practical usefulness of the volume. The whole thus adds up to a substantial and now widely-cited survey of the Anglo-Saxon poetic achievement.